Parameters of different sequence on a timeline?

Similar Questions

• Can I combine different sequences in first elements?

  Can I combine different sequences in first elements? If this is not the case, what is the best way to save and re - import my sequences to a new project without losing image quality?

  I just of started using this program and made a number of different sequences that it seems easier to work with but now realize that I seem to not be able to combine them and fear that I will lose the quality of image if I export and re-import, on a new sequence.

  flixytime

  Thanks for the reply.

  Project 1... If you have imported the source media, 1080 p (1920 x 1080 @ 29.97 progressive frames per second), use the project preset

  NTSC

  DIGITAL SLR

  1080 p

  DSLR 1080 30 p @29.97

  I exported this Timeline content as

  Publish + share

  Computer

  AVCHD

  with presets = MP4 H.264 1920 x 1080 p30

  so I would like to take this export file (1920 x 1080 p 30 as the H.264.mp4) in

  Project 2...

  that is defined for

  NTSC

  DIGITAL SLR

  1080 p

  DSLR 1080 30 p @29.97

  and continue from there to the final destination (export).

  The program is designed where the project preset is automatically set by the program based on the properties of the first file dragged to the timeline.

  Sometimes the program does it right. Sometimes not. When not, and then you set the project preset manually. Please follow the instructions to do this

  at the bottom of the blog following.

  You can check the project under Menu/project settings to change settings/general and readings for the editing timebase Mode, size of the image, Pixel Aspect Ratio (even if the fields appear dimmed).

  If you do not know the properties of the source media, please tell us the brand/model/parameters of the camera that records video, and we will try to understand the video properties of this information.

  Please read the above. Any questions, please ask. If one of my assumptions are not correct, please let me know and I'll amend my instructions accordingly.

  Thank you.

  RTA

• Can someone help me! -shortcut to show the sequence in the timeline

  Hello!!

  I know that there is a shortcut to hide to open a sequence in a timeline. I cannot open a sequence

  in many of my projects, by double-clicking on the sequence. If I double click on a sequence, it appears in the source monitor Panel!

  I once opened a sequence in the timeline by a shortcut. It was a stroke of luck when I tried a lot of different shortcuts - I do not remember

  the shortcut.

  IIs it someone who knows this!

  This indicates that you Dbl-Click on an asset, not a sequence.

  ERMM... not necessarily. If you are the project Panel is set to display the icon, by double clicking on an element of the sequence opens it in the Source monitor and not in the timeline panel. Instead, you must hold down the control when you double-click it to open it in the timeline panel. In list view, double click standard, unmodified works. There is a weird inconsistency the reason why I've never quite understood.

• First Pro CC blocks when you scroll through the sequence in the timeline - Audio Waveform will Virgin first

  The description is in the title: first Pro CC blocks when you scroll through the sequence in the timeline - Audio Waveform will Virgin first.

  Just started today, will not stop now blocks after a minute or two, and he always does when I scroll through the timeline of a sequence.  First of all, the audio waveform becomes empty.

  What is going on?

  Date/time:	2014-10-22 12:16:16.078-0400
  OS version:	Mac OS X 10.9.5 (13F34)

  Report Version: 11

  Anonymous UUID: E1BCDCD7-6284-3012-9151-FF85491060DA

  Crashed thread: 0 dispatch queue: com.apple.main - wire

  Exception type: EXC_BAD_ACCESS (SIGBUS)

  Exception codes: KERN_PROTECTION_FAILURE at 0x000000011d74b000

  VM regions near 0x11d74b000:

  	VM_ALLOCATE	000000011d 748000-000000011d74b000 [12K] rw-/ rwx SM = PRV
  -> BATTERY CARE	[000000011d74b000-000000011d74c000	4 K]-/ rwx SM ZERO battery guard for threading 4 =.
  	Battery	000000011d74c000-000000011d7ce000 [520K] rw-/ rwx SM = COW 4 wire

  Thread 0 crashed: Dispatch queue: com.apple.main - wire

  Hi 5 deadly venoms

  This problem is resolved in the 9.0.1 update. Please update the application of a patch.

  Thank you

  Kevin

• generate a different sequence for 32 different warehouse...!

  We have around 32 different warehouse where the materials are stored...
  
  I need to design a form that I generates a different sequence number for the materials stored in 32 different articles home
  ex

  name:suhail
  pwd:123
  warehouse: America
  Now after i login i want to generate a  sequene number only for america's ware house say 21001
  
  name:ANDREAS
  pwd:345
  warehouse:France
  
  for this user the sequence number generted  should be different  say some thing like 31001

  can someone help me with this :)
  
  Published by: Chase Suhail on October 2, 2010 22:37

  I still prefer to use a "real" sequence Lets assume that your seuqneces are appointed as SEQUENCE_.

