Camcorder CX330 HDR

Similar Questions

• Camcorder Sony HDR-CX190E microphone

  Hello

  I recently bought a Sony HDR-CX190E camcorder and want to know what is the best microphone to use with this camcorder?

  Hello Ciaran,

  This camcorder has a built-in Microphone. The camcorder doesn't have an option to connect the external microphone.

  If my post answered your question, please mark it as an "accepted Solution.

• CX330 HDR - a thread about user experiences

  Hello

  as I work with a friend who shoots with a VG10 and a NEX - 5R, once we had the need to add a third camera for the filming of clips. A possibility of 5R has been rejected, because its sensor stops often after 20 minutes of continuous shooting, and we wanted to 1.5 + uninterrupted hours of shooting.

  Initially, I was attracted by the CX230, but I discovered, it was too small (adequate for about 1 hour of shooting) battery, so it was rejected in favour of the CX330, who shares the same type of battery as the NEX - 5R, giving certain commodities of the devices.

  So, I decided to open this thread to discuss the positive and negative points of the CX330, I explore its capabilities.

  N.C.

  
  

• Video quality: sony Camcorder HDR-CX240E or sony camera RX100?

  I bought HDR-CX240E, to my eyes inexperienced video seems good quality but autofocus makes constant strong trigger clearly audible in the video playback there. Am disappointed because otherwise it's great.

  Also need digital camera. Would the RX100 (the original version which is reduced in price) as good as the HDR-CX240E video production? And the autofocus is less noisy?

  Is there a real difference between a dedicated camcorder and a camera that takes video?

  Thank you

  Hi langdale! A camcorder, the HDR-CX240E has not one sound sound autofocus when recording. You can check in a service center.

  The DSC-RX100 and HDR-CX240E uses the same format AVCHD and MP4 video. They have great video capabilities and can be used interchangeably. The biggest difference between a camcorder and a camera (with video) is probably the setting dedicated to movies. You can see the absence of controls or settings for video on a camera. It's because she has made especially for shooting photos again. It is always best to use a camcorder for recording video intensive.

• How can I connect my hdr-cx190 camcorder to my tv through my dish network satellite box

  Hello! All I'm a newbie with a new camcorder Sony hdr-cx190. My TV is a Vizio wall bracket with a dish network box.

  I can't understand how to publish my photos or read my video. The cable of connection only I have is ine with the red, white and yellow

  connectors. Anyone familiar with this set in place?

  Thanks Bob H.

  Hello Bob H.

  You can view the steps to connect the camcorder to a TV high-definition not here.

  Refer to the steps to connect the camcorder to a TV high definition here.

  Kind regards
  Colby

• Importing files MVC of the Sony HDR-TD10 3D camcorder

  First Pro CS6 does importing files the camcorder Sony HDR-TD-10 3D MVC?

  Tom

  There is no change in the stereoscopic 3D editing in Premiere Pro CS6.

• Support of the SSD in handycam HDR-XR150E

  Hi all

  I have a camcorder Sony HDR-XR150E, its hard drive gave me a lot of times couple I tried to change to SSD, I know a compatible that i found http://www.mx-technology.com/en/product/ssd2.php?sid=4#fragment-11

  could someone suggest if it's compatible?

  Thank you and best regards,

  Chibani

  It began with buffer overflow, then the problem became even worse, when I tried to format, he could not format.

  Despite this, I am able to save to the SD card. all the other features of camcoder is correct, except any operation related to the HARD drive.

  I'll try get evaluated by a technician.

  Thank you and best regards,

  Chibani

• Sony HDR-CX240E

  How to delete files on the camcorder Sony HDR-CX240E? I can't find any instruction on "memories of play."

  You can delete files directly from the camera through the pages 15 and 16 of the user manual.

  You can also find the instructions in theonline help guide.

• SPK - HCD with HDR-TD20V

  I chose this card that I was not able to choose digital camcorders. I have the SPK - HCD and I was wondering if I could use it with the td20 HDR?

  Hello jferencak,

  The Underwater Sports Pack SPK - HCD camcorder is not compatible with the camcorder Sony HDR-TD20.

  If my post answered your question, please mark it as an "accepted Solution".

  Thank you for your message.

• accounting camcorders

  Adobe first 14 elements does not recognize not my camcorder Sony HDR - HC7 recording on DV tapes.

  I see that it recognizes cards Flash and the DD, but recognises - it SD cards?

  Thanks for the reply because I intend to buy a new Sony camcorder

  First elements 14 does not support Firewire capture.

  You can use these programs to capture:

  WinDV WinDV

  HDVSplit HDVSplit 0.77 beta

• Power of the video camera

  Afternoon,

  I am trying to solve a problem for my son who is trying to get his camera feed into his computer in real time, I expected to be honest given the age we live in, but that seems not to be the case. There a camcorder Sony HDR PJ530 is a Surface Pro or a desktop Dell and 3 the Adobe Suite full of programs, he wants essentially to have its green screen live on his computer and be able to see what it looks like, because he works on projects, I won't go buy leads, capture devices or new cameras without knowing exactly what he needs help or advice would be much appreciated.

