Multichannel sequence and export Quicktime

Similar Questions

• Good sequence and export of settings for GIF?

  Alright. I'm trying my darndest to export a video file in a GIF file and cannot, for the life of me, get the results I need. I hope you all can help.

  -My original video is a 1920 x 1080 "clip" (do not know this extension. it is a cap of Loilo program screen output) i.e. 93.3 MB at 30 fps. So, enough to work with high quality video.

  -I want my end product smoother GIF to 940 x 529.

  I'm confused as to what I should choose the sequence settings. I tried to change the Edit under "Custom" settings Mode so I can customize the frame size of video to the 940 x 529 desired. I have imported the video and it is much smaller for some reason, and she or the edit box is not 16:9, because the aspect ration are different (I * think * this may have to do with the cutting of Alpha appearing as black, but I'm not sure). From there to the record dialog box, I set the animated GIF format, set the width and height, 940 x 529, put the pace at 15, kept everything else with the standard settings.

  It displays as a GIF file very well; It seems that the proportions of the video is 16:9, but there is all this nasty black area around all four sides, just in excess space around the video area. Alongside this, the slow short GIF (it failure to load IE. tried in Chrome and it is still slow). In addition to this, the GIF is almost 100 MB! So, in short, a GIF that looks worse, runs slower and has a larger file size. I do something wrong, but I don't know what! I'd appreciate any help!

  Hey Noah,

  You can try this in Photoshop instead. It's where I do this kind of work.

  Thank you
  Kevin

• sequence right and export of settings in Premiere Pro CS6, video with still images

  I am trying to run a video on my site (self hosted). This video, made with Premiere Pro CS6, consists of still images with different video effects.

  This video is just 50 seconds, but when I have this turn in the format mp4, webm and ogg, get large files and the quality is not good.

  Could you please guide me to find good sequence and export of settings in Premiere Pro CS6 to get a video for the best possible quality on the web?

  A precise description of the parameters would be great.

  Thank you

  Silvia

  To export, set the resolution that you want to use on the web.

  Make the sequence of parameters in a way to export these settings

• If I started a project in first Cs5 and want to finish it in first Pro CC it causes problems exporting my sequence and get into the new software?

  If I started a project in first Cs5 and want to finish it in first Pro CC it causes problems exporting my sequence and get into the new software?

  Better is to import the cs5 project in the new project of CC.

  And Yes this could have problems, he could not.

  I would have ended up in CS5. Export to the lossless format and encode with SOUL CC until the final destination.

• How to export a sequence and then burn

  Hi... I have a problem.

  N ° 1. I have a Panasonic HMC150 and export the .mts files in a new sequence (1080i30 (60i) AVCHD) in Premiere CS4. This is the correct preset?

  NO. 2. When I export the file in Encore CS4 via Dynamic Link-> Send to. everything is fine but when burning, always and after 5 hrs still hangs

  So can someone tell how to work with these files in common sense and who still high quality video on a DVD

  Thanks for your help

  I hope Jeff Bellune to read this and who can give a big help

  ... Gracias amigos.

  The tutorial is here

  -Jeff

• Rendering and export failed with an unknown error because of the color of Lumetri?

  I am rendering & export failures with an 'unknown error' code within Premiere Pro and Media Encoder.  I think that the problem is related to the Lumetri color filter that is widely used in all of the timeline.  There are hundreds of clips and each clip has 2-4 color filters Lumetri applied.  Each clip also has the red giant Cosmo and filter FilmConvert Pro 2.36.1 coming to overlap (visually underneath by order of effects filters Panel) all filters from Lumetri.  The reason why I believe that the problem is related to the Lumetri color filter is that it is the first time that I use.  Previously, I used the filter red giant Colorista III coloring, but last week decided to try using the Lumetri color for the same effect.

  Please let me know if anyone has had similar experiences, what were their solutions, or if someone has some ideas on how to solve this problem.  I would really appreciate the help!

