Method of interpolation in 3-d charts

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• What method of interpolation using a characteristic diagram?

  Hello

  Does anyone know what interpolation method is used when you create a characteristic diagram (diagram outline 3D) using a triplet of data? Interpolation assumes that the fitted surface passes exactly through the data points. How is the rest of the calculated (interpolated) surface?

  Am I right to say "Evaluation Points" in the dialog box diagram specifies a grid of x and y values for the surface to be evaluated at (by interpolation of the data points)?

  I tried the online help, but it was a little lacking in detail.

  Thank you

  PorridgeMan.

  Hello PorridgeMan,

  The SISPL algorithm is used for this.

  The method Smart interpolation Spline Surface combines a low requirement calculation of time with a high degree of quality of smoothing. The method requires only a few parameters. The method also accepts the imprecise input data.

  Greetings

  Walter

• full waveform graph to calculate the area under the curve over time

  Hello

  If please find my attached VI and help me please for integration to get area undercut for my chart of waveform.

  I would like to find my wave power wind energy production chart oever within one month of time.

  I think I have to integrate to get the area under the curve and so I m now using tool integrated into labview attached.

  As I did not wait years for my result and so I want to make sure that the tool that I m using is correct.

  Please advise me what method I will use for my chart.

  Dominique says:

  I would like to integrate my table of power over time (table of power is on each interval of a minute) and the entire graph is one month. So, I'll put dt = 1?

  You put dt at some units you want in the final result. If you want Wh, you want dt in hours. If the spacing is currently a minute, you can express in fractional hours and use the result as dt. Try dt = 1/60.

• Need help with creating Swatch palette library book

  I am an employee in a company that produces uniforms and custom clothing.  Our art Department converts and creates logos using embroidery threads and printing inks business tones.

  A major challenge that we are facing on a daily basis is to select the right thread and ink spot of the work provided by the Subscriber.

  Our embroidery in-house manufacturing operation has 300 + thread colors and our printing division has a standard range of 60 +.  Our staff has manually from each wire color in our library of PMS graphics and created an excel spreadsheet that maps all the information of the son that we carry.  From this information, we have created custom color palettes.  Pallets work very well in the creation of art from scratch, BUT they can't help us identify possible closest matching wire color of work provided by the Subscriber using the eyedropper tool.

  I NEED A BOOK OF CUSTOM COLOR THAT WOULD ALLOW THE TOOL PIPETTE THE COLOUR CLOSEST TO WIRE IN OUR LIBRARY, THE SAME FEATURE THAT IS USED TO FIND A MATCH OF PANTONE PMS.

  I have done extensive research on the creation of a custom color book and invested dozens of hours trying to modify/create one in FRANCE following the material I've seen online of programming language.  This task proved beyond my capabilities and I have received no response and I sent to each poster who has never responded to this topic on these forums private messages.

  Anyone here have experience in the creation of a book of custom colors for the purpose of the correspondence of digital art in the library?

  I may be a solution to the problem even if I tried it with only a limited number of colors. The downside is the fact that you need to create a swatch of your color library. On the side: once the graph is saved, you can reference it at any time and apply it. It seems worth your time to test this method.

  Create the color chart:

  1. open a new file, 12 "x 12" 72 dpi RGB 8 bits

  2. choose Image > Mode > indexed Color custom Palette

  3. click in the first box in the grid. The color picker opens.

  4, adjust the RGB values of the color first in your personal library of color

  5. click on the next box and repeat the procedure to add color chips

  6. when the graph to complete (or as big a levy that you choose for the test) choose Save, name the file and save it to your desktop. Close the file,

  Locate the closest color:

  1. open the client file and use the pipette to a choose a color in it.

  2. choose Image > color > Color Table. Your personal color table will be redisplayed.

  3. click on the eyedropper in the table

  4. click on the foreground color that you put in the foreground color patch

  5. the box in the graph which is closest to this color will be chosen.

  6. option click on return to the table to its State unmarked

  close

• Apparation Pixel jerky during recovery

  Hello
  When I want to straighten a photo in photoshop (last updated) CC, pixels appear on the whole image, the lines become jerky...
  I look on the Web but I can't find a solution to my problem. I am compelled to straighten my images under lighroom.
  Who you this problem and do you have a solution? Thank you
  Fox
  www.FOXAEP.com

  

  When I want to straighten a photo in photoshop (last updated) CC, pixels appear on the whole image, the lines become jerk.