  Thank you

  Krystal

  There is no such thing in all Adobe programs. It is a live studio software here.

  Mylenium

• Archiving...

  I need advice on the "best" format choose to archive my videos. I'm not particularly

  concerned about the ability to size and file storage, but do not wish to avoid degradation and

  obsolescence as much as possible.

  When I used previous versions of EP 13 version I'm using now, I saved all the

  Edition released of my camcorder Sony HDR-HC9E DV/band in the form of .avi files. I now have a Sony HDR-PJ810E

  a machine that records in. MTS and. MP4.

  I recently read several conflicting opinions on this subject, which many say that

  uncompressed .avi is always a good container to save in, and others who recommend to save the

  output in the same format as the recorded material. PE13 has no option to export in .avi format (although

  also, modern video publishers, who will remain nameless on this forum, do).

  Question 1 is so, should I be export projects in. M2T format for archiving? If not, what

  should preset I use?

  Question 2 is the resolution and speed should I use to save and export. I have

  have been recording in HQ 'Standard' mode, that is to say (1440 x 1080), cadence 9Mbps and 50i.

  (Alternative available frame rates are 25 p and 50 p). I can't distinguish visually, much

  difference between 50i HQ and the mode of 'High quality' FH, IE. 1920 x 1080, 50i and 17Mpbs framework

  rate. (Strangely, when you change the hardware HQ, a few shots, grass, for example, watch less

  blurred in the central administration in FH on the PC mode).

  However, PE13 export options are 1440 x 1080 to 25i or 30i (no 50i). Should I choose

  25I in this case? Or should I be 50 p instead of 50i or 25 p recording and exporting in a

  across the M2T export options available in PE13, for example HD720p50? Or should I had not exported to the MT2

  to all and archive in MP4 to 1440x1080p25 or 1920x1080p25 or HD720p50? that is the only p25 and p50

  options available in MP4.

  Please forgive any ignorance that these questions might indicate, but help would be appreciated.

  Major Sparky

  Short version

  I'd go with archiving as well as the wait for new developments in technology

  others who recommend to save the

  output in the same format as the recorded material.

  Waiting for your definition of the .avi format, I refute

  PE13 has no option to export to .avi format

  Long version

  1. refer to the publication + share/computer/AVI with Presets = DV NTSC Standard or widescreen and then under the advance button and video of this preset.

  You have the choice of different codec provided Adobe .video and a pre-defined customization possibility. In addition, if you download and install the Lagarith Lossless Codec, it will be available for use in the advanced settings for the presetting of the AVI. True, there is no counterpart in 13 for 10 units/Tape (for a DV tape).

  2. If you import HD 1440 x 1080 anamorphic 16:9, then you use a 1440 x 1080... predefined project. But, when you're going to export it, use export affecting for 1920 x 1080 to avoid the dependence of the player associated with having that 16:9 flag stretch the 1440 x 1080 for a view after encoding.

  To avoid problems of interleaving in areas of displacement in the video, I'd say progressive recording rather than interlaced images.

  Regarding progressive, interlaced look with the export settings vs those with deinterlace by default and not. Deinterlace before or after export and let the reader do deinterlacing of interlaced video? To describe if indicated thereafter.

  Please consider. More comments to follow as indicated.

  Thank you.

  RTA

• What output format is required for the Cambodian broadcasting TV?

  I'm in the USA.  I was invited to shoot a video for use on Cambodian television, that looks like 4:3.  I have only the newer equipment that pulls in the H.264 format.  My camera main is a camcorder Sony HDR AX-2000 which is able to shoot 480/30 p or 480/24 as its lowest quality.  How give a video that is or is not Letterbox that will play a show?  What can media use?

  Thank you.

  Gary Silverstein

  http://weshoot.com

  Cambodia uses PAL and NTSC, so you will need more information. The format offers media may also be different from the broadcast signal. Once you know what you produce, Premiere Pro fortunately will convert your film - either at the point of export, or according to a preset of the sequence. It doesn't matter what is the codec of your camera recording. Ideally, you'll want to shoot at the same rate, and if it is guaranteed to be only a 4:3 output you would get 4:3 or use safety locks on your monitor 16:9 4:3, then you have some option to pan your shots in the frame. Even with SD vs HD - HD view taken is logical, even if the program is known to be SD, you get a lot of flexibility for pan and evolve into position.

• What is the best way to transfer HD video camera content SonyHD of PE?

  I'm a bit confused... is possible to import video files via the USB connection on my camcorder Sony HDR - CX100 HD in PE9 direct?   I installed the Sony transfer software called PMB and PE9 launch now... a conflict between programs?    Maybe I do not even need the Sony software and need to uninstall?  (Of course should try first... in hindsight).   I remember that I couldn't manage the content Sony HD in PE4, but now I've upgraded to PE9 - then maybe I can use the files directly?    I'm sure someone must have written a thread on the subject of how to get HD in PE9, and need a pre-conversioin, etc. of course would appreciate a pointer to this discussion if it already exists.

