Predefined transparencies flattening fails describing stroke

Similar Questions

• Help with describing stroke

  I made a video to explain my way the best problem I have.

  Help with features in Illustrator - YouTube

  It may be more simple offset paths rather than different paths that apply to a single object.

  Then, once you have everything combined with Pathfinder, go object > path > offset for a given increment.

  Use only the fillings and battery according to your needs.

  As you have discovered, changing multiple tracks on a single object can be a pain. :-)

• Why can I not select transparency flattening preset option when exporting to PDF?

  Hi all

  May have forgotten a few things so I didn't use this option for some time.

  In InDesign, under Edit > Aplatissements predefined transparencies, I created a new preset and included the ability to convert all text to outlines text.

  However, when I try to export to a PDF file, the option to select a transparency flattener preset is grayed out.

  Can you tell me what I do wrong? It drives me crazy! : ()

  (There was originally no transparency in the file, so I created some with a white square the value 0.5% opacity).

  Thank you in advance for your help!

  Best regards

  Christine

  This may help: http://indesignsecrets.com/converting-text-to-outlines-the-right-way.php

• Brush stroke calligraphic got distorted when turned.

  Hello world

  Here's the problem I have: the pattern on the left was written the calligraphic brush. When I tried to turn, I ended up finding the model on the right.

  How can I rotate and race without distortion of scale?

  

  Gabriel,

  You can object > path > describe stroke brain, then do rotate.

  Always set aside a copy of the original before you begin to destroy it.

• How can I describe (* innerline) fit (logo)?

  Hello

  I'm relatively new to Adobe Illustrator and I try to put an inside line in my logo that I do.

  It currently looks like this (photo 1)

  

  And I would like that it looks like this: (photo 2) [I edited with windows paint to show what I want]

  

  Y at - it an easy way to make my 1 photo will look like the 2nd one? I obviously don't want the lines of inclination I made with paint and I would have preferred more fine lines. Could someone help with this?

  Thank you

  aholonesse,

  If I (put) understand, you can:

  (1) put the logo in a composite path if it is not already.

  (2) with the selected compound path, object > path > way compensated by an appropriate negative amount, then switch to Fiil white Stroke with a weight of race.

  If you want transparent white parts, like cutouts that you can see the background, you can:

  (3A), select two (2) and (1) and in the transparency palette flyout click opacity mask do with unchecked Clip and mask invert checked, or

  (3B) select 2) and object > path > describe stroke, and also select 1) and Pathfinder > less before.

• How to 'hide' a single stroke behind the other object?

  I'm struggling with something that shouldn't be this difficult!

  I'm planning a logo white T-Shirt only (to go on a dark green T-shirt)

  To simplify, let's say I have two ovals with no fill, just a white line.  A small oval overlapping (sur-haut of) the part of the edge of a larger (oval below).    I have

  Any advice on how to 'hide' the line which is "behind" the top object?

  As follows: http://i.imgur.com/ZghWTMa.jpg  

  Actually, I'm not completely sure yet.

  Response to Steve assumes silkscreen with a single opaque white ink. It will not work if the composite impression not opaque transfers or cut out the vinyl applied, or if you import the work of two-ellipse for combination of other works of art.

  Because you do not know:

  1. draw two circles with a stroke color and fill color (ex: feature black, white fill) on both.
  2. apply the weight of the desired race.
  3 object > path > describe stroke.
  4 pathfinder palette: merge.
  5 white pointer: select both within the regions and remove.
  6. you now have a single compound path; None of the objects that overlap and real 'holes' where you want the substrate to show through. Applies regardless of the fill color (white, etc.) that you need.

  But keep in mind what has already been said: white, unless it is defined as a spot color, does "not print." Think in terms of inks, not in terms of 'color '. In a program like Illustrator, 'white' normally means "no ink". And we must always know what printing method that you design.

  JET

• Boxes around PNGs on Print

  Hi I'm new to Indesign and need to print a large part in the past.

  When I print, I get these transparent boxes around my PNG.

  

  The strange thing is, this isn't the case on my digital document

  

  If someone could help me that would be greatly appreciated?

  Im not sure if this is a problem with the printer or if I not export properly.