  I search the Web, but I can't find a solution to my problem. I have to straighten my images in lighroom.

  You know this problem and do you have a solution? Thank you

  You can try another method of interpolation (Photoshop > Preferences > General > Interpolation of the Image, you may need to restart Photoshop).

• Refresh the model together relational database

  Version 3.2.09 - Build HAND - 09.30

  Hello

  I created a model of my database in SQL Developer, using the component maker data by dragging all the objects in array of tables on both relational and logical tree. As I make changes to the database is possible to refresh the model. I used the following method by which I remove the chart from the table in the view of Relational_x and then by dragging the object of the object tree navigation in the relational diagram, but is there a button I can push just tear up and refresh my diagram of relationship as a whole?

  Ben

  Yes, on the main toolbar, there is a blue button that points to the LEFT. Learn more about this here.

  Moreover, there is another way to add your database tables/views, could be easier than to do the drag and drop. Use the file > Data Modeler > import > data dictionary.

• Box dosnt get shown in jtable...

  I accept the values of the server through sockets in the message form.
  The message is divided and shown in the jtable like this:
  
  String [] parts = message.split("\t");
  data = new Object [parts.length / 2] [3];
  for (i = 0, r = 0; r < data.length; r ++)
  {
  [r] data [0] = parts [i ++];
  data [r] [1] = new Float(parts[i++]);
  [r] data [2] = new Boolean (true); See the checkbox doesn't but shows like 'true '.
  }
  
  Object [col] is {"Sensor", "Values", "checkbox"};.
  
  I have problem with not displaying check boxes do not (see comments)

  You must override the getColumnClass() method in your subclass AbstractTableModel extended chart as a template below:

  Suppose I'm store my data in the table in a two-dimesional array dataArray [] [] then

  public class getColumnClass(int columnIndex)
  {
     return dataArray[0][columnIndex].getClass();
  }
  

  By substituting the above method, you say to tabe DefaultTableCellRenderer, which make each cell in the table according to its data type of the columns. If your type of cell data type Boolean CheckBox is displayed.

• Rollover State now does not

  I had my images of social media change from gray to a color on rollover, but since the update it works no, not even working in the preview, but it does not work on normal state

  On roll of a grey picture: color blue for example glow opacity 100, blur value 100 and inner glow makes TIC TACS

  www.fpmailing.co.uk Web site (near the top of the menu drop-down ' Let's be social ")

  Any advice?

  Here is how I fixed my problem:

  Don't create a new rectangle, no background or contour. Change fill image with your .png file fill. Apply inner glow effects, etc. in each State. Should work using this method.

  Already my .png chart was just placed in Muse and the inner glow effect applied to each State, and it worked as expected. Since the update all States are the same, with only the normal state, meet the changing, as others have mentioned. If you have updated recently, inner glow only works on two separate States when the .png file is used as a picture fill in a rectangle.

  Hope that I was clear in explaing that

• Resize photos to the long side in the size of the Image

  I want to use the size of the Image in the Image Menu to resize photos on the longer side (example: 3000 x xxxx).  I know that I can do this in the processor for Image and Photo to adapt, but I want to enjoy the new resample in CC2014, preserve the details.  Is it possible to do it in the size of the Image.   Second question is if this is not possible what method of resampling Image Processor and Photo Fit uses it to resample images to a larger size.

  Thanks for the help.

  W Thorne wrote:

  I want to use the size of the Image in the Image Menu to resize photos on the longer side (example: 3000 x xxxx).  I know that I can do this in the processor for Image and Photo to adapt, but I want to enjoy the new resample in CC2014, preserve the details.  Is it possible to do it in the size of the Image.

  Check her resample, interpolation together to preserve the details have a width and height link to force the image resize it current aspect ratio, use of the width or the height of the menu drop down click pixel, set the side you want to be 3000 to 3000. Cannot be batch without a small script to set the long side to 3000

  

  Second question is if this is not possible what method of resampling Image Processor and Photo Fit uses it to resample images to a larger size.

