Thumnails of adjustment to post?

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• My T2i has a turn to blue which can be corrected in photoshop. No cause. How can it be solved?

  Just came out not the case. He could have progressive but not sure. The camera was droped two days before it happened. Nithing else wrong with the camera. I learned that it is the sensor or the Board of Directors. But not sure, it can be a solid state board running whether or not.

  Any suggestions on how to solve this problem. A $ 200 repair bill appears on top because I could live with it if need be

  Thanks for your suggestions

  See you soon

  FT

  Econprof79 wrote:

  Thanks for the suggestion, I now see what you were referring to. The camera has been set to fluorescence (4200K) no AWB. Daylight is 5000 k and 3200K tungsten. The 4200 k is enough to provide a shift towards blue, especially in the shadows (which I think is supposed to be fixed at 7000 k?

  Also did you recommned AWB vs manual adjustment for each situation. I'm curious to know how the AWB knows that he is shooting in the shade or inside.

  Thank you

  FT

  I've always used AWB, but I only shoot in RAW mode and therefore allows you to set the color later if necessary. As far as I KNOW, the camera just looks at the temperature of the overall color of the scene and chooses its WB setting accordingly. Better cameras do a better job, but all of them get it pretty close to most of the time. The only possible downside to AWB is that whenever you make an adjustment in post processing, you are subtracting light, so there is good chance that you will have to present to the brightness. So if you know that you only use a particular type of light and that you do not trust the camera to do the things, manual adjustment of the World Bank could give you better exposure.

  BTW, in the light of day Canonland is 5200K, but you are right that the tungsten is 3200. (My own experience, however, is that tungsten light may extend down as low as 2500K.) I don't think setting 'fluorescent white' Canon has a temperature of colors defined. It is biased to correct an imbalance in the fluorescent white majority that leaves images with a color cast. (I think it's either pink or green.) So it's a wrong setting to choose manually unless you are sure of your light source.

• Wide Gamut RGB / sRGB

  What is the difference between these two? also, what are the merits using either?.

  I shot a lot of samples of solid color in RAW, cropped and resized in DPP, then transferred to PS8 for color and spotting. I don't know how, but about half the images of the latter are color when uploaded to my web gallery. the sRGB shots are okay, but all range plans lack of true colors and are dull. where range came from I do not know must have clicked the wrong box or something.

  Can I now convert the JPEG in the wide range in sRGB photos or I will have to start from raw files.

  More than 150 odd photos are involved with names and numbers of attatched to catch points and I would rather not do it again, so any help appreciated muchfully.

  I'm very new to all this and from dpp in PS and struggling to understand both made in my head.

  
  

  I begin to understand why the workflow is planned...

  I am trying to understand what are the photos you take for, always and the nature of your 'business', if that's what it is:

  Do you tiles for people, or are you just sell them the material to their own tiles, more a craft site?

  Do you take photos of as many of the "unlimited" colors you can for people to see what they look like on the slab?

  Do you take photographs of the current customer arrested as examples of potential customers?

  Do you take photographs of the current customer orders so that the customer can see their order and check that it's just before the production he for them?

  Is paper you make reference to a print of your photo, and is supposed to match what the customer sees on the website and it is part of a printed catalog or is it one per order for the customer to check from?

  I ask myself these questions as a way to understand how accurate the website Viewer expects that the color of the tile when it is installed, and if the audience of each photograph is all potential customers or just a particular customer.

  Finally, this floor or wall tile or decorative tile more colorful or artistic means more than as an accent or holder or something, not covering a large area?  It is to predict what sort of people lighting would generally consider their tiles in and judge whether your photos with incandescent lighting is typical of what would be a customer or not.

  --

  There are two separate issues with colors dull looking which are independent of each other: the first question is to have WideGamut jpg displayed in a browser that is assuming sRGB, where all the colors are dull.  It is very obvious that you posted on.  The other problem is that the reddish colors will look dull when photographed with reddish lighting which incandescent is compared in the light of the day.  This second question would be more subtle and would affect all the pictures tile, even if they use the correct sRGB profile.

  --

  You ask if using a color-checker or daylight bulbs would help: to help answer this, yourself, take a picture of some tiles colored in your configuration incandescent against your white background, then take the bottom and the tiles on the outside and take another picture of them in the Sun or in a sky covered entirely away from the colorful objects or buildings, and then compare the two side-by-side to see if you notice any changes of color across the tiles.

