Is "Track Matte Key" bug in Premiere CS6?

Similar Questions

• Track matte key I do something wrong?

  Hello everyone. I would appreciate it if you could help me on the following: a first sequence, I have 3 video tracks. Tracks video 1 and video 2 contain 2 separate clips and video track 3 contains a video cache static jpg (black and white). What I need to do, is I want to use the image jpg as a cache, so everything I do is place the three assets on top of the other and then apply a matte video 2, set his pole Video 3, value compositing luma and bingo! My 2 videos on track 1 and 2 are now playing with the mask I put to them.

  Now I want to step up in my element in the video track 2, while I focus on another part of it, but with the mask applied and not changed at all. What I discovered is that no matter if I adjust the clip before or after the application of the track matte key, the result is applied to both the mask AND the clip. Why does this happen? Is this a bug of version or do something wrong? Scale clip should not be able to get driven approach regardless of the cache? And why is this process done as it should be on After Effects, but not in first?

  To get a better idea of what I mean, I downloaded a video on YouTube about the issue. As you will see, to get the exact size of the mate to change from one element to another, I had to divide the jpg to mask using the razor and then apply a different scale on this subject. What would happen if I had, say, 20 different tracks?

  The clip is located here http://youtu.be/da52U9ZfLAw

  Thanks in advance

  Do not mix of movement and track mattes. You must make the request in a nested sequence.

  Take the track matte and video that you present a motion in a new sequence. The value of the matte on top and set the opacity to 50%. Use the gesture on the video just the way you want. Then poke the eye towards the matte so that you do not see.

  Now, you can nest this sequence on the main sequence and apply cache by approach rather than the original item. Since Premiere Pro does not see the motion in the main sequence (it actually happens in the nested sequence) then it does not bother the track matte effect.

• Track matte key

  Hello

  This may be a question for PhotoShop, but I want to use the matte key track effect to have a cut-out section move on the screen.  I think I can understand the effect to create what I want but problem is how you create a circle with a transparent background to layer on the timeline, creating the effect?  With the help of Pre11 / PS 11.

  Thank you

  The circle with the transparent background IS the matte, Steve.

  To create the effect you're trying to create, you put a white circle on a track above the video that you wan to drill a hole and use keyframes to animate its position - and then you add the matte effect to the video and video reference in the white circle.

  You can use a PSD layered backgroundless for your circle, or you can use the adjustments title drawing tools to create the white circle.

  FWIW, this is one of the 50 effects that I show you how create, step by step, in my book "tips tricks & Cool hot for first Elements 11", available on Amazon.

• Track matte key problem

  I took Jeff Jengstack 'Learning Premiere Pro CC' class and so far I have not had problems. In one of his lessons, he shows how to use the overlay cache track and he could move and resize its matte with the properties of the query, but I couldn't, so I did change the scale and position of the track matte in the Titler. In the next lesson that the matte was animated in the query properties, but in my version of Premiere Pro properties affects not the overlay cache track and I cannot keyframe is the properties of the scale/position in the Titler.

  The function to move and resize the overlay cache track in the properties of the query has been deleted from the cc PP?

  
  I hope someone understand my bad English

  You specify exactly what first CC version that you have installed (it is always good to specify this detail...). If you're on 7.2.2 then you may experience the problem that is discussed in this thread: http://forums.adobe.com/message/6294853#6294853

• Questions about the Image matte key

  I'm quite confused on Overlay of Imageand would like to comment on these observations:

  1. When I apply a picture as a cache, it does not seem possible at first to determine what image I used as the matte. After that I applied a mast, can I know what image is used as the mast?
  2. I have a 1920 x 1080 in grayscale, image PSD which is used as cache. The central part of the matte is black, the rest is white. I checked the RGB values in the matte and they 0,0,0 or 255, 255, 255. In the effect of overlay of Image inside the first I composite using Luma Matteand marked to reverse. If I reverse the image in Photoshop so that the Blacks are going to white and vice versa, it makes no difference in the creation. The effect of the matte is the same. Why is this?
  3. If I apply the matte from 1920 x 1080 to an image inside the first superior at 1920 x 1080, the cache does not work. Is this normal? I can get the matte works with the larger image in a new sequence and then this sequence inside the original sequence of nesting, but I do not understand why it is necessary.

  Any feedback is most appreciated. I use CS6.

  Guy,

  Then, you should migrate to the masking effect Track Matte.  Formally, you import the matte in the project (traceable through the reveal in Finder/Explorer) and place on a track above the video in need of carpet.   The effect is placed on the clip (V1) and configured to play the matte on V2 etc.