  The standard image of the processor which is part of the Photoshop Image uses made the adjustment to resize the image always interpolation bicubic user. There is a process of image better second plugin script that you can download from the web once installed you will find in the file menu > Automate > Image Processor Pro.  With Image Processor Pro, you can define which method of interpolation should be user for each resized image used. If the script is better then the standard image processor and works under Photoshop CC X got fed up with Adobe and will support no CC in order to preserve the details cannot be resolved.  It would be possible to add an option if the version of Photoshop using the script supports the details preserved, it can be easy to add to the menu drop down and in the code. As you can choose one of the other methods

  

  The Image Photoshop plugin is being implemented in a Photoshop script written in javascript.   It would be very easy to change your copy of "If Image.jsx" always use preserve detail in CC. The must be changed line is an app.activeDocument.resizeImage '(newWidth, newHeight, resolution, ResampleMethod.BICUBIC);  «Change it will only work if Adobe updated the scripting support cc to preserve detail.»  In Adobe CS6 forgotten update scripts to support BicubicAtomatic fix in the superscription CS6 but not the perpetual CS6.  I also note that preserve the details is not an option to interpolation in Photoshop CC preferences for the interpolation of the image.

  

• See the reflection of changes made to the model to a background thread

  Hello
  
  I have problems when I try a chart reflect changes to graph data that are made in a task or a background Service Thread. To simplify things, I tried to change the label of a button several times in a background thread using a task. Here is the code:
  
  SerializableAttribute public class JavaFXApplication7 extends Application {}
  
  Public Shared Sub main (String [] args) {}
  Launch (args);
  }
  
  @Override
  public void start (point primaryStage) bird Exception {}
  primaryStage.setTitle ("Hello World!");
  last button btn = new Button ("Hello world!");
  Root StackPane = new StackPane();
  root.getChildren () .add (btn);
  primaryStage.setScene (new scene (root, 300, 250));
  primaryStage.show ();
  Task changeTask = new Task() {}
  @Override
  protected Object call() throws Exception {}
  for (int i = 0; i < 5; i ++) {}
  btn.textProperty () .set (String.valueOf (i));
  System.out.println ("label together:" + String.valueOf (i));
  Thread.Sleep (1000);
  }
  Returns a null value.
  }
  };
  changeTask.run ();
  }
  }
  
  What I observe is that the scene is displayed, but with no button above, then I see five times out of the background task thread and then the button with the label of the iteration (4) final. Why the No button when the ChangeTask is on? I expect to see the button change its label every second for 5 seconds.
  
  Am I missing something? How could I achieve such behavior?
  
  Thank you
  Peter

  It's all wrong ;-)

  Let's run through some of the problems:
  1. you have not created a new thread, you use just the task on the JavaFX application thread. To create a new thread and run your task on it, something like that.

  Executors.newSingleThreadExecutor().execute(changeTask);
  

  2. Once you actually start the task running code in its own thread, you should not change the properties or the things that affect the scene graph. that is, do not do this in the thread calling method:

  btn.textProperty().set(String.valueOf(i));
  

  Instead, to get the dynamic multiple changes at different times of the task (for example, the partial results), either, bind the text property of the button to the message property or the progress of the task and update the message and progress in your feed or use the model of partial results documented here: http://docs.oracle.com/javafx/2/api/javafx/concurrent/Task.html

  3 looking at the JavaFX jira (http://javafx-jira.kenai.com) there is some bugs related to changing dynamically the data in a chart - it works most of the time, but there are occasions where it produces only results, therefore, even once you get your sample app button works, be careful when you try to apply this same method to the data in the chart.

  Why the No button when the ChangeTask is on?

  Because the task runs on the Thread of Application JavaFX and JavaFX system triggers not an impulse made until the Thread of the JavaFX Application was abandoned by user code.

  I advise to re-read the documentation for JavaFX 2.1 task:
  http://docs.Oracle.com/JavaFX/2/threads/jfxpub-threads.htm
  http://docs.Oracle.com/JavaFX/2/API/JavaFX/concurrent/task.html

  Published by: jsmith on May 2, 2012 14:06

  Another way to communicate the progress or the partial results of the user interface is the method of Platform.runLater, mentioned in the post from Daniel.

  Published by: jsmith on May 2, 2012 14:56

  I guess I should also mention that the method recommended (at least for me) to do this kind of treatment (for example, a loop with a quick update, followed by a period of constant of inactivity), would be to use a timeline instead of a task:
  http://docs.Oracle.com/JavaFX/2/API/JavaFX/animation/timeline.html
  http://docs.Oracle.com/JavaFX/2/animations/basics.htm#CJAFADFJ

• "Bleeding" colors during a resizing smart objects

  Bit of a strange, that. In Photoshop CS6, whenever I create a dynamic object with the intention of resizing, whenever I reduce it, where a flat color collide with one another, it creates a really ugly "bleed" - kind of the same effect you get when you take a little picture and try to enlarge:

  

  I zoomed in on this part to show how bad it looks. Especially on the upper part of the forearm, see how he got some kind of 'halo' white before the black outline? It now seems that I drew a slightly darker outline around all levels of shading, and it seems really bad, almost like a raised/carved effect.

  Of course, it is not as noticeable when zoom you out, but this is. If it helps, I noticed the same thing happens when I just resize the image using "automatic bicubic", but when I select "bicubic / nothing else", the purge does not occur. Kind of makes the tool once incredibly useful dynamic object little pointless now.

  This never happened with any other previous version of Photoshop which were dynamic objects and I barely got hands on CS6 a few days ago so if there is a preference/really obvious setting or something that I'm missing, please let me know

  Thanks in advance x

  Resizing of the smart object uses the method of interpolation image defined in preferences > General. The default value changed between CS5 and CS6, and many people don't like change.

  CS5 has by default the bicubic.

  CS6 is by default set to automatic bicubic. Auto translates Bicubic Sharper when reducing the pixel dimensions and bicubic smoother at the pixel dimensions increase. Bicubic Sarper tend to oversharpen and create ugly artifacts like the halo that is plagueing you.

  Set preferences in CS6 to simple to make as CS5 bicubic.

  CS6, free transform now also has an independent for interpolation control when pixelated layers are being targeted. He is set to bicubic automatic by default, so simple that bicubic value, too.

• Decrease the opacity of the layer with the Distance from the camera

  Is there a way to automatically decrease layer opacity that layer away a camera?

  We will break down the process of thought, of expression and see if we can make it work for you.

  First of all, you must measure the distance between the camera and the layer. The Expression Language Menu effects has a under vector math method which measures the distance between two points, we can use. Use the camera to a point and the position of the layer on the other and we have the first number.

  Now we must decide what we want the opacity to what concerns the distance. When the layer is the same distance from the camera the zoom value will be called the equivalent of a scale of 100%. It is perhaps a good place to have the layer is completely visible. This distance is easily implemented by assigning the fully visible distance to the Active camera zoom value. Then we have to decide how far the layer must be when it is completely invisible (opacity = 0). Personally, I think that the best way to proceed is to use a multiplier for the zoom value. 4 X with most lens settings is a nice distance.

  To configure the relationship between the distance and the maximum opacity, you can use one of the methods of Interpolation in the Expression Language Menu. We will use the method with the maximum and minimum values.

  We'll put that together in an expression. The two methods to use are

  length (point1, point2)

  linear (t, tMin, tMax, value1, value2)

  Set some variables for each of the values and we're done:

  point1 = thisComp.activeCamera.position;
  point2 = position;
  tMin = thisComp.activeCamera.zoom;
  tMax = tMin * 4;
  value1 = 100;
  value2 = 0;
  
  t = length(point1, point2);
  easeIn(t, tMin, tMax, value1, value2)
  

  If you really want to get fancy then you can add a transformation from layer space to the camera and the layer so that the expression might work even with or without layers relative to the camera and/or the layer. ToWorld changing looks like this:

  point1 = thisComp.activeCamera.toWorld([0,0,0]);
  point2 = thisLayer.toWorld(anchorPoint);
  

  Furthermore, I use usually more descriptive and shorter names for variables, but thought that it would make it easier to understand what was going on in the expression. I use also usually Active camera for my expressions rather than thisComp.layer ("camera 1") because it works little whatever you named your active camera.

• Consecutive tweens to the same object?

  I'm new to Flash, and I have a simple question that I can't find an answer to in the online help or tutorials topics. It is the following:

  In CS4, it is possible to add two consecutive to the same object (symbol instance) tweens? I mean have a shape move from the left, wait a few seconds and then move back to the left. So far, the only method I've found is to create a copy of the object (a new instance of the coast) and animate it separately. But that creates additional objects and get the right positioning is very difficult. Is there a way to have a piece of tween and start another (possibly after a delay) on the same object in the same layer? Or in different layers, which would be better?

  Any advice is welcome.

  Gregory

  You can do this with a single object. One way using the new method of interpolation in CS4, quoted above, would be as follows.

  1. Select the object positioned at location lefmost, then choose Create a motion tween.

  2. move the playhead when you want it to be interpolated in the right, then move it.

  3. Select this image (Ctrl/Cmd-click), right-click, choose copy properties.

  4. move the playhead when you want to * start * interpolation (after the break), right-click and choose Paste properties.

  5. at the end of the duration, drag the object to the original position (so TI interpolations of return).  OR, you can copy the properties of the first image.

  Another way to do this would be:

  1. Select the object positioned at location lefmost, then choose Create a motion tween.

  2. move the playhead when you want it to be interpolated in the right, then move it.

  3. Select this image (Cmd/Ctrl-click and release), press Alt and drag a copy of the image where you want to stop "a break."

  4. at the end of the duration, drag the object to the original position (so TI interpolations of return).

  It seems quite clear that I describe each click, but once you do the steps that you will notice it's very simple copy-pasta.

• just a simple movie of second 7

  What I'm trying to do is create a short film containing 7 jpegs that will slowly and GENTLY melted chained in the other on my index page. I want to run once when the page opens and stop at the end of the last remaining visible image. I ' ve tried every tutorial I can find Adobe, using Flash and Lynda.com.» I can now do balls bounce, things change the shape, images to be bland in or out and many other things. But I cannot find anywhere just some simple instructions on how to make a nice clean little film that will make what I'm after. What I'm after is a bit like what is available at www.showitfast.com, except that I don't want the film to continue to operate. I just want that it run once and stop at the end. Can someone point me to some tutorials that I may have missed? It doesn't seem like it should be that big a deal. I can get something close in Image Ready, but the file ends up being huge, no matter how I adjust the images. I can't find a method of interpolation in Flash that does the same thing the interpolation makes in Image Ready.
  Thank you...

  If I understand correctly what you want, it might help:
  1. place each of the 7 images on a separate layer.
  2. each of the layers must have his picture (as a clip) placed further down the time line. Let's say that image 1 shows the frame 5 of layer 1. Image 2 appear first on frame 30 on layer 2 and so on for all seven layers.
  3. use the _alpha set to display each image from 0 to 100 and then return to 0. That it will disappear in a, then press.
  4. If you ride the ins and fade outs, images, you can get what you want.
  5. you can adjust the speed by giving images more or less frames between each of them.
  6. make sure that you put a "stop();" in the last film fram or he will repeat.

• Change the Keyframe Interpolation method

  I love the direction that Flash CS4 has taken with the AfterEffects-style timeline. It has been long in coming since LiveMotion!
  
  However, I am really struggling with the new interpolation method. In the first, AE and other applications, you can right click on the keyframe and change the interpolation method. If you're familiar with Illustrator, it is like a Direction to convert on a Bezier curve.
  
  This is why you would do this:
  1 draw a shape, convert it to chart and activate the motion tween
  2 shape tweening so that it moves to frame 1 frame 20
  3. now move the playback cursor to image 40 and drop a new keyframe
  4. now shape tweening so that it moves to frame 40 to 60 frame
  
  What you want TO happen here is that the object moves for the first 20 frames, while it is completely still (since the keyframe on frame 20 and chassis 40 are technically identical), and then moves from 40 to 60 frame frame
  
  What actually happens is that the object moves slightly backward between frame 20 and frame 40. This is because the trajectory is as a Bezier curve is smooth with no hard angles. We want an angle "hard" in the frame of 20 and 40 framework while there is absolutely no movement between these two points.
  
  In AE, it's a simple matter to fix, like Premiere CS4. How do you take Flash?
  
  Thanks in advance for your ideas.
  
  Tom

  Hi Tom,

  My guess is that maybe the original course between 1 and 20 frames was a curve in it. This means that the added keyframes property then are the points of the curve (if the interpolation was not twisted so it should work as expected), will fold the interpolation into the query editor and will lead the movement you see.

  Anyway, you can straighten out the curve of points in the query editor by holding the Alt/Option key and clicking key images (those at 20 and 40). This allows to convert the point between a point to the curve and linear. After that, the line is directly between 20 and 40, and the instance does not move on the stage.

  For more information on the keys of control in the new motion model, you can see the list on my blog here: del-lets-you-do-more-stuff/ http://flashthusiast.com/2008/11/24/lists-of-keyboard-modifiers-in-the-flash-cs4-motion-mo

  Hope this helps,
  Jen.