  To make the comparison more accurate, you should the white balance for the white background instead of use a WB setting appointed as the tungsten or daylight.  In DPP, you can set the WB by going the RAW tab in the editor and click on the eyedropper button and then clicking on the white background.  Doing for RAW photo incandescent and the sunny/cloudy RAW photo, then save as a JPG.  You may need to adjust the brightness or exposure) of other outside so he has the same brightness and contrast that inside, then save each as a JPG and compare the colors between each of them, before making adjustments in PSE.  If you do not see much difference between shooting incandescent and turned sunlight then a color-checker bulbs or light of day no doubt makes that much difference.  I would expect you will see differences in high heat how colors are relative to each other, when you go back between the two shots or you compare side-by-side, depending on what picture viewer program and monitor installation, but maybe don't you think that they are not significant enough to worry about.

  --

  A few comments on your methods to adjust the color you have described their:

  You say that you hold until you photographed next to your monitor and then adjust things to post-secondary studies until the colors are good:

  First of all, what is your lighting next to your computer that you can see the subject, it's the same as he was photographed, or something different, such as the window-curtain-daylight or fluorescent lamps?

  Secondly, your monitor calibrated somehow uses a spectrophotometer of material, or at least attempted to set the monitor's color temperature so white things on the screen look like white things in the immediate vicinity of the monitor as illuminated by some lights that you are viewing the subject while trying to match the colors?

  If the answer is no to the question monitor calibrated then you are really glad to create the colors look right to your own computer screen, which may or may not be the same that the other computer of the people watching who discovered the site.  Using a calibrated monitor, at least you know that any inaccuracies in the colors on a different monitor is due to the lack of this monitor calibration, not the sum of both your and the lack of the other calibration Viewer screen.

  When the color adjustment to post-secondary studies if you see the subject in a different light that you took the photo in then it will probably be difficult to get the colors to look right.

  Personally, I would use light daylight balanced for the photos, which would itself, with daylight, daylight bulbs (warm light) or diffuse / bounced flash, perhaps through a light tent.  The white balance, I got pipette to a neutral zone of photography.  I would use a monitor calibrated, and appeal to a standard profile in my RAW converter or create my own with the ColorChecker passport.  Finally, if I manually tweaking the colors by comparing the monitor for the subject is close, I'd use lighting daylight balanced during the display of the object.

  Without having a better understanding of how correct the color should be for each of your photos, my approach is perhaps too much work, and what you may be ok.  You could ask the opinion of other people who have access to the original object (the colorful mosaic that was photographed) by comparing it to the photo of this tile on the website on his own monitor in a different lighting situation: incandescent, daylight, fluorescent, so let's see how well the colors stand for them or not at all.

• How to get the background color of a layer with AE SDK

  Hello

  I try to get the background color for my current layer, but I can't seem to find how do.

  I don't want background color, background color of the application, but the color that shows through, if I set the alpha of my pixels to 0.

  For example, assume that the background of the composition is black, I put a solid top, green then put a picture on top of the solid and apply my pug-in the image.

  If I set the alpha to zero in my plug-in, green solid will be displayed.

  So I want to be able to know that my background is green.

  I tried to use PF_AppGetBgColor(), but which returns the background color of the application, which isn't green in this example.

  If you want more details on what I want to do, I plug P1 which affects some 0-alpha pixels. Above it, I apply an another plugin P2 which reveals alpha-0 pixels by mixing with little color.

  What is happening now is that the output is color of the original image, mixed with the color of P2 (because only modified P1 alpha pixels).

  What I want is to have the color through the transparent pixels of P1 display mixed with the color of P2.

  To do this, I would like to be able to set the color of pixels 0-alpha in the color of the background in P1.

  Sorry for the question long.

  Thanks for your suggestions.

  Hello nicolas.

  If I understand it, that you try to get the buffer of image layers composited under the layer with your effect.

  If that is correct, then I fear that it is almost impossible to do.

  When AE makes a composition he doesn't it down. He's trying to do the opposite in fact.

  Why? because if at some point, the buffer is completely opaque, then he has no need to make what's below.

  further more, checked the diaper changing the rendering order, and many other things affect the rendering of the layers order.

  In addition, there is no API to access buffers intermediaries comp. just the end result.

  the closest you can get than without turning of the world, is to use AEGP_GetCompBGColor().

  that would be useless to you that the image is not composite on that color, unless it is the model being saved to the file.

  so why I said 'almost impossible '?

