MultiCam. Angle timeline Editor?

Similar Questions

• Stage/timeline extremely slow under Mountain Lion

  Hi all

  I'm having this problem with Flash CS6 on OSX Mountain Lion. Almost all of the actions of the program is slow. Things like select/move anything something onstage, something by selecting in the liberary Panel, by clicking the buttons on any editor Panel and scrub the timeline. Even using the menu bar of the Mac in Flash is slow. The slowest thing is reading the timeline Editor, it becomes so slow that it often crashes the application:

  

  Even if all this happens, other applications works perfectly well. Flash is not take more RAM or CPU that it usually is (except when it was broken) and I only have this problem after the update to Lion Mountian, Lion, everything was fine. SWF file publishing and reading have no problem whatsoever. The same exact problems are still performing Flash CS5.5. I am a member of the Adobe Creative cloud and all the other apps I've tried work perfectly. I also tried Flash CS6 in Windows on the same machine and that works as it should. This problem has also consists not only my .fla of the existing projects, but also brand new with absolutely nothing in the liberary or stage.

  I have an Early 2011 13 - inch Macbook Pro with an upgrade to 2.5 GHz i5 and 8 GB of RAM. I also have the 32-bit version of Flash CS6 and CS5.5 and OS of course, 10.8

  I have a Windows Bootcamp, so I can continue to work, but the restart is successful in my workflow, so I intend to use my backup of the Lion. But before that, I want to try and solve this problem.

  Thanks to those who read this! I hope I can solve this problem.

  I had a similar experience. It turned out that the problem was a trial version of TextExpander. I've disabled TextExpander and removed from the computer and Flash back to normal. Flash uses a lot of system resources and any problematic application causes Flash to function strangely.

  Look at other applications you have running. One of them could be the cause of problems with Flash.

• Parenting Clip Library

  Hey anyone here know if we can apply a correction of the color of a clip in the tray and have this stream of correction to all instances of the affected element downstream? I often do this by applying the color and sound adjustments to items in a sequence multicam using the editor of the angle, but in this case, I have a production that mixes the cameras, long takes, all extracts are used in the multicam, and many of these clips are also in the final but not included in the multicam. I was wondering if someone else already knows the answer - I'm about to understand, and I'll be sure to come back and share.

  A to the clips already in the project. You can fix one and use the copy paste attributes to be applied to others. Use the index of the timeline to find and select the clips you want to paste to.

• Regular Expressions of Drivng me crazy!

  Oracle Version 11 GR 2

  Scripts of test data

  CREATE TABLE REGEX_TEST

  (ID NUMBER 4,

  VARCHAR2 (50) COMMENTS

  );

  Insert into REGEX_TEST (ID, COMMENTS) values (1, "< Little Red Riding Hood > #title");

  Insert into REGEX_TEST (ID, COMMENTS) values (2, "#title < Little Red Riding Hood > #publisher < Penguin >");

  Insert into REGEX_TEST (ID, COMMENTS) values (3, ' #title < Little Red Riding Hood > #publisher < Penguin > #pages < 30 > ");

  Congratulations to Frank Kulash to provide the following SQL to clean the field of comments only properly marked the text in the field

  Properly tagged text is defined as

  Start by #.

  then nameOfHashTag

  then < valueOfHashTag >

  The number or name of hashtags is variable and is not known at design time

  The Frank provided SQL is (with a slight mod)

  Original, SELECT comments

  REGEXP_REPLACE (comments

  , '(^|>)[^#.*<]*'

  "\1") that cleaned

  of REGEX_TEST;

  Source language

  
  CLEANED#title < little Red Riding Hood >#title < little Red Riding Hood >#title < little Red Riding Hood > #publisher < Penguin >
  #title < little Red Riding Hood > #publisher < Penguin >#title < little Red Riding Hood > #publisher < Penguin > #pages < 30 >#title < little Red Riding Hood > #publisher < Penguin > #pages < 30 >

  
  

  FIRST QUESTION: I understand the [^ #. * <] * component - search for zero or more occurrences of anything that is not a # tracking of zero or more characters, then a < and I understand the () sets a capturing group, but I don't understand how it works - 1 is probably a reference to the Group?

