Libreria colori Pantone

Similar Questions

• Mix colors Pantone - like CMYK channels?

  Hey everybody,

  I just registered on the forum and had a look. Hello to all and I'm happy forums like this are around!

  So, my question is I hope that whoever is possible. I looked away but can't find no difinitive answer or maybe I did not write the question right but that's...

  What I want to do [in photoshop], treat 4 colors pantone CMYK channels. I mean by I would like to replace the Cyan, Magenta, yellow and black with my own colors [pantone colors] and ask them mix and act exactly like these channels. As when I open a full color image and my pantone [or any color] channels or color profile is activated, the full color image will react to these colors [with the mixture of colors].

  Instead of 45% yellow Cyan, 55% Magenta, 83% and 2% black in a given location, it would be a mixture of the 4 colors chosen [example: 45% pantone A, 55% Pantone B, 83% Pantone C, 2% Pantone D].

  or to say it another way, if I was to color the background in, say, a blue, I would be able to use the "Info" Panel to see how each pantone color was mixed to create this color. Of course, there would be a limit to the colors that I could create based on the pantone colors, that I select.

  I don't want to do anything with this printing technique. I'm looking to him only as a spectator to the screen, or maybe use it in a certain way for screen printing.

  Anyone have any ideas on how to achieve this?

  Thanks in advance.

  How about using outdated color management settings, pre-profil CCI?

  Enter your color schemes, and select Custom CMYK as your working CMYK space. Under the colors of ink, select custom, defined the four colors by the eye and check the estimate overprints. It won't be very accurate and it would be certainly better done using color profiles, but I suppose you expect not much accuracy. And don't forget to change your settings back to something more appropriate for litho printing, if you don't have any.

• Help! Colors Pantone Plus not showing Illustrator CC

  Hi, some of the new pantone more colors are not available in my library of books of color Illustrator. So, for example I am trying to select a new pantone color: 2368 C and it does not appear in the library as a sample. Anyone know how to upgrade if I can see all the new colors? It makes me crazy - plfacilitate help!

  Lisa,

  You can get the Pantone Color Manager, which is free when you use the serial number in your address printed samples (on the second or third page) and then select the library you need.

  Or you can download the free 30 day trial of Pantone Color Manager and add the libraries from here.

  Here is where to put them:

  C:\Program Files\Adobe\Adobe Illustrator 2015\Presets\en_US\Swatches CC.

• Impossible to search for some color Pantone + 4 digits

  I cannot research some Pantone colors + in Adobe InDesign. I installed the Pantone color Manager. For example: I can find 2171C in the Pantone color Manager, but in InDesign I can search only 217, he will not have to enter the fourth number. Any suggestions? Thank you for your time!

  Joel,

  Make sure that you have exported the swatch (es) Version 2 for ID and use. Just start typing and the word Pantone and a number fills the search box. Highlight the color number, and then type the number of 2171.

  

• swatches of color Pantone InDesign cc

  I want to use the latest Pantone Fashion + Home color swatches in Indesign CC for window. Is there a way to load these colours in the library or I have to buy an extension?

  Thank you

  You can download / buy Pantone things in a variety of formats standardized swatch usable in Adobe applications. Consult their site if your specific collection is avialable.

  Mylenium

• where can I find the color pantone libray

  I use Illustrator CC15 and I'll be damned if I can find a Pantone swatch library. He has everything but. It is an important tool for designers and printers. Is this all just hidden or non-existent? I googled several times with key words such as Pantone Illustrator CC libraries and you can find that old information on Illustrator CS4, CS5 and CS6. I found a site, but they wanted me to pay to download.

  This is where we find in 2014 of CC. I guess it would be in the same place in 2015.

  

• Pantone value for custom spot colors

  Hello

  I'm working on a project package that was created by another agency and was picked by my agency for future prints/changes.  I am trying to label all the PMS values used in the work of the printer; However, I came across one called color, "SILVER COUNCIL KNOCKOUT".  On the original final design, it's a bright silver strip where the name of the hair dye. I assumed that this grade has been created by the previous Agency.

