Need help in the XSLT file

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  I need to calculate the number of days between 2 date elements (type xs: date). Can you please direct me as to how I can do the same thing.
  
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  Hello

  Have you seen this message?
  Re: Get the Date difference between 2 values of date in days

  You can do in the XSLT file since the dates are in ISO 8601 format.
  http://www.w3.org/TR/NOTE-datetime

  Here is a sample XSLT...

  The XSLT above will result in * 4 * for the next entry...

  
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  You can test this example here...
  http://xslttest.appspot.com/

  I hope this helps...

  See you soon,.
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  It is considered good etiquette to the answerers rewards with points (as "useful" - 5 pts - or 'correct' - 10pts)
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  Hello
  

  1. Since when are you facing this problem?
  2. you remember to make changes to the system?
  3. do you get an error with this error code?

  I suggest to unplug external devices such as printer, scanner, etc. that are plugged into the system, and then restart the system and check if the problem persists.

  Method 1.
  I suggest you to do a check disk from the recovery console and check if the problem is resolved. Follow the steps mentioned below.
  a. start into the recovery console using the XP CD. Follow the steps mentioned in the article below.
  Description of the Windows XP Recovery Console for advanced users
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  b. perform a disk check.
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  Method 2.
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  I hope this helps.

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  When I connect to Photoshop CC I still can't go to the program - I need to change the host file?

  Please follow it mentioned below as follows:

  1 complete the process / Task Manager tasks in the same order, as mentioned below the Manager tasks. See, Open the Task Manager

  • Creative cloud
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  2 - C:\Users\\AppData\Local\Adobe\ MAA UPDATER and two OOBE (App data & Program Data is hidden folder please see, Show files and folders hidden in Windows 7, 8.x, 10, or Vista)

  3 reset the hosts - IP addresses redirected file may prevent you to complete the authorization process.

  • Run the host file fix in the cleaning CC tool.
  • Reset the file hosts manually.

  4 - CUT any security software installed with firewall system, also if your having any browser Add On installed for blocking advertising that turn off too.

  These changes are temporary you can restore these changes back to normal once your creative cloud app is running *.

  5 - raise the cloud creative app and connect

  Let us know if that helps.

• Hello need help with the opacity mask.

  Hello need help with the opacity mask. I hope someone out there can help

  I inherited a logo that appears to use a Logo of OM has a shape with a grad. This grad at first sight is not used in the Grad scheme and there is not editable.  Looking at the transparency palette I find an OM (pic1) output option. If I choose what the grad on separates it from the page of the form, that is from there I can change/remove as required (Note2).

  However, sometimes (he did no change), I'll be back to the same original form and output option is grayed out and is no longer available. Or I go to the similar shape that has the same treatment and I can't go out OM (pic3)

  The only difference is the thumbnail in the transparency palette, which is strong in pic1 and rated on pic3. What Miss me?    I'm not clear what the advantage is simply OM using the Grad palette to apply a grad in my form, but until I can get rid of OM who is there, I can't comfortably apply to the grad I want.

  The white gradient LHS I have no problem with. I choose fortunately only and each time get the possibility of release of OM.
  

  

  The other thing weird. When I select the white gradient. Sometimes, the exit option is in the palette without going through the drop-down list (Fig 4).

  Other times seems not that OM has already been applied, because the palette gives me the ability to mask rather than liberation (5 photos). Until I go to the drop down and then I find Release is an option after all.

  What is the difference here?   Not much of a problem, because either way I can release OM to be able to change the grad.

  The file is passed through several hands and play anywhere to try to resolve issues, and many stops and save slot, so something along the line was of course done a logo and not the other because of the difference, but I can't for the life of me see what that.

  

  I hope someone can help. Very appreciated

  
  

  See you soon

  Dave

  Dave,

  I've (mis) understanding the issues, you can account for the box to the right in the main palette transparency (called thumbnail) here.

  Illustrator help | Transparency and blending modes

  represents the masking objects.

  Some of your screenshots show no object mask, so it only is not really a mask even if do the opacity mask has been clicked and there seems to be one in the layers palette, wherever you look.

  I think that it is perhaps the issue.

• I need help you rename a file using regular expressions in Bridge.

  Hello

  I work at a University, and we are working through files for our theses and Dissertations. We were renamed to make them more coherent. I wonder if there is a regular expression that could help in this process?

