Camera HS SX50

Salvation;

Having a camera SX50 HS and follow the directions in the manual I cannot access the AWB, the white balance, as the list of icons including the icon of the AWB appear not as described in the manual.  What Miss me?  Charlie

The question is what you are in the mode. If you are in the Automatic Mode, you will get no option of the white balance. If you switch to P, Av, Tv or M mode, you should have them all.

Steve M.

Tags: Canon Camera

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  • Flashlights

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    Hot shoe of the camera is compatible with all Canon Speedlite flash units currently marketed as well as a number of hot flashes is no longer marketed (e.g. they do not actively sell the Speedlite 580EX II... but it works with it).

    The model number of the flash tells you "Guide number" as the flash in meters.  For example the 270EX II has a "guide number" of 27 meters.  The 430EX II is a "guide number" 43-metre (omit just the last "0" in the model number and that is the "guide number").

    A "guide number" is a scenario of the industry standard benchmark to measure the distance a proper illuiminate can flash a topic.  But as the amount of light collected by the camera depends on your exposure settings, the reference level of ISO 100 and f/1.0 (opening size) is supposed to.  What do you _really_ is divide the distance "guide number" by the (opening) diaphragm of the lens and it is the real distance that flash can handle.

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    When your device is fully zoom-in (maximum magnification) lens has a report f / d of f/6.5.  So, you would divide by 6.5 141 feet.  This gives you a distance of just over 21 feet (21.7).  If your camera is fully zoomed-out (wide angle) the report f / d is improving and the f-stop can go as low as f/3.4.  So, you would divide 141 feet by 3.4 and gives you a distance of about 41.5 feet (the distance is better because the diaphragm opening is larger, which means that it can collect more light).

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    One last thing... when a flash is pointed DIRECTLY at your subject, you get a difficult "flat" lighting.  The object don't throw no shadows, because the flash is close to the lens (so the shadows are all hiding behind your subject where the camera can't really see them.)  Good lighting includes good shadows and also the shadows which have a flexible transition from the edge clear dark rather than a well-defined shadow.  While the detached flash is fantastic, an easy solution for flash on the camera is to "bounce" the flash on the ceiling.  This works if (a) you are on the inside, (b) ceiling is not too high (otherwise, the distance to bounce back is too far and you return very little light) and (c) the ceiling is a pretty neutral white (if the ceiling is painted a different color than the ceiling color is tinged light.)

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    The OTHER time it's GREAT to use a flash is outdoors in full sun.  This may seem strange... but the Sun is SO bright that the shadows it casts are VERY dark.  Shooting a person, for example, gives you an exhibition where the positive side of their face is very bright, and yet, the shadows are very dark.  It's much nicer when the highlight of their young side is only slightly brighter side shadow.  To resolve this problem, using the flash outdoors in full sun as a 'fill' flash.  I prefer lower the power of the flash just a bit... to '-1' setting (you can adjust it in increments of 1/3 of).  It really improves the look of outdoor photos.

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  • Mounted the case for POWERSHOT SX50HS

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    For better quality and performance, we recommend going with a real gun carrying case for your camera.  The case of Soft Deluxe PSC-4100 is tailor-made for the Canon PowerShot SX30 IS, SX40 HS and your camera, the SX50 HS, who share all the very similar form factors.  You can learn more on this subject and order, if you wish, on the link below.

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    http://bit.LY/1d3LTBZ

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    ***********
    Alan Myers

    San Jose, California, USA.
    «Market softly and carry a great lens.»
    MATERIAL: 5DII, 7D(x2), 50D(x3), some other cameras, various lenses & accessories
    FLICKR & REPROGRAPHY

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