Difference in images after edit

P46A7230.jpgP46A7231.jpg

I was shooting timelapse, photos taken with the same settings and three seconds apart.
Images of .raw looked and was still. After editing, some differences have occurred. If you look at the background images. This is the way it should be. But the top image seems to have lost some contrast. This has happened to a few images. Why what happened?

If you look more closely. On the top of the images, you can see a few black undesirable object. This is my window. I could not open it no more, and the preserved wind move the frame of the window in my opinion. My floor is also a bit uneven, so whenever I went to check on my camera the inclined device. I come to stabilize and to crop images. But, the low contrast problem on the top of the page images seem to occur on the images when I stepped in front of the camera and created a movement. Still, the .raw image looked anyway. After is change what has happened. Shot in manual mode.

That's my analysis that the black window in the top frame is initially the difference in brightness between the two raw images even if exactly the same exposure of the camera and Lightroom adjustments have been used.

Toning Lightroom adjustments are a bit non-linear, that is, the content of the image indicates how things become lighter and darker.  This is especially true of whites, highlights, shadows, blacks and the clarity.

In this situation, the frame at the top of the window is a darker dark object that whatever it is in the rest of the image, then it keeps the obscurities of becomes too dark, as if she wasn't there.

It actually means that you cannot use shadows, blacks or the clarity with this sequence of raw due to varying amounts of black images.  The amount of clouds shading image will have also some effects, especially for clarity, but less compared to very dark or very bright pixels.

For this sequence of images, the best thing to do is probably the FIRST crop images and the same so that no foreign window frame shows up on any of them, and THEN synchronize your white balance and other adjustments without colors and other tones - Reduction noise, sharpening and THEN do an Export of images in 16-bit with a color profile of ProPhotoRGB TIF.  Reimport into LR and do your toning and color adjustments.  It does not crop the raw images, because the toning adjustments always watch all pixels, including those outside the crop area, not only the visible pixels.

RAWs and hair are not exactly the same thing in regard to the toning and color but you could start with toning bullies and synchronized with all hair colors settings and see if there are other adjustments.  Here is an example of my fact that when the first column of images are your two raw files with the same settings and the second column only being two cropped hair with the same settings.  You will notice that the Hill, especially the lower right, a different brightness between the two raws but the same brightness between the two objectives.

--

I don't know which would cause the difference in color in the night photos, above, unless it's a slow drift caused by the sensor of the camera warm-up with the use and the increase in high-ISO noise and affecting some colours more than others.  If you see a slow drift then this is probably the situation.  If you see the color to random change it back between the different frames, it's probably something else that I don't have a theory without more information.  A random fluctuation in color between different images usually occurs at the inside with fluorescent lighting, because the color and brightness changing with the a/c 50 Hz or 60 Hz frequency.  Cameras Nikon for a few years and the new cannons, detects this fluctuation and the shutter with the maximum brightness for each shot of a burst will look like the time.

Tags: Photoshop Lightroom

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