  Examples come from current file names;

  • THESIS H343G 1981
  • Thesis of 1981 g996e
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  I just need to change the actual file names. how they are formatted.

  Where appropriate on the thesis.

  Hyphens (-) in all white space.

  First letter, last letter is lower case on appeal no (H343g)

  If the list above should look like;

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  • Thesis-1981-G996e
  • Thesis-1981-A543g

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  You would be better to use a script to do this as an example because I don't think it would be possible in the new name of bridge.

  Using ExtendScript Toolkit or a text editor to copy the code in any event and save it to sub Filename.jsx

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  Usage: Goto the Tools Menu and select Rename PDF files

  Be sure to only test the code with some files copied to a separate first folder to make sure it's what you want.

  The script will make all PDF files in the selected folder.

  #target bridge
  if( BridgeTalk.appName == "bridge" ) {
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  var thumbs = app.document.getSelection("pdf");
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  I need help on the color in general information.

  http://www.YouTube.com/watch?v=vLEGtzyZ0Fs

  I made this video in AfterEffects and exported in color 16-bit png sequence.

  I then imported in first pro and added audio and some titles at the end.

  Now, I want to do is have a perfect version that I could watch on my pc.

  I used Mp4 h 264 to compress the video and it is on youtube.

  I think that this compressor support only 8-bit color because there are bands in the sky.

  Now, I have to make a version which is of very high quality that I can watch on my pc... I tried several codecs and it does not work.

  The problem is so long that there something on top of the png sequence in premirere pro as an image or something, it's like

  the displacement of the image in 8-bit color mode.

  It's using Avi Lagarith lossless codec

  Before there is a picture on top...

  

  Just after that, the image appears... As you can the there are a few bands on this image.

  I know it's subtle, but I want to know why this is happening.

  

  Is there something I'm missing... I took much too long to try to fix this.

  I ended up using the Quicktime animation codec for my video. The problem does not occur with this one, and I can't see any decline in the quality of the image.

  Now, I have a file compressed at low cost for online viewing and a huge file that I can watch on my computer.

  On a side note, can you guess how many hours it took for my computer make the png of this video sequence... 12 HOURS!

  Should I get a new computer...

  Thanks for the reply!

• Making the ear of corn and need help with the ball.

  I do some corn on the COB for an illustration and I need help with the texture of the ball. I've been slowly making progress with gradient for kernels mesh, but I can't seem to recreate the look of the ball at all. I tried to recreate it in a rectangle by using the option in the menu object (1 row, 50 columns) gradient mesh and I'm trying with the fusion in object mode, but not lucky yet. Can someone help to put me on the right track to make the texture:

  

  

  

  I've been slowly making progress with gradient for kernels mesh, but I can't seem to recreate the look of the ball at all.

  Tank,

  You have published three images stylistically very different. The first is photographic and call probably (but not necessarily) for graduates of mesh. The other two are graphical treatments (and frankly, they're both rather flat; lack of depth).

  Illustration style extends the range of cartoonish in sketchy photo-realism and all the rest. The problem is you didn't show your own attempt so that anyone can have an idea of what you're trying to achieve the stylistic point of view.

  I just need to put in place so that the final step does not appear the whole box. The problem now is trying to make the style of the good brush to reproduce the effect...

  You seem to think you have to build a kind of linear construction and then find a way to reshape the shape of each part of the leaf. Yes, you pouvez approach it this way, but Illustrator users has often tend to be what aunt Molly would call "too clever by half."

  Not everything must be something semi intelligent auto or complex and tedious consruct involving brushes, envelopes, masks, etc, etc. Much can be accomplished by thinking that he just thanks to measure you draw directly economic paths and constructions, which take no more time (often less) and result in very tidy, simple files. Again, a lot depends on what you are trying to achieve the stylistic point of view. But here's an example that only took a few minutes to draw:

  

  

  

  

  

  If the above consists of:

  Three roads closed, 8 points each, with ordinary linear degrees

  Three mixtures of open path with three anchor points for each key path

  Six paths closed for shadows / highlights, with 19 points in total

  Mixtures being directly from the paths drawn comic forms, the spacing of the veins 'automatically' and intuitively follows the width from point of view of the worksheet.

  Rather than to build a boilerplate brush, colouring and the weight of each of the three main paths of the vein mixtures can be set individually at any time, simply directly by selecting the key path.

  JET