setting the timeline in animate CC

Similar Questions

• Errors with several buttons pointing to the same frame on the timeline. Animate CC

  I have a project where I'm using a function text button to reach a specific image and stop to view, however, if I take a contour of the object and put it on a symbol, I can't have two different objects pointing to the same frame, it generates the error because the frame can be called only by a single button/symbol.

  My solution is to reproduce each of the frames and each have addressed as a new image with the same content.

  Is there a better way to do this?  I'm not fluent Actionscript 3.

  Thank you

  Rick

  You can't have double function names and using the same name/instance for different objects reference is problematic, but you pouvez have different objects "..." pointing at the same time.

  Btn1.addEventListener (MouseEvent.Click, F1);

  btn2.addEventListener (MouseEvent.Click, F1);

  btn3.addEventListener (MouseEvent.Click, F2);

  Function f1(e:MouseEvent):void {}

  this.gotoAndStop (32);

  }

  function f2(e:MouseEvent):void {}

  this.gotoAndStop (32);

  }

• Can't reposition the timeline for the time remapping effect

  I use Premiere Elements on a PC running Windows 8.1. I am trying to apply the time remapping effect to a section of an element. I've marked the beginning and the end of the segment I want to remap with markers of the scene. Set the timeline so that the segment that I intend to remap appears on the screen. When I click on the time remapping effect control (Tools |) Redefinition of the time), the timeline moves to the end of the clip, and I can't reposition to display the part I want to without leaving the screen of time remapping. How to keep or move the timeline on the part I want?

  When you select the option of time remapping in the tool button in the action bar, you should go to an any other workspace, one dedicated to the time remapping effect. You shouldn't see the chronology of regular edition.

  You click to select a clip on the timeline, then you click on tools, then time-remapping. Opens in the workspace of time remapping.

  Is this what is happening? It is not clear from your description.

  You are actually clicking to select one (and only one) clip on the timeline, before selecting the time remap tool, right?

• Cannot change the timeline view Speedgrade CC!

  I want to zoom in on the timeline to see my videos better.  I can't find a tool for this.  Help Adobe says: 'Select the master Timeline view in the view menu on the upper left side of the Timeline.' and then use a combination of wheel/ctrl to zoom.  Fine, except that the button I need to click (which is labeled "All") is either a or disable toggle.  The illustration accompanying on the help page shows it as a drop-down selector.

  Set the timeline view with the menu on the upper left side of the Timeline.

  
  

  

  
  

  I don't have the combo on my version of Speedgrade CC.  I can either 'select all' (which highlights this blue) or clear (which he becomes gray).

  
  

  Does anyone have a solution?
  

  Deselect the button 'all '. Move your cursor on the timeline and everything by pressing the 'Alt', scrolling with the mouse to zoom in and out of the timeline.

• Pe10: How to turn off the display of the frame on the timeline?

  Hi - I've just upgraded to Premiere Elements version 10, and I see an improvement in reliability.  PE8 broke with regularity for me, but PE10 crashed yet.  It is a huge improvement fo rme.

  One thing that slows down my low editing much expected PE10 to redraw only the video on the timeline when I zoom in and out, scroll, etc.  I do it a lot when I change a video multi-track project and I get on with spending a lot of time waiting for PE10 to select and reder to images in the scenario.  I looked through the preferences, search fo a way to disable the display of video images on the timeline, but the only setting that I can find is the one that allows to set how scrolls the timeline panel, but nothing on how to control the display of video images on the timeline.  I think it has a setting somewhere given the duration of the UI has endured (maybe since version 4), and the amount of testing that Adobe has obviously made on version 10.

  I guess that I don't have to turn off the display of the frame on the timeline.  I'd be happy with any technical that allows me to edit interactively and not spend hours waiting for the timeline to complete images.  My computer has a lot of horses (quad core i7 to 3.3 GHz, 12 GB of RAM ant compatibility), so it's at the upper end of the material that first Elements users should be running.

  Thanks in advance for any suggestions you may have. -Ole Pa

  Looks like you are using the 64 bit version of Windows 7. You ensure that you have installed the 64 bit version of the program? That alone should make a huge difference in performance.

  Then go to the track header (name of the track, to the left of the timeline). If you click on the little icon of film on the track header, you will be able to switch between the different ways the clips appear on your timeline. If you see a period of time that you expect of your video display refresh, try to set the view so that only the first and last frame of the clip is displayed.

  You can also go to Edition/Preferences/general and set the timeline playback scroll Scroll of the Page rather than smooth scroll.