  Create a stored procedure in the database, as

  FUNCTION FK_SEQUENCE_FOR_WAREHOUSE(i_vcWarehouseCode IN VARCHAR2)
  RETURN NUMBER IS
    nId NUMBER;
  BEGIN
    EXECUTE IMMEDIATE 'SELECT SEQUENCE_'||i_vcWarehouseCode||'.NEXTVAL FROM DUAL'
    INTO nId;
    RETURN nId;
  END;
  

• Parameterized execution of sequences

  Is there an example how to set test sequences in Teststand?

  The current configuration is such that a number of tests must be carried out with different supply voltages and temperature conditions. For this, there are remotely controllable power supplies and a thermostreamer. The most direct is to simply add a loop inside the sequence of test for these settings, but this feels pretty inelegant and also impassable as well as heavy to quickly change the parameter independently of the rest of the test configuration test conditions.

  Rolf,

  It's always an interesting discussion.  The problem is that you define all these values somewhere either a database, flatfile or format TestStand himself.  Here's my opinion on the matter.

  Databases and flatfiles exhibit the same problem.  At some point you need to read values and map it on the steps that they are passed in.  The Mapper is the killer here. The reason is that it can be as simple as a PO file that maps to a local variable that is then used in the parameters of the step or enough complex where he goes through the steps and inject values into the calls.  The other MAIN issue with this is what happens if the data type changes.  How do roll you back to the database or flatfile while maintaining the 40 different sets of values already in there.

  I found that keeping data in a native format of TestStand is the simpler and easier to maintain. Is it a local variable that you have data or an abstraction layer where the values are hardcoded in the stages of the advantage to keep in TestStand, is that when the update of the data types that they are pushed automatically and values are preserved.  The downside, is changing the limits outside the TestStand environment is not really available unless you want to build a kind of special editor.

  Anyway it's still a huge business.  Personally I'm not a fan of the loader of property because it is limited in the variables and parameters it can export/import, and also files tend to become real yucky after about 20 values.

  Hope this helps,

• Two clips of different screen in the timeline format

  Greetings!

  I started using the first Pro CC today.  Just practical put two clips on the Timeline, but each clip has a different screen ratio.  One comes from an old Tricaster, another coming of Avid's Media Composer.

  The first clip on the Timeline, it is that since the Tricaster, the second is that of Avid.

  Looks like the Tricaster recorded in a 3:4 screen report while Avid seems to be 16:9.

  The Tricaster clip shows OK on the monitor, but that Avid seems to have been "zoom in".

  How could I be the 16:9 ratio in a 3:4 ratio?  Yes, I understand there are black areas in some of the sides of the screen, but I'm just testing the software.

  Thanks for the info.

  Bert

  PrPro defines a sequence by the first media placed on this sequence. Other media banged against this sequence with different proportions are resized simply upwards or downwards to "adapt". Right-click on the 16:9 clip and working with your scaling options until it seems as you want.

  That said... What is the frame of both types of media pixel size? There could be a problem where it would be better for the media from 16:9 to be your 'sequence' settings and media from 4:3 to fit on the scale.

  Neil

• Is it possible to merge the parameters of adjustment to the underlying timeline layer?

  I just finished an edict of 10 min with different adjustment layers that contain different color nuances that are applied to the underlying clips. The customer wants to make a trailer for 2-3 minutes longer this edition. My question is: can I merge sort, the parameters of adjustment to the underlying clips layer? I speak not nesting. I still need my cuts so I can just shorten the video all keep the associated color shades. Otherwise, I'll have to copy and paste this one timeline, and adjust layers adjustment accordingly. Hope that makes sense. I have looked everywhere for this issue and can't find it anywhere. Sure that's not possible. Thank you. Hope there is a solution.

  -Samia

  

  For each adjustment layer, you can copy and paste the attributes on the underlying clips at once.

• SSL VPN authentication using different sequences of identity Sources

  Morning,

  At the moment we have SSL VPN configuration passing security to GBA. This is accomplished by using strong authentication. GBA the

  Sequence identity Sources is WBS then AD.

  We want to implement on the same firewall a few users select proper respect by AD authentication, they will have a group name different tunnel connecting etc.

  GBA im not sure how I would setup two sequences of Sources Identidy therefor using the same Service selection rule. At the moment I have if RAY and IP is XXX then political use of XXX

  We are currently installed ISE so in the not to distant future is ACS can not do this can ISE?
  If it's confusing that I can extend were nesscessary
  Thank you

  S

  Hello

  I don't know how it looked like GBA but on its flexible ISE

  If the rule is simple

  If the RADIUS request is device ASA type formed then check the tunnel-group-name attribute (146) and will benefit from its interventions to the string value choose LOCAL or AD store.