  
  My question is how to find the value of that color PANTONE (if possible), OR whether it would be best to choose another color of PMS equivalent? I work in Illustrator CS6 on an iMac.

  Thank you in advance!

  You can choose your own PMS, but you can convert exsiting Pantone color chart with the command reset: https://www.rockymountaintraining.com/adobe-illustrator-convert-cmyk-swatches-to-pantone/

• I'm looking for updates for Adobe cc pantone color libraries 2015.

  Cannot find the shift of color pantone thereafter books CC 2015.

  PANTONE stopped updating libraries HAVE several versions ago. You should probably download the 30 day trial of Pantone Color Manager and export libraries of here to get the new colors.

• PANTONE color Mismatch - Please Help!

  Hi all

  I'm sure this is an old topic, but I'm pulling out my hair at this time to try to understand why a color marked as Pantone Orange 021 C poster completely differently in the two files.

  Basically, I was sent a swatch source file to work from (in the form of a PDF document with coloured boxes and their Pantone code written on them), but when I copy and paste a color into my new file or select it from the swatches Pantone, color is completely different and in-depth has different LAB and CMYK colors to the original file.

  I see that my new file displays the color as a color of paper, in which case the source PDF displays colors in CMYK... that means that my source file was made using the non-Pantone book more color?

  If so, could someone please suggest how I could copy and paste these colors in my new files using the original CMYK values? Essentially, it is important that I keep the colors in my new compatible with the source PDF file - tips on how to do this would be greatly appreciated...

  P.S. I use Illustrator CC and made sure that I work in the same evidence in place.

  Thank you very much

  

  Giles

  Yes, your source file was made with old books of color Pantone containing simulation CMYK values.

  Since the CS6 these CMYK values are no longer present in the Pantone libraries +, but Lab values are used to calculate the closest possible CMYK simulation based on your color settings.

  Lab values for this color have not changed.

  If you want to keep the old values CMYK, double click on the nuance in the swatches Panel in your old document and choose: Type color > color

• Pantone swatches + Color Bridge come to overview of separation and export to PDF (InDesign)

  Hello

  Export the PDF to print business cards, showed that colors Pantone Color Bridge are not pantone colors. Only CMYK appears.

  The colors are not displayed in overview of separation:

  

  Pantone Solid colors are.

  Reinstall of Pantone Color Manager and exporting to InDesign didn't work.

  Is anyone familiar with this problem? Adobe's Support team could not solve the problem jet.

  Can I change the settings?

  PANTONE says: "the PANTONE COLOR BRIDGE libraries are fully supported in PANTONE color Manager and must be exported in CMYK, s because these libraries are the CMYK simulations for the colors solid PANTONE; in physical PANTONE COLOR BRIDGE guides are the colors on the right side. »

  CMYK the problem is?

  Thanks in advance.

  Color Bridge books are specifically developed after the conversions to CMYK (for an unknown color space) of libraries spots. If you want to spot colors, you must use one of the Pantone Solid libraries (i.e. Pantone + Solid Coated).

• Displaying incorrectly in Illustrator Pantone colors

  I have an illustration with Pantone Coated colors, to be exact, they are 7459 and 646. Pantone in Illustrator colors are correct. But when the Illustrator EPS file is inserted into a Word document, the colors turn almost fluorescent, very different from the original colors. When the Word document is saved as a PDF using PDFMaker, the colours are fluorescent in the PDF file. In other words, the colors in the document Word and PDF match each other, but they do not match the true Pantone colors, and they don't match they way these true Pantone colors look like in Illustrator.

  If there is a way to keep the precise colors Pantone when you save an Illustrator EPS file and insert into a Word document?

  Have you tried to make a PDF of AI and that place in Word? Also try to use a RGB color mode to generate the PDF or EPS.

