Sequence GoPro/DSLR frame rates

Similar Questions

• First CC sequence Frame-Rate question

  I have the latest version of first.

  I have some footage that was shot at 1920 x 1440 @ 80 FPS.

  When I drag a clip in the timeline, it creates the sequence at 10 frames per second.

  When I try to change it, it has options of up to 60 frames per second.

  Can someone help me with this? I have hours of footage to 80 FPS I would really like to use.

  Thanks in advance!

  What I do is export these files as prores.  I believe only H264 mp4 caps off at 60 fps.  The makings of a go pro it's own flavor of h264 (I think) who manages the cadence.  Try to make the sequences corresponds to the source and export to prores format but correspond to the parameters of the sequence.  It should work.

• Comply, or transcode mixed frame rates?

  Hello

  I did a quick search in the archives, but still not quite get my head around this:

  I recently shot a personal project on a Greek island. I have a lot of beautiful 5 d MKII sequences of the island to 1080/25 p, a few underwater sequences of diving instructors took to 1080/30 p and a ton of GoPro HD helmet cam stuff I've pulled my bike to 720/60 p. I guess I don't think too much about rates of mixed frame during shooting, because I had too much fun. I went to pull the stuff of cam headphones to 60 p, then I could slow down and I have a few nice ride shots - by mingling with my GVs. Now that I'm in front of the editing suite, which is the best way to use all these images? I will use 1080/25 p as the basis of my time because most of the good things came from the 5 d. I heard that using Twixtor consistent images works really well, but I'm still confused about what the 60 p on the chronology of 25 p stuff will look like. He will play slow? Very confused.

  In general, it is 'better' to give up material of frame rates less in sequences with higher rates. The reason is that Premiere Pro will automatically insert menu drop down in the form of images duplicated to maintain the same frame rate. Let's look at some examples using the images you mentioned...

  You have 720/60 p, 1080/25 p and 1080/30 p. Let's ignore the frame sizes and since you're all progressives, we will ignore the field order (since there is no order of field). In short, you've got 25 fps, 30 FPS and 60 fps. The first thing to do is to decide what you will do with the material of 60 frames per second. If you want to slow down, simply interpret it as fps 25 or 30 frames per second; Right click on an item or several clips, then select Edit > interpret footage. Here, you can change the frame rate. This will cause the playback sequence at least 50% of the speed; you would then use it in a sequence with a time corresponding to all base what you interpreted the images (25 p or 30 p). If you want to keep the images to 60 p, so that you could use excerpts of full motion and then have the ability to slow some, you would use a sequence of 60 p; You can then use the speed/duration dialog box to change the speed of the clip. If you want to only 50% of the speed, who drill into the dialog box without any concern for the interpolated images. Premiere Pro will simply double each image giving you nice, smooth idle.

  Now decide on the material 25 fps and 30 frames per second and how to use it. If you use a sequence of 60 fps, you can simply remove these clips as-is; Premiere Pro dupliquera frameworks as required, maintain the same pace, as if you were using the clips in a sequence with a corresponding frame rate. It's very simple, really: no matter if you shoot at 25 fps or 60 fps, a second being always a second. All that is different is the period for which an image is visible. If you have 25 images to fit in the frame of 60 'niche roles' of your sequence, Premiere Pro will be space executives roughly evenly and reproduce each image as long as it is necessary to reconcile the duration of a single frame in a sequence corresponding to the clip frame rate. Visually, there is no difference - this is why it is best to go to a superior that lower rate. If you go lower, Premiere Pro will actually Skip frames because you have more images to adapt to these "slots" in the destination sequence. This will result in a perceived 'jump', where an image is ignored. You can mitigate this, somewhat, by clicking on an element in a sequence and turning on interpolation; This forces Premiere Pro to interpolate between the ribs ignored. OK, it can work for you, or it may seem fuzzy - test is the best way to check.

  Personally, I think I'd go with a sequence of 720/30 p, assuming that all images of 60 p bike will be slowed down. 1080/30 p images must simply be scaled down; the 1080/25 p also has need to be resized, because every fifth frame will be duplicated to match the frame rate of 30 p sequence; and if the 720/60 p is interpreted as 30 p, you will get a nice 50% idle of your sequence, with no scaling required.

  Still confused?

• Calculation of frame rates of acquisition image using the 7 Format

  So I finally got my Basler firewire (IEE1394b) camera to capture images at his rate max (120 fps).

  But to do this, I need to use the '7' Format.... which is a bit confusing to me.  When I use the '7' Format, I can't specify the frame (frames per second) rate.  Apparently, you only specify the parameters (length, width, color / mono) of the image and the size of the packets and a few other things.

  So, how can I calculate speed?  I need to know exactly how much time elapses between each image.  And it must be constant.  I can't have a different frame rate.