• Start time set for the symbols on the timeline?

  Hello

  I've built several buttons - like symbols - that animate on screen and wants to shift departure times a little effect.

  I thought I'd be able to simply drag the symbols on the stage and set hours of departure by clicking on and dragging them on the timeline, but that doesn't seem to work. I see the 'read' and a + button but regardless of what I try, I can't seem to delay the start of the symbol.

  Any ideas?

  Thank you very much, I am stuck between the old Flash programming, development of Captivate and After Effects... Phew!

  Rich

  Hi Richard,

  I created a simple example for you. Check if it's how you want to play the animation.

  Thank you and best regards,

  Roger Simon

• Apple "final cut pro 7", high res Pro 422lt 1920 x 1080 (odd) clips, is this gradual?, no 1080 progressive setting sequence, how can I ensure that I have the best setting of the timeline for my clips

  Apple "final cut pro 7", high res Pro 422lt 1920 x 1080 (odd) clips, is this gradual?, no sequence definition 1080 progressive

  How can I make sure that I have the best setting of the timeline for my clips. I did all the settings of Mount clips but there is no progressive setting for 1080 p. Images originally dslr Nikon that I used mpeg streamclip to convert to prores. Thanks for your help!

  The frame for you size source of material is HDTV 1080i (16:9). That only sets the size of the image, not the domination of the field, it's what makes progressive or interlaced. The reason it's labels with the 'i' is that when FCP7 was abandoned by Apple, they have never updated the software in order to take account of 1080 p contents.

  To make your progressive sequence, set the dominant field to None.

  gerforce wrote:

  Images originally dslr Nikon that I used mpeg streamclip to convert to prores.

  In your screenshot of the properties of the element for your clip to the source, the material is interlaced. At the original camera file interlaced or progressive?

  Also, the fps footage was actually 30 original and 29.97 not standard?  30 images/s is very limited its use.

  MtD

• Animate CC - insert empty frames in the middle of the timeline

  Hi all

  I am new to animate and it am listed this as I go along.

  I make a film about a minute maximum. The film is just images and texts so straight forward, enough but I can understand how to insert frames empty in the middle of the timeline without screwing up the different positions of key frame.

  I have attached a picture showing what I have to do. It is a scenario to "part of the seas" - I need to leave empty keyframes on the left where are and transmit the images on the right.  Looks like it should be an easy thing to do, but for all my violin I can't understand it.

  All help appreciated.

  Thanks in advance, 1 million

  Emily

  I'm not 100% clear on what you are doing - but this may help.

  You can insert new frames with F5 and new keyframes with F6 (vacuum keyframnes with (F7). If you click and drag across multiple layers in an image, the command will affect all selected layers.

• Animate the button text on the timeline

  Hello world

  This is my first time to follow step by step from a youtube video:

  After effects CS5 - basic text Animation - YouTube

  experience animating text in aftereffects.

  My 1st question is:

  There is no button on my text on the timeline layer.

  I have to go to the animation > animate text

  

  Is there a way to animate the button on the timeline?

  My 2nd question is:

  Why there is no numeric value next to start, end, and offset?

  

  What have I done wrong?

  Here is a screenshot of what I mentioned

  

• Interpret the images to get slow mo vs speed setting in the timeline

  I shot a bunch of video for a 'live' style music video I put together. This will be my first of those, so it's a little experience. I shot it at 60 fps (59.94) with the intention of the final product being a video of 30 frames per second or maybe even 24 fps, but with all these additional images to create some nice slow mo here and there. The problem is that a lot of it has been saved just all at once, so there may be parts of a clip I want at regular speed and in the same clip I want to be slow. I might want to same ramp from one speed to another, but that's another question.

  I know two ways to get slow mo:

  (1) interpret images such as 29.97 or 23.9something to get the slower speed

  (2) changing the speed in the timeline panel

  Is there a difference between the two methods? The first is more pain because it means I have to reproduce each of the clips if I want to use two clips of normal and slow speed. But if the other is using an interpolation rather than the actual recorded frames, then I would rather have the hassle of the first method. If it is not, however, does mean that I can safely use keyframes to ramp from one speed to the other? Thank you!

  It there is a difference between the two.  Interpretation to match the settings of the sequence will show all images, no interpolation.  These are the best results you can get.

  In setting sequence at any frame rate, not corresponding to the sequence will show interpolation, and which includes speed bumps.  In the past these results were not as good, but with the addition of optical flow, that difference in large part has been reduced to nothing.

