Profile of lenses for Canon 28/1.8 - already installed in LR4?

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• Lenses for Canon PowerShot S120 profile?

  Is there a profile of lenses for the Canon PowerShot S120?

  I use the lens S100 profile to my S120. I didn't thorough tests to see the degree of precision, it is, but it seems to be ok, especially the vignette correction.

• Lenses for Canon EF200mm f1.8L profile

  I don't know if this has been answered before or not, but I'm looking for a profile of lenses for the Canon EF 200 mm f1.8L. Such a profile exist? If this is not the case, how can I request the creation of this profile?

  Thank you

  Shawn

  It doesn't seem to be all available. Because it would be a rare goal there would unlikely be Adobe produce one, however you can create (and share) one yourself with your camera/s.

  The tool is here: http://labs.adobe.com/technologies/lensprofile_creator/

  Don't forget to share!

• Install a profile of lenses for a Samyang 14 mm f2.8 ED GLISSEE UMC

  Install a profile of lenses for a Samyang 14 mm f2.8 ED GLISSEE UMC

  I downloaded http://www.photo-Worx.de/index.php?option=com_content & task = view & ID = 49

  I edited the PCL file and the value

  < stCamera:CameraRawProfile > True < / stCamera:CameraRawProfile >

  so this should work for my brute. DNG file

  I created a folder for it and place the Samyang14mm.lcp file in

  F:\Program Adobe Photoshop Lightroom 5.4\Resources\LensProfiles\1.0\Samyang

  and restarted LightRoom5.4

  But under the lens Corrections, when I enable profile Corrections check there is no Samyang show and I can't find the profile.

  What I am doing wrong?

  Someone at - it a profile of RAW for the Samyang 14mm f2.8 ED SLIPPED UMC that works?

  Lightroom/resources records are for lens profiles provided by Adobe, only. LR will ignore all the other profiles in there, and profiles will be lost when you upgrade LR.

  The profiles provided by the user go under your folder users as shown here:

  http://members.lightroomqueen.com/Knowledgebase/article/view/1373/205/Lightroom-5-default-emplacements #7

• Get the byte [] for a COD that is already installed

  Anyone happens to know and be willing to share, how to get the byte [] for a COD package that is already installed on the device?

  Thank you

  There is no API on the device that allow you to programmatically access binary data of a cod file.

  You can copy files of cod on a BlackBerry Smartphone using javaloader.

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• Impossible to find profiles of lens for Canon 35-80mm and 80-200mm (3.6 Lightroom)

  Hello

  
  

  This may seem like a piece of cake to most of you, but I am fairly new to photography, especially things like the optical correction, etc.

  I use Lightroom 3.6 and there is no profile target for these 2 objectives:

  Canon 35-80mm

  Canon 80-200mm

  Anyone know what to do in this case? Do I need to create them somehow (if so - how?) or can I download them (if so - where)?

  Thank you in advance for your help!

  Kind regards

  A.
  

  Profiles for these lenses have been added in later versions. But I don't know because I don't keep track of all the profiles that are added. If you Google Adobe Lens profile Downloader, you will find link to a program provided by Adobe. It will connect you to a Web site where other people have created profiles and are sharing them with others. The Downloader will download and install all of the profiles that you choose.

• I need lenses for Canon 6 d

  Hello

  I just bought my 6 d with EF 24-105mm f / 4L IS USM lens. I'm new in the world of photography canon so I'm still confused about what lenses should I own suits my needs. I need especially my goal to take pictures at my gym where I teach karate classes, the room is about 50 * 50 feet, I am planing to take pictures for the students, while peferoming karate moves so I want to take pictures for the whole team that for sure needs a wide-angle lens but I know not the focal length I need and if it has zoom the goal or not. Addinng to this use I need as well to take pictures for my new born baby and occations of my other child such as birthdays, school events...

  Thank you in advance

  I might consider getting the EF 50 mm f1/.4 USM.

  I imagine that you will use this to capture images of students performing moves - they are 'on the move '.

  During motion capture, you can (a) use a shutter speed faster to 'freeze' the action, or (b) use a slightly slower shutter speed to allow the image implies a sense of motion blur (and sometimes, it's actually a more compelling.)

  Photograph of Interior with faster shutter speeds is delicate, because usually the light is weak (Fortunately the 6 d has a high ISO range.)  But it helps to have a goal which collects naturally much more light.

  Your 24-105mm lens has a maximum ratio of focal f/4.  The report describes the number of times the diameter of the free opening in the lens (opening) can be divided into the focal length.  This means that to, say, 100mm... the aperture of the lens is able to dilate and 25mm wide and 25mm is divided into 100mm exactly four times, it is a lens ' f/4' (the aperture blades may contract smaller... the value printed on the lens always describe the report using the largest possible opening size.)

  A 50mm f/1.4 lens collects literally EIGHT times more light.  This means that he can use a shutter speed to eight times faster than the 24-105mm... or it can use a lower ISO setting (to reduce the 'noise' in the image).