  You can transform the world.

  You can write a type ECAP 'craftsman '. (look at the example of 'arti')

  These plug-ins make comps (instead of the "advanced3D" converter)

  a craftsman has results intermediaries comp, because he is the one doing the rendering.

  so now you can have your craftsman save the buffer, you need and deliver it to your effect.

  I must warn you that this is very very very difficult.

  Another possible solution is to create a copy of the model resides in your effect,

  erase all the layers that has the image you need and make that reproduces model using AEGP_GetReceiptWorld().

  If you use this method, you must supervise the original model and apply changes to the copy.

  Yes, it's too difficult to do.

  you could make a change in the strategy and apply your effect to an adjustment layer instead.

  the entry for the adjustment layer is the buffer underlying layers.

  Then, you could get the original sources you want to treat using checked layer params.

  the last solution I can think uses the expression of sampleImage() on a hidden parameter.

  This will give you any layer's pixel data in the model, but not the composite of the underlying layers.

  Maybe if you tried sampling adjustment layers post effects... I don't know. you need to try.

  This method is very slow and is also limited to expire, so you can't get a large number of pixels.

  the expression simply fails.

  I hope that this was not all bad news for you.

  Maybe you said more about the plug-in you develop I could come up with a better plan.

  :-)

• Jump preloader in AS3 Flash

  Hi, I searched the internet but I couldn't find a way to jump the preloader in AS3. Everything I found was AS2 (maybe I'm not good looking )

  When I visit my page again and the flash has already been loaded, I'm stuck on frame 1 and the film does not continue to where it supposed to be. Is it possible to ignore the preloader if the swf file is already preloaded or cached?

  Here are my actionscript:

  Import the required property
  import flash.display. *;
  Stop the playback head, while loading occurs
  This.Stop ();

  Create a listener to call the function of loading as loads of film
  this.loaderInfo.addEventListener (ProgressEvent.PROGRESS, PL_LOADING);

  / * This is the main function, basically he grabs the bytes loaded, and total
  calculates a percentage and bar extending and adjusting the poster
  textfield display. If your text box/bar instancenames aren't bar tools/lpc,
  you will need to adapt this code to match your instance names * /.

  
  function PL_LOADING(event:ProgressEvent):void {}
  var pcent:Number=event.bytesLoaded/event.bytesTotal*100;
  Stretch bar
  lbar.scaleX = pcent/100;
  Display the % loaded into the textfield
  LPC. Text = int (pcent) + "%";
  If the movie is completely loaded, kick in the next section on the main timeline
  You can change the gotoAndStop (2) to a gotoAndPlay (2)
  {if(pcent==100)}
  this.gotoAndStop (2);
  }
  }

  Thanks to all who help.

  use:

  Import the required property
  import flash.display. *;
  Stop the playback head, while loading occurs
  This.Stop ();

  Create a listener to call the function of loading as loads of film
  this.loaderInfo.addEventListener (ProgressEvent.PROGRESS, PL_LOADING);

  this.loaderInfo.addEventListener (Event.COMPLETE, loadCompleteF);

  function loadCompleteF(e:Event) {}

  this.gotoAndStop (2);

  }

  / * This is the main function, basically he grabs the bytes loaded, and total
  calculates a percentage and bar extending and adjusting the poster
  textfield display. If your text box/bar instancenames aren't bar tools/lpc,
  you will need to adapt this code to match your instance names * /.

  function PL_LOADING(event:ProgressEvent):void {}
  var pcent:Number=event.bytesLoaded/event.bytesTotal*100;
  Stretch bar
  lbar.scaleX = pcent/100;
  Display the % loaded into the textfield
  LPC. Text = int (pcent) + "%";
  If the movie is completely loaded, kick in the next section on the main timeline
  You can change the gotoAndStop (2) to a gotoAndPlay (2)
  {if(pcent==100)}
  this.gotoAndStop (2);
  }
  }

• Where post/send the complaints directly to Apple?  Since the "adjustment" on El Capitan, helping in Mail and Photos is terrible!

  Where post/send the complaints directly to Apple?  Since the "adjustment" on El Capitan, helping in Mail and Photos is terrible!

  You can send your comments directly to Apple > http://www.apple.com/feedback/

• The facebook widget can be adjusted to allow a client messages only - no response or post of the friend?

