Automatic rotation after effects null object

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• Erratic Yoga 11 automatic rotation after updating Windows 10

  Hi guys, wondering if someone else has the same problem and found a solution for me to try: after upgrade to Windows 10, 11 Yoga isn't run properly. I've unlocked rotation via the manual button and going in tablet mode and changing the settings. Nada. It is stuck on the orientation of the laptop. (This inability to change orientation defeated the entire functionality of a hybrid Yoga.) I rebooted once, and the autoration seems to work very well after that, either in tablet mode or a tent or mobile... for a while. Now he is again unlucky. I encounter this problem before the upgrade.

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  Ok. I just installed the interface Foundation of lenovo thingamagig sytem and auto-rotation works now fine.

• After Effects CS5.5 - rotating objects with precision?

  I searched throughout the day for an answer to this simple question and I keep finding the same answers that do NOT answer this question very simple: How to use the tool rotation accurately?  In other words, how can I make a perfect 90 degree rotation? How can I know what degree of rotation, I do?  There is nothing obviously followed rotations - I can't find anything that tells me what kind of rotation I do.  It's the most stupid thing, and I'm sure that I'm the fool who cannot see what is right in front of her, but I can't do accurate rotations.  It's 90 degrees?  It is 45?  23?  I have no idea.  And I'm really, really frustrated.  No more frustration.  I got to swear my head, actually.  I'm not necessarily talking 3d space (although it's me puzzled, also).  I speak "in 2d space general."  HOW TO ROTATE AN OBJECT WITH A SPECIFIC ROTATION ANGLE?  I played the guessing game and my project looks like garbage because none of the rotations are accurate.  Seriously, why DEVIL is something so damned hard to find? 

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• Find the edge of the object in After Effects

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  Hi I was wondering if someone could help me.

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  There are two issues here: it is a sad episode after history of effects and the other is just a switch that must be enabled

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• My tx10 automatically rotates pictures 90 degrees after that I'll take them. How to make this stop?

  My tx10 automatically rotates pictures 90 degrees after that I'll take them. How to make this stop?

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• After "Deformation in Rotation" problem effects puppet tool

  Hello world

  I'm having a big problem with my character newly puppeted sequelae. I've rigged up a character I made originally in illustrator. I placed pins of puppets, expressed to the null objects I use as controllers, then related to each other. I've done several times before, without problem. However, this time when I turned the 'Parent' Null, nulls child follow as usual, but in this case, the object is distorted through the rotation (attached photos below). I've been using the plugin 'Puppettools 3', and when the bug is introduced using that, I tried to use this phrase (on the rods themselves):

  
  

  A = thisComp.Layer ("NULL_OBJECT");

  fromWorld (A.toWorld (A.anchorPoint));

  
  

  which accomplishes the same thing, just by a long, manual process. In both cases, the object deforms. Before expressing the values NULL, rotation works very well. Anyone know why it behaves like this? Maybe there's something I've overlooked in the process? I'm not sure. Any help appreciated. Thank you

  
  

  
  

  First image: starting point.

  Second image: rotation only on the value null "Parent" and pine. no other pins settles, it deforms just this form without my action.
  

  
  

  
  

  
  

  Try to expand your mesh. It should be resolved. You may need to start over. Usually when I work with puppet pin I develop the mesh about 10% if the layer is made up of curves.

• Cannot join the bulge effect to a Null object

  Hello

  I am applying the effect bulb on a pipe, making it feel like something is moving across the pipe (see printscreen).

  I made a sketch of a Null object and then applied the bulb effect. Did not work. Then I added the new solid layer, childed to a Null object, and the bulge applied to a solid. Does not work either. Also found some tips I should online "Parent a Null value adjustment layer and apply the effect to him", but the effect of the bulb does not always work.

  My composition contains layers .psd (Pipe and bottom). When I apply the bulge on the pipe itself, it works OK but I'm unable to animate the bulge itself, which is to travel through the entire pipe.

  where I'm wrong?

  With the help of CS6 on Win7 Home premium

  Try to apply the bulge effect (and expression) to the conduct, not the null value.

