Editing audio synchronized in 2015

Similar Questions

• First CC 2015.4 Pro Audio editing in hearing CC 2015.3

  When I edit audio first pro in hearing that my sovereign in hearing rises at the beginning of the audio file instead of the instant of time the sovereign was to in first pro. Why is it not that point of time "dynamic linked? Need me a lot of extra time to find the right time in the audio file. Or I'm unknown with a certain option/box that does it?  Thanks for reading and answer! :-), Best regards, René

  It's just the way it works at the moment.

  Feature request/Bug Report Form

• How to edit audio like video editing

  Hello

  Is it possible to implement the hearing so that I can edit audio in a similar way to how the video editing is done?

  That is to say in the first I can open an item in source preview monitor, located in and off peak to select a range, and then drag the selected range in the timeline, where fine adjustments can be made, etc.

  I don't see a way to do something similar in hearing without constantly switch between multitrack and waveform modes, highlighting a section and then right click > insert into multitrack.

  For example, if I wanted to produce a sound documentary records on the field, I would want to work in a multitrack session, but I do not go to waveform mode, whenever I want to bring in a selection from a source file.  There must be a way to do it - but I can't!

  I hope that all makes sense - I know that editing video and audio have very different traditions!

  Thank you

  Hearing short of a system tray, so you can't do it exactly like the video at present. I know that this issue has been addressed, but I have no idea of the current state of the idea.

  So right now, if you open a source to the waveform file, you can place markers around the pieces you want to use. You must create ranges of marker, then for each group, you select the markers at each end and use the button 'merge '. When you have all the beaches merged, you can highlight all, and with a right-click, there is an option to "Insert into multitrack. Up to present, so good, but it's where the absence of a bin appears; the only options you have are to insert each item in the sequence on a track, or each on its own individual track. In other words, they are already on your timeline, and you have to juggle them from there.

  Yes, I realize that most video editors find it somewhat tedious - so discussions on the bins.

• Editing audio first in Audition, when the marquee tool, the changes do not take effect or I would like to export.

  Editing audio first in Audition, when you use the marquee tool to get rid of unwanted 'knocking' noise audio, the changes do not take effect or I would export after changes in the spectral display.

  No indication on how to save the changes to the marquee selection tool would be great.

  Hmm.  You did something for the audio in the selection?  It looks not to the file has been modified at all, and the registration option is not enabled, unless a change has occurred.  I suppose you try to remove or reduce the volume of the sound inside the selection rectangle, is that correct?  With this selection, you can press DELETE to remove it completely, or set the volume floating just above the selection of lower button.

  It also seems that you stopped reading, and while that save the selection under will be activated pause, of many other commands will not.

  So, try in the following order:

  1 stop playback.  Is File > Save now activated?

  2. otherwise, do some edit to this file.  You will know that the file is considered 'dirty' when an asterisk * appears next to the name of the file in the files Panel and the top of the editor Panel.

  3. There is no number 3.  I feel confident, one of the first two options will work.  Once the file is saved and overwritten, go back to the first and you should hear the content updated the.

• Audio popping in 2015 CC?

  Did someone else knows audio 'pop' in 2015 CC when replaying a timeline?  It happens at random times.  If I stop and restart on the area which had a pop, it's gone.  He is not popping up on the audio source and this problem did not exist in 2014 of CC.

  Hi BSBeamer and others on the wire.

  Did someone else knows audio 'pop' in 2015 CC when replaying a timeline?  It happens at random times.  If I stop and restart on the area which had a pop, it's gone.  He is not popping up on the audio source and this problem did not exist in 2014 of CC.

  Yes, I'm seeing this here on the forum and on social networks. I'll report the problem and obtain a written bug. You can do the same thing here: http://adobe.ly/ReportBug

  Thank you
  Kevin

• Disables the Muse in the edition of synchronized text browser

  I check the box in the preferences of the page 'Engable in the modification of the browser.

  I also check the box 'enable synchronized text '.