  Thanks in advance!

  David

  Bill is right. Except for two things:

  (1) you can capture any digital video tape - which includes miniDV and HDV. But, as Bill says, your camcorder is neither.

  (2) I recommend that to get the video from your camcorder, connect your camcorder to your computer and use Premiere Elements' Get Media / Flip, AVCHD or a camcorder to open the importing video, a tool to transfer video from your camcorder to your computer.

  And don't forget to make sure your Premiere Elements project is set up to work with the format of your video or you will have all kinds of problems later!

  Take a look at my 8-part basic training tutorials series free to the support site of first Elements Muvipix.com for more information.

  http://forums.Adobe.com/thread/537685?TSTART=0

• Simple solutions for a cinematic look with 60i video?

  I'm sure this question pop upward again and again but I'm a huge headache trying to solve everything through my research, especially as a beginner to the film world.  I'll get right to my questions, but first, here's the equipment I work with:

  Camcorder Sony HDR-XR500, shot in format AVCHD 1920 x 1080 60i =

  Software = Creative Suite CS4

  Recently, I threw together a 10 min film from a trip that I just got the use of Premiere Pro and while it was a lot of fun to put together I really have no idea if I went to this issue the right way.  I want to practice taking a clip of mine and convert it to this cinematic look and hope someone can help to guide me through some steps.

  Here's what I want to achieve:

  -ratio of 2.35: 1 pixel

  -24 p or a similar effect (trying to figure this out makes my head spin)

  I know that the color correction has much to do with the film appearance, but I realize that there are several ways to go about this, so I'll refrain from asking questions regarding this for now.  (I found using the fast color corrector and Saturation adjustment to 75%, and levels of inputs to 20, 1, 220 glanced of beautiful film)

  Step 1: Should what settings I use to create my project?

  Capture format = HDV?

  For the sequence presets can I use AVCHD 1080i30 (60i) non-anamorophic?

  Step 2: If I want to create a ratio of 2.35: 1, should I simply culture my clip?  I think I read somewhere for 1920 x 1080 video, crop 14 percent of top and bottom?  Or should I get when I export the movie?

  Step 3: What would be the fastest single/more to get that look of 24 fps using Premiere Pro or After Effects?  I know shooting in 24 p is obviously the easiest way, but should I just deinterlace my 60i video right click for video > Options for fields > deinterlace always to achieve a similar effect?

  Step 4: Export video... still so many options, I don't know what to do here.  Basically, could someone provide me with the best export options for the format, so that I am trying to achieve:

  -Display on the Internet

  -Display on computer

  -And look at a blu - ray

  I really appreciate any help on these questions.  A big thank you!

  Step 1: Capture settings are not relevant for AVCHD on this camera.  Simply copy the structure of the entire folder intact on your hard drive.  PR will find images copied to the media browser panel.  You may even be able to modify it directly from the camera HARD drive.  You should try it and see.

  2: 1920 x 816 stage produces a ratio of 2.35: 1.  Assuming that your whole action occurs in exactly in the center of the vertical shooting, then you should trim 132 pixels from top and down.  Place your 1080 footage in a progressive sequence of these dimensions, you should get what you want, as long as you do not have by default to scale to the size of the image selected in the preferences.

  Step 3: This is the difficult.  For 24 fps to 30 fps, an image of each 5 should be deleted.  This will produce perceptually playback choppy, especially if no movement at all is present.  If the remaining frames must be mixed together somehow to smooth out the bump where the missing image is.  Using AE to achieve this, is my humble opinion, the best solution for an all-CS4 workflow.  In AE, you have 2 choices: merging images and movement of the pixels.  PM produces better results, but FM makes it faster.  If you did not yet no editing clips of Pr, then the best idea would be to convert all images in AE before importing it into PR.  If you already have changes in place in public relations, then you can select all the clips in the sequence and choose file | Adobe Dynamic Link. Replace with After Effects Composition.  Whatever it is, each element in EI must be interpreted individually at the edges of fields and preserve the separated.  The parameters of the model should be set to 24 p.  Then the interpolation must be enabled for the model, and finally, each level framework mix switch must have the value of fusion of images or displacement of the pixels.  If you don't use dynamic link, be sure to * off * interpolation in public relations, because EI has already taken care of that.

  Step 4: Because the rendering will be so intense and take so long, I recommend export an intermediate file of Pr, then re-import this file to use as the source for the various export formats.  Otherwise, you will need to make all over again for each individual export format.  For the web, I recommend Flash.  For the computer display, it depends on your mode of delivery (CD, DVD, download, external hard drive, Flash drive, etc.).  For Blu - Ray, H.264 Blu - ray or Blu - ray MPEG2.

  -Jeff