Y at - it a 16 - bit file format which will edit as a RAW file?

Can I export the files of a RAW converter (and use the converter color conversion/tone mapping) and still be able to edit the files as a RAW file in another converter (let's say Lightroom)?

I tried to export in TIFF format, your mapped with a tone curve average. The problem I encounter is that the recovery of light/shadow cursor does not work with the same efficiency that I am used to when working with RAW files.

Or maybe it's an inherent limitation of working with non-linear 16-bit files? If so, it would help export the file in linear TIFF (light/shadow recovery sliders would work as they do with RAW files)?

Thank you!

I think that I just got my answer:
http://www.magiclantern.FM/Forum/index.php?topic=15689.0

Here's the big takeaway of the forum, which refers in fact to another Adobe forum:

Our concept of ACR/LR is to make images for display or printing.  When starting with images of scene (e.g., raw), this means the tone and color mapping linear light input data (for example, if entire 12-bit or 32-bit floating-point) values adapted to reproduction (output-referred).  Given that the result is always intended to be referred to the exit, the resulting images are always stored using 8-bit or 16-bit values.  We do not all need to represent the data referred to in the output using the 32-bit values.

(ACR/LR is not intended to be a "transmission system" that can say, take the 32-bit input image data and also broadcast to end 32-bit image data.  It is possible to do so, although clumsily.)

It appears from this forum, we could actually use DaVinci Resolve to successfully create a high dynamic range EXRs of raw data and don't lose any of your original data.

Tags: Adobe Camera Raw

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