  I am also considering a lens based on subject framing.  You can use the calculator 'dimensions of field' on this Web site: http://www.tawbaware.com/maxlyons/calc.htm

  So imagine that you want to capture a student doing a kick in which you believe, you will need a framework at least 10' high.  You can use the calculator to determine what focal length of a given distance, you'll need to capture that.  If I plug a 50mm lens, guess I'll be 20' away from the student, and then I can plug these two values.  There is a third value, which is the "focal length multiplier" (also known as the "crop factor").  Your 6 d is a "full frame" camera, which means that the factor of cropping (or multiplier) is always exactly '1' (if you had a camera with a sensor size of APS - C... a little... then your crop factor sensor would be 1.6).

  If I access the '50' for the focal length of the lens, '1' to multiply the focal length and '20' to my distance to the subject and click the "compute" button, it tells me that the physical framework of the distance dimensions is 9' 7.2 "high (in the vertical direction) and 14' 4.8" wide in the horizontal direction.  It is a comfortable (close enough to 10') frame to frame the subject and perhaps also their target.

  I could try other lenses too...  I could plug in 85mm as the focal length, but I try to change the distances to get a similar framing and I discovered that at 85mm, I really need about 35 feet away (instead of 20' far away.)

  You can imagine how go to higher focal lengths will be able to get to a point where you run lack of space in your room 50' because if your subject is in the middle of the room, you have about 25' and your back is against the wall, trying to get this shot.  That's why... I think that 50mm is probably a good lens (again this is based on the assumption that you want to capture a vertical height of approximately 10'.)

  A bit of caution... When you use a lens with a report f / d below, the depth of field (an imaginary Beach distances to your intended focus distance over which subjects seem to be in acceptable focus) becomes narrower.

  With a 50mm using f/1.4 lens and a lens focused at a distance of 20', the 'depth of field' is a little over 4' thick... distance of 18.1 ' through 22.3 ' will appear to be reasonably acceptable point.

  Compare that to f/4 (using the same focal length and 20' 50 mm) and the depth of field is 12.7 ' thick... distance of 15.5 ' through 28.2 ' are in acceptable focus.

  You can see that, while the report f / f/1.4 d collect eight times more light, it happens to a compromise in the depth of field (btw, a lot of people really LIKE the blurred background and do their best to get the effect).

  If your subject distance changes, then you'll want to use the mode of development of "AI Servo" (instead of the mode of development of the default camera 'One Shot') which causes the camera constantly reevaluate and tweak attention than your distance to the subject changes (in 'One Shot' mode it will carry only until she Achieves a lock... and then stops focusing even if your subject is moving and distance) is no longer valid.)

  Flash: You ask about flash, but I thought I would offer this because it's something I would probably consider doing in this situation.

  It becomes a bit complicated because of the 'synchro-flash max' speed (on the 6 d speed is 1/180th second shutter speed)  This is not fast enough to 'freeze' the action if this action is at a relatively high speed.

  The camera uses two "curtains" (doors) that slide on the sensor.  When taking a picture, you open to start the show... a moment later, the second, are closed.  The doors have a maximum speed of physics that they can move to open or close.  On your camera, a shutter speed of 1/180th second or slower allows a door to open COMPLETELY, then the flash (Exhibitor the entire sensor to light) and then close the second door.  A speed faster than 1/180th requires that the second door already begin before the end of the first opening of the closing door.  So to create pictures of high speed, the first door left open but the second door begins suite - expose really just a "slot" of light that sweeps the sensor.  This allows your camera to use shutter speeds that are faster that the doors can actually move.  If a flash fire when there is only a slit exposed, while part of the sensor exposed by this crack Gets the benefit of the light.

  It deals with issues like a flash that support the mode "sync high speed ' with enough power for multiple light chips needed when using high-speed sync.   This means pulse flash quickly because the shutter works so well that each part of the sensor has Flash.  But as the flash needs to perform several bursts, then single burst may trigger the 'full' power because the flash has book enogh power for all the necessary pieces.  It is useful to have a powerful flash in particular (as Canon 600EX-RT).

  You can also use mode "sync second curtain" If you normally involves movement... when using a flash, the first door opens, then flash fires... and wait for the camera on the amount of time needed for your show time... and THEN close the second door.  But if something is moving, it means you get a bright subject (in flash) and then the ambient light continues to bring a bit of light on your subject that continues to shift.  This dimmer light on the moving subject creates a ghost trail... but the trail is "in front" of your subject, rather than 'behind' your topic - following, so it seems a little strange.

  "Second curtain" mode involves the camera to delay the release of the flash, just before the second door closes.  This puts this drag ghost 'behind' your topic.

  BTW, this second option (which implies the query using a flash on mode "on the 2nd curtain sync" while using a slow shutter speed deliberately) also helps the camera much better capture the background exposure of the room (we call this technique "dragging the shutter" because we deliberately use a slower than necessary shutter speed when using a flash).