  Apologies and thanks to all,

  I have finally fixed and sorted

  just out of curiosity, it was a number of things that helped me, it was the flattner preset and PSD files that helped me.

  1. Edition > Aplatissements predefined transparencies, click on the top as a starting point, and then click new.
  2. File > print, output, choose Test CMYKand CHECK the simulate overprinting . Under Advanced Options, select your all-raster flattening.

  appreciate your help,

• Who else needs continue to change Raster Vector balance Slider to print without ghosting?

  I work in many different locations, and each color laser printer (Canon, Minolta, Zerox) has the same problem when transparency is a document .ai. The document has a slightly different color in the vicinity with transparency (for example: placed image, blend mode, drop shadow effect).

  To fix this, we change the settign overprinting and transparency when printing to raster.

  

  Y at - it a script or a way to automate this do this for all documents? I can change this is the default value for Illustrator? I do not print on inkjet printers a lot, this problem exists with all printers?

  Hi Mike, you can save a preset print, after you change the pixelation/vectorization balance and/or other options, give it a name and use it when you need it.

  or, if you are more adventurous and want to change [default] print illustrator preset, close, use a text editor to open the file 'Predefined transparencies Aplatissements' in you 'Illustrator CS5 Settings\en_US"folder and look for the line

  / Balance of raster-vector\ flattener\ AI10\ 75

  to take

  / Balance of raster-vector\ flattener\ AI10\ 0

  /collection2 {.. runoff in the "Preset" [medium resolution]}

  save it, close the file, and then restart illustrator.

• Unexplained white lines in formats EPS and HAVE

  Thanks for taking a peek. I'm at my limit with this one.

  I have a book in InDesign CS4 with overall imported EPS pictures. The EPS files created with Illustrator CS1/CS4 (we have updated recently - ago, big jump!). When you test the exported PDF book we noticed that several images have what seems to be random white lines framing the areas of the work. I searched through the knowledge base on the seam, sought in Illustrator/InDesign forums on 'white lines' and various other key words, but so far I have not found a honest solution. I tested these corrections starting with settings display "Line Art/Smooth Image" PDF, InDesign "Aplatissements predefined transparencies Transarency" smooth, all the way back to the work of the Illustrator files.

  I must emphasize that these lines are only visible on the screen after a series of expansions in Acrobat or InDesign. The lines are not visible on the screen in the EPS formats / HAVE, however, when you print directly from Illustrator, they find themselves on the hard copy. There is at least a starting point?

  In one of the most obvious examples, we noticed framing around objects with drop shadow effects. The background of this image is a gradient. The foreground object has a shadow effect. We tested the removal of the shadow effect and the lines disappear. We then reapplied the shadow but removed the gradient of the background. Again, the lines are left. All this is fine I guess, if we need to go through each drawing and eliminate any shadow scope and/or degraded (rather annoying though and disappointing that some effects may be inevitable to represent a series of illustrations). But honestly, is it normal that these two effects of situations of conflict in this way? The biggest problem is that there are designs with these ghosts lines that have no background gradient shadow or drop. I have no idea where to solve this!

  From what I read and what I've seen with tests, there is a problem of transparency, supported by our experiences with shadows - possibly in the original format of EPS designs are created in. ' save under... ". ». I does not solve it. Backup to a flattened. TIFF or even. JPG is really not an option.

  With the help of shadows with gradients is a no-no? Maybe something in the transition from CS1 to CS4? I'm a clueless fool who just needs to stick with Photoshop? Laughing out loud. I do not know!! Someone please enlighten us on this one. I try to understand these things on my own, but Illustrator is my weaker demand. In any case, all tips are very much appreciated.

  Thank you in advance.

  -Christmas.

  JulieGraphicDesigner wrote:

  I use Illustrator CS3 and had the same problem.  I finally got the white lines if go by saving my file .ai, flattening of the work (go to the layers palette, the pitcher, then "Flatten the work"), print to a .pdf file (or I guess you could save as), and then close the .ai file without saving (because I didn't want the flattened .ai file).

  It worked!  Woohoo!