  Now, I add a few more - lines to see how he treats badly marked text that is

  void <>

  text that is not marked

  text is not enclosed by sharp hooks

  Insert into REGEX_TEST (ID, COMMENTS) values ('4, #title <>");

  Insert into REGEX_TEST (ID, COMMENTS) values (5, "#title <>#publisher < Penguin >");

  Insert into REGEX_TEST (ID, COMMENTS) values (6, "#title < Little Red Riding Hood > text that isn't marked < Penguin > #publisher");

  Insert into REGEX_TEST (ID, COMMENTS) values (7, "#title oops I forgot #publisher < Penguin > rafters").

  
  

  
  

  Original, SELECT comments

  REGEXP_REPLACE (comments

  , '(^|>)[^#.*<]*'

  "\1") that cleaned

  of REGEX_TEST;

  Source language

  
  CLEANED#title < little Red Riding Hood >#title < little Red Riding Hood >#title < little Red Riding Hood > #publisher < Penguin >
  #title < little Red Riding Hood > #publisher < Penguin >#title < little Red Riding Hood > #publisher < Penguin > #pages < 30 >#title < little Red Riding Hood > #publisher < Penguin > #pages < 30 >#title <>#title <>#title <>#publisher < penguin >
  #title <>#publisher < penguin >#title < little Red Riding Hood > text that is not signposted #publisher < Penguin >
  #title < little Red Riding Hood > #publisher < Penguin >#title oops I forgot the #publisher < Penguin > rafters#title oops I forgot the #publisher < Penguin > rafters

  SECOND QUESTION: Is there any way I can specify that the <>cannot be empty - I played a bit with the +? but impossible to get what I want.  Similarly, the latter (without text no sharp hooks)-I guess this would be impossible because you don't know if it was wong, until you have met the # next date you would be somehow to follow back and ignore the whole group.

  I learned two things in this

  1. regular expressions are extremely powerful

  2. but they will drive you crazy?

  Once again thanks a lot for the help

  BTW - I managed to do what I had to do it using a lot of PL/SQL code, but not very fast!

  Hello

  So, you want only the substrings that are well-formed attribute/value pairs (attribute or value may be missing).  You want to ignore anything in the comments that is not part of a well-formed pair.

  It is not very difficult to get a single well-formed pair.  The problem is that there is no good way to say 'everything that is not part of a well-formed pair '.  One solution is to extract from each pair trained well on a separate line and then re - combine them into a single string by id, like this:

  WITH split_data AS

  (

  SELECT id

  comments

  REGEXP_SUBSTR (comments,

  , '#'      ||  -sign #.

  '[^<]+'  || ="" --="" 1="" or="" more="" of="" any="" characters="" except="">

  '<'      || ="" --=""><>

  '[^>]+'  ||  -1 or several characters any except >

  '>'          -- > sign

  1

  LEVEL

  ) AS well_formed_pair

  LEVEL AS pair_num

  OF regex_test

  ([LEVEL CONNECTION <= regexp_count="" (comments,=""> <> <[^>] + > ')

  AND PRIOR id = id

  AND PRIOR SYS_GUID () IS NOT NULL

  )

  SELECT id

  commented THAT the original

  LISTAGG (well_formed_pair) WITHIN GROUP (ORDER BY pair_num)

  THAT cleaned

  OF split_data

  GROUP BY id, comments

  ORDER BY id

  ;

  The 2nd argument of REGEXP_SUBSTR above is actually the same as the 2nd argument of REGEXP_COUNT.  I wrote one of them in a more detailed form, hoping to make it clear what happens if has been done.  You can write an expression so be it.

  The result is just what you asked:

  ID CLEANED ORIGINAL
  --- ---------------------------------------- ---------------------------------
  1 #title #title

  2 #title#publisher #title#pu
      blisher

  3 #title#publisher #title#pu
      #pages<30> blisher#pages<30>

  4 #title<>

  5 #title<>#publisher #publisher

  6 #title #title#pu text
  is not marked #publisher blisher

  7 #title oops I forgot that the rafters whoops # #title forgotten angle br
  Editor ackets #publisher

• Move multiple clips

  Hey guys,.

  very basic question here.

