Standard NTSC 1080 p frame rates?

Similar Questions

• BlackBerry videos recorded 10 missing frame Frame Rate, width of the frame height, once 1080 videos works

  Hello

  I shot some video with my Z30 in 720 mode and was able to play it on Windows Media Player and metadata seem to be all there.  However, I switched the camera in 1080 mode and now the files are missing some metadata.  Specifically, Frame Rate, Frame Width and Frame Height and they will not play on Windows Media Player.  I've switched back to 720 mode but now have lost the metadata for this mode and 720 video play is no longer.  Any thoughts?

  I downloaded VLC Media Player (which is a free download) and played the videos perfectly. If you have this problem, I suggest you do the same thing. Just Google it.

• Need for education on frame rates

  I am confused about the relationship between shutter speed and frame rates. Maybe this isn't strictly a matter of Adobe, but you guys seem to know everything! I use a digital SLR (Canon 60 d) and he put in 1080 @ 24 fps. Automatic exposure of the camera for movies being very overexposed, I tried setting to manual exposure. I just look at the display when setting the shutter speed and the opening until it looks good to me. My shutter speed could be anywhere on the map. That worried me because I had seen a training video that explains what shutter speed is good for the desired specific frame rate. Yet the videos coming out of my camera when I put it manually fine watch. Can someone explain this to me?

  Shutter speed is more a function of exposure still photo, Jordan. It is not really figure in the exposure of your video, which is pretty much all together by the f-stop to the lens. In other words, video shooting in 24 p is not better for low light video shot at 30 fps. So do not confuse the pace with shutter speed.

  Frame rate is pretty much a function of the video format itself.

  Video standard NTSC is 29.97 frames per second.

  PAL standard is 30 frames per second.

  24 p is a video frame rate more advanced which is used to give your video a more cinematic quality.

• Change the Frame Rate, frequency rate not when shooting RAW

  I think not all the controls to change the frame rate independent of the frequency rate that, I guess it's like 'project frame rate '.

  How I crank out 240 fps 2 K RAW or say 60 fps (time base 23.98) during the filming of SXS?

  Follow-up to question... is there a manual for this camera accessible to the public anywhere?

  Thank you very much

  BK

  You can overcrank (once again, "S & Q" for "Slow and fast") to XAVC 1080 p at 60 fps at the moment, with firmware v1.10.

  That's all. Any other framerate 60 fps have access by setting a frequency 59,94 system and slow down the images in the post.

• Fact the TV standard (NTSC / PAL) count for USB for TV video playback?

  Hi all

  I will register soon some 1080 p videos and I will deliver the finished video edited on USB to a family to read on their TV. (in the United Kingdom)

  My question is; So what if I record the video NTSC or PAL? They will be be plug the USB directly on their televisions to watch the video.

  I know that I would need to record in PAL if I was burning to DVD to play on a British DVD player / TVs, but no matter if it is played from a USB?

  I plan on using NTSC, 1080 p, 30 frames per second.

  Thanks in advance!

  Paul

  I had no problem reading video PAL from my media server, so my inclination is to say that it won't matter to you either.

  That said, you won't know until what test you.  Download a short excerpt NTSC to a site for them to download file sharing.  Do this before that learn you what either.

• Sequence GoPro/DSLR frame rates

  I search for an answer to this for a while and can't seem to find something forward.

  First off I'm shooting videos with a 6 d and a pro hero go 3 + black.

  IM shooting usually 1080 at 30 frames per second with the 6 d and 1080 at 60 fps with the go pro for slow motion shots.

  I use after effects or first (depending on what I want to do in the edition) and get some reading jumpy/choppy/laggy when I finished some projects.

  For example:

  I want the video to end play at 30 frames per second.

  -should I conform to the go pro clips from 60 fps to 30 fps using go pro studio before them sequels if I plan to make idle or time remapping with them? The sequence settings suitable for SPF 30 or 60?

  -clips of play very well before and after that I have them comply in pro studio go but once they are done in my rendering than the shifts of video playback.

  Here is an example between: 20 -: 25 seconds The Quinta, Ca on Vimeo ... to me, it seems that its executives of jumps. In this video I isn't in keeping them in 30 frames per second before hand. I just used temporal and remapping of time to slow them down. I also put pixel interpolation on the clip. (This was shot with a go pro)

  Here's the deal with frame rates. Interpretation of the file ALLOWS you to set the time DO NOT rate or to comply with a new cadence when you're transcoding because you'll lose frames or quality or both. Simple as that. In your workflow I import images from the GoPro, interpret to 29.97 because it is the frequency of images for your computer, then, when you drop the GoPro images in the timeline, it will play at half speed. If you need to slow down more use time-remapping or a plug-in like Twixtor. You will get much better results.