  It is a good idea and makes me think that my reference to flattening is misleading. Flattening in the layers panel work can definitely have an effect on transparency, but this isn't a flattening of transparency in the strict sense of the term. Julie mentions printing in PDF format, or save as PDF. These are two totally different things. In the case of printing to PDF, the output is post script, which does not support transparency. The PostScript is converted to PDF. So it could be transparency in the document of the monolayer, but transparency has been flattened at the printing stage.

  This method can be effective, but only if the PDF output does not need to be placed in another application. In any case, Julie was correct does not back up after flattening the layers.

  kristeejo11 wrote:

  I spent hours trying to solve this problem.  I did as stated in this thread, and passed under the eps to AI file, but would really like to know why this is happening with this particular eps file.

  Maybe we can find a solution to this problem.

  Kristeejo you should display your illustrations drawn mode and see if you have pictures divided into sections. If Yes, then this is perhaps the result of some with object: flatten transparency. It's very embarrassing when someone does this. Sometimes, you can select the pieces of the image (see the links Panel, they are all integrated links), then use object: pixelation. Do not do this to vector elements. After rasterization is completed, the pieces become an entire image, and I hope that the seam lines will disappear.

  The other possibility - and the solution because it is much easier - is that someone has placed a Photoshop EPS, and it is interacting with transparency. You can re - register the Photoshop EPS as a native file to Photoshop and re - link. I've seen it eliminate the thin white lines in output.

• Help! How can I recreate this triangle image?

  Essentially as part of my schoolwork, I want to really know how to recreate this effect by the triangle, I know how to make a clipping with a regular triangle but this mask shows just outside the form, can anyone help? Also, I use photoshop and illustrator cs6

  Mayers,

  You can:

  (1) create the shape of triangle, indoor or outdoor;

  (2) object > path > offset by the width desired open triangle shape;

  (3) select the two and object > compound path > make;

  (4) select it and a copy of the image and Object > clipping mask > make.

  (5) move the clipping mask (and/or the image of direct copy selected) about to adapt.

  Agenda 1) - 3), you can also:

  (1) create a triangle with the width desired as race weight (based on the middle of the width);

  (2) object > path > describe stroke.

  Instead of 3), you can also Pathfinder > less before.

• 7 re: what is the location of the file of nuances in the part of illustrator to Adobe Creative Suite 3 Design Premium for windows product (date and time)? Drop it eat its funcionallity.  Thank you

  First posting: https://forums.adobe.com/message/6529108#6529108

  Support suggestion: the discussion is posting again to get the response from adobe staff

  ===

  Illustrator does not work as it should...

  I want them to compare the size and date of creation with what I installed on my original computer... I installed several times with my original CD and I tried once downloading the files from the adobe site (using my own license). I suspect that the files have been changed or renamed on my laptop by an unauthorized user external causing dysfunction of the application.

  Customer service does not support CS3 more and the updates / fixes in the adobe site does not solve the problem... They redirect me to the support forums...

  Currently, my problem is that after creating a swatch and drag it to the Group swatch, he does not like it needs a new form... Now, after deactivating and activating my license nuance seems to fill the new form, but when the filter sample's persistence in being created next fill even if a different color is used as a fill (X)... Aid for the creation of a shade over the internet just complicates the matter.

  This is why I would like to know if the updates on my product are received or files are overwritten without my knowledge...

  Thank you...

  PS Do you know how to contact an employer of personal adobe on the forums?

  I saw your post today.

  Move the file hosts on the desktop it will be part of a roaming profile?  It's means that activation will take place from any computer that are a part of my local network of microsoft.  How can I make sure that the program I have access is the one located on my local C drive and not in a roaming profile in may be an environment of Cloud Computing or unknown equipment with access to my network without authorization. I have only 1 laptop where locally install the suite CS3

  My host file has no entries on it and even when trying to copy the desktop, activation can be performed no, same problem.  There are days, I used the trial rather than the activation option, after trying to activate all of the product you mentioned in your response, other period to return to the original 30-day trial.

  Recently, I noticed that I have a roaming profile with a file of different workspace than I have on my local drive (3 files, Control Panel, and type base).  On the roaming profile, I see a directory for adobe illustrator CS3 settings------workspaces-file AIWSPrefs which has different entries that I have on the local drive.  Normally I don't customize much the workspace or safe the setting used, I load the brushes, shades, etc manually from the location, they are on my local drive if directories swatches and brushes on the roaming profile are empty instead. Adobe Kuler pallet and Eureka are on the local base folder not in roaming.