  At one point in my calendar, all the following clips have an offset of Frame 2. I don't know how it happened, but I need to go right.

  How can I fix it without touching all of what follows, roughly 120 cuts?

  

  Hey,.

  You can move multiple clips using http://www.ircp-tools.com/

  Go to 'IRCP-beauty '. It is a timeline editor that allows you to touch several clips.

  See www.youtube.com/watch?v=taaHAggzJIc for a short video on this subject.

  I would like to know if it works for you.

  Valentine's day

• Copy the key frame motion tween properties?

  No there is no way to do it from the timeline?

  I have a layer on the timeline with a MovieClip.  It is set for the motion tween.  On frame 30, it has a keyframe for all tween properties (rotation, scale, position, etc.).  I want to copy those and put them on the frame 1 using the Timeline Editor.  How?

  Probably too late for you, but maybe someone has the same question:

  From animate CC, you can do:

  1. selection of a single image (Ctrl + click) then
  2. do a right click to open the Options Menu
  3. Select 'copy properties.
  4. move to target setting and select 'Properties of paste' or, if you want to just stick some special properties, "Collage special properties.

  

• Close the editor of the Angle?

  Hello

  I use Multicam in FCP X and I can't seem to find a way to close the editor of the Angle. The few posts I can find say to use the return key, but I have done other things since the opening Angle editor for dos is grayed out. I think that I am not clip selection with it open until I have find that I'm good enough at an impasse...

  I'm sure that there is an easy answer, but I can't.

  I use Yosemite on a 15 "2011 MacBook Pro with an attached monitor.

  Thanks in advance,

  Felix

  YYou edit the multicam clip in a project. Make a project and change the multicam inside.

• Multicam clip in the timeline falls pose of source, not a multicam video clips

  I'm on first Pro CC 2015 9.2, and I'm working on the selection of blocking interviews. I moved from one position to another and any sequence to another project to use when the main editor works on the original.

  Now, when I select and drop a multicam clip in the timeline, it brings all the multicam clips and not the multicam himself. I guess a setting somewhere has spilled or something in the import. Any help? I do not want to nest each selection!

  

  Look to the left of your screen capture, the part that you do not. The upper part is right button selected? Called 'insert and replace sequences as nests or individual clips'

• Views of Angle MultiCam sync with Clips

  I ran into a weird issue with a multicam sequence.  I have 4 corners upward, and the views of angles 1-3 are all out of sync with their own clips by a variable number of seconds.  The clips are all perfectly synchronized in the chronology, and the part "out program" display multicam is correct.  It is disconcerting. Multicam playback is also really * restless where, normally, it is very smooth.

  I have another multicam sequence in the same project that is configured in the same way and rereads dead-end, with all views of the angle in synchronization.

  Anyone seen this before?   I emptied all of my preview and cache files and import the sequence into a new project and it's always wrong to behave.

  Also, for some reason, on load audio and video clips keep coming back on 'Even as project', even though I have to direct them to a folder on one of my paintings, and save the project.

  Thank you.

  4 angles on a 1080 p timeline.  All the clips were shot at 23.976:

  (1) RED Epic 5 K HD resized to 1080 p, 23.976

  (2) canon 5 d mk3, 1080 p, 23.976

  (3) canon 6 D, 1080 p, 23.976

  (4) RED Epic 5 K HD fist of 1:1, 1080 p, 23.976

  I solved the problem!  While footage source for multicam problem sequences start to 00:00:00:00, they all contain sequences where the audio begins at the beginning, but the video track starts a few seconds later.  I inserted a black video in the beginning of the video track of the sequence of each source and the angle views were resolved instantly.

• When a visitor a sequence Multicam in the Timeline, why isn't the audio video and the song missing?

  I have created several blocking (for various interviewees) sequences and want to hone in on a separate timeline/sequence. All blocking sequences work in monitors when I revisit (angles and main audio), but as soon as I bring the clips in my calendar, I don't get the Green multicam video without any audio track.

