Photoshop is the embedded images cropping

I am trying to add the logo of our company to a postcard I design. It is a PNG file. When I embed it in photoshop, the resulting image has the bottom line or two pixels cut off. It becomes the background out the letters in the logo of the culture. I can't understand why he did this or how stop from occurring.

Help?

I think I might have thought of it. No matter what I do, it always pressures the boundaries at the edge of the lettering. But I found that if I place the logo full size and then resize it later, it does not crop the bottom of the letters.

So I'm still confused as to why it does, but I found a work around for now.

Thanks for all the help.

Tags: Photoshop

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    -__144776919228689748abhmp0001.oracle.com

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    -__144776919228789750abhmp0001.oracle.com-

    -__144776919228789749abhmp0001.oracle.com-

    -__144776919228689748abhmp0001.oracle.com-

    Hello

    I think it is because you have a multipart in the part of the body of the main multipart. So you need to analyze the part of the body as a multipart as well. The pieces are hierarchical organized.

    You must test this with several email clients, such as thunderbird, outlook, gmail, etc. Different e-mail clients manage multiparts differently. Smtp-multipart definitions leave room for interpretation.

    Kind regards

    Martian

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    Tom,

    It sounds like your mouse is dying. Try another and see if that fixes the problem.

    HAL

  • Using Photoshop | Generate the layers image assets | Photoshop CC

    This question has been posted in response to the following article: http://helpx.Adobe.com/Photoshop/using/generate-assets-layers.html

    Hello! Looks like you don't have the 14.1.1 version, if you are certain to have run the correct update, try to connect back to your creative cloud account. Otherwise, go to the application of CC and run the update.

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    You need to update your video card in the web site of the manufacturer driver.

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    I found an answer to this problem. I wrote the answer in a post to blog here:

    http://blog.gilbertconsulting.com/2011/09/DPS-stop-video-at-last-frame.html

  • Information of Embeded image - newbie question

    Hello

    I have a problem with Illustrator CS3:

    I have a file .ai with an image embedded in it, see the first picture below

    2.jpg

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    When I create a link to the image embedded with a new and embed it as well, I see this:

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    Thanks for your help.

    The behavior is logical and correct. Lack of information on the embedded files would indicate that they have been generated in another version of I and this info is lost when converting between versions, the image was pasted instead of place or files have been generated by other sources entirely (any PDF files and that sort of thing). Because I files are editable, it is logical that the names of gall are kept in case one needs to change. I don't know why you think it is a bad thing. If for some reason you won't, then the answer is already in what I said - convert the file in a format inherited and then re-open or paste the image pixel data.

    Mylenium

  • Blue tint to the exported images from LR 2.4

    A particular image, that I exported from LR appears slightly more blue than it does in the LR library. At first I thought it's maybe because I export from a raw image in sRGB and downsizing a lot, but this isn't the cause.

    If I take the image of LR and EDIT in PHOTOSHOP CS3 using TIFF 16 bits and ProPhoto and then in Photoshop manually reduce 640 pixels on its longest side, change it to 8 bits per channel and ProPhoto convert to sRGB, the resulting image is not this blue tint and, in my view, exactly looks the same as the view from LR library. But if I ask LR for export in a 8-bit sRGB TIFF and reduce the size of 640 pixels, with no job of sharpening, the result has the blue tint.

    I have attached a screenshot with LR in the background and two windows photoshop: the left one is photoshop glancing tiff that LR exported; the right is Photoshop showing the same image will be created manually as described in my second para. I find that one on the left has a bluish tint, particularly in the foliage over the arms of the shovel. Flicking between the two windows photoshop, the histogram is clearly more blue in the left.

    Of course, you can say well, "Photoshop isn't Lightroom, so there are small differences. I accept it. But the fact is that Photoshop agrees with LR, this is just EXPORT from LR service that produces a result that is more blue.

