DNG Profile Editor

I'm looking for the current version of the DNG Profile Editor., all I can find is the Beta version was released in 2008.

The 2008 Beta on Adobe Labs is the latest version.

Tags: Photoshop Lightroom

Similar Questions

  • DNG profile editor: where can I find a link to download a update (for Mac OS 10.9)

    Links I found here (http://www.adobe.com/downloads/updates.html) are both for Windows, although one is named "MacIntosh".

    The beta seems to have problems on Mac OS 10.9 (it is impossible to exit the application).

    Adobe DNG Profile Editor: For Macintosh: DNG Profile Editor 1.0.4

  • DNG Profile Editor, tone curve - question

    How to get rid of the "shadow hump" with the default Camera Raw tone curve?

    When you create custom profiles with the DNG Profile Editor (Chart Wizard), I usually choose 'Default Camera Raw' or 'Linear' as the base tone curve in the tone curve tab.

    Profiles with "linear tone curve" can sometimes be useful or not. which isn't the point here, however, the initial rendering in Camera Raw in Camera Raw default (as delivered, except different profile) is quite dark and dull. While the profiles with the default Camera Raw tone curve are too contrasty for my taste, still referring to the initial rendering in Camera Raw in Camera Raw default (as delivered, except different profile).

    What I understand, the curve tonal Camera Raw default includes 3 items which, in terms of language PV2010, are equivalent to: 50 brightness, contrast curve and 25 points: medium contrast. PV2013 it shows as zero/linear, however, it's just a matter of terminology.

    I want to get rid of the average curve Point contrast part, not in the profile, eliminating the gross default camera tone curve in the DNG Profile Editor format.

    Appreciate your advice how to proceed.

    Peter

    --

    Sorry for the tardy.

    Here's how: put this in a file dcpr:

    0

    0

    17

    26

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    74

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    89

    102

    105

    119

    120

    136

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    153

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    170

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    187

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    255

    255

    Rob

  • Where the DNG profile editor should install the .dcp file?

    Just made my first attempt to create a profile using X-Rite color checker passport and the DNG Profile Editor.

    Thanks to the excellent tutorial, the process went well.  Then, I took the last step of the export of the profile file (.dcp), expecting to find the new profile, when I open an image in ACR.  Unfortunately, the new profile did not appear in the drop down camera profile.

    After much research I discovered that the profile was written in the folder containing the images of .dng used to build the profile.  Obviously not where he belongs so that ACR to find.   I assumed that 'Export profile' will automatically write the .dcp file to the appropriate location.

    Where the .dcp files should be installed for Win7x64 running ACR, 8.2. ?

    Is there a way to set the default location in the profile editor?

    Thanks for your help.

    Custom designed. Profile of DCP files enter the following under your Windows user folder location:

    C:\Users\YourUserName\AppData\Roaming\Adobe\CameraRaw\CameraProfiles

    The AppData folder is a hidden system folder, you may need to enable the display of these types of files in your Explorer folder or any type \AppData display options in the folder address box and press ENTER once you get in your user name folder.

  • In DNG Profile Editor tone curve

    Is it possible to load a curve Point of Adobe Camera RAW in the DNG profile editor as atone curve?

    I know that you can enter the data again in the DNG Profile Editor in the tone curve tab, but I develop the curve using Adobe Camera RAW and taped in the form a curve Point.

    No, it is not possible at the present time.

  • DNG Profile Editor done does not work with profiles of the V4

    I noticed that the DNG Profile Editor does not work with the new v4 for the D700 profiles.  The DNG profile editor will be updated to work with the new profiles?

    Yes. It is not yet ready.

  • Calibration of the camera in ACR and DNG Profile Editor

    I'm having the hardest time finding how to use camera generated with DNG Profile Editor in Camera Raw profiles.

    I use Photoshop CS4 under Windows 7. I generated the file .dcp with DNG Profile Editor and saved in the folder: Program Files/Adobe/Photoshop CS4/Presets/Camera Profiles.

    This is as far as I'm away. I was not able use this profile in ACR camera Calibration tab. I was led to believe it is displayed automatically. I found no video tutorials related to the cab and the installation of camera profiles. They all seem to relate to Lightroom.

    Any help would be greatly appreciated.