• After effects CS5 and 3D plugins Boris BCC7 objects 'Dynamiclink error' and AF to close

  Hello:

  I write graphics company where we have 4 computers (2 are HP Z800 and 2 other HP Z400) after effects CS5

  and a year ago, we bought 4 licenses for Boris Continuum Complete 7 AE plugins

  In the HP Z800 computers 2, we have a problem with the plugins 3D BCC7 BORIS Boris objects. The other Boris Continuum Complete 7 AE plugins work correctly.

  Other computers 2 HP Z400 all plugins go OK including BCC7 BORIS Boris objects

  Each computer has Windows 7 and NVIDIA graphics Quadro 5000
  

  I have attached a printscreen where you can see the errors that occur after effects. At the end of the program is closed

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  Mylenium

• After the change of color of the video automatically from the effects?

  Hi all!

  I use Adobe first and sequelae. Unfortunately I do not have the link to get programs working together, again. So for now, I have to return something first, before I can use it in sequels. But after setting up and make a clip in the aftermath, it's almost like the program itself has changed the color of the image? Is it simply the loss of quality, am I to ruin or am I missing something obvious?

  This is quite annoying, because there is a significant difference. The top one is the raw, less file is after rendering to legacy.

  http://imgur.com/a/MJ1y6

  filipb35067879 wrote:

  So for now, I have to return something first, before I can use it in sequels.

  You have certainly not to do. In After Effects, instead of import, choose Import Premiere Pro sequence.

• Stabilization - after effects CC help

  Hi all!

  I work with the new Warp stabilizing VFX for the first time (worked a bit with stabilizer Warp in CS5/6) and I am having some problems with three different clips.

  When I saw how it was easy to work with the track points, I was very excited and assumed it would be a quick job, but it wasn't the case. I don't know if I have just a simple wrong value or if I go about it the wrong way.

  Anywho, I work with 1080p29.97 images that I did not personally kill. The first two clips (more photos) involve about 20 minutes of film a piece that I accelerated several thousand percent in first CC to show some 'timelapse '. They where obviously shot on tripods, but they were not sufficiently guaranteed and which I suppose was wind shake is quite noticeable with the aforementioned acceleration. So I turned to stabilizing Warp VFX for help but a few problems:

  Here is a screenshot of the first element. I did my best to show all my settings and track points:

  

  For this one I put the Warp subspace method just for fun to try something different the next clip I'll talk, on which I applied Position, scale and Rotation.

  Then, I put the framing to stabilize, crop and scale automatically assuming that the more options I give him to stabilize the better. I can't think about that quite wrong, however, it seems appropriate in a sort of sense of passage. For the points of the track, several executives had applied to that I deleted the moving clouds. Assuming that with the help of a moving object to stabilize an entire scene is counterintuitive, I went through frame-by-frame and removed all track points anywhere on the mountain. I want the mountains to be perfectly still (namely, fixed objects only in the scene) so I thought leaving track points on them would help smooth things, but it wasn't the case. The clip is jitters a little longer.

  Here's my second clip. I divided in two to try the different options in the same clip:

  

  It's the same kind of shot as a prior, so I tweaked the settings a little assuming that they would be interchangeable between shots of fire just for the sake of experimentation.

  This time, I put the Position method and used stabilize them, harvest and autoscaling for framing. Once again, I guess that is the right choice because it maximizes EI for stabilization options. The same as before, I went through frame-by-frame and remove all the track points automatically applied to the Moon because I want the mountains that the Moon moves smoothly through the framework. I had almost the exact same results as the previous clip with the fragility of it.

  Here's the second half of the Moon clip:

  

  The only adjustment I changed on this half of the clip is the method, I updated the position, scale and Rotation which I took additional aid AE would find the right method to stabilize the clip. I put the result for both of them to No Motion, and now I'm wondering if Smooth Motion would be better, but I want the mountains to be always completely.

  This next video is a doozy:

  

  The grass in the foreground moves a LOT in the wind. I swear I went through and removed all the points of the track of grass and left those on the mountains in the background in one of my attempts to further stabilize the clip, but it looks like this is a will not be saved. I remember because there really makes no difference so I don't mind browsing, then try again for the good of the screenshot. My settings are otherwise identical to the last clip and my results are the same. Nervousness, strangely distorted and by no means smooth.