  System details:

  Windows Pro 64-bit 10

  Intel i7 5960 X 8-core 3.0GHz (cooled water and too quick to 4.2 GHz)

  64GB 2133 MHz DRAM (non-ECC)

  2 x Nvidia GTX 980 4 GB GPUs (not in SLI)

  Intel 750 PCIe 400 GB SSD (for BONES)

  SSD Pro 1 TB Samsung 840 (for Adobe Cache)

  SSD Pro 1 TB Samsung 840 (for export)

  Matrix RAID 5 of 48 TB (eight 6 TB HDs with MegaRAID, LSI 9361-8i card) (for media)

  Information on the timeline:

  1920 x 1080 (original video files are MP4 UHD scaled down by 50% in the timeline)

  23.976 fps

  CUDA Mercury Render Engine

  Length of the sequence: 14:30

  I have discovered a workaround of sorts.  I noticed that when rendered in PP he would make progress before a failure (the green line that precedes the timeline would get a little longer).  If I saved this progress and rebooted the system, then tried to make it again, it would make a little further.  I've done this dozens of times for 4 hours make completely a 14:30 long sequence.

  I noticed doing this routine that my CPU was maxxed on all rendered.  Resource monitor reported the use of CPU to 143% continuous (all other indicators RAM, disk speed, etc. were well under their maximums).  This brings me to suspect that maybe there is a problem with overheating of the CPU.  But who would be closed for the entire system, correct?

  Once the entire sequence has been made (all the green lines above clips) I tried export by using the "Use preview files" option enabled.  Failure again.  I tried export uncompressed AVI, Quicktimes and PNG sequences.  All have failed.  I tried to export to PP as well as TEA.  The two have not.  I tried to export with option 'To make maximum quality' is enabled.  Surprisingly, this product the longest time encoding managed (32 minutes before failure).  As by chance, using the option of MRQ kept my CPU loads sawtoothing between 100% and 75%, then maybe there's something to the CPU overheating theory?

  In an ultimate attempt desperate to save my video project (looming deadlines!) I divided the sequence of Assembly in five servings (I cut on the melted white or fade-to-black transitions) and exported to each of them.  This copy export times within 20 minutes.  It worked.

  I noticed this another Adobe Forums thread that seems to speak of the similar difficulties with effects of Lumetri in Creative Cloud 2015.  Perhaps the Lumetri effects are not ready for prime time?

  https://forums.Adobe.com/thread/1236018?start=0 & tstart = 0

  Please let me know if anyone has any ideas on this.  In the meantime, I'll wind up this project and never use Lumetri effects again.

  Hello Kevin,

  Thank you for offering help to solve this problem.

  I was able to export the majority of the sequence with all the Lumetri effects, red giant and FilmConvert mixed in clips.  After the sequence using the tedious method described above I segmented the sequence in the quarterfinals; all exported except one.  I divided it into two; Another exported doesn't have.  I cut half too, once again only half exported without failure.  I finally reduced the embarrassing part until a second sequence clips 35; an interview with green screen with superimposed titles and superposition of b-roll clips.

  I removed all the effects of the Lumetri of these clips and replaced by Red Giant Colorista III effects, which are very similar to the effect of Lumetri in the GUI and application.  The sequence made completely without "unknown error."  Then it was exported successfully (and used about 70% when compared to more CPU activity 110% with the Lumetri to export).

  The difference would be that the effect of color of Lumetri has this YUV icon next to it in the effect controls panel?  Which means that YUV?

  The problem is perhaps not totally related to the color of Lumetri effect (as I said, I was able to export the majority of the 14:30 sequences use, although gradually by segmentation of the sequence into smaller portions), but if the move is a solution then I'll use it.

  I lost a day to fix this.  If this thread is useful to someone else, then it was worthwhile.

• "Workflow" DSLR for ideal rendering and exporting

  I just finished my first project of 5 minutes in Premiere Pro CS6 with excellent results.  The source material is a Canon 7 d, and I work with unconverted native files.  Unfortunately, as the project had color correction with Magic Bullet looks, filters such as sharpness and layers of "fuzzy" of certain elements on the screen, the original compressed h264 export took nearly 7 hours.

