Interlacing problem with SOUL/first CS5?

Hello

I'm having some problems with a file I'm trying to comply using CS5 SOUL of mxf XDCAM-HD wrapped wmv output that I need to be able to playback of a SDI black magic card.

The source file is 25 fps PAL

If I import the mxf in SOUL directly (without going through the first), I can output a file interlaced 6 Mbps CBR using the main profile successfully and it plays correctly on the screen I use to check the reading.

However, I need to remove 2 audio channels hire them and superimpose a logo. I did it by importing the file in first, the necessary changes and exporting to the SOUL.

When I do that, if I chose interlaced as my output of the SOUL, the file that results is terrible and movement is very choppy. If I change the output to deinterlaced, I see an improvement, but it is still not as good as the file that was imported directly from SOUL without passing by the first.

I need to understand (and address) what is happening within the first who made a difference in the output file of the SOUL.

Change the other output format as wmv isn't really an option at the present time.

I tried changing the settings to interpret the film in SOUL as well as various other options. I understand that I may not have provided sufficient information here someone be able to help, but if you let me know what you need to know that I will happily provide it.

Thank you

Fix; your sequence settings must match your settings to images so that the output to be correct. When you drop images interlaced in a progressive sequence, you say that the film is actually progressive - he is not smart enough to know the difference and use the sequence as first master parameters settings. It looks good when you do not play in sequence, because the first natively works with it. However, when you export to an interlaced format of a progressive sequence, first is essentially reinterlacing the file, resulting in some very ugly artifacts.

It's for another type of film, but try the procedure described here to get back you on track without having to do a re-Edition.

Tags: Premiere

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