• Pantone colors P?

  the window displaying the pantone colors shows just sort of Pantone colors (PANTONE ex P 32 - 8U). I need to select among "normal Pantone colors. In the "color mode" list I can choose all the different colors pantone scale, but in the end, I get just this strange Pantone P range. I have this problem only in indesign; in Illustrator, I can just pick colors from pantone, I want. HEEELP PLEASE! TIA

  See replace your preferences

• How to script Illustrator to get a library of shades PANTONE color chart

  I've searched high and low, but can't find the answer to this question.  Quite simply, I need a script to convert all spot colors PANTONE an Illustrator file in the PANTONE BRIDGE book CMYK equivalents.

  To do this, however, it seems necessary for the script to search through the various books PANTONE swatch library color to find the one I'm looking for.  I have a string that I need, but I don't see how ExtendScript can perform a search in the libraries of different shades (or even just the a library - 'Coated + PANTONE Color Bridge (UN)'.  I can't just to watch the nuances that are in the main "Swatches" palette using Document.swatches.  Any ideas?

  I'm afraid that code gives me an "MRAP" error in the ESTK.  But, I actually found a way around the problem by using your original suggestion to have a separate file with all color swatches Pantone, added to this, then the script can enter this shade, grasp its getInternalColor, turn it into a CMYKColor, then assign the extracted values of getInternalColor of four properties of the colors of the new shade.

  Yes, it is a bit of a roundabout method and takes a lot of code, but it does the job quickly, and that's what I need.  Here is the code I have (the "workDoc" has already been assigned to the currently open document.):

  // To finish up, we delete the other two layers beyond the first and then save the file for use as digital printing file.
  // First, delete the two layers.
  workDoc.layers[2].locked = false;
  workDoc.layers[2].remove();
  workDoc.layers[1].locked = true;
  //          workDoc.layers[1].remove();
  
  // Before grouping and mirroring all of the artwork, it's time to convert all spot colors to process
  // using the PANTONE Bridge book as a reference.
  
  // First, let's open up the reference document that has all of the PANTONE Bridge book colors as swatches.
  var bridgeDoc = app.open(File("~/Documents/PantoneBridge.ai"));
  
  // Since attempting to colorize textFrame objects seems to crash Illustrator, we're best off just converting them all to paths anyway.
  var texts = workDoc.textFrames;
  for (var t = 0; t < texts.length; t++)
  {
            texts[t].createOutline();
  }
  
  var items = workDoc.pathItems;
  for (var i = 0; i < items.length; i++)
  {
            var myPath = items[i];
            if (myPath.fillColor .typename == "SpotColor")
            {
                      try {var procSwatch = workDoc.swatches.getByName(myPath.fillColor.spot.name + "P");}
                                catch (e) {var procSwatch = addProcSwatch(myPath.fillColor.spot.name + "P", bridgeDoc.swatches);}
                      changePaths(myPath.fillColor.spot.name, procSwatch.color);
            }
  
            if (myPath.fillColor.typename == "GradientColor")
            {
                      for (var g = 0; g < myPath.fillColor.gradient.gradientStops.length; g++)
                      {
                                var gStop = myPath.fillColor.gradient.gradientStops[g].color;
                                if (gStop.typename == "SpotColor")
                                {
                                          try {var procSwatch = workDoc.swatches.getByName(gStop.spot.name + "P");}
                                                    catch (e) {var procSwatch = addProcSwatch(gStop.spot.name + "P", bridgeDoc.swatches);}
                                          changePaths(gStop.spot.name, procSwatch.color);
                                }
                      }
            }
  
            if (myPath.strokeColor .typename == "SpotColor")
            {
                      try {var procSwatch = workDoc.swatches.getByName(myPath.strokeColor.spot.name + "P");}
                                catch (e) {var procSwatch = addProcSwatch(myPath.strokeColor.spot.name + "P", bridgeDoc.swatches);}
                      changePaths(myPath.strokeColor.spot.name, procSwatch.color);
            }
  
