Audio tracks: stubborn Placement

Similar Questions

• When you place a video in the sequence that the audio track shows not up/doesn't exist anymore

  when im working on video and I do a file over to the sequence of the video file appears but the audio track is totally absent, even when I try to drag audio only it won't work

  can anyone help? I use first pro for my studies and I get assignments where I need to edit and turn the video

  Try this:

  cannot drag the video image on the monitor source on timeline

• Placement of audio track

  I'm unable to move audio files to a specific audio track, they all default to "Audio 5". I tried to 'drag & drop' so that with the keys 'Ctrl' and 'Alt' in conjunction with the drag & drop and I am still unable to move an audio file to a specific track. I'm new to Premiere Pro CS4, but have widely used the first Elements 8.

  Does anyone have any suggestions?

  In my screen-cap above, look at Music_1 and Ambiance_1, and you will see that they are bigger than others. They have been expanded vertically, while those below have been expanded, but do not zoom out. Everything could be reduced, if necessary, by clicking the small triangle in the header of the Audio track.

  Good luck

  Hunt

• Bounce Track In place first

  Hello members,

  I'll bounce Track In Place first. I made a copy of the project.

  My question is. If after the bounce, I would like to change a part, say flute part 2, how do I do? Organize the window I get Audio only. Is there a way to get back up, or should I make copy of the master copy, edit and start over?

  I hope I made a clear picture of the situation.

  Thanks in advance.

  Instead of bouncing in place use rebound to a new track and then cut the original source

  It's the way you always have access to the original.

  You can also hide this track source of you don't want on the page organize - view only when you need to change and bounce

• The Audio tracks have disapearred from my calendar

  Can Hello someone help me? I just started editing that I have the latest version with all the updates on a computer based on windows wizzy I'm edition fortunately far away and my audio tracks have completely disappeared from my schedule, I can still hear audio but can not see the tracks. I have no idea how get them thank you Heather back

  Place your cursor on the right baseline of V1 at the bottom of the blue box that says V1.

  You will see the cursor change to a line with and up and down arrow.

  When it goes to this slider, click down and hold the mouse button down, move the bottom of the video tracks to the top of the timeline panel. That should reveal the audio tracks.

  MtD

• Many audio tracks imported

  Hi guys,.

  I work with PP CS6, some original sequences (from camera Panasonic) has 4 tracks, but two of them are empty.

  It's really annoying delete the two empty traks of each element, and I don't want to have many audio traks in my calendar!

  I would like to find a way to import and place in the line of time ONLY TWO AUDIO TRACKS instead of FOUR.

  Thanks for the tips

  Fabrizio

  Select all your clips in the project Panel, right-click and then modify / Audio channels. You can then edit your audio tracks on:

  

• Is it possible to lock either the video or audio track?

  I'm trying to copy and paste a short segment of audio to reuse in another movie.  From Pinnacle Studio, this was done by the video track of locking and the stretch of the audio track of the copy and paste in another part of the timeline.  How this is done in the first 14 elements?

  provlima

  What computer operating system?

  No locked track.

  What you want to do...

  a. a part of an audio segment in a project and then copy the use to use it in another project

  or

  b. use of a part of an audio file in another part of the same project?

  You cannot copy and paste insert between projects in Premiere Elements except on Windows, then it is ClipMate associated with Premiere Elements.

  First Elements ATR troubleshooting: PE: ClipMate copy/paste between projects

  It should work for first 14 elements, but I have tested until 13/13.1.

  Rather than cut the audio on the timeline to get the segment for copy/paste, consider to drag another instance of the audio on the far right of the timeline, make your cuts it and dragging the Cup in place within the same project.

  Depending on what you want to do, you can set the gray tabs on the work area bar to span the audio segment of calendar you want. You don't have to break the video audio link. Then go to export & share/Audio/WAV and critical put a check mark next to the share of work area Bar just before you click Save. Then import this segment since the disk hard saving location in your Premiere Elements project using the project add Media/files and folders.

  Please consider. If any questions or need clarification, please ask.

  Thank you.

  RTA

• export of PP - CC as a pass thru video and without mixing of two audio tracks

  I want to export a mov of a sequence in its original codec and 1 original audio track with another track synchronized without having PP - CC merge audio tracks or to re - making the video track.  Is there an amp setting in Media Encoder that I'm missing?

  Premiere Pro will decompress and recompress the video signal, no way to avoid this with H.264.

  However, for your use, you could consider using DNxHD or Cineform.  They are the two intermediates of excellent quality, and both formats can contain two stereo tracks.  You just need to put in place the sequence correctly with a 4 tracks multichannel Master audio track.

• Cannot add effects to the audio track in CC15

  Before, I could add a denoiser to an entire audio track instead of each clip. But in the audio mixer, in the update panel, I can't find a place to add effects.

  In the mixer of the track, you click on the triangle of effects?

  

  MtD

• Insertion of 4 audio in different audio tracks simultaneously to Recorder 4 cameras?

  Hi all

  quick question, non-critical mission, but I was wondering if there was an 'expert' technique that I'm missing.