  Nearly, host is running PHP 5.4 (5.1 documentation States for in the browser of synchronized text editing).

  And every time I have download the site, he says that he is off the synchronized text editing.

  Why would it be?
  This is the site below. There is a phone and a desktop with a common text version.

  http://www.theretroagency.com

  Help!

  This message and the InBrowser edition of synchronized text will be disabled if/when discoveries Muse, it cannot update the .htaccess file from your site during the download process.

  Synchronized text is based on the use of .php for the pages in your site that integrate synchronized text. This means that one or more of your existing .html pages would change to be MyPage.html to mypage.php. That change would break external links to the page and have an impact SEO. That's why Muse will put information in the .htaccess file then MyPage.html operates under the name mypage.php and external links and SEO are preserved. If Muse finds that he cannot write updates to the .htaccess file, then it does not use .php for the pages of your site and your page file names do not change. However, this means updating text synchronized via InBrowser edition is not available, because it requires .php pages.

• Impossible to edit audio files in hearing more

  When I right click on a clip first - bin or sequence - the "Edit in adobe audition" option is grayed out, I can't edit audio from first to the hearing of the project either tab. All solutions?

  Assuming you're on Windows.

  Navigate to the folder models Document/Adobe/Audition/6.0/Session and search for a sesx.file

  Do a right click and the default open with hearing.

  See if this will help.

• Edit audio not correct - audio double

  I did a recording with presenter 9

  I edit audio.  I just cut some silence... When I listen to the audio in the editor, so good.

  When I export my presentation, Presenter export 1 audio file by the Cup I made.

  For example, on slide 2, I have 1 minute audio

  I made 2 cups... (to remove 5 seconds of silence twice) so now the file is longer than 50 seconds

  In the audio editor, audio 50 seconds I have a clips that play properly

  When I export my presentation, I have 3 overlaping audios between them and the duration of the slide is like 30 seconds (the duration of the longest part audio)

  This issue was not in the previous version of Adobe Presenter...

  How to fix this?

  Thank you

  Hello

  I found a solution...

  My Powerpoint is a PPT.  I recorded it in PPTX and now everything is fine.

• Edit Audio in presenter

  We have created a file .ppc by publishing our PowerPoint with audio file. Now, it's a new semester and we want to change some of the PowerPoint slides and audio partners to update the content of the lesson. I can't find any information on how to do it. Can it be done? If so, how? Thanks for any help you can provide!

  Save the TPP under a new file name if you have the original. This should make a copy of the CPP file. Then go to the new TPP and change them accordingly slides and edit audio on the slides that you modified. When you have finished all your changes go ahead and republish the file.

• Correspondence of time remapping with ramps for video editing of first CC 2015/output

  I would like to ask experts, which will be the best workflow...

  Location:

  I have the project with 50 + video segments where I have to slow down part of the clip to highlight some details (in my case - CIRC. enduro motorcycle - need to slow down the part where is visible some technical riding etc.).

  I use bulit Premiere Pro CC 2015 in the tools of the keyframe to select two points between where I change the speed for example at 50%. First has nice handles around the keyframes where I can create smooth ramp, so the change in speed is graduated.

  Insofar as simple here s

  But the first will not do the same with audio track associated with each clip. In the audio is for his example of the motorcycle.

  I need to have his original when the video is playing at 100% speed and its different from "lower pitch" when is slowed down and once again normal sound when is 100% video speed on the end.

  So I edited each audio segment to the points of the time remap keyframes, manually set the speed of the middle section and - it s horrible. Video slows gently while it is quite annoying audio changes.

  I need to make the same effect as what we were doing with Ribbon old VCRs in television production - smooth audio ramp corresponding to the video and return to full speed.

  As my knowledge about hearing is close to zero - I would like to ask at the front to start learning - I can do up in the hearing? What I have to do it every time from scratch or can I use existing keys from first images? Anyway how above 'automatic '? What workflow you have advice when I need to do it quite often many of these clips?

  Thank you much for the help.

