Pantone swatches + Color Bridge come to overview of separation and export to PDF (InDesign)

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• to come as white when background printing/export to PDF

  I'm creating a poster in indesign CS5.5.

  Im a user of Indesign based, used it to simple poster and publication projects, but it has never happened during the use of the colored backgrounds before.

  I created a box using the rectangle and filled with a color swatch tool.  Added images ontop of this rectangle and when finished, I went to export to PDF and the background color was replaced with white on the PDF file.

  I went through the images and created layers for each of them.

  I've recreated the rectangle and the base color in master pages

  I checked that i havnt changed the color of the paper

  None of the above worked.

  Strangely, although I got a PNG on the poster - when I print to PDF (not exported in pdf format) background color appeared in where objects encompassing would be, but he was white outside this line.

  I opened a new document and created a rectangular box colored in the middle of the page - it has exported and printed fine. I extended the edges of the rectangular box filled right to the edges of the page, and then exported and printed in PDF it came in white again.

  Any advice would be super useful as to what im doing wrong.

  Thank you!

  Thanks a lot everyone for your help!

  It turned out that InDesign export was beautiful, but it's a checkbox setting preference "Accessibility" Acrobat in replacement of color, document that has been chosen, the white background instead of what I intended it to be.  Only, I discovered when I sent my PDF document exported to myself, and it saw very well on my laptop and on another PC.  I can't believe, I spent over 3 hours trawl by Indesign and overlay settings!

• PANTONE CMYK failures different Pantone Color Bridge

  I wanted to know why the distribution of the color that Indesign gives a Pantone Spot color is different from the one specified in Pantone Color Bridge Book. Also, the color on the screen that Pantone Color Bridge breakdowns show seems more precise than those specified by Indesign.

  Any ideas on this or items that can explain this?

  Thank you

  If I remember correctly, InDesign´s Pantone Solid CMYK conversion is the conversion table-based us SWOP. Bridge is based on the European color conversion table, probably a standardized ISO profile. That s why I always use CMYK values taken from the booklet of the bridge of the Euro, I never let Indesign convert spot Pantone Solid to CMYK color by changing the color of spot in the process type.

• Color chart of model move when exported to PDF and read in Preview/GoodReader

  I tried for days find an answer to this issue, but have failed. You should also know that I am a self-taught user Adobe Creative Suite. I'm working on a Mac with CS6.

  I work for a small publisher that produces knitting books. The problem is this: our tech editor has created graphics in Illustrator using the color chart of model function. (These are graphic knit. Each square contains a shade of motif representing the knit stitch).

  I then place these cards in their format native .ai in an Indesign file and exporting to PDF. In Acrobat, the charts look fabulous. In the drive of the preview Mac and GoodReader, tables do this...

  

  ... the model color chart move around inside their places. Each of these points must be placed inside their places. First, when I resize the application framework, the nuances of the model move I have re-size of the frame. Any ideas on what could happen here?

  I tried to save the graphics as PDF files and putting those in the InDesign file. Does not help. Export diagrams as images (jpg or tif) works, but I need to make ridiculously high resolution/size for the quality of the vector image. I would rather put .ai files in the .indd file if possible.

  Try to use the file > object > expand on a copy of the original before making the PDF for placement.

• Values of Pantone Pantone values vs + Color Bridge Coated Book swatches

  I work with a set of Pantone colors.

  Why CMYK/RGB to Pantone in Illustrator CC values match the values given in the book of most Pantone color bridge?

  J,

  I understand the other threads that the game of RGB values is predetermined by society and not be replaced by something that (same Pantone).

  In addition, when you have the color of a Pantone ink and need to replace it with a set of CMYK or RGB values, it will always out one way or another. And if you need to combine several colors of replacement, they may well be out of different ways with the conversions provided by Pantone, which mean that they are inferior to the Pantone inks as necessary. Something similar may apply to cases with combinations of colors of substituted Pantone ink and CMYK/RGB of origin.

  Thus, at least in some cases it may be a better choice of retraining provided by Pantone CMYK/RGB values.

  In other words: who said that you agree, or should agree with the transformation (latest version) provided by Pantone in each case?

  It may be interesting to note that Pantone themselves have changed their minds about the best conversions more than once.

• PANTONE Color Bridge vs Photoshop

  Hello

  I'm curious why my Pantone Color Bridge gives me different information than Photoshop CS4 for the SPM 549.  I am creating a style guide for a client of mine and he prayed the spot, process, RGB HTML color codes.