  I recorded an event several day and 4 audio channels to a ZOOM H6 directly the Council of the mixer. I imported audio files in my project, and they are willing as well:

  Audio

  | - ZOOM0001

  | - ZOOM0001_Tr1.WAV

  | - ZOOM0001_Tr2.WAV

  | - ZOOM0001_Tr3.WAV

  | - ZOOM0001_Tr4.WAV

  | - ZOOM0002

  | - ZOOM0002_Tr1.WAV

  | - ZOOM0002_Tr2.WAV

  | - ZOOM0002_Tr3.WAV

  | - ZOOM0002_Tr4.WAV

  | - ZOOM0003

  | - ZOOM0003_Tr1.WAV

  | - ZOOM0003_Tr2.WAV

  | - ZOOM0003_Tr3.WAV

  | - ZOOM0003_Tr4.WAV

  | - ZOOM0004

  | - ZOOM0004_Tr1.WAV

  | - ZOOM0004_Tr2.WAV

  | - ZOOM0004_Tr3.WAV

  | - ZOOM0004_Tr4.WAV

  |

  | (etc.)

  I've been looking for the best way to drag and drop these clips so that they are STACKED in my timeline (Tr1.WAV go to Audio 1, Tr2.WAV to 2 Audio, etc.) rather than sequential (I have dry so he abandoned the file to the timeline, and end all 4 clips on Audio 1)?  I do not want to MANUALLY place each (16 drag and drops, as opposed to 4).

  I did manually, so no rush. But for later use (and for anyone else in this position, it can be useful to know? Or perhaps a feature request?

  Thanks in advance.

  where they are files separate im not sure of an easy way to place them. the order of sequence camera multiple create may help the audio synchronization and align several clips, but I'm not sure that it will work in this scenario.  If you have a way to zoom h6 to record in a single multichannel file so that its a file instead of 4, you can tell creation to send each channel to a separate track. It is a setting in preferences for audio tracks by default to control how audio files are handled, and you can change all the files in the location of project by right-clicking and choosing Edit > audio channels.

• Importing video with 2 audio tracks

  Hello

  I've saved my computer with Action Mirillis screen! that allows me to record several audio tracks (in my case: the sound of the computer in 1 audio track + my voice through an external microphone in a second audio track)

  When I open the MP4 file in VLC, I can manually switch between 2 tracks, it's great workign.

  But when I want to import the video file in first pro, it only shows me that the 1st song (the sound of the computer) and it is impossible to get the 2nd audio track

  Yes I can demux with avidemux or virtualdub (even if I have some problems to import .wav in first) but I would have preferred a "cleander" option to get my track

  (I said it's 2 separate audio tracks, is not 1 stereo track with L = his computer and R = my voice)

  Windows 7 64 bit + Adobe Premiere Pro CS6

  Thanks for your help guys, I hope I will get some

  Guillaume

  lol bad advice for CC being able, sorry. I tried both, but found my sample not as I thought. What I saw in a CC project was a sequence with an audio multi-channel which must have been in a preset, and I thought it was a new automatic sequence. I won't go in depth about my mistake, but please, do not assume that CC will solve unless someone can fix.

  When it comes to the audio of your Sony Vegas. If it's anything like the first, I disable the video track, mute the audio track top and export only the background audio track that you don't see at first. After that only import the audio into first and place it under what you already have.

  Regarding the future, the next time - would be a voice on track help, after your first record?

• What are these signs on my audio tracks?

  Hello

  I used 3 PluralEyes to synchronize my audio, but when she returns in the first (through extension), I get these hard markings on the tails of each audio - image see the attachment.

  

  When I place the video track back (the purple trail in the picture as an attachment), it is so short that the track audio original, which is just below.

  I think that the audio tracks have been stretched for a reason, and the hash marks are the original length.

  Can anyone help explain what is happening, and how can I solve this problem?  That is to say that the signs do not appear, and the audio is the same length as the video.

  Thanks in advance!

  Did you do a different replacement audio on the timeline with audio of a location? If so, audio replaced is not the same length as the original sound. Therefore, the "hash" marks indicate the difference in length of the audio news of the old audio. Hatching may simply mean that there are no real audio in these hatch. Just shorten audio clips in order to remove the hash marks. At least, that was my experience of how "hash" marks my show up. Others may have differenct experiences.

• Lost audio track (Pro CC 7.0.0)

  

  Guys,

  Thing is happening this way. One day, I re - open my project for more editing, footages lost because I changed the project name and place it in the other folder, then I moved the footages (don't know if the product associated with the loss of footages). And when I did, I play the video, it works correctly with the sound (although part of it was lost), but I found the audio track 1 is lost, just like what I showed you in the picture with a red arrow pointing there. I'm crazy. Therefore, may I ask, where can I find the 'A1' bar again?

  Thanks for responding.

  P.S. I guessed the sound was mixed in with the image initially, but eventually found the track is actually funtioned without display in the timeline panel, I found this by putting one of the shots in the resource monitor and he played, there is no sound.

  Scroll to the top on the right side.

• Newbie question - alternating scenes in order using an audio track?