  I hope this makes sense. Slow mo is confusing to people who have worked in the video, but it makes perfect sense for people like me who one has grown up with a 16mm Bolex in his hands and turned images on film up to 20,000 images per second... All projectors (except the old plays football coaches Spotlight analysis usually use to analyze) run at 24 fps so my 20 000 really read fps camera images slowly and you could see all the pop rivets that the spar does not, but it's a different story.

• Best frame rate, resolution, and shutter speed Canon XF 305 to chromakeying

  Hello

  I have to shoot some pictures with the Canon XF305 (Chromakeying green screen) and the progressive frame rate only I choose are (25 1920 x 1080 p) or (50Pand 25 P 1280 x 720).

  What shutter speed I should use?

  What will be the best choice of quality for the overlay? The output will be Vimeo at the end I have a 6core Xenon 3.2, GIG of memory of 24, GTX580.

  Of course, I know the best resolution, but I mean the best choices for the overlay.

  'S done it in PAL.

  Thanks David

  I'd shoot at 1080. More important than the size of the image is the lighting. One of these higher end prosumer cameras are very capable of producing images that will be key.

• Comply, or transcode mixed frame rates?

  Hello

  I did a quick search in the archives, but still not quite get my head around this:

  I recently shot a personal project on a Greek island. I have a lot of beautiful 5 d MKII sequences of the island to 1080/25 p, a few underwater sequences of diving instructors took to 1080/30 p and a ton of GoPro HD helmet cam stuff I've pulled my bike to 720/60 p. I guess I don't think too much about rates of mixed frame during shooting, because I had too much fun. I went to pull the stuff of cam headphones to 60 p, then I could slow down and I have a few nice ride shots - by mingling with my GVs. Now that I'm in front of the editing suite, which is the best way to use all these images? I will use 1080/25 p as the basis of my time because most of the good things came from the 5 d. I heard that using Twixtor consistent images works really well, but I'm still confused about what the 60 p on the chronology of 25 p stuff will look like. He will play slow? Very confused.

  In general, it is 'better' to give up material of frame rates less in sequences with higher rates. The reason is that Premiere Pro will automatically insert menu drop down in the form of images duplicated to maintain the same frame rate. Let's look at some examples using the images you mentioned...

  You have 720/60 p, 1080/25 p and 1080/30 p. Let's ignore the frame sizes and since you're all progressives, we will ignore the field order (since there is no order of field). In short, you've got 25 fps, 30 FPS and 60 fps. The first thing to do is to decide what you will do with the material of 60 frames per second. If you want to slow down, simply interpret it as fps 25 or 30 frames per second; Right click on an item or several clips, then select Edit > interpret footage. Here, you can change the frame rate. This will cause the playback sequence at least 50% of the speed; you would then use it in a sequence with a time corresponding to all base what you interpreted the images (25 p or 30 p). If you want to keep the images to 60 p, so that you could use excerpts of full motion and then have the ability to slow some, you would use a sequence of 60 p; You can then use the speed/duration dialog box to change the speed of the clip. If you want to only 50% of the speed, who drill into the dialog box without any concern for the interpolated images. Premiere Pro will simply double each image giving you nice, smooth idle.

  Now decide on the material 25 fps and 30 frames per second and how to use it. If you use a sequence of 60 fps, you can simply remove these clips as-is; Premiere Pro dupliquera frameworks as required, maintain the same pace, as if you were using the clips in a sequence with a corresponding frame rate. It's very simple, really: no matter if you shoot at 25 fps or 60 fps, a second being always a second. All that is different is the period for which an image is visible. If you have 25 images to fit in the frame of 60 'niche roles' of your sequence, Premiere Pro will be space executives roughly evenly and reproduce each image as long as it is necessary to reconcile the duration of a single frame in a sequence corresponding to the clip frame rate. Visually, there is no difference - this is why it is best to go to a superior that lower rate. If you go lower, Premiere Pro will actually Skip frames because you have more images to adapt to these "slots" in the destination sequence. This will result in a perceived 'jump', where an image is ignored. You can mitigate this, somewhat, by clicking on an element in a sequence and turning on interpolation; This forces Premiere Pro to interpolate between the ribs ignored. OK, it can work for you, or it may seem fuzzy - test is the best way to check.

  Personally, I think I'd go with a sequence of 720/30 p, assuming that all images of 60 p bike will be slowed down. 1080/30 p images must simply be scaled down; the 1080/25 p also has need to be resized, because every fifth frame will be duplicated to match the frame rate of 30 p sequence; and if the 720/60 p is interpreted as 30 p, you will get a nice 50% idle of your sequence, with no scaling required.

  Still confused?

• How to set the frame rate of NOR-IMAQdx

  Hello.

  The actual frame rate is 30 fps (MAXIMUM), but I must decrease the value to 10 frames per second. Is this possible?.

  

  Please check
  http://forums.NI.com/T5/machine-vision/programmatically-setting-the-frame-rate-of-a-webcam/TD-p/2654...

• Calculation of frame rates of acquisition image using the 7 Format

  So I finally got my Basler firewire (IEE1394b) camera to capture images at his rate max (120 fps).

