Lenses for vixia hf r72

Similar Questions

• lenses for APS - C format will work with a full frame?

  I look again for Canon 5 d IV, but can't afford to start out, but with maybe one goal, their EF 24 ~ 105. I have a few lenses for my other devices. the first three go with my EOS Elan, yes I kept a camera for 20 years... I was in the East, America Asia Central, Hawaii, Canada and England with me.

  Canon

  EF 35 ~ 135 mm f/4 ~ 5.6

  EF100 ~ 300 mm f/4.5~5.6

  EF 50 mm f/1.8

  EF 50 mm f/1.4

  EF-S 18 ~ 200 mm f/3.5~5.6

  EF-S 18 ~ 135 mm f/3.5~5.6

  Tamron

  SP 70 ~ 300 mm f/4 ~ 5.6

  16 ~ 300 mm 3.5 ~ 6.3

  SP 150 ~ 600 mm f/5 ~ 6.3

  Thank you, Blair...

  Objectives of Canon EF - S cannot be mounted on a FF camera.

  A few glasses of APS - C 3 rd-party can mount successfully, but at best, you'll probably get vignetting. At worst, you may damage the mirror.

• my lenses for my current Canon Xsi fit a new Eos 60 d?

  I am looking to buy a new camera, but has recently invested in 3 new lenses for my xsi-will they an Eos 60 d or any other model?

  When you ask a question like this it's best to list your models of lenses, BUT given that the 60 d is a body of cultures as your Xsi you lucky, ILS is ADAPTENT.

• How can I update the list of lenses for Nikon 500 mm F4.0 and Nikon 35-70 mm f 2.8?

  In the development phase can corrective lenses for lenses known according to the manufacturer.

  However, the above mentioned 2 lenses are not in the list.

  How can you include in the list?

  Thank you

  Ofer

  You must locate the profiles of boards or create profiles for the lenses. There is a utility, Adobe Lens profile Downloader:

  Adobe - Ado be Lens profile Downloader: For Windows: Adobe Lens profile Downloader 1.0.1

  Adobe - Adobe Lens profile Downloader: for Macintosh: Adobe Lens profile Downloader 1.0.1: thank you

  If you do not find one available, you can then use the lens profile creator:

  Adobe - Adobe Lens profile creator: for Macintosh: Adobe Lens profile creator 1.0.4

  Adobe - Adobe Lens profile creator: for Windows

• Lenses for Canon PowerShot S120 profile?

  Is there a profile of lenses for the Canon PowerShot S120?

  I use the lens S100 profile to my S120. I didn't thorough tests to see the degree of precision, it is, but it seems to be ok, especially the vignette correction.

• Install a profile of lenses for a Samyang 14 mm f2.8 ED GLISSEE UMC

  Install a profile of lenses for a Samyang 14 mm f2.8 ED GLISSEE UMC

  I downloaded http://www.photo-Worx.de/index.php?option=com_content & task = view & ID = 49

  I edited the PCL file and the value

  < stCamera:CameraRawProfile > True < / stCamera:CameraRawProfile >

  so this should work for my brute. DNG file

  I created a folder for it and place the Samyang14mm.lcp file in

  F:\Program Adobe Photoshop Lightroom 5.4\Resources\LensProfiles\1.0\Samyang

  and restarted LightRoom5.4

  But under the lens Corrections, when I enable profile Corrections check there is no Samyang show and I can't find the profile.

  What I am doing wrong?

  Someone at - it a profile of RAW for the Samyang 14mm f2.8 ED SLIPPED UMC that works?

  Lightroom/resources records are for lens profiles provided by Adobe, only. LR will ignore all the other profiles in there, and profiles will be lost when you upgrade LR.

  The profiles provided by the user go under your folder users as shown here:

  http://members.lightroomqueen.com/Knowledgebase/article/view/1373/205/Lightroom-5-default-emplacements #7

• Profile of lenses for Canon 28/1.8 - already installed in LR4?

  Hmm, the explanation of aim profiles and how to add is a bit confusing.