  A little research led to realize that I was better export a 'master' and the conversion outside of Premiere Pro.  So, what would be the best way to proceed?

  Do I have to view my calendar and then choose export with 'match sequence settings' and 'use discovered?  Should not pre-made and export rather than "match sequence settings"?  If I pre-made and use of previews, the resulting quality will be the same if I surrender all by exporting?

  Or is there another way?  Could I create preview with ProRes files and export to ProRes format?

  Please help us to a delighted PP convert.

  you have almost perfect it, but for a potential problem...

  (1) import my native dslr images,

  YES!

  (2) create a sequence with settings and a setting of say ProRes 422, overview

  YES - BUT ProRes is available on Mac. If you are on Windows, use AViD DNxHD or UtLossless.

  (3) change my project with effects, etc.

  YES!

  (4) rendering the chronology, and

  YES!

  5) export to ProRes 422 'use previews' selected format? Then create files with this master of export ProRes codec.

  A little.

  Note even if you use the preview files, Apple QuickTime with ProRes support does not implement Smart Rendering so you decode and re-encode to the ProRes format (good vs copy the preview of a file already compressed through executives).

  There is therefore really not backwards by a master ProRes and then deposited into the SOUL to do your other final products. Instead, I strongly recommend that you queue your sequence to Media Encoder. The first output can be ProRes422 (for archiving etc.) If you wish.

  Right click and "duplicate" this original work in the SOUL and change the settings on each replication to create all output files you need. CS6 actually has a very nice interface. Doing it this way was more than the Mercury playback engine (IE nVidia CUDA MPE) will make all your resize for you - that is much faster (as 10 x) to open the master file of ProRes in SOUL and creation of files out there.

  Make sure that you always have the "use previews' enabled for all cloned jobs.

  Kind regards

  Rallymax

• Incompatibility of sizing Source image on sequence for export

  I work with a video import, indicating that it is 1920 x 1080. When I create a sequence (slide / move), the image is reduced to a big black space around it. It seems to be shrinking in the smallest margin of safety.

  

  More confusing is that when I go to export, I see that the Source sequence is displayed as 1920 x 1080, but the (H.264, YouTube Widescreen) output as 1280 x 720.

  

  Of course, when exporting, there the huge black frame. Nothing that I don't seem to affect it in some way. It could very well be that I missed a setting on import or elsewhere, but I am confused. Advice appreciated!

  First, make a duplicate of your sequence.

  Second, working on the copy of the sequence (so that if something is wrong you still have your original) click anywhere in the sequence and go to the menu sequence > sequence settings. When the control panel of the sequence opens, set the frame size (1280 x 720) and click OK.

  If the clips in this new sequence dimensioned correctly wrongly look sizes, select all the clips on the timeline (click anywhere in the timeline panel, and then type Command (control) + A.) When the clamps are all selected, right click on one of the selected video clips and in the dropdown choose frame size value.

  MtD

• Remove the automatic sequence and trigger the DDL for surrogate keys?

  Is there a way to remove the shutter and the sequence of creation for surrogate keys when export file DDL?

  I know that most of the time the auto sequence and trigger creation is welcome and very convenient.

  However I'm migrating from an old model of Designer and here only the necessary sequences are created.

  They have a different name and logical trigger is personalized (and generated outside of the Designer).

  There is a lot of code package accordingly. So, I prefer to create and use different sequences.

  Is there a way to do this? Tips are welcome. Create

  Hello

  you change preferences - "Data Modeler > model > physics > Oracle"-set "Default auto-increment DDL" and "Identity default DDL" voices against ZERO and generate the DDL for Oracle12c

  
  

  Philippe

• Subject: Speed video rendering and export in Adobe Premiere CC 2014

  I did some research on this point - and I've read about the different ways to do it - but at the end of the day... my videos still take some time to export (10-minute video will take 30 to 40 minutes to export)

  I recently bought a new MacBook Pro with a 2.5 Quad core i7 processor... 16 GB of ram and an AMD Radeon r9 M370x 2 GB video card.

