Transcoding - issue of beginner on export

Hi, I'm changing some videos of a Sony A7. The files I have are mp4, and I work on Premiere Pro on a Macbook from 2008 for the preview in the monitor source files are quite slow. So I think to transcode to Prores with prelude, but I'm not sure of the workflow: basically, my question is.

Once I edited with these new Prores files, exporting to the original quality of mp4?

Is the equally good Prores or should I put a link to the original somehow files export?

A clumsy way, that I thought to do is to remove/hide the Prores files when I finished and then reconnect the mp4s when the first pushes me for missing files. But it feels like there must be a way to do it - or, because I can't find answers about it, maybe I should just export the finished version Prores project.

Any thoughts, please? Thank you! -Graeme.

Once I edited with these new Prores files, exporting to the original quality of mp4?

A very important thing to note is that you can never "export the original mp4 quality."  MP4 is not a format that maintains the quality of the image over several generations.  It is good enough for a large search 1 file generation that won't require correction of strong colors or effects work more late or need to hold up several generations of transcoding.

ProRes is a CODEC which can export to "original quality".  Or, more precisely, to the quality that is identical to the original.  This is the important part and one of the reasons to transcode MP4 source footage to ProRes format for editing.  Over several generations, MP4 will not maintain as ProRes will be the quality of the image.  Because you can't shoot ProRes in 1st place with your Sony A7 (in a perfect workflow, you would), you want to convert it to a CODEC is higher quality for your MP4 files editing (and I'm sure you've noticed, much larger in file size).

As you work on a 2008 MacBook, you should see better performance with ProRes on MP4 as well.

So, you would simply change ProRes and shaped then export what you need (a master edited ProRes, a H264 for AppleTV, a H264 for YouTube, a MPEG2 for DVD, etc.).

Is the equally good Prores or should I put a link to the original somehow files export?

The ProRes is better than MP4.  Once you have converted to ProRes, you'd stay ProRes.  However, ProRes cannot put anything back in the original file compression has already taken way.  The trickiest part is that your original file probably seems well to the human eye when, in fact, a lot of Visual information that couldn't be here has been removed.

In your workflow (MP4, Transcoder ProRes, ProRes shoot edit), you would never go back (i.e. linking) the originals of the camera.  (Of course, treat your camera as the originals.  Check them so that you always have them.)

Since cut you on a 2008 MacBook, I'm a bit hesitant to recommend that you try a workflow replacing shooting MP4, then by changing the MP4s in ProRes sequence.

Media Encoder vs vs first prelude for conversion

If you just want to convert what you shot with your Sony A7 to Apple ProRes, use Media Encoder.  You must manually install the Apple ProRes presets (why creative cloud does not handle this suggests) also while using a Mac OS X version that requires no Final Cut Studio to install (which is not that it is a problem in your case that you are already able to convert to ProRes format).  The ProRes presets are also specific to the version of Premiere Pro you are using (CS6, CC or CC 20141 and more).

To get the ProRes soul presets:

Adobe Media Encoder

Then scroll down to the section "add-on".

If you want to view your images and convert only what you will use in your editing (in other words, choose "selects" for editing), use the prelude.  Subclip, you want to use and convert.

Of course, you can queue a batch conversion and/or convert subclips in Premiere Pro as well.  Simply select the clip or subclip (s), then export media.

After all that...

You may have noticed the link than Ann published in the new Proxy feature in a previous forum post.  In addition to being on an old and slow, machine edition original MP4 and then by converting just what you used in your edit in ProRes via the new feature of Proxy should work as well that help preserve loss of image quality.

Tags: Premiere

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