  When I look here in the list of Adobe own lenses taken in charge, my new ""Canon EF 28mm f/2.8 IS USM " list:"

  http://helpx.Adobe.com/x-productkb/multi/lens-profile-support-Lightroom-4.html

  Is that mean that the profile must already be installed in LR 4? (I'm under 4.4)

  The profile is not displayed in Lightroom for me. (I'm shooting JPEG).

  I downloaded the lens profile Downloader and found a profile for this goal, but that is the official profile of Adobe for the lens? I installed it but it still does not for me because it is for RAW only.

  Sorry for the newbie question.

  Thanks in advance,

  Paul D.

  Lenses for JPEG profiles are few and far between. Software of the lens using profiling to make your own may be your only option.

• Lenses for Canon EF200mm f1.8L profile

  I don't know if this has been answered before or not, but I'm looking for a profile of lenses for the Canon EF 200 mm f1.8L. Such a profile exist? If this is not the case, how can I request the creation of this profile?

  Thank you

  Shawn

  It doesn't seem to be all available. Because it would be a rare goal there would unlikely be Adobe produce one, however you can create (and share) one yourself with your camera/s.

  The tool is here: http://labs.adobe.com/technologies/lensprofile_creator/

  Don't forget to share!

• Lenses for my eos 1000f

  I was given a camera EOS 1000f a few years ago and I am currently trying to get a portrait/normal lens for it. I've been scouring the internet without much success in terms of whether the new lenses are compatible with the old camera. Everywhere wherever I look there are articles on the old lenses on new dslr cameras, not vice versa!

  I would like to know if I should look for old lenses of opportunity specific or if it is useful to make a new lens (are they compatible?) for example the canon EF 50 mm f/1.8 lens?

  I hope someone can clear this up for me, thanks!

  Any lens EF, (not EF - s or EF - M) will fit your camera. If you can find a used f/1.8 50mm (the original with the metal mount), it would be a good lens to get.

  If you can't find one of them the new target of 50mm f/1.8 VTS would work.

• I need lenses for Canon 6 d

  Hello

  I just bought my 6 d with EF 24-105mm f / 4L IS USM lens. I'm new in the world of photography canon so I'm still confused about what lenses should I own suits my needs. I need especially my goal to take pictures at my gym where I teach karate classes, the room is about 50 * 50 feet, I am planing to take pictures for the students, while peferoming karate moves so I want to take pictures for the whole team that for sure needs a wide-angle lens but I know not the focal length I need and if it has zoom the goal or not. Addinng to this use I need as well to take pictures for my new born baby and occations of my other child such as birthdays, school events...

  Thank you in advance

  I might consider getting the EF 50 mm f1/.4 USM.

  I imagine that you will use this to capture images of students performing moves - they are 'on the move '.

  During motion capture, you can (a) use a shutter speed faster to 'freeze' the action, or (b) use a slightly slower shutter speed to allow the image implies a sense of motion blur (and sometimes, it's actually a more compelling.)

  Photograph of Interior with faster shutter speeds is delicate, because usually the light is weak (Fortunately the 6 d has a high ISO range.)  But it helps to have a goal which collects naturally much more light.

  Your 24-105mm lens has a maximum ratio of focal f/4.  The report describes the number of times the diameter of the free opening in the lens (opening) can be divided into the focal length.  This means that to, say, 100mm... the aperture of the lens is able to dilate and 25mm wide and 25mm is divided into 100mm exactly four times, it is a lens ' f/4' (the aperture blades may contract smaller... the value printed on the lens always describe the report using the largest possible opening size.)

  A 50mm f/1.4 lens collects literally EIGHT times more light.  This means that he can use a shutter speed to eight times faster than the 24-105mm... or it can use a lower ISO setting (to reduce the 'noise' in the image).

  I am also considering a lens based on subject framing.  You can use the calculator 'dimensions of field' on this Web site: http://www.tawbaware.com/maxlyons/calc.htm

  So imagine that you want to capture a student doing a kick in which you believe, you will need a framework at least 10' high.  You can use the calculator to determine what focal length of a given distance, you'll need to capture that.  If I plug a 50mm lens, guess I'll be 20' away from the student, and then I can plug these two values.  There is a third value, which is the "focal length multiplier" (also known as the "crop factor").  Your 6 d is a "full frame" camera, which means that the factor of cropping (or multiplier) is always exactly '1' (if you had a camera with a sensor size of APS - C... a little... then your crop factor sensor would be 1.6).

