Jump start audio player

I knew that some DVD players are unable to play the beginning of a timeline, so I left the first 15-20 images in my timelines body empty, and things seemed to work very well with the players I test it on.  Then the Murphy's law kicks in- after I got 1000 reproduced DVD and a good part of them distributed to points of sale, I bought a cheap to use for demos portable DVD player and discovered that the player is unable to play the first bit of audio on some of my pieces (video clips (as well as the audio is important - an intro to the song with the first missing beat is pretty boring).  Well, not only I want to burn a disc of demo which sounds directly on my laptop, but I also need to learn for the future.

In again, I tried to move the audio and the video timeline to leave an empty space at the beginning, but it does not - it simply no longer interrupts before playing my video with the beginning of the audio cut.  Until I take the trouble to return to the body, edition to increase the timeout it and re - encode a bunch of these titles, I would like to find out if (a) there way in again to do it, and (b) how much time is required to be safe for most of the players?  Naturally, I don't want to leave more space that needed - many players respond very slowly to commands (or actions to end move from one track to the other), so I don't want to do, it is slower than what he must do.  And even though things around on a timeline still sliding and burn another coaster are a bit frustrating, if I have to go back and re - encode a bunch of leads every time I want to test a slightly different schedule, is an even greater waste of time.  And my laptop is just one example of a slow player, and it would be helpful if someone can share a rule for most of the players, and/or an explanation of what's going on "under the hood" that is causing the problem and why pass clips timeline still does not solve it.

OsakaWebbie wrote:

Thanks for the long calculation example - most of this stuff I already knew how do it, but I pulled a few snippets of news of him.  A difficult thing seems to be when to use 1000 and when to use 1024 - for example, at one point, you said: '... ". bitrate of 8, 000 Kbps or 8Mbps... ", but I would have thought this would have been a case where 1024 applied.  (I know about the DVD - R size smoke-n-mirrors, 4.7 MB is based on 1000 when all other storage in memory and memory is computed using 1024.)

The piece, I didn't know when I wrote my last post was not covered in your example, which is the speed of transmission of the audio not compressed (or rather, the resolution - if I know that I can do the math of the bitrate).  If it is the 16-bit resolution, the bit rate is:

48 kHz * 16 bit * 2 channels / 1024 / 1024 = 1.46 Mbps

(It's strange - I 1.33 last time... in any case, it is not very different.)

Can you confirm the normal resolution audio PCM, during the release of the body (whether by "Export the Audio" or MPEG2-DVD parameter in the Media Encoder)

For all flows past on DVD, the rule is 1000 instead of 1 024 bits/bytes, so I made a mistake - he should have been 1.536Mbps.

48000 * 16 * 2 / 1000000 = 1536 kbps = 1.536 Mbps. sorry about that. Dolby Digital are correct. (Interestingly, a DD - WAV file may well be different...)

OsakaWebbie wrote:

Since I space most of the time, the worry when I decide on the number of targets/mini-maxi VBR is not overfilling the DVD, but ask the players.  So a gem of info I found in your example is what you called "bandwidth of the reader" - apparently the max of all must not exceed 9.8Mbps at any time even if the target bit rate is lower.  This could explain why the slider to set the max VBR setting in Media Encoder will not go beyond 8.  And if I use PCM audio and you want to avoid getting near the limit (I agree with you on not to push the edge), I should probably get my max up to 7,5 or liked it, right?

Print media has significantly reduced the reflectivity, and some players will not reliablyt production a total flow combined 7Mbps.

Judging by the context I guess that your term "print media" (you has not yet set it) means that what I would call a serious DVD-r when you say 'no reliably power', is that referring to maximum values or just average?  If it peaks, and then when I do something small that will just burned, if I want to use audio PCM, I shouldn't put the max flow about 5 or 5.5 at most.  It's really small compared to values typical max bitrate in MPEG2-DVD presets that come with Media Encoder.  I understand it?

Finally, a "side" question:

There will be a single stream of subtitle used to name each song he starts.

Would the fact that you have chosen for your example shows that you could do something like that - you really use a stream of subtitle for something that occurs only once per song and does not require an option to turn it off?  I do not show the names of my songs, but even if I had ended up using subtitles for my words, it would not have had place for me to do it for the title of the song.  I'm curious: why you not only would put something like that in the video stream real?

Personally I don't like the harsh look of captions in any case - I can't have them fade in and out, and do not look their non-crenelees edges close as beautiful as a shadow smooth in the Titler to Agency.  So unless I need to offer the functionality of group users, or he needs a lot of them (real subtitles of spoken text at length), I tend to make securities in the video stream - in this way, I have complete control over their appearance.

First of all, "print" is actually the same as a disk engraved.

Re bitrates & drive bandwidth.

The pic you can get depends on total runtime as well as the flow of audio & subtitle, of course.

When you use Audio LPCM, it removes your 9.8 1.536, you leaving with 9.264, less 400 others as still not going up to 9.4 total, it seems (interpolation from the preference setting, in any case), leaving you with available 7.864 your pic. How far you're going you is, of course, but you should probably get a good bitrate of spelling when you perform a manual encoding as you think, it's the peak flow can actually be much smaller reality - I've seen MPEG-2 code for the 7Mbps peak values game actually Ridge out to 8 Mbit/s.

MPEG-2 encoding is an art form all on its own, that's why the major studios employ people only as encodists.

For most cases, you can usually still leave to handle it all on its own - it usually does a good job of it.

Subtitles for the song names.

You could hard-print it in the video file if you want, but if it is added as a subtitle, and scheduled for a few seconds at the beginning, you can put running or off as you wish. Hard, burned in the video, it's all over--permanently. You can move a lot of issues with this form of titration subpicture by being extremely careful with fonts

Tags: Encore

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