Context and sequence settings

Similar Questions

• trying to deform stabilize 4 k images and then reduce to 1080 p before exporting it but error "string stabilizer requires clip dimensions to match sequence settings try nesting.

  I have a 8 min long 4 k sequence where all the video clips are the same size k 4. I can warp stabilize just fun but when I go on change settings for the sequence to 1080 p and then right click on each clip to scale to the framework I get error "string stabilizer requires clip dimensions to match sequence settings try nesting" the reason why I want to warp stabilize the 4 k images rather than 1080 p images is because with 4 k I have a budget of high culture, I can get away with before I got to the bottom of the scale, string stabilizer settings I use are in the jpg I have attached. I tried visualization of nesting videos online and I can't find what I need. As the now the only viable option I must deform stabilize 4 k and export under 4 k and then open a new project and import the stabilized 4 k images exported and reduce the sequence to 1080 p. I'll do that if I have to, but it will take a lot of time coding without a doubt. Any help is greatly appreciated.

  If the images do not match the sequence settings and you want to use the chain, you'll nest.

• Sequence video Previews and GPU settings?

  Dear PrP CC users,

  I wanted to get a few related that information to the sequence settings.

  In the bottom of the sequence settings box: video Previews. There are three boxes of UN / tick:

  Maximum depth

  Maximum render quality

  Linear color composite (requires a GPU acceleration or rendering quality max)

  Normally, I check all of them. I have an active Windforce GTX 770 4 GB CUDA mercury engine. I also updated rendering optimizes for: Performance.

  My questions are these.

  -These selections make the final output of a delivery schedule, or is it just for during regular and rendered reading preview?

  -Also when I export using Media Encoder through dynamic, is links - this misuse previews for a faster export, often I export to ProRes4444 for classification, I heard the preview files will differ as its created by the GPU and may slightly change color depending on the GPU, you have, so it is better to export and to allow him to perform a new made using the CPU in Media Encoder (I have always set the maximum depth and quality)?

  -Finally, in the export process, when I select the maximum Bit depth, there are options in the value of depth of bits (32, 48, 64) does it become redundant since I checked the maximum depth?

  Thank you.

  The first two boxes only affect previews.  The boxes of same in the export settings dialog box will be replace those and determine the output.

  Using previews for export is generally not a good idea, that doing so will incur an additional compression stage.  The exception occurs when the previews are lossless (or almost, as with DNxHD).

  Not working not with ProRes, I've never seen these options.

• Self-fit image sequence settings?

  Hi people,

  Just a question:
  I teach students how to work with Adobe Premiere Elements. In this way I experienced a small nice auto-message. If a user uses a projectsetting which does not correspond to the images he or she is important, APE9 give a nice little warning. Chained with the question to automatically adjust the project settings for the parameters of the film. Not only it works very well, but projects that have a red bar ontop of the scenario now seem to have problems of rendering at least, therefore, the system works a lot faster.

  Now:

  I understand that when shooting with a professional camera and editing with Premiere Pro, most users know what sequences corresponds best with the sequence settings. But sometimes (.. .and maybe it's just me who experience this), I get images from strangers. Knowing exactly what the parameters are. Even though I know that the user has shot the film using a Sony XDCam format, there are a lot of options to choose from.

  That guys would tell you, if there was an OPTION (so, not itself), to have a standard sequence, then put the pictures in it and then click on the option (context menu-> Auto adjust the image sequence).

  I like it, but good, maybe there already is a better way, in this case: I'd love to hear from you!

  ... maybe there is already a better way, in which case: I'd love to hear from you!

  He is a. drag a clip to the button new item at the bottom of the project Panel (it's the button that looks like a chipped sheet). This will create a sequence of parameters of the element and place the clip inside.

  You can also right click on a clip and select new sequence Clip - which is in CS5.5 only, however.

• Check whether a control is a context of sequence

  Hello

  In one of my projects, I have to check whether a control is a context of sequence control. This can be done using the properties as the "Classname" of control. That's why I'm conversion of the control of reference to the variant and help 'Variant in flattened chain' for table 'string' that describes the type. I see that the first two this array element varies for each control and the remaining elements are the same for the same class type ActiveX controls. Please tell me if this is the best way to do it. I have

  Thank you.

  Ganesh Kumar

  I think jcarmody has answered this on the forums of LAVA.  Flatten your ActiveX to XML reference, then parse the XML.  The XML contains the name and the GUID of the ActiveX object.