            if (myPath.strokeColor.typename == "GradientColor")
            {
                      for (var g = 0; g < myPath.strokeColor.gradient.gradientStops.length; g++)
                      {
                                var gStop = myPath.strokeColor.gradient.gradientStops[g].color;
                                if (gStop.typename == "SpotColor")
                                {
                                          try {var procSwatch = workDoc.swatches.getByName(gStop.spot.name + "P");}
                                                    catch (e) {var procSwatch = addProcSwatch(gStop.spot.name + "P", bridgeDoc.swatches);}
                                          changePaths(gStop.spot.name, procSwatch.color);
                                }
                      }
            }
  }
  
  var rasters = workDoc.rasterItems;
  var bitmapFound = false;
  var checkForTint = false;
  for (var i = 0; i < rasters.length; i++)
  {
            var myRaster = rasters[i];
            if (myRaster.channels == 1 && myRaster.colorizedGrayscale) {if (myRaster.colorizedGrayscale) {bitmapFound = true;}}
            else if (myRaster.channels < 4 && myRaster.colorizedGrayscale)
            {
                      if (/^PANTONE/.test(myRaster.colorants[0]))
                      {
                                try {var rastSwatch = workDoc.swatches.getByName(myRaster.colorants[0] + "P");}
                                          catch (e) {var rastSwatch = addProcSwatch(myRaster.colorants[0] + "P", bridgeDoc.swatches);}
                                changeRasters(myRaster.colorants[0], rastSwatch.color);
                      }
            }
  }
  
  if (bitmapFound) {alert("Found at least one colorized raster image in the Digital file.  Please manually change their colorants to CMYK.\nPlease see Chris McGee for more information.");}
  if (checkForTint) {alert("At least one raster image in the art has been converted to CMYK.  However, if its former spot color was tinted less than 100%, then you will need to manually change the colorant in the Digital file to match.\nPlease see Chris McGee for more information.");}
  
  // We should be done now with the PANTONE Bridge reference document, so close that.
  bridgeDoc.close(SaveOptions.DONOTSAVECHANGES);
  app.redraw();
  
  function addProcSwatch(swatchToGet, docSwatches)
  {
            var bridgeSwatch = docSwatches.getByName(swatchToGet);
            var newSwatch = workDoc.swatches.add();
            var spotName = bridgeSwatch.color.spot.name;
            var spotValue = bridgeSwatch.color.spot.getInternalColor();
            newSwatch.color = CMYKColor;
            newSwatch.name = spotName;
            newSwatch.color.cyan = spotValue[0];
            newSwatch.color.magenta = spotValue[1];
            newSwatch.color.yellow = spotValue[2];
            newSwatch.color.black = spotValue[3];
            return newSwatch;
  }
  
  function changePaths (colorName, newColor)
  {
            var allItems = workDoc.pathItems;
            for (var j = 0; j < allItems.length; j++)
            {
                      var thisPath = allItems[j];
                      if (thisPath.fillColor.typename == "SpotColor" && thisPath.fillColor.spot.name == colorName)
                      {
                                var thisTint = thisPath.fillColor.tint / 100;
  
                                thisPath.fillColor = newColor;
                                thisPath.fillColor.cyan *= thisTint;
                                thisPath.fillColor.magenta *= thisTint;
                                thisPath.fillColor.yellow *= thisTint;
                                thisPath.fillColor.black *= thisTint;
                      }
  
                      if (thisPath.fillColor.typename == "GradientColor")
                      {
                                for (var g = 0; g < thisPath.fillColor.gradient.gradientStops.length; g++)
                                {
                                          var gStop = thisPath.fillColor.gradient.gradientStops[g];
                                          if (gStop.color.typename == "SpotColor" && gStop.color.spot.name == colorName)
                                          {
                                                    var thisTint = gStop.color.tint / 100;
                                                    gStop.color = newColor;
  
                                                    gStop.color.cyan *= thisTint;
                                                    gStop.color.magenta *= thisTint;
                                                    gStop.color.yellow *= thisTint;
                                                    gStop.color.black *= thisTint;
                                          }
                                }
                      }
  
                      if (thisPath.strokeColor.typename == "SpotColor" && thisPath.strokeColor.spot.name == colorName)
                      {
                                var thisTint = thisPath.strokeColor.tint / 100;
  