    No idea why this should be so? (I have not noticed this on other images)

    I find that quite strange for sRGB, BTW, because the color is the smallest space the most important, one might think, to have the perception during the conversion in it.

    It has historical reasons. When sRGB was designed none of this really existed yet. Recently the ICC made a new sRGB version which has no perceptual intent. You can use it in Photoshop, but strangely, Lightroom doesn't know how to use it.

    When you refer to the scale, I'm not sure what you mean. Do you mean the alteration of color that occurs when mapping range of one color space to another? Sorry, I don't know anything about. But what at first glance seems odd is that why should the color of a pixel mapping be in any way affected by the values of adjacent pixels? (I guess this must be the case for effect "in areas with a lot of detail", as you suggest.

    I refer to the reduction of scale to 640 pixels wide that you do. It is very simply with an average value of the pixels within a zone to arrive at a new image of low resolution. For example, if your original is 3000 pixels wide, and you go to 500 pixels wide, you are averaging an area of 6 x 6 pixels (i.e. 36 pixels) for a single pixel value in the new image. In practice several different algorithms are used to do this, but the basic principle is the same. Lightroom evolves in a linear space, which means that the brightness (luminance) is a linear function of the values bit. This translates into the luminance of the final pixel being correct anything. Photoshop scales in the gamma corrected space of the profile document (gamma 1.8 for prophotoRGB and approximately 2.2 to sRGB). Gamma means that the lightness of a pixel is dependent on the value of bit powerlaw. This translates into the luminance is not always correct with the end result. Whether move you in linear space or corrected gamma issues only when you have lots of small details. Course, when you have a plan of color, no matter that you will come to the same value. However, if you have a lot of edges, there are an error of scale to gamma corrected space. This is detailed in a page I found a quick google here: http://www.4p8.com/eric.brasseur/gamma.html

    So scaling in linear space is preferable from the point of view correct color. However, it leads to the desaturation and maybe look less good.

    A second point that I would put to LR is this: no matter how you do this scaling, why you cannot export a file that resembles that on my screen of LR? The fact that they are different certainly suggests that LR does not use this linear gamma of scale displaying the pictures, then we could add "look, do go and stick to it; don't chop and move one feature from LR to another. »

    Here, you have run in one of the many peculiarities of Lightroom. Because it is made of the jpeg extracted in adobeRGB (in general), the scaling of the display in libraries and other is in a gamma corrected space and so resemble the Photoshop scale. To the point, there is no scale is done, but the view zoomed on is a rendering that is similar to using nearest neighbor scaling. For reasons of speed, it only displays a subset of the pixels. So, with an average of pixels is made. In addition, any color and sharpness noise reduction is applied in the zoomed view on. This means that the zoomed view on developing countries is often saturated. This can be a real problem. There are many images where this leads to completely wrong impression in the zoomed view on. An example would be an image of Christmas lights that will look very colorful with zoom out but when zoom you 1:1 (or go to the library) they lose all color because the color noise reduction, which is then applied. Sea of flowers in the grass, light neon, colored fabrics, etc., are other examples. If you have a lot of microdetail, only display that's really right in Lightroom to develop is the view of 1:1. This is largely fixed in LR 3 BTW, where he restores to a larger size, including the reduction of noise and sharpening and then further reduced to develop.

    I realize that you are not responsible for the LR... no bad vibes intended

    Not bad actually. I love Lightroom, but realize that there are many gaps. In my work, I do a lot of scientific image processing and I'm always curious to see how things are really make.

  • The size of the default Image for the Animations in Photoshop

    Yesterday, I asked what would be the default good size for static images, and someone suggested that 1920 X 1080 pixels is the standard "a normal high-def video."

    So I did a bunch of images with this dimension and imported into a new project. When I have them of drugs on the chronology and the preview in the upper right quadrant (I can't remember the term for this part of the workspace - 'Read'?)-I discovered that my images are a bit too big, or the preview window is a bit too small.