  

• Bugs in first CS6 6.0.5

  Hello

  I found two bugs in the 6.0.5 update for Premiere CS6

  1. bad display of the total duration of an element in the preview monitor

  If you define an in - out point in the control screen the time between the in - and outpoint is not always displayed correctly. You can increase the error when you set an in - and exit point, then move area of the chronology of the Preview monitor. Tit total of the element is displayed and not the time between in and out.

  2 Preview must be already made when using the sequences nested .

  Take nested sequences, where one of the sequences comes another project et return le Overview (red bars in the timeline turns green), save project and close. Now the project is open again, the bars are red again. But only in the sequence, the sequence has been included from another project.

  In the first CS6 6.0.3 all works very well. Anyone can reproduce this error?

  Concerning

  Axel

  PS: Sorry for my bad English. It is not my mother tongue.

  HI Axel,

  Thanks for your post. If you have time, you can save as bugs here: http://www.adobe.com/go/wish this way, the team will receive your bugs directly.

  Thank you

  Kevin

• Movement of mask and the track Matte Question - why it doesn't work?

  Hi first gurus...

  I am able to use the first titration module - to create a mask - then the Luma put on the effect of TrackMatte to isloate a region of the video (I duplicated the original) which I am interested.

  -By of many tutorials/videos online, I've found.

  Question: Why - can I not use the mask / "exit" from the ThreeWayColorCorrector to do the same thing?

  Image - duplicate the clip - drop the ThreeWayColorCorrector - using "High color" mode - to isolate people form (from an extract of the interview);  the background is black... the contour hair root and the body of the interviewee is white.

  I get white/black - because I passed the exit of the ThreeWayColorCorrector to 'mask '...

  Now - when I drop this clip on my video editing - that I use for the TrackMatte effect - it does not work as I had expected, it could - at all...

  Very disappointing - it would have been a very powerful way - to create a mobile cache to work with the TrackMatte effect...

  If someone has done something like this before? Y at - it an easy solution - or a setting that I missed...

  This should work really - not?

  Some information:

  I work with a GreenScreen shot - with lighting poor to separate the hairline of the screen.

  Work with green screen - subject to blonde hair.

  I thought that the retro-lighting/hairlight was not necessary - I was wrong.

  Now with the green screen hidden using this ultra key - get jagged effect around the airline and what looks like the snow and noise around the fringe.

  I thought en - 1) video duplication and combining with effect 2) TrackMatte - use a mobile mask that matched just the root of the hair/plan - I might be able to blurr the edge enough to get rid of the unpleasant effect I see...

  As BIG as the UltraKeyer is - different parameters of transparency/spill/Starter/soften seem not to be able to remove the ugly/noticeable hairline artifacts that I see...

  New - look like jagged effect / snow...

  Any thoughts?

  
  Thank you

  F

  In my opinion, the track-bearing on Pr capabilities fall away from the brand.  The fact fcp7 as it is very useful.  The limitation of the matte in public relations is that the mast is adjusted on the layer is hidden.  You can animate and change the scale and position of the track matte layer, but if you want it to run in smooth synchronization with the matted layer, you're in for a bit of work.  Ideally, you should be able to pan and adjust the layer being hidden inside a motionless mask.  Can-do that elegantly in PR.  This is a faulty design of the Pr, IMO.

  As a general rule, you must go to EI for the good contols, where you have all the power of masking you need, with the exception of the variable feathering, and who is rumored to be included in AeCS6.  Also it would be nice to be able to follow the points of mask, which is not currently in Ae either.  But that's another debate.

  That said, I am able to use the mask to a secondary use as a Luma matte.  Not sure why it does not work for you.  Have you played with the secondary commands sweetness?  I couldn't even be after what is your problem.

  However, here is a tip that I use with Ae that might work for your problem of inlay.  Use two instances of the Keyer.  Use all first to create a "garbage" key, where you will have the most greenery, leaving only a border around your subject.  Then, you can use the second instance of the Keyer to hone in on the edges.  Give it a shot.  Might work for you.  This method gives you an option to avoid the harsh cleanup settings of Matte with eradicating all the Greens in a framework.

• Could not launch/uninstall Adobe Premiere CS6

  Hi all!

  I just install Adobe Premiere CS6 in the but to do video editing.

  It appears in my app list, but can't find it on my PC! And impossible to uninstall not liked, the following error message appears:

  Exit code: 7

  Please see specific errors below for troubleshooting. For example, ERROR: DW028, DW039...

  -------------------------------------- Summary --------------------------------------

  -error fatal 1, 3 or errors

  ERROR: DW028: InstallOperationsQueue: instruction set is empty

  ERROR: DW039: the charges specified in the deployment file are already uninstalled.