                                thisPath.strokeColor = newColor;
                                thisPath.strokeColor.cyan *= thisTint;
                                thisPath.strokeColor.magenta *= thisTint;
                                thisPath.strokeColor.yellow *= thisTint;
                                thisPath.strokeColor.black *= thisTint;
                      }
  
                      if (thisPath.strokeColor.typename == "GradientColor")
                      {
                                for (var g = 0; g < thisPath.strokeColor.gradient.gradientStops.length; g++)
                                {
                                          var gStop = thisPath.strokeColor.gradient.gradientStops[g];
                                          if (gStop.color.typename == "SpotColor" && gStop.color.spot.name == colorName)
                                          {
                                                    var thisTint = gStop.color.tint / 100;
                                                    gStop.color = newColor;
  
                                                    gStop.color.cyan *= thisTint;
                                                    gStop.color.magenta *= thisTint;
                                                    gStop.color.yellow *= thisTint;
                                                    gStop.color.black *= thisTint;
                                          }
                                }
                      }
            }
  }
  
  function changeRasters (colorName, newColor)
  {
            var allRasters = workDoc.rasterItems;
            for (var j = 0; j < allRasters.length; j++)
            {
                      var thisRaster = allRasters[j];
                      if (thisRaster.channels > 1 && thisRaster.channels < 4 && thisRaster.colorizedGrayscale)
                      {
                                if (/^PANTONE/.test(thisRaster.colorants[0]) && thisRaster.colorants[0] == colorName)
                                {
                                          thisRaster.colorize(newColor);
                                          checkForTint = true;
                                }
                      }
            }
  }
  // That concludes all of the color-changing steps.
  

  I hope this helps someone else who is faced with this (admittedly unusual) situation.

• What is the best way to match the Pantone PMS to CMYK color swatches?

  I am looking at colors Pantone swatch book for coated solid colors, but he should know that the best way is to match, as closely as possible, a tone direct Pantone CMYK color. Is it possible to see these side by side? or is there an equivalency in the book of PMS, as I remember them to be in the print version of the Pantone book (which also showed formulations of ink for different tones,) which shows the percentages of CMYK equivalents to better match a Pantone color? It would be better to be able to see the place and the CMYK colors side by side on the screen.

  It would be better to be able to see the place and the CMYK colors side by side on the screen.

  N ° it would be preferable to see the task ink and CMYK process inks-by-side on paper.

  It's why printed swatch books exist. I don't like what type of monitor you have, it won't look like a spot color ink. Period.

  Glow of monitors. Ink on paper doesn't work. The human eye is incredibly adjustable; So really can't trust your own eyes when you look at a monitor.

  Any monitor you use, it's always show you RGB. He can't do CMYK, and of course, he can't spot color.

  So when the game is so dang critical, you must have a hand book of shade printed Pantone and process printed swatch book. And the two swatch books are on a similar document.

  And if you expect to find perfect matches, you need to understand something very basic: many spot inks have no exact match to CMYK. You have to make Judgment calls.

  JET

• Lack of pantone colors?

  Hello

  I have my palette Pantone Solid Coated to open in Illustrator, but it is impossible to find the colors Pantone 7548 8002 (actually, they jump out of 7547 to 8003, and I want to use 7737), my list is sorted by name.

  The only thing I think that may be the problem, it is that they have a transparent white value and everything else didn't maybe if it's in a different shade?

  Thanks for your help

  @Leicon, what version of AI do you use. This query, I can assume that you are using CS5/CS5.1 because you can easily find the 7737 Pantone + libraries in the CS6. Extract the contents of the Pantone Plus file on your hard drive following location to use the samples you want:

  For windows:

  C:\Program Files (x 86) \Adobe\Adobe Illustrator CS5\Presets\en_US\Swatches\Color Books\

  For Mac:

  / Applications/Adobe Illustrator CS5/Presets/en_US/color chart/color books.