  PANTONE Color Bridge says:

  PMS 549C

  RGB 94/156/174

  CMYK/59/8/9/19

  HTML 5E9CAE

  Photoshop says:

  PMS 549C

  RGB 94/156/174

  CMYK 65/26/26/1

  HTML 5e9cae

  65/26/26/1 seems much closer on the screen (I know, I know...) Is anyone know why the anomaly?

  A little quick test shows that your Photoshop for CMYK setting is USWebCoatedSWOPv2 - a very good moderate profile.

  The construction of the bridge of color uses a very heavy black generation - probably an approach lowest common denominator Pantone uses to provide more consistent color in the face of the inevitable press derive in most certainly unknown press conditions. A roll of the dice.

  The actual color that comes off a press of a given generation of CMYK depends very much on the conditions of paper and press.

  Tread lightly here when recommending a CMYK build to your customer. Include GREAT opposition.

• How to properly add a PANTONE swatches in Illustrator with Extendscript?

  Hello

  I'm working on a script to generate several files in a printing process:

  -a file containing a single item of taxation

  -a file which contained evidence of the element (to be sent to the client)

  -a file that contains the imposition of elements to print

  In order to maximally automate the actions of the process, I want to add all the colors that are used on the print item in the nuances of each generated files. I have orders to CMYK or CMYK plus 1, 2 or 3 PANTONE colors.

  There is no problem for me to add CMYK colors or custom colors, built from CMYK colors in the color chart of the document, but I don't know how I can add a PANTONE color in shades. In fact, I generate empty files with all the 'settings', I need to work properly, and when all the files are generated, I work only on the single element (file only item that is imported by my script in the tax files and evidence).

  So my question is this: is it better to 'generate' with CMYK colors (and add it to the color chart as a ColorModel.SPOT) to add a PANTONE color in shades, or is it possible (and probably better) to add in the PANTONE library?

  For example, I add my custom with this feature spot colors:

  function addSpot(name,c,m,y,k){  
      try {    
          swatch = app.activeDocument.swatches[name];   
          addSpot (name+='1', c, m, y, k);  
      }    
      catch (e) {    
          var newSpot = app.activeDocument.spots.add();    
          newSpot.name = name;    
             
          var newColor = new CMYKColor();    
          newColor.cyan = c;    
          newColor.magenta = m;    
          newColor.yellow = y;    
          newColor.black = k;    
      
          newSpot.colorType = ColorModel.SPOT;    
          newSpot.color = newColor;    
          var newSpotColor = new SpotColor();    
          newSpotColor.spot = newSpot;    
      }    
  }
  

  What is the best way to add a color PANTONE color chart of the document, even if the document has no basis?

  Thank you very much in advance for your answers

  JO

  It seems to me there is no access to libraries PANTONE of Extendscript, the solution is to create a document with all the colors, we need and open it to get some samples that we must do the work.

  Thanks to this thread:

  https://forums.Adobe.com/message/4569865#4569865

  JO

• PANTONE + does not match the previous Pantone spot color chart. I have several customers who are using spot colors in logos etc and now these colors are a mess. Can I get and use the old color for Illustrator books?

  PANTONE + does not match the previous Pantone spot color chart. I have several customers who are using spot colors in logos etc and now these colors are a mess. Can I get and use the old color for Illustrator books?

  Well, the spot color has not changed, but the way they were simulated four-color changed, they now use color management to get to the nearest ink possible task.

  Here is some info:

  https://helpx.Adobe.com/Illustrator/KB/PANTONE-plus.html

• Spot Color Swatch color change

  Hello

  I've almost figured this out but have to hang up.  I am trying to replace a color with another color from a Pantone library. I use Illustrator CS6.

  I have this script that I found here:

  #target illustrator

  var app.activeDocument = docRef;

  with (docRef) {}

  var replaceColor = swatches.getByName('Pantone_152_C').color;

  for (var i = 0; i < pathItems.length; i ++) {}

  with (pathItems [i]) {}

  If (filled == true & & instanceof SpotColor fillColor) {}

  If (fillColor.spot.name == "HCS Orange") fillColor = replaceColor.

  }

  }

  }

  for (var j = 0; j < stories.length; j ++) {}

  with (stories [j]) {}

  for (var k = 0; k < characters.length; k ++) {}

  with (characters [k] .characterAttributes) {}

  If (instanceof SpotColor fillColor) {}

  If (fillColor.spot.name == "HCS Orange") fillColor = replaceColor.