  NEITHER told I can calculate the frame rate using this equation:

  

  That comes from this article.

  But I am skeptical because the article also says:

  Please note that the time to transfer an image is slightly faster than the time it takes to acquire an image.
  

  People out there can clarify this for me?  Is the frame rate constant?  And then I actually calculate when using size 7?

  The rate will be constant.  It won't change from image to image.  The difficult part is to find what it is.

  Basler camera manual will tell you how to calculate the frame rate.  There are three different calculations, and gives you the slower pace is one you use.  These calculations are accurate enough, I think.

  Another possibility is to measure the frame rate, but that requires several seconds (or minutes) for a measurement precise.  The simplest method is to start a life-long and save a frame in time at the beginning, wait several seconds (or minutes) and save the time of another framework.  Subtract the chassis numbers, subtract the time and divide to get the frame rate.  With a wait of several minutes, it's extremely accurate.  To get the acquisition time, read an image whose value "Next Image", then save the chassis number and read the msec timer immediately after reading.  Using a flat sequence structure is probably the best to ensure that everything happens in the desired order.  If you loop playback, you will see real cadence cadence converge slowly.  Stop it when it is pretty accurate.

  In a program I wrote, I controlled the pace by setting the shutter exposure time.  I used the derived formula of the Basler manual for cadence and reversed to calculate the shutter speed.  This only works if you have another way to adjust the brightness levels (opening, lighting, etc.).

  Bruce

• First Pro EDL does not not good frame rate in SpeedGrade

  Having badly to get as a PCA from agency to open correctly in SpeedGrade. EDL export entry in SpeedGrade as a sequence of 24 fps, even if the sequence of the organism is 25 fps. Then when I try to link the media in the Official Journal the I get an error of frame rates do not match. Most annoying and I cannot understand where he's going poorly. Don't want too use dynamic links because I can't have layers in Sg ranking using this workflow (as far as I know, although I would be happy to be refuted). Any ideas anyone? See you soon. Pete.

  Yes, add PrPro adjustment layers is the way correct & 'designed' to get more ranking layers to use SpeedGrade. Even though I forgot to add one before going to the Sg, he seconds to PrPro, 'A new element-> adjustment layer' dragged in the sequence, then back to Sg.

  Neil

• mixture of frame rates

  What considerations should be taken when mixing records (sony ex1) 25 p and 60 p (or 30) (sony nex 7) records in a common sequence.

  Is it mandatory to convert 60 p (30) to 25 files? Can what effects we expect?

  You may need. Put the 60 p clips in a model of 25 fps and return a test or step in a model at a time and see what things look like. Framework of merger on and interpolation to offshore. The conversion can be a waste of time. There is a caveat.

  If you do a lot of manipulation with the film 60 p as roto, keying, tracking camera, then do these things before integrate you images into your model of 25 frames per second. The workflow depends on the project, but as a general rule, all the heavy manipulation of video should be made to the frame rate natives and if the images are interlaced fields must be separated as you work as much original data you can. Then you go up the artwork for the final rendering. Run a few tests to determine whether or not the shot benefits using Twixtor.

• Frame rate do not seem to Match

  I recently made the leap from Adobe CS3 to CS6... and I have a problem that I've never met before.  I use the two Premiere CS3 and Flash CS3 and I guess the question I am having happens at the first level.  The project is a short animation.  The scene were animated in Flash and then rendered out as a sequence of png for me image to then import in first edition.  I recently finished a very elaborate project using this same technical and had no problems with it at all... but it was CS3.  Sequences of images when I import them to first play more quickly then they should be... as if it's playing back the pace wrong, but according to the sequence settings that is not the case.  I hosted at 24 fps and the parameters of the first sequence also say 24 fps.  There are some scenes involving dialogue and the lipsync is is no longer in place, actually audio clips will now play much longer video clips.  Just in case my eyes were playing tricks on me I double checked that the sampling rate for the audio file also corresponding the sequence settings to make sure it wasn't the audio that was bad... but not in reality, the sound is good but the video playing faster than expected.

  Someone has an idea what could be the cause?  Are there differences in the CS3 to CS6 jump that might come into play here?  I guess that the problem happens when I import in the first, because there are very few options when rendering png frame rate and Flash sequences is not one of them.

  Under Edit > Preferences > media..., you must set the time base media for an indeterminate period to the correct value for your support BEFORE its importation.  Which means that you required to eliminate all media project, set it accordingly and then re-import images.

• Import problems with frame rates for formats HDV 24 p - vs - 29.97 FPS

  Sorry if this has been discussed before but I couldn't find the answer.