  The facebook widget can be adjusted to allow a client messages only - no response or post of the friend?

  It's just a power supply from the Facebook page here. You need to set permissions on their Facebook Page.

• I did a blog in adobe muse and his now adjust it in British Colombia, but I can't seem to change the date format of blog post?

  I did a blog in adobe muse and his now adjust it in British Colombia, but I can't seem to change the date format of blog post?

  My ideal date format would be / 28, Oct 2015

  can anyone help? I don't know that I can handle the {tag_postdate}

  You can use something like this in the post or poster list: {tag_blogpostday}, {tag_blogpostmonth}, {tag_blogpostyear}

• Post adjustment Application items in the apex.server.process for a * process application *.

  We were spending the entirety of our method of apex.server.process htmldb_get request the favorite (and documented and supported!). It has worked well so far for the AJAX JavaScript process call, as long as the process of AJAX in question was one * Page * level process. However, when we try to eat a * application * process, it just doesn't seem to work.

  For the examples below, we have two elements of Application named PRS_PRODUCT_PROFILE_ID and PRS_PROFILE_OPERATION. We have a process to request on request (* not * a process page!) named MAINTAIN_PRODUCT_PROFILE_2.

  Here are the previous htmldb_get approach (which works fine):

  function resynchronizeProductProfile (productProfileID)

  {

  var profileOperation = 'EDIT_PROFILE ';

  var ajaxRequest = new htmldb_Get (null, $v ('pFlowId'), 'APPLICATION_PROCESS is MAINTAIN_PRODUCT_PROFILE_2', 0);

  ajaxRequest.add ("PRS_PRODUCT_PROFILE_ID", productProfileID);

  ajaxRequest.add ("PRS_PROFILE_OPERATION", profileOperation);

  var resynchronizeResult = ajaxRequest.get ();

  ajaxRequest = null;

  Return resynchronizeResult;

  }

  Here's the (what I think is the) same call using the new approach of apex.server.process:

  function resynchronizeProductProfile (productProfileID)

  {

  var resynchronizeResult;

  $s ("PRS_PRODUCT_PROFILE_ID", productProfileID);

  $s ('PRS_PROFILE_OPERATION', 'EDIT_PROFILE');

  Apex. Server.Process ("MAINTAIN_PRODUCT_PROFILE_2"

  , {pageItems: ' #PRS_PRODUCT_PROFILE_ID, #PRS_PROFILE_OPERATION '}

  , {dataType: "text"}

  Async: false,

  complete: function (ajaxResponse)

  {

  var resynchronizeResult = ajaxResponse.responseText;

  }

  });

  Return resynchronizeResult;

  }

  However, in the new version, arguments don't appear to be preparing when the MAINTAIN_PRODUCT_PROFILE_2 application process is called. PRS_PROFILE_OPERATION, for example, is on "even if above, you can see that it is, in fact, pre-programmed on 'EDIT_PROFILE '.

  As a general rule, the call to apex.server.process sets the item values in the page and in the session in a single step. This doesn't seem to be the case with elements of the Application (although it works very well for the items on the Page).

  What's up with that? Everyone see my mistake?

  Thank you

  -Joe

  Post edited by: Joe Upshaw

  Joe,

  Using the pictures I showed you can simply use your application objects in the process. This is exactly the same as what htmldb_Get: when you use. add(), you provide a key pair / value that will be added to the respective tables, it is just behind the scenes. By manually adding to the table with apex.server.process, you get the same exact behavior and apex define elements of page/application corresponding to the value in the table of p_arg_names with the value in the p_arg_values table.

  When test you it in your demo application by assigning the value of the page element, and then using the 4 button (point), you can see that the question of the application session state has changed by inspecting the session state of the elements of the application through "session" in the developer toolbar. (it's in the "apex of ajax samples - forum" app)

  Of course, you can use the scalar parameters x # to provide values for the process, but why would you do the extra arch? If the elements of the application would set the restrictions, you still get the same result as if they were not, and they are easily manipulated through the same ajax call. I added an extra button with an ajax call using x 01. I never had problems with the help of the scalar parameters.

• How can foot to foot of page/post-it page not allowing me to adjust the minimum pixels less than 2777 excesses, I fix?

  The footer is to give unnecessary extra space under my content.