    Here's what I do:

    1. Open DNG Profile Editor
    2. Open or DNG files with image checker
    3. Define the brands from four corners
    4. Generate the profile
    5. Select the file-> Export
    6. Dcp generated file is saved in C:\Users\m\AppData\Roaming\Adobe\CameraRaw\CameraProfiles
    7. Fact
  • The DNG Converter and DNG Profile Editor included in CS4?

    The DNG Converter and DNG Profile Editor included in CS4?

    No, these are separate downloads.

    DNG home page - http://www.adobe.com/products/dng/

    Adobe Labs (for Profile editor) - http://labs.adobe.com/wiki/index.php/DNG_Profiles

  • DNG Profile Editor is compatible with the CS3 version

    I work with PS CS3 and I have a new camera - Sony NEX 5N. I'd love to upgrade the PS, but for now I can't afford to. Convert my NEX to the raw files to DNG using the latest version of the converter. I think now I would create my own profile to the camera. Previously, I used the script Thomas Fors, but I understand that the DNG EP is preferable. Am I right in thinking that pulling a chart by using the graphic tab that is able to do that and it will work for CS3 and MacBeth and the NEX - 5n.

    A related issue, converter DNG already apply a created specific Adobe color profile for the NEX - 5N under the 'Standard' option in ACR, for all I'm trying to do is change the profile of Adobe?

    Thanks for any help

    Yes.  Profiles with DNG EP will work under Camera Raw 4 in CS3.  You just need to be sure that you have at least ACR version 4.5.

  • DNG Profile Editor beta 3 - new today?

    Hi, is there anywhere currently post 3 beta a doc on what new/changed? I see that the DNG specification is still 1.2.

    Eric Chan (one of the Camera Raw engineers) responded to a similar question on in the ACR forum.

    http://forums.Adobe.com/thread/846096?TSTART=0

  • Picture of Cannon to the DNG profile style?

    Hello

    Is there a way to get the "color map" in the style of a Canon photo and use it to create a DNG profile, perhaps via the DNG Profile Editor or ColorChecker Passport?

    Thank you

    Juan

    [email protected] wrote:

    I don't see any information about how to extract the transformations of colors of files for Canon Picture Style, in order to be able to pass this info to a DNG profile. Maybe I missed something?

    I often see comments where people want Lightroom treats to bring to simulate specific processing in the camera, but I still don't understand the idea here. The way the camera and Lightroom, converts raw data into an image are just different [as different as a piano or a violin playing the same piece of music] and to help each other with determination its own forces and in its own way, by the results, seems 100% fine and appropriate.

    DNG profile is a feature of Adobe and modifies the action of Adobe and treatment adjustments. A photo Style is a feature of Canon and modifies the action of Canon image processing. The controls, functions and the results of a should never to map 1:1 exactly on the other... especially because it owns / patented, or difficult or expensive to reverse engineering. More importantly: even if it were possible, writing code to simulate the actual processing of a particular camera is AFAIK a disruptive unrealistic task to implement in existing software. And Lightroom takes care of dozens of cameras.

    [There are some stylistic things, you can do it on a violin that mimic specific ways to play a piano, and vice versa. But the scope of this mimicry is limited by the specific features of each instrument, playing then use his head and imagination. There is no pedal on a violin - there is no vibrato on a piano. And that's as it should be. [This is the way you play any instrument you use, regarding the piece of music, what counts.]

    I don't want to appear negative about your question, but rather encourage you to look beyond the options as the unit can provide. More positively, Lightroom gives rich controls the course of color

    • Basic Panel - temp of the White Balance and hue, saturation and vibrance
    • selection of a DNG profile (such as generated by program and/or as twisted in the DNG Profile Editor)
    • Tone curve - there is a curve point RGB option
    • Hue Saturation and Luminance Panel - change of hue, lum and sat for 8 sectors of hue
    • Process version
    • Manual camera - tinted shadow calibration Panel sliders, separate them primary color RGB and Sam

    The DNG Profile Editor format and the camera Calibration Panel seem to offer the best chance to achieve a given glance answer dyed through many images. The Panel of LGV is probably more appropriate to individualize a given image. A DNG shooting natively capable camera may also include a color profile "Embedded" captured in each file that encapsulates the response information of color of the camera in some respects.