  I worked this way before in CC2014, but I may have missed something... Any ideas?

  Hi Michel,.

  Please check the article for the same below.

  https://helpx.Adobe.com/Premiere-Pro/using/source-patching-track-targetting.html

  Vinay

• 4 k Multicam presents in preview in an HD timeline

  I'm having a problem with the preview in multicam. They are not cropped but settled on HD / zoom in a 100% so I don't see that 1/4 of the entire frame.

  I did a multicam takes 8 x 4 k sequence, I put the size of the video to 50% effect, which seems to work very well for the composite video, so the final edit is fine when I selected clips, but the small previews of my options making I need to edit to are all in 100% zoom which means I don't see that 1/4 of the entire framework making it almost impossible to edit. Anyone know if I can do this previews as well 50% scale?

  you change 4 k sequences in an hd timeline?  If Yes, you can change the sequence multicam and inside it on each clip change scale to say 50%. When I try this it comes thru on main hd sequence timeline showing the k frame full 4 in the multicam program window.

  

• How to make my multicam nest in the timeline?

  Hey,.

  When I create a Source of Multicam sequence it reproduced source in the window like multicam.

  But when I drop the Multicam NEST in the timeline it seems to divide the cameras on 2 different tracks.

  How can I activate the multicam in the timeline?

  

  When you fell out of the nest.

  Go to th key in the program window and activate Multicam

• Help! First reading timeline runaway Pro with multicam and clips from Cineform Neo

  Hello

  I encountered a problem with a 'runaway' in first Pro CS5.5 timeline - not always, but often enough. Once playback begins, nothing less than restarting the computer can stop it.  I don't know if this is a bug that needs fixing or something else.  I'm a recent Mac / FCP7 switcher to a range of Adobe products.

  My machine is a chip of quad core i7 Sandy Bridge on Windows 7 with 16 GB of RAM.  I do not have an Nvidia card in the system.  I'm under Premiere Pro 5.5 using a timeline multicam with Cineform Neo clips in 1080 p (four angles of the camera).  The initial "live edit" of the multicam went well, and I'm now trying to go back and refine the exact changes.  Play movie multicam to check program changes resulted in three 'lock up' where nothing will stop playback (audio and video), not the space bar, mouse, ESC, nothing.  The mouse moves always normally, but none of the buttons in Premiere Pro 'click '.  Interestingly, I can open other programs, and the hit restart the computer, but the chronology continues to play.  All clips are converted to Cineform Neo to 1080 p.  The computer shows 56% used CPU and about 45% of the RAM.

  I do not have which would apply other info - no other applications are open when this happens and none was open before this (boot clean with first being the first and the only program to operate).

  If anyone has any suggestions on how to correct or avoid this problem, I would be very grateful.

  Thank you in advance,

  Videoguy 16 x 9
  

  I'm still getting used to from Windows, Macs and Final Cut Pro (may he rest in peace).  I guess that I expect that some sort of notification when updates were available.

  The long story short, I used version 5.5.0 first and set to update to the latest version at the suggestion of Jake Seagraves above to Cineform - and I have not had the problem again.  If you have not had the opportunity to work with the guys from Cineform, they are great to work with and very responsive.  And in my humble opinion, Cineform is one of the best codecs for first mastering.

  In all cases, you can mark it as resolved.  I'll just have to remember to manually search for updates once in a while.

  Thank you all!

• Level audio clip MultiCam and mixture change when put on the timeline

  Hello!  I am preparing a multicam with an audio mix clip for my taste, but when I put that snap it on my calendar for the edition, the noise level declined by 6 dB and I think that the mix has changed somewhat as.  I'm at a loss to what is going on here!

  Thanks for any help!

  The law of pan is to control the stereo output. You should make your mixture in the project not within the multicam clip if possible.

• Timeline not Visible in the query editor

  Hi, people. I work in Flash CS4 and I can't see my editing (or head) in the query editor. I have never known this before and have no idea how to do to correct the situation. Could someone help me please? Thank you very much in advance!

  bottom left of your the motion editor Panel you see visible frames icon or the number?