• Profiles of lenses for different organizations, but the same sensor size?

  I downloaded LR 4.1 RC today.  Some of my lenses are not explained in LR so I downloaded then Lens profile Downloader Preview 3 to see if there are all the profiles available for download.  For some lenses I found profiles, but they did not go on the same body I have (same sensor size however).   Can I use profiles for the lenses if they are for a camera body that is different from mine, but always the same sensor size?  I know that with a lens profile LR auto corrects distortion, vignetting and CA.  That will work if my body is different from that of the body used for the profile of the lens?  Thank you.

  Yes it is possible.

  I downloaded it with Adobe Lensprofile Downloader

  In LR, I choose it bonded.

  I have the Panasonic Lumix G 20 mm f 1.7 ASPH on Panasonic GF1

  and the available profile is (same lens) for Panasonic Lumix DMC - G3.

  Works very well.

  Frans

• Profile of lenses for Olympus ED 12-40mm f2.8 Pro, an idea?

  Someone at - it goal profiles for the Olympus Pro range: ED 12-40mm f2.8 - ED 40-150 mm f2.8 Pro.

  Iwpoild appreciate any help thanks.

  So in fact I must not make corrections, it's good all supported?

  Thank you all for your replies, most appreciated.

• How can I download a profile of lenses for Tamron 15-30 mm f2.8 for Nikon for lightroom?

  I can't find this profile in lightroom 4 How can I download it?

  Hi harryj

  Greetings!

  This profile is supported / added first in Lightroom 6/CC. You use Older version 4.

  

  Please refer Lens profile Support list Camera Raw Lightroom

  Concerning

  Assani

• Adobe, please create profiles of lenses for SONY Alpha and Alpha SONY - Zeiss mount mount

  Yes, I know there is a lens profile Creator application, but it would be useful to have the 'official' Adobe profiles, please.  Those of use of SONY Alpha cameras are not necessarily trust / capable in terms of creating our own profiles. .  It would be good to have in the next update of Lightroom 5!

  You must download the Adobe Lens Downloader links I have provided and install. It is a "Companion" to the lens profile Creator application. Then select "Camera Maker" SONY. What nodel (s) Sony Alpha camera do you use?

  

• iCloud Drive away ask for update that I have already installed (Windows 10)

  So I have a laptop running Windows 10. I have both iTunes and iCloud drive installed on it. Whenever I run iTunes, it automatically checks if any of my software apple has updated. For some time now, he always tells me tht there is a update available for iCloud (it was 5.1, now it's 5.2), but no matter how many times I install the update, the next time that it checks that he offer me the same update again. How can I make the auditor undeerstand that I already have the latest verson of iCloud Drive? I guess that a registry entry might have gotten messed up somehow...

  Thank you

  schawsk

  Is there anyone who can help at all?

• YouTube, asking for Flash when it is already installed.

  I'm watching a video on YouTube, but it says I need Adobe Flash.  I have installed and reinstalled, restarted the computer and it still gives me this message.

  See: http://forums.adobe.com/thread/885448

  Double check to make sure that you have done all THE steps.

• Profiles of lenses of Photoshop CS6 No. (lens correction filter) for Canon 6 d raw files

  LightRoom and Camera Raw have Lens Correction profiles and all lenses available today are in the list for the Canon 6 d of the raw files. BUT the Correction of filter/optics if Photoshop CS6 only have 2 Tamron lenses listed. Weird that there are a of the profiles of lenses for the Canon 6 d raw files in Lightroom and Camera RAW, but not CS6 filter/Lens Correction.

  Camera RAW, LR and PS are up-to-date... NOTE: I have a Canon G11, 7 d and 1 d Mark II N and all their files work as expected. It's only the RAW files created by Canon 6 d.

  All of the suggestions.

  To the right of where it says the search criteria, click on the small icon of three bars-arrow and uncheck the Match sensor size and should learn more.

• LR6.5.1 has no camera for CANON Powershot G7x profile

  Hey Hello everyone,

  Miss me the correction of profile for my CANON Powershot G7x (not Powershot G7xMarkIi!)

  Also, when I choose Canon, no G7x Powershot is available, while G1x a.s.o. are

  What I have to change in my set-up?  (see attached photo and saying: correspondent profile cannot be found automatically!)

  Best looks and thx in advance for feedback

  Hi Manuelaw,

  Sorry you don't see the profile for the Powershot G7x, looking at our article of supported lenses: lenses supported

  It looks like not it's one of the cameras that we have corrections profile lens.

  I recommend you create your own profile of lens by using the lens profile Creator, Digital Negative (DNG), Adobe DNG Converter tool | Adobe Photoshop CC - or try the Lens profile Downloader to see if others have created a profile of lenses for that camera.

  Let us know how it goes.

  Concerning

  Pete