  Essentially, I need just a few thinning of the terminology above. I initially thought I would on these parameters in a rational way, but maybe I'm just framing their purposes incorrectly. Or maybe I've missed a simple parameter that will clear everything up. I hope that I have included all relevant information, but if you need more I will gladly provide. I just want to go to the bottom of what I thought would be a simple process.

  Thanks a lot for your time,.

  Corey Gipperich

  cgipperich wrote:

  Now, I imported some 7000 images into After Effects composition (which takes TOO much time)

  There should not be. All you need to do is choose file > import, click on ONE of these files, then check the little box that says "Image Sequence" (or whatever it says) in the lower left corner of the import dialog box. Then it will import into AE in a video file, but it refers to each TIFF for each image. Then you just to work with her (Mocha track, etc.) as usual.

  Sequences of image as that is how almost all 3d renderings are made and a lot of people do when they are made to EI so. The reason is, if you make a long it takes hours, overnight, or even days, if something goes wrong and the system crashes, you're not left with nothing after 22 hours of rendering that you would be if you made a video file. This way you just have to pick up the framework where the rendering failed.

• Track Motion Works flawless, Null object on the otherhand is in every sense

  I have a video I do motion tracking for text. When I use the feature Track Motion, Anchor Point (tracker) is on-site and looks perfect. I then apply it to a Null object, and when I look at the Null object, it follows the path in general, but it is disabled by a little bit about 50% frames. Enough that when I link the text to be null, it is horrible and jumps autour. There is no way that the null object uses accurate motion tracker data.

  Why did the motion tracker seems perfect, and the null object is most of the time? Can I somehow incorrect configuration settings? I think I'm using the default settings.

  I tried 50 times literally.

  The top image shows the Tracker. He's dead now, and the anchor is in the exact spot every time.

  The second image shows the Null object at some point in the clip, and then the last photo is the Null object at a different point in the video clip.

  Help! Thanks in advance for your suggestions.

  

  

  

  (1) changed the frame rate using the images to interpret it.

  (2) adds the video changed to a model.

  (3) use the Warp stabilizer to stabilize images.

  (4) make a demo.

  (5) use the Scout of the motion on the new prior model.

  (6) apply to a Null value.

  (7) to create the text and line and set them to null

  YES!. Think about it. It is logical. WS is applied on your layer, Motion Tracking uses the layer without WS information. unless you pre comp and this actually mainly a new image stabilized to follow.

  Make sure that you move all attributes

  

  and deformations.

  

  Looks like the curvature of the subspace is making a mess of things. choose another method, NOT chain of subspace

  

  the next time we see each other that you have read all about tracking and stabilization. Workflows for motion tracking and stabilization in After Effects

• [Please help :"(] Null object and solid or text combining error

  Hello, I am a newbie after effects user.

  I try to connect other solids or text boxes to the null object.

  What I learned from tutorials, it's that I can move text boxes by moving the null object after parenting the text boxes to the null object.

  Here is my error.

  The areas of tracing moves independently outside the text itself.

  This happens for all other solids.

  How do I fix this error?

  In the image below, you can see the red lines on the left side of the preview screen.

  It happened when I moved null object to the left.

  

  In the image below, the traces of the text boxes are placed on the right side of the preview screen.

  

  When I delete the null object, the text moves with its box.

  

  Of course your Null object will have to be both 3D...

  Mylenium

• After effects how to use?

  I bought adobe After Effects did not have something good for me... not once becomes obsolete before you start to try and comes generally without significant objectives or useful projects... why not?  Lynda study does not at all help...

  I then asked 30 days of clouds adobe... Well what good is really just... tried for thirty 30 days and found that I could not see any cloud of difference inside or out... after the hurricane due pick up about a ton of newspapers stick and debris... no funny here why do you sell cloud adobe but does not have the characteristics of the clouds in a useful way?

  the game between after effects and adobe cloud stinks... it isn't an operability as you claim instead you insist again I should buy all the software why result so far of adobes say they will update your software?

  What do you expect After Effects for you to do? AE is a tool that requires training. Use it to add layers of effects and movement to the video. To find out how it takes time and effort, because nothing in AE is automatic. To start learning the departure of these three tutorials: Basic Workflow