  If I access the '50' for the focal length of the lens, '1' to multiply the focal length and '20' to my distance to the subject and click the "compute" button, it tells me that the physical framework of the distance dimensions is 9' 7.2 "high (in the vertical direction) and 14' 4.8" wide in the horizontal direction.  It is a comfortable (close enough to 10') frame to frame the subject and perhaps also their target.

  I could try other lenses too...  I could plug in 85mm as the focal length, but I try to change the distances to get a similar framing and I discovered that at 85mm, I really need about 35 feet away (instead of 20' far away.)

  You can imagine how go to higher focal lengths will be able to get to a point where you run lack of space in your room 50' because if your subject is in the middle of the room, you have about 25' and your back is against the wall, trying to get this shot.  That's why... I think that 50mm is probably a good lens (again this is based on the assumption that you want to capture a vertical height of approximately 10'.)

  A bit of caution... When you use a lens with a report f / d below, the depth of field (an imaginary Beach distances to your intended focus distance over which subjects seem to be in acceptable focus) becomes narrower.

  With a 50mm using f/1.4 lens and a lens focused at a distance of 20', the 'depth of field' is a little over 4' thick... distance of 18.1 ' through 22.3 ' will appear to be reasonably acceptable point.

  Compare that to f/4 (using the same focal length and 20' 50 mm) and the depth of field is 12.7 ' thick... distance of 15.5 ' through 28.2 ' are in acceptable focus.

  You can see that, while the report f / f/1.4 d collect eight times more light, it happens to a compromise in the depth of field (btw, a lot of people really LIKE the blurred background and do their best to get the effect).

  If your subject distance changes, then you'll want to use the mode of development of "AI Servo" (instead of the mode of development of the default camera 'One Shot') which causes the camera constantly reevaluate and tweak attention than your distance to the subject changes (in 'One Shot' mode it will carry only until she Achieves a lock... and then stops focusing even if your subject is moving and distance) is no longer valid.)

  Flash: You ask about flash, but I thought I would offer this because it's something I would probably consider doing in this situation.

  It becomes a bit complicated because of the 'synchro-flash max' speed (on the 6 d speed is 1/180th second shutter speed)  This is not fast enough to 'freeze' the action if this action is at a relatively high speed.

  The camera uses two "curtains" (doors) that slide on the sensor.  When taking a picture, you open to start the show... a moment later, the second, are closed.  The doors have a maximum speed of physics that they can move to open or close.  On your camera, a shutter speed of 1/180th second or slower allows a door to open COMPLETELY, then the flash (Exhibitor the entire sensor to light) and then close the second door.  A speed faster than 1/180th requires that the second door already begin before the end of the first opening of the closing door.  So to create pictures of high speed, the first door left open but the second door begins suite - expose really just a "slot" of light that sweeps the sensor.  This allows your camera to use shutter speeds that are faster that the doors can actually move.  If a flash fire when there is only a slit exposed, while part of the sensor exposed by this crack Gets the benefit of the light.

  It deals with issues like a flash that support the mode "sync high speed ' with enough power for multiple light chips needed when using high-speed sync.   This means pulse flash quickly because the shutter works so well that each part of the sensor has Flash.  But as the flash needs to perform several bursts, then single burst may trigger the 'full' power because the flash has book enogh power for all the necessary pieces.  It is useful to have a powerful flash in particular (as Canon 600EX-RT).

  You can also use mode "sync second curtain" If you normally involves movement... when using a flash, the first door opens, then flash fires... and wait for the camera on the amount of time needed for your show time... and THEN close the second door.  But if something is moving, it means you get a bright subject (in flash) and then the ambient light continues to bring a bit of light on your subject that continues to shift.  This dimmer light on the moving subject creates a ghost trail... but the trail is "in front" of your subject, rather than 'behind' your topic - following, so it seems a little strange.

  "Second curtain" mode involves the camera to delay the release of the flash, just before the second door closes.  This puts this drag ghost 'behind' your topic.