  But to do this, I need to use the '7' Format.... which is a bit confusing to me.  When I use the '7' Format, I can't specify the frame (frames per second) rate.  Apparently, you only specify the parameters (length, width, color / mono) of the image and the size of the packets and a few other things.

  So, how can I calculate speed?  I need to know exactly how much time elapses between each image.  And it must be constant.  I can't have a different frame rate.

  NEITHER told I can calculate the frame rate using this equation:

  

  That comes from this article.

  But I am skeptical because the article also says:

  Please note that the time to transfer an image is slightly faster than the time it takes to acquire an image.
  

  People out there can clarify this for me?  Is the frame rate constant?  And then I actually calculate when using size 7?

  The rate will be constant.  It won't change from image to image.  The difficult part is to find what it is.

  Basler camera manual will tell you how to calculate the frame rate.  There are three different calculations, and gives you the slower pace is one you use.  These calculations are accurate enough, I think.

  Another possibility is to measure the frame rate, but that requires several seconds (or minutes) for a measurement precise.  The simplest method is to start a life-long and save a frame in time at the beginning, wait several seconds (or minutes) and save the time of another framework.  Subtract the chassis numbers, subtract the time and divide to get the frame rate.  With a wait of several minutes, it's extremely accurate.  To get the acquisition time, read an image whose value "Next Image", then save the chassis number and read the msec timer immediately after reading.  Using a flat sequence structure is probably the best to ensure that everything happens in the desired order.  If you loop playback, you will see real cadence cadence converge slowly.  Stop it when it is pretty accurate.

  In a program I wrote, I controlled the pace by setting the shutter exposure time.  I used the derived formula of the Basler manual for cadence and reversed to calculate the shutter speed.  This only works if you have another way to adjust the brightness levels (opening, lighting, etc.).

  Bruce

• C90 w/4210/5320 MCU H.239 Frame Rate

  I admit the departure, it's "H.239 101" type question, but our environment is transitional on very old rooms of 4:3 which were never designed to manage content on separate screens so I'm just now my hands dirty with the intended user, experience sharing content.

  My question is around H.239 - cadence for C90 endpoints as well as MCU-4210/5320...on the surface, it seems that they are able to share plenty of movement, full-video cadence in the H.239 channel, right? must be able to handle 720 p, 30 frames per second?

  In tests, I connected a C90 to two MCU to the relatively high rate of calls (1.5 MB, 2,0 MB) and when I check stats, H.239 channel turns to the expected bitrate and resolution-but very low frequency of frames... between 4/7 frames per second

  I think I am missing some setting commonly or game setting between the endpoint and MCU.

  In addition to setting minimum outflow for the content on the MCU, what other effects H.239 - cadence? I tried to play with the settings of weight main/presentation in the C90, but does not appear to affect the results.

  Thanks in advance for any response

  Take a look at this discussion, cisco-mse-8510-content-frame-rate-and-resolution-limitations.  In short, the cadence of the content that is being received and sent by the MCU are dependent on how you have the quality that is configured for the endpoint PC Input, that is to say: (default) sharpness or movement.  There is no middle ground, or dynamic parameters, it's one of those two.

• Presentation codec frame rate

  What is the frame rate when I using PiP like exit presentation if I presentation codec

  If you use PIP on a CTS 3000 we 5 fps.

  Using an external monitor your will get 30 fps.

• Photoshop CC - window Frame Rate

  Where is the window Frame Rate moved in Photoshop CC. He was previously in the Menu Animation, but it's gone. Can someone help me find it?

  For an animation image, you can select several images and set the rate for each group by right-clicking the button X of s in the lower corner of one of the frames. It will apply to all selected.

• My editing in Adobe animate CC don't show me the current image, frame rate, or give me playback options.  How can I enable that?

  Hello

  My editing in Adobe animate CC don't show me the current image, frame rate, or give me playback options.  How can I enable that?

  Thanks for any help you can offer. I'm off to work, but you come back tonight.

  Julie

  

  Hello

  Can you please scale your system to 100% in the Panel text and see if that helps?

  

  Thank you!

  Mohan

• Question photoshop frame rate

  Hi all

  I have problems making my reading of the video at 23.97 fps on photoshop cc movement timeline. I'm trying a video of rotoscoping is one. MOV exported first cc at 23.97 fps, but when I import it via import of video frames to layers, I still get a timeline of 30 frames per second. Unfortunately, I need the chronology in 23.97 fps. Is it possible to adjust the frame rate of 23.97 fps when I import a video? Help, please.

  Used programs:

  First cc

  Cc of Photoshop

  System Mac OS X

  10.9.5 version

  Hi john-daniela,

  Please check the below tutorials related to it.

  Photoshop frame rate Essentials |

  Using Photoshop | Preview video and animation

  Let us know if that helps.

  Kind regards

  ~ Mohit