  Videos should be much faster with this alone, but they go to a slower speed. I know people who have similar videos, treatment within 4-5 minutes.

  Now, the video is filmed in 1980 x 1080, I think... I would like to export to 1280 x 720... There is not much I can do...

  I tried to lower the speed of transmission of about 1, which decreases the size of the spectacular video... and I've even limited to one pass.

  I don't want to sacrifice the extreme video quality to win 2 minutes of processing time (down from 40 minutes to 38 minutes)

  What can I do to speed up rendering and exporting in the sequence settings?

  File > project settings > general.

  Also in the lower right corner of the Adobe Media Encoder queue Panel.

• Unable to export Quicktime after first upgrade 7.0 to 8.0 (2014) incompatible "video codec" error in preset

  In the previous version of Premiere Pro (downloaded two months ago), I was able to export with preset HD 720 p H.264 QuickTime files.  It was very easy to do this in the previous version.

  Updated for Premiere Pro 8.0 (2014), when I try to export the same project with the same settings I see error message "codec video. incompatible in the preset current load failed ".

  When I select Quicktime, the default setting is NTSC DV Widescreen 24 p.   Attempted to export with this parameter, the result is a file that plays audio but not video.

  
  

  The system is Windows, I tried two different computers, including a with Windows 8, same result. I tried Media Encoder, same result.

  
  

  I searched the forums for an answer, the new features page lists these presets available, but they do not work for me.  Nothing else has changed on the computer, only upgrade to first 8.0 (2014)

  How to export Quicktime files in the new Premiere Pro?

  Technical support told me to solve the problem - uninstall QuickTime and reinstall the most recent version of QuickTime

• First CC support subtitles with mpeg2, mpg, ts, import and export of embedded

  Using a sidecar file is not an option. This question is about the embedded subtitle files.

  Will be support Adobe first Creative cloud importation of closed captioned data already captioned mpg, ts files mpeg2 video, and it will support the export of mpg, ts, mpeg2 video with integrated subtitles? If they add this feature, do you know when? At least a rough estimate?

  I create content which broadcasts on DEMAND for cable TV providers and we are currently working with legend Mac / Caption Maker and Manzanita to caption each video individually. We need to take the final version subtitled content and sometimes cut out sections and replace with other finalized captioned content. We wanted to do this without the need of re-under-titrating videos after we export first, which adds a lot of overtime work by video.

  Research online I found that CC supports import and export of integrated QuickTime closed captioned file. The standards of our suppliers are mpg/ts. A video youtube I found said that Adobe has been adding mpeg2/ts support for closed captioning, but I can't find any official word on the subject.

  I appreciate any help/information on the subject.

  Regarding embedded subtitles, Premiere Pro currently supports the import to and the export to QuickTime and MXF files. I know, on the side of the MXF support includes MXF OP1a, and I'm sure to extend to DNXHD MXF OP1a.

• Strange export - dynamic link problem and export right

  Hello

  Straight inside... When I try to encode my calendar nested in MPEG 2 DVD, weather via Media Encoder, Export from the first, or dynamic links with again, it gets a quarter turn through the encoding process and then stops... programs froze, the process still going, but nothing happens... I left on for 8 hours just to be sure, but without success...

  The nested sequence, I'm trying to export is one of the 2 sequences nested within the same project. The nested sequence 1 sequence, exports perfectly nested 2 not so much... I checked the settings of the sequence, I created a new sequence and copied the files of my nested sequence edited, but not luck... No file seems to be corrupted... etc etc...

  About the project:

  • Creative Suite CS5.5
  • It was a session of multi cam, where I have synced all clips in a sequence, nested the and then edited the sequence nested in multiple camera monitor.
  • This is nothing new for me, after doing that for 8 years with Premiere Pro and still and I've never seen this happen
  • It is a complicated multicamera shoot, which was extremely time consuming to change, so I hope that I not come to zero...
  • I turned on 1920 x 1080 25 p

  Thank you in advance,

  Tim

  I don't do much multicam, but your rendering stops on the same frame in the timeline each time?  If so, I would like to start looking at this particular picture my scenario.  If possible, change a mount point to the place of boredom (or something) and see what happens.  May be that you have a corrupt image/clip, then maybe cover with a different move it?