  }

  If (instanceof SpotColor strokeColor) {}

  If (strokeColor.spot.name == "HCS Orange") strokeColor = replaceColor.

  }

  }

  }

  }

  }

  }

  That works, but only if the new PMS color is added to the list of swatch.  It seems that I can't get the nuance in the list easily using a script (which I have no experience with) or an action.  Nor can I change the name after var replacecolor as seems to only pick up the swatch Panel and not the Group of colors or color book

  Any suggestions would be helpful, I'm looking to have to change the 30 000 files.

  Thank you

  Matt

  are the target color and the color of the same destination in each file? in other words, you are constantly changing "HCS Orange" to "Pantone 152?

  If so, you could just set the color of pantone at the beginning of your code. as follows:

  #target illustrator
  
  var docRef = app.activeDocument;
  var swatches = docRef.swatches;
  
  try {
       var replaceColor = swatches.getByName('Pantone 152C').color;
  }
  catch (err){
       var replaceColor = docRef.spots.add();
       replaceColorColor = new CMYKColor();
       replaceColorColor.cyan = 4.84;
       replaceColorColor.magenta = 66.58;
       replaceColorColor.yellow = 100;
       replaceColorColor.black = 0.21;
       replaceColor.name = 'Pantone 152C';
       replaceColor.color = replaceColorColor;
       replaceColor.colorType = ColorModel.SPOT;
       replaceColor.tint = 100;
  }
  

• Bridge come with the subscription of photographer

  Bridge come with the subscription of photographer?

  Yes, here is a list of the complete includes:

  Adobe offers current discounts for CC Photoshop + Lightroom Plan | ProDesignTools

• Adobe Bridge comes with the plan of creative photography of Cloud?

  does anyone know if the bridge comes with creative photography of nails $9.99 plan?

  Hi Scott,.

  Yes special photography Plan includes Photoshop & Lightroom and Bridge & Mobile Lightroom.

  Kind regards

  Hervé Khare

• Bridge comes with the $19.99 plan?

  Bridge comes with the $19.99 plan?

  I guess you are referring to the one App plan. The answer is Yes.

  It also comes with the best value of $9.99 photography Plan (Photoshop + Lightroom).

• Adobe Bridge comes with CC

  Adobe Bridge comes with $19.99 monthly plan?

  Bearcat101,

  Here is a list of the creative Desktop Cloud Applications in the full subscription:

  InDesign, Lightroom, Photoshop, Illustrator, Premiere Pro, After effects, Dreamweaver, Muse, Flash Pro, Acrobat Pro DC, Audition, bridge, leading edge, edge reflow, benefit Code, inspect edge, Fireworks, Flashbuilder, InCopy, Scout, prelude, SpeedGrade, Adobe Media Encoder, Story more, PhoneGap Build, prelude Live Logger, Gaming SDK, extensions, ExtendScript Toolkit Manager.

  Cloud Creative photography plan includes Lightroom and Photoshop CC for the office with Lightroom for Photoshop Mix and mobile for mobile devices

  Guinot

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  Adobe Bridge comes with creative photography Plan Cloud?

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• Export to PDF and print the same color swatch - different variations of color on printed documents

  I have several documents - they all get to the top in the same way.

  I have 2 or 3 shades in each of them - namely Rubine Red gives me a problem - it's the same shade in all the documents!

  ===============

  The Swatch

  

  ===========

  Color adjustment

  Here's my color settings - exactly the same in each document - I also used profiles 'convert' and made sure all is exactly the same.

  

  =================

  Export in PDF format

  When I export to PDF - export looks great - and all colored frames appear exactly the same - and they give the same exact color read outs in any profile I have watch in preflight Manager

  CMYK reading is 4/20/99/0 in all mailboxes

  ====================

  The result printed

  
  

  

  ==================

  Same color settings

  Swatch even and the same values of swatch

  Same PDF export options

  Same swatch on output values

  Only 1 file prints the correct along the color

  
  

  ====================

  PDF export settings

  Test file

  Can someone help me with this?

  The printer I use is a XeroxColorQube using the PS driver.

  Windows 7

  Adobe InDesign CS5.5

  Fully updated

  Looking at your PDF fills the area is all the same RGB values (so you will never get the 0 | 100 | 15 | 4 process CMYK output value will show you to the #1). The upper area has its overlay set to false and the other 3 have overprint set to true, then it may be that your Xerox printer is not happy with the different RGB overprints.