• weird bribe to .mxf video in some sequence settings in setting up first

  I have a big project mainly composed of .mxf files saved with a Canon xf100.  An interview in particular do this weird thing when one of the clips are placed in a timeline set as his videos, the video seems normal.  When I copy this video in another fixture with different sequence settings video appears as if the Middle vertical pixels have been stretched to the left and to the right.

  I tried to copy it to the other video content to the sequence with this one interview, and it copies correctly.  However, as soon as I click videos stuck together, I get the error seen in the third picture and closed unexpectedly on me first.

  Please see the pictures below.  All images were shot with the same camera settings and I used Media Info Mac to ensure that color space, rate, codec profile, bit depth, extension, etc. is the same.   If he has no idea why this interview has been damaged please let me know.

  

  Thank you Ann.

  I updated my drivers and nothing has changed.  In the end I just transcoded the original files in Pro Res 422 and replace the corrupted in my project files.  From and to the top!

  If anyone has this problem I'd love to hear a plausible explanation of the suggestions on how to avoid it in the future.

• Sequence settings

  I've seen the videos saying not to worry about the sequence settings - just drag the new icon of the sequence and start. But what of this situation?

  My project will always contain images of two thirds of the clips: usually psd, 6000 x 4000 when cropped, 3:2 aspect ratio. It will be 1/3 video clips, 1920 x 1080, native 60 fps. So if I have a drag the icon of new sequence to begin, I have a sequence with 6000 x 4000, 29,77 fps, and if I start by dragging the video on the new icon of the sequence, I work in the sequence format of 1920 x 1080, 59,97 fps. These two have square pixels format.  Each sequence must the stills and video clips - mixed. To make a high def product over for Projection on a computer screen (or USB stick) or maybe Blu Ray, I probably want to a final product to 1920 x 1080 - is that correct?

  So if I work with a video sequence of size, videos naturally adapt to the screen, but most of the clips, still images, must be scaled down to 27% to fit the screen. (However, which now leaves a lot of space to enlarge and reposition the parts of the image when desirable ("Ken Burns effect").) And if I worked with a sequence of 6000 x 4000, I scale videos to more than 300%. Here are a few questions:

  1 should I set the sequence with still video and mixed media not best for 1920 x 1080, give me leeway to blow and reposition the stills?

  2. start with 'Set to the chassis' when displaying of full image fixed - before that it has blown up or repositioned?

  3. I suppose that my output will be H.264, but am unsure of the preselection: (29.97, 1920 x 1080, etc. - or maybe H.264 Blu - ray). Suggestions?

  4 am I wrong don't not downsizing first stills (at this point, that would be quite annoying and time consuming)?

  Thank you very much

  KDOC (Keith)

  1. 1920 X 1080

  2 NO.

  4. you will take a performance hit if you do not reduce the stills.  Use resize a selection in Photoshop.

• Is it possible to change sequence settings after you start a project? Also, how can I know what sequence of parameters are best for clips that I have?

  Is it possible to change sequence settings after you start a project? Also, how can I know what sequence of parameters are best for clips that I have?
  The clips I have are HD and .mp3. MTS files.

  In the latest version of Premiere Pro, it is possible to change the settings for the sequence.

  You know what settings are best knowing what you are doing.  (Personally I'm fan of formal education for this.)  I know that sounds sarcastic, but, there is no right answer to the question whose parameters are the best.  There are many variables here, then... you really need to know what you're doing.

• Transcode all sequences of editing in Premiere Pro for DNX175X? The sequence settings?

  About 30% of my digital SLR 8 bits and AVCHD .h264 turned needs significant noise reduction. So I use Neat Video4 in After Effects to reduce noise and can export images with large bands on issues DNX175X 10 bits to help avoid gangs. Also, for sequences requiring a minor noise reduction I'm considering export as DNX36 8-bit in order to avoid the huge file sizes. Is there a reason that I shouldn't do this? Should I export all as DNX175X?

  Also, I wonder should I transcode all my images on my first pro at DNX editing or is it better to let the images not requiring reduction of noise in its original format? Also, once put in the own DNX images are the parameters of my project sequence? He would remain AVCHD 1080 p or should it be changed by DNX175X?

  Thank you

  Sheree

  Hard drives are fairly cheap.  I generally recommend getting more than better to worry about running out.

  Export all as DXxHD 175 x.  Yes.  (In fact, I convert everything even before editing, as the handles so much better than H.264 DNx.)

  The sequence settings are pretty irrelevant, as long as you have resolution rates and necessary framework.

• When you create a new project, the "new sequence settings" step doe appears not automatically, what to do?