    Quite often a particular camera picture style includes contrastiness and your aspects in addition to the color response curve - which for Lightroom, will involve some other controls as well as those mentioned above. That can all be wrapped up in a preset to develop a single click - or amended LR treatment of default values - to facilitate enforcement in the future.

  • Units in the Stimulus Data Logger profile editor

    I have an active Veristand application that uses the data logger built in Stimulus profile editor. Recording data works fine but it does not display the channel units. This becomes a big problem with our client.

    I suggested to change the channel names so that they have units in them. Before we go on changing over 100 names of channel and dealing with the associated benefits of doing this, I would like to know if there is a way to get the units of the string to display in the data logger.

    Before, it was suggested, I already use the recording custom device of embedded data and I hammered him to the gills.

    Has anyone concerned with that? Don't know a good workaround solution?

    Thank you!

    We have a patch for this NI VeriStand 2011 SP1 if you have access to this version. The problem is that VeriStand using incorrect property name for the property units. Channels are registered with a property named 'Units', then it should be "unit_string" so that the other products like the tiara to interpret it correctly.

    You can apply an INI token to change this behavior in 2011 sp1. Add the token following in the file below.

    Win7:
    C:\ProgramData\National Instruments\NI 2011\NI VeriStand.ini VeriStand

    WinXP:
    C:\Documents and Settings\All Users\Application Data\National Instruments\NI VeriStand 2011\NI VeriStand.ini

    [NOR VeriStand]
    LogUnitsPropertyName = unit_string

  • Stimulus profile editor closes immediately when you try to open the file

    I can open the profile of Stimulus Editor, but when I try to open certain profiles and sequences, the editor closes abruptly.  I recently changed my system definition file, but it seems that it is separate from design and should affect the editor.  Is this a common problem?  How can I solve this problem?  I don't want to rebuild all these files.

    Hi KB_GenMtrs,

    I have a few questions about your request:

    (1) what NIVS version do you use? What version of NIVS where clips and profiles created?

    (2) can create a new sequence of RT or profile without crashing?

    (3) the profile editor of Stimulus crash when opening a specific sequence or profile? If so, can point out you if I try to open it on my side to test if it's recreatable?

    I look forward to your reply.

  • How to use the Smart zero 4.4.0 customer service and HP Profile Editor to activate chip cards

    I have a T610 HP Smart Thin Client from scratch and I get zero Smart software to recognize the card chip when connecting. How to use the Smart zero 4.4.0 customer service and HP Profile Editor to activate chip cards. You can configure without the profile HP of the XML editor.

    Mike Sieradzki

    Hello ski_mike.

    Welcome to the HP Forums. I understand that you want to support with your Smart Client zero. However, it is a commercial product. To get assistance, thank you for posting your question on the business Forums HP: HP Enterprise Business Community

    Thank you

    Mario

  • Importance of color temperature specific when you create dual-bulb DNG profile

    I have an X-Rite ColorChecker Passport and I would use it to create a profile of double-bulb for my camera (and each combination of lens) for use in LightRoom.

    After extensive research I have persistent questions:

    1) how is it important to nail color temperature. You * must * photograph the ColorChecker under of the Illuminant A and D65, respectively, until the latest Kelvin?

    2) if I nail what precisely, the profile will be less accurate?

    3) if the respective quite accurate color temperatures is indeed important, it's OK to use 2 speedlites diffuse and gummies with Lee/Rosco color correction gels to illuminate the Colorchecker? (The Lee / Rosco gels do not have the exact CTO gel for K of 2850 specified in the Illuminant A DNG specification, but it approximates)

    4) if it will really help accuracy of profile, how do I get hold of the reliable/certified light bulbs that produce the desired color temperatures? (I'm in the United Kingdom)

    Your advice will be greatly appreciated.

    Exact (in Kelvin) color temperatures are not so important within the standard range of daylight (more than 4000 K), because big number change of color temperature is in fact small differences regarding color camera profiles go.

    What is more important (rather than the exact number) is the spectral characteristics of enlightenment. It is not easy to characterize for the end user, but you can think of in terms of type of bulb. Most compact fluorescent lamps are spectrally very different from the true light of day (even if the bulb is shown as 'full range'), for example. My recommendation is to create a profile for the type of lighting you will be sub, rather than trying to match the exact numbers.

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