• What is the best way to import and export images from the 5 d Mark II?

  Hello

  I have just finished what I plan my first masterpiece of shooting film.  Shot on the Canon 5 d (1080 p, 24 fps), and the film looks amazing.  Now, I'm ready to start editing and now use creating lately, but I still have to figure out the proper conduct.  I want to know the best way to keep the resolution before I dive into this project.

  My questions:

  (1) what is the best way to start a new project and import the images without having to make while editing, in order to keep all the resolution and the originality of the source footage?

  (2) what is the best way / codec / format to export these images even once done editing to maintain than crisp 1080 p for which the 5 d is therefore counted?

  (3) what is the best way / codec / format for import and export / rendering between the first and after effects?  I speak especially of Visual effects and color correction.  I also a few sequences of 30 images per second that I intend to slow down in AE and then import into first.

  I know that it's wide enough, but as a solo Director I really need advice from someone.  Rarely, I finished my films with the same look crispy as images.  I need help of pipeline and really appreciate it!

  > used first lately

  A list of tutorial in the #3 http://forums.adobe.com/message/2276578 message

  1 - Please NOTE that the PPro CS6 screen may be a little different (I use CS5)

  For CS5 and later versions, the easy way to ensure that your video and your project

  See 2nd post for the photo of a NEW ELEMENT of process http://forums.adobe.com/thread/872666

  - and a FAQ on setting http://forums.adobe.com/message/3804341 sequence

  2 - BluRay... but I'm not sure if 1080 p is supported (I don't use of BluRay)

  1080 p http://forums.adobe.com/thread/995191 some work, some are not

  In addition, for upcoming posts, information FAQ http://forums.adobe.com/message/4200840

  In addition, read the metadata contained in the file http://forums.adobe.com/thread/1015001?tstart=0

  And finally, read Bill Hunt on http://forums.adobe.com/thread/919388?tstart=0 installation project

• The screen can be cropped in and exported a report width / height custom?

  I think I need a Prime Minister to do something that it simply was not designed to do. Do I have to do is take five or six other screen and audio capture of the same event (a 3D virtual reality teaching session), each representing another person of this event view, assemble in a split screen, synchronize audio Delete, the capture of 'main' designated the other audio tracks and add a title CG labelling each one. The effect is like watching a screen showing six images from security cameras. I know it is possible to do these things first.

  However, I then have to do is to cut back on all extra space on the left and right of this image of the split screen and export the file as a .mov format of image produced by cropping so that videos are as broad as possible and are not deformed resize in order to fit standard proportions. Depending on the size of the screencaps, the .mov that results can have almost a 1:1 ratio. What is essential for this is that the video be as big as possible and the 'black' to be space as small as possible, so that the person who comes in later to analyze these composite videos see just as clearly as possible. I also need to refocus on the fly; because these images are not always captured in the same size, it is impossible to screening a size for the video.

  We used a tool of screenshot to do what works, but a pain; clips can be moved and resized by mouse-dragged, and the software to import and export from its own format owner, which is very slow. However, piece of video editing software 'true' I looked only ever seems to export in formats TV or film. QuickTime Pro looked a bit like the best bet, but it doesn't seem to be able to manage several audio tracks (which are necessary, since I have to synchronize tracks by ear most of the time).

  Is what I'm describing - exporting files .mov while preserving the custom extensions created by cropping when editing - something the Prime Minister can do? If so, it would be something easy enough for beginners to do?

  Stephen_Spider wrote:

  You also say that you don't want no carpet at the top or bottom of the final product. Once again to help monitor HD A as a model, looking something like a pixel of W 214 X 1920Pixel H.

  What is the size of your target display? And do you intend to have all the clips of six aligned horizontally?

  **************************************

  Edit, OK, you gave more information, while I was typing

  Heck, Jive forum also is miserable for not showing the changes.

  If this is the process, which will not work. We will just continue to use our current software. Thank you.