MultiCam editing Lag

Similar Questions

• the audio is still audible even after muting in multicam editing

  Hello

  I have a strange behavior: in a multicam editing, I cut the track, I pull down of the dB, I uncheck the audio but I can still hear the noise! It's really weird. When I go to edit/set his silence she is silent, but if I want that part muted, I can't. Tried the new compound clip, same problem.

  Could you post a screenshot of what happens? Could help to see what is causing the problem. Maybe the project Editor screenshot and/or multicam.

• Premiere Pro CC 2015 errors when reading a multicamera editing.

  Premiere Pro CC 2015 errors when reading a multicamera editing.

  Running on Mac.

  Started editing images mult-camera and falls down for only when you try to play the scenario of several camera. Other chronologies play without issue.

  Any ideas?

  It turns out that this is a bug with CC2015 in multi-camera. Adobe is working on fix of course.

• Multicam edit sequence synchronized DSLR meadow creation questions

  Hi all

  I'm new to Premiere Pro CC, having moved just of FCPX. I did a little research on multicam editing in PP these days, but are not yet able to start my project.

  As you can see on the screenshot, I have a sequence of clips of DSLR that I have synced on my calendar. The problem is that no matter what method I use I can't seem to create a multicam editing that works. I always find myself with only a camera in the multicam window and the audio is not synchronized remote upward with him.

  What I am doing wrong?

  

  The sequence that you have opened. Take this sequence in your project, click right, menu bin popup, choose "create a new sequence. Open your new 'flat' a single track video sequence in your calendar, click on the contextual project monitor 'key', menu panel, choose 'Multi-camera. "

• audio switching in a multicam editing option does not

  I would use the audio option (support audio AND video from sources) switching in a multicam editing, but despite this option overall upward the cam multi sequence, the later target sequence does not perform accordingly. What I am doing wrong?

  I think that this works with sequences blocking created manually, not those created automatically.

• MultiCam editing bug: unwanted changing cameras

  The bug is a little complicated to explain (though I'm German), then try a litlle way dump:

  1. change a sequence multicam with three cameras (see media below), none of the problems

  2. stop playback to repeat something

  3. for republication go a little in time, restart the playback (the current "example-camera 1" is marked yellow in the multicam view) and set a new point editing (the chosen new "example-camera 2" turns on and is marked in red in the multicamview, as usual)

  4. stop reading, go to the new edit point and determin the camera prior to this mount point, which was "camera 1" has also changed in "example 2" camera ".

  FIRST 2014.2 CC

  SYSTEM: so far, with the gpu acceleration is turned off.

  MEDIA: XDCAM50 422, XDCAM EX 1080 p, 1080 p AVCHD

  EFFECTS: no effect, some adjusted the audio levels

  Thanks for the tips!

  IT IS THE RIGHT ANSWER:

  The problem is not related to my gpu uncertified (as written above) but is actually a rare configuration error. The problem appears only when I use my Zoom H6 as my Audiodevice!

• How make a regular crash with a component source multicam editing and keep the NEST?

  I just want to cut the source multicam in my edit sequence. My edit sequence already has another clip multicam inside. I just want to add a different multicam clip on it. I load the multicam clip in my source as a regular clip monitor, but when I hit edit, it cuts in all the traces of my mulitcam, instead of a track of the nested multicam clip. What I'm missing here? I just avid then maybe that's not really possible? My solution is to drag the clip source multicam tray on the icon of the new, which creates my clip nested within a timeline, copy the nest, then stick in my real Edition. Why so many markets for such a simple thing?

  What version of Premiere Pro are you using? If I understand the behaviour you statement, looks like you have the feature "KEM Roll" (new CC7.0) Insert value and crush Sequnces of the individual Clips. In the case where you do not know what I'm talking about, this feature is controlled by the button most left in the upper left corner of the timeline panel, next to the button magnet (Snap).

  If that is not linked, then maybe some more info on your workflow will help. Start off by explaining how you create your footage making - there are two methods.

• Try to join a Story script for multicam editing

  I have a multicam to an interview which was transcribed in Adobe Story edition.  I'm trying to attach the script so I can access points of the interview via metadata from script. First doesn't seem to attach a script to a multicam sequences, yet if I join individual clips (there are five of them) I don't see the script in the multicam meta.  How can I best use the script in multicam embed feature?  I've updated for all current versions of CC.  Thank you!