  

  hope this helps

  concerning

• Drag and drop the sequence on the timeline - picture only

  Is there some modifier you press everything by dragging and dropping a sequence of a location that will ditch the audio component?  It's a bit embarrassing that the sequences that do not yet have all the sounds end up with empty audio clips on the timeline.

  or y at - it another way other than drag / drop?

  Disable the timeline source patch for audio of the incoming clip:

  

  MtD

• How to convert multiple photos stored as layers in a sequence in the timeline using the CC of the PS?

  I would like to be able to convert multiple photos of a subject in video high resolution using the timeline in PS CC.

  Here's how you can import a folder of images which become images in a video layer.
  Using Photoshop | Import video files and image sequences

• time code wrong sequence first pro timeline

  Hi I have a problem with the beginning of the sequence of timecode in my calendar. the effect of time placed on an adjustment layer code begins with 00:59:56:09 when the timecode in the timeline panel is 00:00:00:00.

  Any idea?

  Also, the Panel won't let me change the starting point and is set to the default 00:00:00:00.

  

  

  is it because you have timecode Source defined in the media?

  If you set to generate your start time will be editable

  your field symbol is disabled, but your field symbol is on--you must have disabled just before the screenshot and your program monitor had not refreshed

• passing parameters between different areas to help Navigate the column

  Hi all
  
  I know I can pass parameters between the reports through a few subjects by using Url go. However, I want to keep the functionality of the menu displayed when you use defyining multi target in the s column Navigate with drop-down feature. So the problem I encountered is the sequel
  
  (1) when I set some goals to navigate - is it possible to transfer parameters to these links point to destinations? (I tried to add them at the end of the link in the field "Target", but without success)
  
  (2) or alternatively - when you use GoUrl, can I define a < would display a href link that might point to places menu and mulitple drop down?
  
  I really appreciate your help with above
  Best regards
  Wojtek
  
  Published by: user1291979 on October 7, 2009 11:51

  -without add nothing more to this link, selected GEOGRAPHY. COUNTRIES must be passed to destination and > must complete guest there? It works that way in my environment

  If you are using navigation on the current query column properties and component the dashboard then the query current source column is analyzed on the quick dash in both have SAME_TABLE. The names of SAME_COLUMN, else parameter is not parsed.

  Target: / shared/Adecco01/_portal/01 edge/weekly table dashboard
  You don't enter anything

  He must complete only the GEOGRAPHY. COUNTRIES in the reports within the area where the source report comes from?

  If you use the navigation on the properties of the column and the call to another then asks the current column is analyzed on the query target only if in the SAME_TABLE target. SAME_COLUMN value IS INVITED, another parameter is not parsed. Report of the target and the source may be on different areas but we need SAME_TABLE. Names of SAME_COLUMN.

  If you use GO URL, URL of the dashboard EDGE or the other, I already explained.

  Concerning
  Goran
  http://108obiee.blogspot.com

• sharing of the locks between different sequences

  The way my main seq is set up is does nothing by itself, just calls to other sequences (call them seq1, seq2, etc.).  I now want to have two DUT using the parallel model but, given that I only have a multimeter, wanted to use the locks.   A DUT in seq2, for example, will recognize a lock that has been implemented in seq1?

  All sequences use the DMM in a way or another. The reason why I want to use locks on the main sequence is that there are things inside the individual calls (writing series, expectations, etc.) that I have no problem to do in parallel, because in these cases, I have more than one piece of hardware.

  Thus, for example, when UUT1 is measuring the current in seq2, UUT2 is read/write diagnostic through its own serial port in seq 1. After that UUT1 frees the dmm, UUT2 gets access.

  In addition, the calls must be in order (end the seq1 seq2) for each object to be measured.

  If you start a name of lock with an asterisk (*), then it is going global at the station.  For example "* DMM" as the name of your lock will be shared throughout the station.

• Parameters of different Cluster OR XNET (Hex 0xBFF6309A)

  I've updated OR XNET on my system and the goal of rt and now I get this error:

  Pible reason (s):

  NOR-XNET: (Hex 0xBFF6309A) interface has already been opened with different cluster settings as those specified for the current session. Solution: Make sure the settings of the cluster of agreement for the interface, or use a different interface.

  MPCC,

  Can you click the CAN Port in the system definition and make sure that the Cluster settings have been kept?  I saw this option to reset before.