  The directories on my roaming profile are:

  Acrobat

  Adobe Illustrator CS3 settings

  Adobe PDF

  Adobe Photoshop CS3

  Color

  9 Dreamweaver

  Flash Player

  Fonts

  Headlights

  Linguistics

  Newspapers

  LogTransport2

  Save for the Web HAVE

  Updater5

  Workflow

  XMP

  Inside directory itinerant illustrator, the following files:

  Color settings to HAVE it

  AIAppResources

  AIMenuFaceCache

  AIPrefs

  Brushes

  Composite fonts

  Graphic styles

  IllustratorFnt.lst

  Kinsoku

  MojiKumi

  New Document profiles

  Cache.ARTX plug-in

  Plug-ins

  Print presets

  Save Web settings

  Color chart

  Symbols

  Aplatissements predefined transparencies

  Workspaces

  In the above scenario, what workspace and other files of functions will take precedence?  How can I avoid the roaming profile?

  Not being not able to copy the roaming profile on my local disk files, I was wondering how this roaming profile was created and why the files are there.   These files have a date of last month, local files have been installed most recently.

  Your comments will be appreciated at your earliest.

  Thanks in advance

• Combine and join the two railways closed with a straight path

  Hello

  I have two way closed and I need to combine or join them with a straight path. When I selected all and do a right click for you join, he did not join. Please see my screenshot. Thank you.

  

  You cannot create Y-junctions.

  You can perform one of the two possbilities:

  Simply place the path open everywhere where you need and leave it there.

  convert all forms with object > path > describe stroke and then use the pathfinder functions.

• How can I erase part of my race without changing the rest of it?

  I made an image of type circular Crest with a particularly well-defined race (so it looks like a stamp). I want only the exterior working STROKE and the inside be smooth (in the circle). Before I was just layering white on other circles, but now I need inside to be transparent. Is there a way I can convert my race into an object so I can easily erase the lumpy inside? If not, how can I get around this?

  The top image is what I have, the lower image is what I want. Only to have a transparent Center.

  Bokin,

  You can:

  (1) object > path > describe strokes,.

  (2) select the new compound path and the circle that gives the desired inner border and Pathfinder > less before or less back, according to the stacking order (less first plan if the circle is on top).

  Hi Kurt.

• Definition of diagonal Bars in a Rectangle in Illustrator

  Hi everyone, in Illustrator, how to make a shape with the points that will point to pint in another form?

  For example, I'm flags, when a flag has a bar diagonally like in Scotland and the Jamaica bar width is defined by the flat or horizontal pose and then it is located diagonally on the flag, with its Center through the center of the flag [rectangle] and its ends focused on the corners.

  How to define a horizontal bar to be a certain width (flat) and set it to be centered along the diagonal of a certain form and with its length defined by the corners of the rectangle?

  Any help much appreciated

  Gareth

  PS. I made an example of what I'm trying to make here an exact place. It can be done easily in an exact square because you just made the bar 45 degrees, but in doing so it points the way to the center of the white bar (which I put it there myself exactly in the middle) are still not at the corners of the rectangle, diagonal so the length of the bar is not set.

  

  Gareth,

  You can (guides are your friends):

  (1) create a straight path, with a weight of time equal to the width of the bar, very close from one corner to the other, and then with the direct Selection tool, drag endpoints to coincide with the Anchor Points of the corner,

  (2) object > path > describe strokes,.

  (3) create a copy of the background rectangle (Ctrl / Cmd + F).

  (Select 4 2)) and 3) and Pathfinder > intersect shape areas (or whatever it is called in your version result in overlap between Forms, you may need to press Alt/Option to make a simple way).

  To create the bar crossing, you can:

  4 select 5)) and object > transform > reflect a copy (vertically or horizontally).

• How to keep the original path?

  How will keep the original path after conversion to describe stroke. Sometimes, but I don't know why?

  If the path has a fill it will be the path for the filling as well as the contours of the race. For closed paths that is.