  In fact, I have not tested this but given the data provided, I would think that you can't.  Looks like you can use it on a single element.

  And it's kind of logic because there is no such thing as a multicam clip.  MultiCam is a sequel, and it is possible that the script of the story can be attached only to a clip.

• In a with two cameras a multicamera edit does not appear in the multicam monitor?

  In a multicamera CS 6 with two cameras one Assembly does not appear in the multicam monitor or rather remains black while it is present in the sequence? Is this due to lack of memory of the CPU? I have a Toshiba Tecra i5

  Thanks if anyone knows why?

  [email removed by Moderator]

  I use Adobe CS6 first

• System deactivates the Multicam editing window

  I use 2015CC from first on a very robust machine (PC).  I have problems with the program monitor entering several camera on its own mode when there is NO multi-cames clips or sequences in the timeline panel. So I can't get out of multi-Cam mode and have quit the program. When he goes in this induced auto mode Multli-Cam, I can move the pointer of the chronology and the line, but nothing rubs and nothing will play.  I tried the mouse, JKL keys.  Nothing works until you exit the program and reload.

  What could I do to access the mode multi-Cam inadvertently?

  Major Breakthru *.

  After a ton of experimentation, I found (in fact one of my other publishers insisted on the removal of the audio track that led to the discovery of other) narration of the zero track that had been planned by a previous editor had the Enhancer Plugin applied votes. I have it clear the zero track (all the clips of 79) and viola... no apparent hanging plus.  Don't know how all this interacts, but indeed that's the trigger.  Somehow the voice Enhancer Plugin interacts with the window Trim (which apparently always comes up when you cut an editing tool now) and prevents to immediately close and return to the regular monitor window.

  I would like to know how the hell this happens, but for now I'm just happy to be able to edit again.

• I can't get the audio to be synchronized with the video editing multicamera?

  Multicamera editing, audio will not be synchronized with the video. I have two clips, 1 Plus 6 iPhone and the other an iPad Mini 2. While the audio wave forms are aligned, they will not match the video... the lips are out of sync. How can I handle this? I use the latest version of FCPX and OS x on an iMac of 2015 end fully charged.

  What are the specifications of media files, the frame rates and audio sampling rates?

• Reading great lag makes editing Impossible - Help!

  Hey all. I just started to use the first few days ago (from FCPX). I got my audio and video synchronized with PluralEyes and active multicam. Now I'm moving by and to change multicam pressing play, sequence and then selecting the appropriate camera by pressing 1 or 2, but playback is desperately slow and laggy. It's so slow, I don't see where I'm editing. First is basically useless for me right now.

  My video files are .mov to a Canon Mark II and a Canon Mark III. The audio files are .wav of a Zoom H4n I uses a Unibody MacBook from 2008 to the address end with a 2.4 GHz Intel Core 2 Duo processor, 8 GB 1067 MHz DDR3 memory, NVIDIA GeForce 9400 M 256 MB card graphics and 250 GB of storage. All my video and first files are stored on an external hard drive of 500 GB Toshiba. I know that this computer is not ideal for heavy video editing, but unfortunately, it's the only one I have right now. I'm hoping to improve this fall to a more powerful MacBook. In the meantime, is there anything I can do to make reading in creative work so that I can edit my video? I tried to adjust the resolution of reading to 1/8, but who do not seem to help at all.

  Thanks for your suggestion, Kevin. I rocked in fact just view multicamera off and reading is much smoother. It's a little harder Multicam editing (I spend between the 1 - up display and the Multicam view and manually Cmde my changes rather than using keys 1 and 2), but the first is now usable for me.

• Premiere Pro CC 2014 - jerky playback of multicam

  So I'm under Premiere Pro CC 2014 (8,0) on OSX (10.8.5) Mountain Lion, using CUDA acceleration and everything works well except for one thing: when I do a multicam edit I switch the program monitor in multicam as usual mode. However, during playback, I'm dropping frames with video (audio playback is normal). This happens with any definition, even at 1/8 reading. As I kept the previous version of Premiere Pro (7.0), I checked it's multicam playback and it is quite normal to full resolution. After spending and corresponding to all the parameters of 8.0 to 7.0 I am really at a loss with this problem, ideas?

  As I said earlier, the only solution I found was to transcode my images at DNX. With DNX images, I was able to make multicam with 8 angles without lag. With images of ProRes he would get bogged down with only 3 cameras.