  I use a camera Sony HDR-FX1000 with an external recorder card compact flash (Sony also) and I chose 1080i 24 p in the camera to shoot in.  When I pull my card compact .m2t files flash in my first Adobe Elements 3.0 data of the file shows that the frame rate is 29.97 FPS.

  Why Prime Elements 3.0 display 29.97 FPS when I chose 24 p in the camcorder?

  What should spec 24 p look like in elements of Prime Minister? As 24.0 fps?

  Interesting, so even though I'm moving to PrPRO I still have a problem with editing in 24 p?

  Lol PrPro offers what is called a Preset Desktop, which allows the user to set almost all the parameters of the sequence/project, match the pictures. PrE has a limited set of Presets for the most popular attributes only, and is not yet a Desktop Preset with adjustable attributes.

  This ARTICLE could be useful. Jim Simon and Dan Isaacs discuss Film Look, 24 p is often part.

  Good luck

  Hunt

• Change the Frame Rate, frequency rate not when shooting RAW

  I think not all the controls to change the frame rate independent of the frequency rate that, I guess it's like 'project frame rate '.

  How I crank out 240 fps 2 K RAW or say 60 fps (time base 23.98) during the filming of SXS?

  Follow-up to question... is there a manual for this camera accessible to the public anywhere?

  Thank you very much

  BK

  You can overcrank (once again, "S & Q" for "Slow and fast") to XAVC 1080 p at 60 fps at the moment, with firmware v1.10.

  That's all. Any other framerate 60 fps have access by setting a frequency 59,94 system and slow down the images in the post.

• How to set the frame rate of NOR-IMAQdx

  Hello.

  The actual frame rate is 30 fps (MAXIMUM), but I must decrease the value to 10 frames per second. Is this possible?.

  

  Please check
  http://forums.NI.com/T5/machine-vision/programmatically-setting-the-frame-rate-of-a-webcam/TD-p/2654...

• BlackBerry videos recorded 10 missing frame Frame Rate, width of the frame height, once 1080 videos works

  Hello

  I shot some video with my Z30 in 720 mode and was able to play it on Windows Media Player and metadata seem to be all there.  However, I switched the camera in 1080 mode and now the files are missing some metadata.  Specifically, Frame Rate, Frame Width and Frame Height and they will not play on Windows Media Player.  I've switched back to 720 mode but now have lost the metadata for this mode and 720 video play is no longer.  Any thoughts?

  I downloaded VLC Media Player (which is a free download) and played the videos perfectly. If you have this problem, I suggest you do the same thing. Just Google it.

• C90 w/4210/5320 MCU H.239 Frame Rate

  I admit the departure, it's "H.239 101" type question, but our environment is transitional on very old rooms of 4:3 which were never designed to manage content on separate screens so I'm just now my hands dirty with the intended user, experience sharing content.

  My question is around H.239 - cadence for C90 endpoints as well as MCU-4210/5320...on the surface, it seems that they are able to share plenty of movement, full-video cadence in the H.239 channel, right? must be able to handle 720 p, 30 frames per second?

  In tests, I connected a C90 to two MCU to the relatively high rate of calls (1.5 MB, 2,0 MB) and when I check stats, H.239 channel turns to the expected bitrate and resolution-but very low frequency of frames... between 4/7 frames per second

  I think I am missing some setting commonly or game setting between the endpoint and MCU.

  In addition to setting minimum outflow for the content on the MCU, what other effects H.239 - cadence? I tried to play with the settings of weight main/presentation in the C90, but does not appear to affect the results.

  Thanks in advance for any response

  Take a look at this discussion, cisco-mse-8510-content-frame-rate-and-resolution-limitations.  In short, the cadence of the content that is being received and sent by the MCU are dependent on how you have the quality that is configured for the endpoint PC Input, that is to say: (default) sharpness or movement.  There is no middle ground, or dynamic parameters, it's one of those two.

• Presentation codec frame rate

  What is the frame rate when I using PiP like exit presentation if I presentation codec

  If you use PIP on a CTS 3000 we 5 fps.

  Using an external monitor your will get 30 fps.

• Photoshop CC - window Frame Rate

  Where is the window Frame Rate moved in Photoshop CC. He was previously in the Menu Animation, but it's gone. Can someone help me find it?

  For an animation image, you can select several images and set the rate for each group by right-clicking the button X of s in the lower corner of one of the frames. It will apply to all selected.

• My editing in Adobe animate CC don't show me the current image, frame rate, or give me playback options.  How can I enable that?

  Hello

  My editing in Adobe animate CC don't show me the current image, frame rate, or give me playback options.  How can I enable that?

  Thanks for any help you can offer. I'm off to work, but you come back tonight.

  Julie

  

  Hello

  Can you please scale your system to 100% in the Panel text and see if that helps?

  

  Thank you!

  Mohan