  My advice would be to test you each method, make observations, and then you will know which is best for a given element.

• Window program hangs when setting clip/exit points on the timeline

  Since the CC 2015 update, I experience a lag very heavy/lock up while adjusting the clamp/exit points in the timeline. What is happening because of the window of the program trying to cross to a clip in/out. The tool slide etc work fine showed a similar screen. It only crashes when I try to adjust the length of the clip and it freezes the program window and then crashes me to do something for a few minutes after I published the adjustment.

  I would like to know if there is a setting that will allow me to disable this feature available? In this State, not only it is completely useless, he effectively kills my productivity because of the constantly waiting for first to catch up and I would like to continue editing.

  Here are a few dumpsters screen showing available to program window that is problem. The left is using the tool to slide, with no problems, the right is just to adjust the length of the clip. Once I have let go of this edition, the freezing of the program window will remain there for even 2 minutes before finally turning to simple view of standards and allow me to continue.

  

  Hello

  Click the timeline (wrench top left of Panel) display settings button in the timeline panel and uncheck 'preview Composite to the 'Trim' course.

  Check if that helps.

  Vinay

• Set an out point of the clip on the current image in the timeline?

  So here's a scenario: I'm in the timeline and I get to the image I want to be the out point of the clip. Is there a single shortcut keyboard/etc who will succeed?

  I realize I can do this: move one image to the front and then use the cursor to GUI the end point to the thread... but quite frankly, it's boring, but also slow.

  
  

  I am a user of FCP7 who is accustomed to the setting of the read head on the desired image to an exit point, then double click on the clip, it opens in the Viewer window clip on THE SAME CHASSIS OF THE TIMELINE, and then I press the shortcut key to point. If a double-click + a unique key. I'd do this hundreds of times a day. Is there a way to first open a clip in the source window (by double clicking on since the timeline) on the same frame as the head of reading the script? This will be possible that the first time that you open the clip in the source of the timeline window, but it will be "remember" the framework that you left on ypu reboot first... even closing tab of the element in the source window will not change. I realize that there are "gangs and the program source" but which must be addressed by individual video sequence.

  A bit it boggles my mind that it was placed on the default mode, the source window works.

  Or y at - it a keyboard shortcut to make playback of the source head jumps to the corresponding timeline playhead frame?

  double clicking and opening on the same frame are CS2 and earlier versions and CC14 only.

  Try to hit W (ripple trim next edition to the read head) the opisit is Q.

• Animate the edge - sets the resizable text animated along (it is useful for all devices)

  Hello

  I built a walk produced through demo using edge animate, in this demo I put stage the percentage, but when I see my ipad demo, the text remains its original size.

  Please help me, how the text according to my persentage of scene.

  Concerning

  E. Ku Muduli

  If you want that two separate text with two sizes of separate text boxes, your code would look like this:

  set the originals

  var originalWinWidth = $(window) () .width;

  set the font size as original

  var originalFontSize = 20;

  var headingFontSize = 30;

  Set the ratio of change, each change of size

  var ratioOfChange = 50;

  set the font size using jquery

  SYM. $("conteneur") .css ("font size", originalFontSize);

  SYM. $("rubrique") .css ("font size", headingFontSize);

  $(window) .resize (function)

  {

  get the width and height as the window resizes

  winWidth var = $(window) () .width;

  get the width difference

  var winWidth = widthDiff - originalWinWidth;

  check if the window is larger or smaller than the original

  If (widthDiff > 0)

  {

  our window is larger than the original so to increase the font size

  var pixelsToIncrease = Math.round(widthDiff / ratioOfChange);

  calculate the new font size

  var newFontSize = originalFontSize + pixelsToIncrease;

  var newHeadingFontSize = headingFontSize + pixelsToIncrease;

  new font size Set

  SYM. $("conteneur") .css ("font size", newFontSize);

  SYM. $("rubrique") .css ("font size", newHeadingFontSize);

  }

  on the other

  {

  our window is smaller that the original so decrease the font size

  var pixelsToDecrease = Math.round (Math.abs (widthDiff) / ratioOfChange);

  calculate the new font size

  var newFontSize = originalFontSize - pixelsToDecrease;

  var newHeadingFontSize = headingFontSize - pixelsToDecrease;

  Set the new font size

  SYM. $("conteneur") .css ("font size", newFontSize);

  SYM. $("rubrique") .css ("font size", newHeadingFontSize);

  }

  })

• How the clip markers can be promoted in chronological markers?  I cut a clip and rearranged the order of the pieces in the timeline panel, so now I want a set of benchmarks that reflect their position in the timeline panel.