• First film edited with Premiere - proxy, audio questions and multi-cames

  I have several questions that I have not found in the videos and forums, at least not for my situation. I'm finishing the revision of sequences now adding comments in prelude and will begin soon to change it. Please excuse the long post.

  Background:

  I'm working on my first film, a documentary. Most of my work is 10-11 interviews, about an hour each. The majority is 4K Panasonic GH4, but some of the images is an Olympus MDGS EM5 II 1080.

  I recorded the sound using a LAV and a shotgun microphone, each goes in its own channel in a Tascam DR - 70 d, an external audio recorder, with a line going into the camera for reference. Audio and video files (at least one, since GH4 brings several) will have a slate tone to the head, created by the audio recorder. The recorder has captured the audio 24-bit, 16-bit audio captured camera. The recorder fooled also two other channels to lower 12db audio in the case of audio peaks.

  I will be changing on Mac laptop - 2013 MacBook Pro, OS 10.11.5, 2.9 Ghz Intel Core i7 memory of 16GB 1600 MHz DDR3, NVIDIA GeForce GT 650 M 1024 MB graphics card. I think I need to create my images 4 K proxies.

  All images is storage on my external drive of G. The interviews are separated and are located in the folders of each interviewee.

  The final project will be 1080, not 4K.

  Questions:

  Naming - being a hybrid, the GH4 breaks an interview of an hour in several separate files. Should I change the names of all files, or keep them in folders named in Premiere Pro? If I should change them, should I do it before swallowing?

  First synchronize audio and video, but since I have an audio file and several video files, I synchronize each video file individually or assemble them somehow, then synchronize? If each of these excerpts from the interview is sewn together, wouldn't that make editing more easy?

  When you create proxy for video files, also create proxy for audio files separate? Once synchronized, will be presented first the Hi output version of the resolution of the video and audio?

  Multicamera - in one case, I have an interview with two 1080 cameras. But for the rest, I've shot with a camera in 4K, so I intend to use a section cropped interview (zoom) when an important statement is mentioned, simulating a two cameras set up. Given that I have to create a sequence of multi camera after I ingest proxy files, first will be a problem activating/deactivating files proxy for the salvation of the res files?

  B - roll is added later, once the interviews are published about. It will be a few (not 4K) images and photos. Make the proxies of these too or first care to have all files proxy or a mixture?

  Finally, I have never edited a video which has been more than 10 minutes. This film could be of 40 minutes or up to 90. Everything I need to know to make the editing more smooth? I am a beginner!

  Thank you for bearing with me and thank you in advance for any idea!

  -SK

  1. allow only file names.  Make your organization with records (hard drive) and ferries (project).

  2. Manual of multi-camera method

  3. the audio files are small and will not need of proxies.  Export will always use the original media.

  4. possibly.  My first attempt was a disaster that froze the machine so badly, I had to do a hard reset.  However, you need not go back to the original of the sequence to make your cut-ins.  Proxy media will do fine work.  Simply place a copy of the plans at the 50% level in V1 and a second copy on the scale of 100% in V2 when creating the source multicam sequence...  Will allow you to see the full versions and then cropped the multicam editing.

  5. the photos no need of proxies.  If the B-roll change, make proxies for those.  PP not care a spirit to keep all the images the same.

  6. $ 2,000 custom PC vs $ 4,000 Mac Pro - YouTube

• Sequence multicamera workflow.

  I have clips and audio from multiple sources.  Because the video clips were filmed on different cameras (with different color and sometimes in the c-profiles) create imported clips creates a nightmare for the color balance.  Is the best solution to create a sequence of each clip. 9th year export to a file mp4 transcoded; Re - import as new clips; then create the MC clip/sequence...or there any other better medium for this?

  Any thoughts would be much appreciated!

  Thank you

  Andrew

  Thanks Neil... That helped a lot.  I didn't realize that I could create a multicam among a group of sequences sequence... I thought that it worked only with clips.

  So now my workflow is as follows:

  1. Import clips
  2. Create a new seq of each clip
  3. Create the multicam sequence and edit for the desired camera angles
  4. Then open the sequences created in #2 and apply luts and other fixes as needed using LUT boyfriend and controls color of Lumetri (or export to SpeedGrade)

  These changes lead automatically to the multicam editing sequence...

  Works like a charm!

  Thank you very much

  Andrew