  
  

  I have already tried:

  • Sticky foot
  • Duplication of documents and pages
  • Removal of masters and setting pages
  • Looking for invisible elements that may be binding
  • Master Page setting
  • Looked around the forums

  In addition, the foot is stuck at brand 2777 pixel to a minimum, regardless of the settings of the Master Page. In fact, my master page is about something around 500px.

  Any help in the right direction would be much appreciated. Thank you.

  The problem was solved!

  The page has been corrupted, so a new page has been created and the content has been copied.

  My thanks go to the support team.

• Hi, my name is Nigel I lightroom CC. After the merger of HDR photo and then adjusting them. Could you tell me how to back up purely as a j - peg so I can post photos for friends and the social group.

  It seems to save it in a dng file do not allow me to show it to others.

  You use the file-> export to create a JPG of the DNG file.

• Intrepid Beta testers needed. Discover the flow of information to the poster to the left of the text.

  Intrepid Beta testers needed. Discover the information flow of the poster to the left of the text box.

  Adjust the format and presentation of the ASC Web Pages

  

  You can see a screenshot of the discussion How can I find my own posts?  That's what your experience of the CSA will be after you apply the style of the user.  I made the changes to move the user information. I have built on the work of Hiroto, and. turingtest2.

  R

  Today is 24June

  Most recent PasteBin is dated 22June - what to test?

  EDITadded

  Why not just post the link to PasteBin here?

• Recently upgraded to El Capitan, I had that problem for Mail stop unexpectedly when I saw some posts.  I followed the steps and was able to remove the trouble messages.   Now I can't restore the mail window message viewer component.

  Recently upgraded to El Capitan, I had that problem for Mail stop unexpectedly when I saw some posts.  I followed the steps and was able to remove the trouble messages.   Now I can't restore the mail window message viewer component.  When I try to catch the separator bar to go back to the left, only half of the small arrow icon and line appears, and it cannot be moved.   Can open the message by double clicking a message viewer.

  Hi there, alicefrompa!

  Thank you for using communities Support from Apple. From your post, I understand that you do not see the Message Viewer box which allows you to read your e-mails; only see you the Inbox that includes a brief overview of the message and are unable to restore access using the separator bars. I have had this happen to my own Mail app and am happy to let you know how I could fix!

  You are really on the right track - you want to roll your mouse over the divider between the Inbox and sections Message Viewer (which should now be on the extreme right edge of your mail window) and drag it to the left.  When you click on the receipt/Message Viewer box, the cursor turns into a line continuous black with a single arrow pointing to the left. When you see the cursor change, click with the left button of the mouse and (while holding down the mouse button in) drag the combination line / arrow to the left. You may need to drag a little further than before to get it. I had to hang mine almost completely in the middle of my Mail app before the display of the message box appeared.

  From there, you should be able to adjust the boxes to your widths you want as expected.

  If you are still not able to get the display of the messages visible after have try this, here are a few more things that you can do.

  1. Press command + O on your keyboard.
  2. Exit the Mail application, and then press on and hold the SHIFT key on your keyboard while reopening.
  3. Restart your Mac by selecting the menu  Apple in the upper right of your screen restart from the menu drop down.

  See you soon!

• Can I adjust historical how navigation is kept

  I wish I could keep all my browsing history, is it possible to adjust the parameters of the mobile app?

  Hi Chris.P,

  The setting is here to make sure that the file becomes too big, however if you open the topic: config page, you can change the default value.

  1. In the address bar, type Subject: config and press enter. The subject: config "this might void your warranty!" warning page may appear.
  2. Click on I'll be careful, I promise!, to continue on the subject: config page.
  3. search for 'history '.
  4. value: borowser:history_expire_days or browser: sessionhistory_max_entries

  Please post back with questions or if that solve you your problem!

• How to adjust the contrast screen (HP Pavilion dv6-3225dx)?

  Hello, the contrast on my screen in some sort I messed up, and I can't find out how to adjust it. Any help is very appreciated.

  Hey Nate,

  I have a HP Pavilion dv6 too - I came across your post (and 'Help' of Viki), because my contrast was all out of whack, too (much too bright). Adjust the gamma is nothing - but then I unplugged the power cord from the laptop, waited a second and plugged back in and voila! It's all good now. Don't know why...

  There is also this thread about changing the color settings - I have not tried what they said, but can be useful...

  http://h30434.www3.HP.com/T5/notebook-display-and-video/Pavilion-DV6-3120us-contrast/TD-p/374163