  Clip markers have as their frame of reference of the timeline, they came.  If you create a new brand of element in a new timeline, the marker in time is measured from his original script, not the new timeline where he is.  Currently in CC 2015 organization there is no way to translate the clip marker references 'Local' in the 'World calendar"in which they now live.  I captured on video a 8mm film that is chronologically jumble of short scenes.  I placed the chronology of chapter for each scene markers, export the list of markers and finally understood the rearrangement of pieces of scenes he needed to put everything in chronological order.  Thank God for the ability to export the list of markers, just as I needed!  So the whole sequence has 85 chronological markers, dividing the sequence into 5 pieces and rearranging puts them all in chronological order.  Obviously, I don't want to have to restore the scene boundries 85 times, I did as a necessary step to solve the puzzle.  I think you might meet one day some of these problems:

  1. the most obvious thing is located in the calendar for a piece, lift it and 'paste insert' where it belongs on the timeline.  Problem: Lift or excerpt from don't lift or extract chronological markers with it, so when "Insert you a block", the piece inserted in the timeline has lost its bearings, they were left.

  2. How about you make a sous-suite of the segment to move?  Yes, it carries all the tracks, but not the chronological markers whence he came.

  3. ok, I'll export the calendar together with chronological markers and reimport - ah, Yes, success, the chronology of the markers are now item, marks on the imported clip (the entire chronology).  That's great, because the clip markers are sticky with the clip, I can it chop, rearrange to put markers in chronological order without returning any info title marker.  Feeling beat with the reorganization completed five segments of the original timeline, everything is in order, nothing was reinstated, the timeline with its clip of chapter markers is ready to export to still make the DVD!  Yes, you guessed it, element chapter marks are not exported in yet.  The chronology of imports still with a marker, Chapter 1, at the beginning.

  4. There must be a way, stacked the timeline with the time markers on it on the icon for "New"... ', it is the same as #3 above, but simpler.  Historical markers are now the clip markers that don't export in yet.

  From my experiences, it is therefore impossible to solve my problem without completely restoring scene boundries and type chapter titles.  There are two repositories coordinated, clip) 1 local and 2) global chronology; and there is no way to go from one to the other 'mass'.   There is the glove, I'm sure someone has a way to do this without returning the title of chapter 85 markers.

  I have not found an automatic way to do this, but here is an efficient manual method that requires no titles of chapters Overtype.

  Either drop your timeline that has mounted the icon "Create New" brands, or export the timeline and import it back.  You now have a new timeline and markers are now on the video clip.  Now, chop and reorganize this video clip, it is in the best new order, and the clip markers stick with the sections of the clamp.  Now this procedure migrates the markers of the clips to the timeline (promotion):

  Start at the beginning of the timeline, select the video clip. (The video clip must be selected for M to open the marker editing window)

  1. type change M to find the first element brand, type M to open the editing window of clip marker, select the marker title and copy (control-C), hit Cancel

  2 hit the icon of reference in the program monitor pane, which puts a green marker on the timeline at the same time as the brand of element,

  3. double-click on the Green marker, paste the title of marker by control V, select the radio button of chapter markers, click OK.

  Repeat steps 1-3 to promote all the markers of clip of historical markers with the same marker titles.  Since we cut the timeline to reorganize, there are several video clips.  As you progress, make sure that the clip that you are working on is selected, otherwise M will not open the editing window, instead, it will place a chronological marker.  In short, follow this procedure exactly, it works.  It's a stupid job, but it does the job with without having to retype marker titles.  The chronology chapter titles now think time on the new timeline and they will export in yet.  Hope someone finds it useful at some point in the future.

  Perhaps team first see the usefulness of this and add a command 'Promote the clip for mounting marks markers' and "retrograde chronological markers for the clip markers" (conservation type, title and comments).  It would be a powerful addition.

• Set up the timeline to process the audio Dynamics before the bodies of chronology

  I'm having some trouble getting audio to answer as I expect. What I would like is a piece in my calendar to have a compressor (dynamic effect) run on it across the entire track. Then I would be able to use hotkeys [] to mix audio in the timeline on a level of clip. What is the best way to implement the timeline to do that?

  Hello

  Check this: http://www.premiumbeat.com/blog/track-based-tricks-for-dialogue-in-premiere-pro/

  Thank you

  Kevin