  Hello

  I filmed a musical school on 2 different nights.  Stage left the opening night and just Stadium last night.  All I want to do is use left step my main video and the audio track, then switch right of the stage sequences as needed.

  Left of the scene is clearly the best audio track because I was closer to the piano.  However, at certain times, right Stadium has a better POV through the action onstage, accessories, etc.  They slightly sped through the night last too so I have a few audio challenges of synchronization when using the images on the right of the scene.

  Anyway, here's where I am lost.  What is a cam multi task?  Or use the video 1 & video 2 track, if so, how?  Or should I cut the left and right of the stage scene scenes independent and mount it on 1 video all in order?

  I am without PP6 terminology to locate this answer in the help section, but learned some other great things by looking at .  I have CS6 and am a former loser of Pinnacle Studio, uh, I mean the user.

  Please tell me the commands/functions, I need to learn this task.  Thanks in advance for your help.

  JM

  Oh, I tried that.  Definitely * not * a multicam project (except if you really want to tear your hair out!).

  Because the timing is different on the two nights I recommend the implementation of these two shows in their own distinct sequences.  Stage left will be your primary, finished, sequence and allows you to define the right of the stage video and audio to be on track 2 (you'll need audio for reference and you will sometimes even use it).

  Through the performance of the stage left and split the video to any points you * know * you'll want to use another camera angle.  Start with the scenes of 'must-use' and then go to the scenes 'like to use' - you will need to practice!

  Disable clips of the scene left you use (or drop the opacity to 0%).  You should leave them in place, however, for reference.  Find the corresponding scene on the sequence of the scene to the right.  Cut it out and paste it on track 2 of the same scene in the sequence of the scene to the left (bring audio along for the ride too).

  Here's where the magic 'edition' (read: crazy) is available in.  Finessse the entry points and each camera (you'll end up setting two of them) until you like the cut.  Sometimes, the clip of the scene right will be longer than the same scene on the camera of the scene to the left.  Sometimes, it will be shorter.  Cut your master timeline as needed; If the new right scene is longer, just lop off the stage from stage left.  If it is shorter, leave a space or drag the hidden a little scene.  The idea is to keep as "synchronized" as possible to the end.

  You'll quickly learn when you can (and I can't) cut the songs!  Depends on your individual sellers, but will quickly become apparent.  You will also notice small (sometimes not so subtle) changes in costume, hair and makeup, not to mention the value of decoration and lighting.  You can sometimes get around these.  Sometimes you have to sacrifice your change to hide.  If you're very, very lucky you will have turned in very high HD.  If so, feel free to re-align your shots (i.e., zoom or pan).  Out and then put it on a standard def DVD and it will look wonderful!

  Oh Yes... Another thing... the * next * time for that (and if you do successfully this time * will * be a next time!), turn in high definition and beg, borrow or steal a second camera.  Set the second on the back of the House (or somewhere, he can see the whole show).  Then, you can be free to actually follow the action with your primary camera knowing that there is an 'insurance' static shot that you will be able to synchronize to the top.  * Who * will be a multicam edition!

• Æ any audio track of the MTS videos?

  I know it's a common question asked; I read another post on the subject, but I have not yet found my answer.

  When I try to import a video file of MTS in AE CS6, imports fine video, but the audio does not work.  There is no little audio icon for me to put in muted as there is when I import other video files and audio did not get included in the rendering.  The audio is confirmed working in VLC and MPC - HC.  One person said what happens when the camera records stereo to RL and RR (tracks 3 and 4) audio tracks, but according to VLC, they are on L and R (1 and 2) of the audio tracks in standard stereo, not 5.1.  This is the dump of the MPC - HC info:

  EDIT: I forgot to add; video MTS is a 1080 recording taken by a Sony a55v TLR camera.

  Audio

  ID: 4352 (0 X 1100)

  Menu ID: 1 (0x1)

  Format: AC - 3

  Format/Info: Audio Coding 3

  Mode extension: CM (complete main)

  Parameters of the format, "endianness": Big

  Codec ID: 129

  Duration: 5 min. 6 sec.

  Bit rate mode: Constant

  Bitrate: 256 Kbps

  Channels: 2 channels

  Position of the channels: Front: L R

  Sampling: 48.0 KHz

  Color depth: 16 bit

  Compression mode: lossy

  Behind the video:-67ms

  Stream size: 9.36 million (1%)

  Another person says that this can happen when you have 3rd party codecs installed on your machine.  Yes.  I have the ffmpeg library included in the CCCP codec.  But I don't know why that would get in the way that Adobe products, and I don't know how to fix it and still keeping the codecs installed.

  Any help would be greatly appreciated!

  I'm glad you guessed it, but if you do anything for a customer paying in the future, I advised not to transcode to H.264 format.  Is a great codec and a barely adequate acquisition codec, but it is not really good for AE.

  Oh, it will do the job, but working in AE is NEVER the end of the line.  The work always takes place in the middle of a project, and you never want to degrade the image.  H.264 is pretty frozen, it will degrade images and you do not want for paying customers.

  But for yourself?  Give it a shot.