    I can easily go back and simply redimensionneront these images in Photoshop, which makes them a bit smaller. But I want to understand what is happening, for later use. It is a common practice to make your images 1920 X 1080 pixels, but leave on 50 to 100 pixels of padding around them? Or is there a different default size should I use? Or is it possible to tell if my monitor to preview/reading is cropping the view?

    I must point out that I am working on my first video and it didn't include not just any what real video footage at all. I imported simply an audio file, and I'm not adding a series of fixed/static images, like a slide show. When it's over, I would try and replace the opening with a short video sequence, but that's another project.

    Thank you.

    I think I solved the problem. I discovered that my default setting was much smaller than the recommended default value (1920 X 1080), so I changed it to 1920 X 1080. The images I create in Photoshop are the same size, resolution 72. I discovered that if an image touches the border of the screen to work, it will be heavily truncated. So I created guides that indicate an area of 100 pixels of padding broad around my image. I also discovered a feature that does the same thing first ('Lines of magic', I think).

    I didn't realize a finished video yet, but things looked OK when I preview the. Thank you.

  • Cropping of the video Images

    I was wondering how to crop the video images as they run. Is there a module vi which can be used to do this? Examples I've seen online used a nonexistent moment IMAQ extracted.

    What do you mean a "non-existent" IMAQ extract?

    Are you sure that your vision module is installed?

    It is possible to "reframe" the images, I think that there are examples in LabVIEW. Help > find examples... > tab "search"

    Hope this helps

  • Error Installer of photoshop cs5 "eject the disk image.

    I use a mac but already owned a PC, for which I bought Adobe Photoshop cs5 about 4 years ago. I installed photoshop using the disk on my PC after that first of all, I bought the product and I'm now trying to set up on my new mac. However, the Setup program will not open on my mac because when I click on "set - up.exe" it says that my mac cannot open this type of file - which makes sense because I know that if I install on a mac, it should say 'install.app' on the file I'm supposed to open. This leads me to assume that I bought the product to download on a PC instead of a mac, I thought wouldn't matter because I know that you can download the installation program from cs5 photoshop on the adobe Web site, then I can just post my previous purchase of photoshop cs5 using serial number. However, when I download the installer from the website, open the "Adobe Photoshop cs5" file, and then click 'Install', I get an error message which reads "'Install' is corrupted and cannot be opened. You must eject the disk image. "as shown below.

    Screen Shot 2016-08-15 at 10.59.13 AM.png

    I deleted the program installation and re-uploaded three times now and it comes up with the same message everytime I try to open the installer.

    Is it possible to install photoshop cs5 on my mac using the disc that I bought for my pc 4 years ago, although I could not open the file "set - up.exe?

    I do something wrong when I try to download photoshop cs5 on the adobe site?

    Should I buy a new version of photoshop to install on my mac?

    You do not put diesel in a petrol car, and you can't install Windows on a Mac programs... unless you want to install http://www.parallels.com/ "emulator" on your Mac to run Windows programs

    At least that the documentation provided with your Windows disk explicitly says that you have a serial number that works also for a Mac version, download the Mac to install it won't hurt, because your serial number does not work

    And there is the problem of the old software on a new Mac... read below... which, as I said above, won't help you with a serial number of Windows

    CS6 and previous programs have not been tested and will not be updated to run on Mac El Capitan

    -which means you are trying to use CS6 and earlier at YOUR risk of having problems

    -You can get CS6 and previous programs to install and run, or you can not (some do, some don't)

    -Java https://helpx.adobe.com/dreamweaver/kb/dreamweaver-java-se-6-runtime.html can help

    Install CS5 on Mac 10.11 https://forums.adobe.com/thread/2003455 can help (also for others than CS5)

    -also a TEMPORARY security change https://forums.adobe.com/thread/2039319

    -http://mac-how-to.wonderhowto.com/how-to/open-third-party-apps-from-unidentified-developer s-mac-os-x-0158095 /

    -the guardian https://support.apple.com/en-au/HT202491

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