  Please specify any other relevant measure of payload besides the driver.

  ERROR: DW028: InstallOperationsQueue: instruction set is empty

  FATAL: DW028: could not open the queue of the operation

  Like all my apps are en CC version, is it possible that it prevents the CS educational version?

  Thank you for your answers, I block a bit there!

  Emilie.

  Code 7 https://helpx.adobe.com/lightroom/kb/exit-code-7-displays-installing.html

  You have, of course, the required 64-bit operating system?

  What is your operating system?

• Please I need product key for my photoshop cs6, I work in trial mode and now it has expired

  Please I need product key for my photoshop cs6

  Fear the idea is that you test the software and if you make a purchase. Photoshop is not freeware. If someone were to give you a product key that would be software piracy. It would also be a very stupid thing to do because if you put CS6 on more than one machine their copy may stop working. If you don't handle Photoshop take a glance to GIMP running on Linux, OSX and Windows

  https://www.GIMP.org/

  Terri

• have Adobe first CC I pay for it every month I just downloaded... What do I have to pay for the film Pat because all their transitions have black lines on it... Also in first CC transitions they are like those on Adobe Premiere CS6 as much as

  have Adobe first CC I pay for it every month I just downloaded... What do I have to pay for the film Pat because all their transitions have black lines on it... Transitions in first CC are also like those on Adobe Premiere CS6 can get 1 transition and then take multiple options as only a transitional option when I take the transmission of action... for example break glass I can also do several different transitions with in the glass break action transition

  Hi Willkutlass,

  I'm sorry but don't know what 'pat film' is. If it is a 3rd party effect/transition, you may have to pay for it.

  And the video transitions in Premiere Pro CS6 and first Pro CC are the same.

  Only difference, several transitions in CS6.

  

  Answer please, if you would like more information.

  Thank you

  Ilyes Singh

• I have download Adobe Premiere CS6 in the trial with the CC, but it doesn´t install the program so I launch can´t.

  I have already downloaded Adobe Premiere CS6 Adobe Creative cloud, but it downloads the program but doesn´t install it.

  Who does not respect the conditions... you MUST have a 64-bit operating system

• Adobe Premiere CS6 blurry video quality when you export in H.264 format

  Hi guys! I want to do a channel on youtube with a saved PC gameplay and I want to do it to the best possible quality. I record with Action Mirillis to my laptop screen rezolution origin which is 1360 x 768 at 60 frames per second in AVI format. I use Adobe Premiere CS6 to render the clip with the H.264 codec to resolution 1360 x 768, cadence 60, square Pixels (1.0), NTSC, high profile, level 5.1 Bitrate encoding format is VBR 2 passes, flow target [Mbps] set at 10 and made maximum use of verified quality but the quality of the export is a little blurry compared to the original screen recording. So my question is what can I change or add to these settings to make my export quality as close to the original as possible? Thank you

  1360 x 768 is a common computer display resolution, but is not really a resolution of 'standard' at all. Maybe try export under video 720 p, 1280 x 720. MAX rendering quality need only be verified when you descale the output (which you would be if export to 720 p).

  Thank you

  Jeff Pulera

  Safe Harbor computers

• Adobe Premiere CS6 there is no way to create a 'subtitle', in this version, there is this opportunity or just CC?

  Adobe Premiere CS6 there is no way to create a 'subtitle', in this version, there is this opportunity or just CC?

  In the Project menu, right mouse click window - create a new element - subtitle.

  This is not present in the menu! Its normal for its first version?

  It's only available in first Pro CC feature.  CS6, you use a third-party tool to create closed captioning. You have a few choices - there are two commercial products I have used and to know, to create the sidecar closed captioning files that can be used in the BODY and follow the standards of the industry for CC: Telestream is a design program called "MacCaption" for MAC and "Caption Maker" to WIN. In addition, a German company (www.zeitanker.com) makes a program called "Annotation edit".

• I want to download a trial version of Premiere CS6 please. Is it someone from Adobe can give me a working link?

  I want to download a trial version of Premiere CS6 and technical support told me that I had to ask for a link in this forum. Can someone please give me a link?

  Master Collection collections or the first Production here could do it for you: download Creative Suite 6 applications

  If this does not work, try this: Download Adobe CS6 tests: direct links (without Assistant or Manager)

• A layer as a track matte for several layers

  I have a few animated texts. IM using a solid as track matte hides the text. Instead of precomping all my text or make multiple copies of the acting solid as a matte, I was wondering if its possible to add a phrase to my text layers say, indeed, serve this hides a layer by approach.

  Use for this purpose.

  http://Provideocoalition.com/RYoung/story/set_matte_a_32-bpc_matte_node