  Hello

  I have a question I make videos of product for a company that they would do that to me in a 16:9 format and in HD. Because they do not know on which channels they want to publish, but it is certain that they will publish on youtube I wanted to do it in the settings HDV and DVCPRO HD 720 p 24 or even 1080 p 24. I bought the license to create online and for some reason that I don't have the option at the beginning when I create a new project to change the settings for the sequence. They do not appear, and then I can not change. Guys do you have any idea what can be done in order to access this setting before the project opens in the end?

  I'd appreciate strongly any help in this matter!

  See you soon,.

  Mascha

  This option is no longer available in the current versions of first. Once you click OK in the new project dialog box, you can then create some sequences that you like new sequence in the dialog box. You can also return to any order and change them through the sequence settings.

• Why my media wants to export in MXF format when I match sequence settings?

  I did movies with first CC before and never had this problem, I'm going to export, I click on the box to match my sequence settings and it will export an MPEG, and now she wants to export in MXF format. My computer does not recognize the MXF files. Is there a reason why this might happen?

  If your export correspond to the parameters of the sequence is now mxf. Check your codec in the sequence settings. This is what match sequences of uses.

  Why do you want to use the match sequence settings, it's for a quick review of your film with a codec overview of lower quality.

• Apple Prores sequence settings Question

  Hello-

  Sorry if this is a newbie question, but I recently made the jump FCX first cc and I'm running on a question.

  I don't have an option when you create a new sequence for Apple Prores 444 HQ.  Is it possible that I can add this format so that it is an option?

  If not, is there a recommended, then best thing should I choose?  Here are the options I have:

  

  Select an item in the project bin and drag it over the icon of a new element, which is right next to the Trash CAN. He will choose a sequence for you to match the clip. Didn't need to be named 'ProRes' specifically; Instead, what you are looking for, is the sequence settings to match images, such as 1920 x 1080, progressive, 29.97, aspect 1.0 pixels. Or whatever the case may be.

  Thank you

  Jeff Pulera

  Safe Harbor computers

• Error: too big sequence settings. Now: How to export?

  I'm new on the first (and video editing), but I've spent many hours during holidays past learning and producing a short video.

  The first media in that I included was a large image. I think it is the reason why the sequence settings are big: 4928 x 3264 pixels (I didn't know on the sequence settings at all).

  Next, I added my video clips, recorded in DV 720 x 576 format.

  Now I understand why video clips appear to be scaling over 500% to fullfill the frame!

  I saw a video on the sequence settings, and it seems that the settings sequence reduce the CPU usage when editing (Preview in real time). Good to know!

  But my question is: can I export a video of good quality with this settings?

  I tried DV PAL and H264 + DV PAL, producing large files: 250 MB or 2 GB for a 10 min. video, with a horrible video quality.

  I'd appreciate any help to avoid to repeat the entire process.

  Thank you!

  Kin

  If I understand correctly, you want to do is export a video in 720 x 576, in this case, you're better off get the right sequence rather than the intensification of the sequence settings and then back down to export.

  You neglected to declare you what version of Premiere Pro. It's always a good detail to include, especially in this case because the parameters of the sequence becomes editable in CC7.1. So if you are on 7.1 or later, you can change the dimensions of the sequence to match your main content by right-clicking in the sequence in the project Panel and select sequence settings. If you are on an earlier version, then the best way to go is to create a new sequence with the desired settings and copy and paste everything from the old order to the new. You'll then come back scaled to 500% to 100%.

• QuickTime not an option on a video clip of the sequence settings

  In the sequence, under video preview settings, "Quicktime" is not listed as a preview File Format.

  8.1 running 64-bit Windows

  I installed the latest Quicktime, uninstalled, reinstalled, repaired, nothing helps.

  Also, I did the same thing with Premiere Pro, uninstall and reinstall.

  Here is a screenshot of the drop-down menu that doesn't have the Quicktime option.

  

  I'm running out of ideas for how to get it to appear, so I came here :/

  Thanks in advance!

  I would use MPEG I-Frame only as a preview format, but even this is not!

  This seems strange to me.  Try this:

  FAQ: Why some codecs and sequence presets missing my Premiere Pro installation?

• Corresponds to a sequence settings option is no longer available?

  CS6 using, my option on the export to click a "Match sequence settings" box displays more time. How can I return this option?

  Thank you.

  On your screenshot, I can tell you are not encoding

  starting a sequence, but an individual clip:

  

  If you were encoding from a sequence,

  "All music" would not have an option.

  And, as you encode an individual clip, there is no

  "Sequence settings" to debate (because it is not part of a sequence).

  So... any check box.

  "Fit the sequence settings" option is available

  when encoding from a sequence: