mixture of frame rates

What considerations should be taken when mixing records (sony ex1) 25 p and 60 p (or 30) (sony nex 7) records in a common sequence.

Is it mandatory to convert 60 p (30) to 25 files? Can what effects we expect?

You may need. Put the 60 p clips in a model of 25 fps and return a test or step in a model at a time and see what things look like. Framework of merger on and interpolation to offshore. The conversion can be a waste of time. There is a caveat.

If you do a lot of manipulation with the film 60 p as roto, keying, tracking camera, then do these things before integrate you images into your model of 25 frames per second. The workflow depends on the project, but as a general rule, all the heavy manipulation of video should be made to the frame rate natives and if the images are interlaced fields must be separated as you work as much original data you can. Then you go up the artwork for the final rendering. Run a few tests to determine whether or not the shot benefits using Twixtor.

Tags: After Effects

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