  BTW, this second option (which implies the query using a flash on mode "on the 2nd curtain sync" while using a slow shutter speed deliberately) also helps the camera much better capture the background exposure of the room (we call this technique "dragging the shutter" because we deliberately use a slower than necessary shutter speed when using a flash).

• Lenses for Olympus lenses... correction presets?

  In the past I remember that in the correction of lens (to be developed) Panel, if I used an Olympus micro 4/3 lenses (e.g. M.ZUIKO Digital 17 mm f /1.8) No. listed in the drop-down menu Olympus lenses there, but a symbol appears saying that the goal was already a correction applied to the raw file (or words to that effect).

  I've just updated LR a week or two ago, and it seems not yet to say this in the Panel of the lens, he tells just something like "no correction of the lens could be found.

  Are built there are still in corrections for Olympus lenses... in the latest version of LR?
  Why they are 'hidden' corrections (if they are there at all)?

  Thank you

  Alan.

  For your camera that has built-in profiles, work of the message is different depending on whether corrections profile of lenses are enabled or not.

  Without activation to allow Corrections of profile, you will see a message that your device has built-in profiles which are applied automatically.  That's what you remember seeing before.

  With the activation to allow Corrections of profile, you see a message that it cannot find a profile, which is true since you ask LR to find an external profile, option for your goal, and it is not a.  This does not mean that integrated fixes are not applied, more, they are, it just means that there is that one place to have a message and LR can both say that the built-in corrections are applied and that it cannot find a non-built-in profile.

• Profiles of lenses for different organizations, but the same sensor size?

  I downloaded LR 4.1 RC today.  Some of my lenses are not explained in LR so I downloaded then Lens profile Downloader Preview 3 to see if there are all the profiles available for download.  For some lenses I found profiles, but they did not go on the same body I have (same sensor size however).   Can I use profiles for the lenses if they are for a camera body that is different from mine, but always the same sensor size?  I know that with a lens profile LR auto corrects distortion, vignetting and CA.  That will work if my body is different from that of the body used for the profile of the lens?  Thank you.

  Yes it is possible.

  I downloaded it with Adobe Lensprofile Downloader

  In LR, I choose it bonded.

  I have the Panasonic Lumix G 20 mm f 1.7 ASPH on Panasonic GF1

  and the available profile is (same lens) for Panasonic Lumix DMC - G3.

  Works very well.

  Frans

• Impossible to activate the correction lenses for images

  I try to get all the JPEGs, shot with a particular camera to have profile lens corrections applied to them. So with a jpeg that is selected in the development module I check on "Enable lens corrections" click setup and click "save new lens correction default profile." But it does not work. The next jpeg that I select is not activated lens corrections. Or it does not work if the setting to develop, I click on set default settings > update current settings. I think I have to activate the lenses to each image corrections. What I am doing wrong?

  Settings that you did for images should apply to others or the images differently than what I understand, you were doing:

  You say that you update to current settings >.

  This means that you update your lens correction parameters (that you developed earlier) with the parameters of the new image (which does not have lens applied correctioons).

  Instead, try the following - in the develop Module:

  Once you have the frame for a picture, select more images without deselecting the first image (ctrl + click on the images more).

  Your first image should have a light gray frame, other images, a slightly darker gray frame. This means that all images are selected, but your first image is active.

  At the bottom of the right pane, click . A dialog box appears that allows you to check the settings you want to apply to the other images.

  Check or anything that applies in the case of sub-options of lens correction.

  Click . Your lens correction should now be applied to other images - and also other parameters of development if you checked them.

  WW

• Lenses for a digital camera

  I have two cameras Canon EOS one is a Rebel G the other is momentum 7 G. I am interested in a digital camera. I would use all my lenses on the new camera. All the digital camera will accept all my lenses?

  Yes, all Canon Digital bodies are EF-mount and work with your EF lenses.

• Must have a microphone for Vixia HF R300 remote it's own power supply?

  Or can we just plug a microphone line in directly?

  Hi sunnyjay!

  Thanks for posting on our forum!  The microphone must be self-powered.

  It has not responded to your question or problem? Find more help contact us.