  P. S. tried to find out, after a while with the help chat online too...

  Most of the discussions and tutorials is very old - there may be some new features in CC 2015 in order to do compare with 2011 toolset or almost. And in many video tutorials only covered - they talk about audio at all. But for audio track that I use, is the audio very good.

  Here is an example of a part of the timeline. I needed this project to do quickly, I decided to stretch the entire audio segments to match the new length of the video. It s not correct but it sounds better then it divides in three parts with a slow speed in the middle. Just to match audio speed changes in the Panel of video editing

  

  Not sure about the exchange of workflow with first for this type of effect.

  However the hearing can make the effect of change of speed/not very well using effects/time and Pitch/Pitch Bender. This uses a waveform envelope on with keyframes to vary the height must therefore ideal for your needs. In order to see where on the waveform, you need to place keyframes without doubt the best way is to place markers on audio in first at beginning and end of each ramp. These should be done through when you export audio in Audition where you should be able to match Pitch Bend keyframes to markers.

• First Pro Audio trimming CC 2015 Stutter problems

  When sliding Trim audio clips in the latest version of first CC 2015, the program monitor becomes an overview of double Visual trim start and end settings screen.  When this happens, the software is hinders and it locks for about 10 seconds before not freezing and let me continue editing.  From now on, I avoid audio trimming and need to cut audio upward with the razor tool.  I never had this problem in 2014 of CC.  I'm on Windows 8.1

  Anyone who knows this?  I erased my old files to preview and cache.

  Found the solution to my problem of double screen. Click the key icon in the upper left corner of the timeline and uncheck the preview Composite during Trim. It is on by default. I still have a few random synchronization problems.

• Multicam edit sequence synchronized DSLR meadow creation questions

  Hi all

  I'm new to Premiere Pro CC, having moved just of FCPX. I did a little research on multicam editing in PP these days, but are not yet able to start my project.

  As you can see on the screenshot, I have a sequence of clips of DSLR that I have synced on my calendar. The problem is that no matter what method I use I can't seem to create a multicam editing that works. I always find myself with only a camera in the multicam window and the audio is not synchronized remote upward with him.

  What I am doing wrong?

  

  The sequence that you have opened. Take this sequence in your project, click right, menu bin popup, choose "create a new sequence. Open your new 'flat' a single track video sequence in your calendar, click on the contextual project monitor 'key', menu panel, choose 'Multi-camera. "

• Surface-mounted with audio synchronized PluralEyes

  Hi - a bit of a newbie here... Please bear with me!

  Yesterday, I shot a few videos with a shotgun microphone from rode to the taking of microphone in camera on a Canon HFG30 set to use the external microphone of cameras to record.  This was sent by hdmi to the NInjaBlade.  I also recorded separately on a Zoom H6 recorder using the XY microphone.

  I used successfully PluralEyes to synchronize the audio tracks.

  I have 90 minutes of recordings and want to create subitems/clips that I can move me around, intersperse with another content etc.

  If PremPro subelements are the more useful approach, how can I get the synchronized sequence of master in the source window to create points of e/s that would allow me to create the subitems?  How can I associate the track synched Pluraleyes for the soundtrack of video/hdmi so that the IO brand clipping selects the external audio synched and includes it in the subitem?

  Or maybe there is a better way all together... or a method step by step to achieve this.  I guess I could use the blade on the main sequence, but that seems rather destructive and could limit my ability to re - edit trim positions.

  Any help/advice would be so appreciated.  Does anyone have a workflow that will allow them to share?

  Thank you very much

  Andrew

  Since nobody has jumped in to offer any assistance, I thought that it would be useful to other newbies like me to share my last two days of effort to try to come up with a workable workflow.

  So at the beginning, I got excited with the help of prelude to generate shorter clips that I knew that I would need the accumulated gross video.  So I opened each file in prelude, created for subitems along the timeline to match these areas, I want to save.  I then created a scripted, added the subelements, then exported the first edit to create a new folder of transcoded files.  Then, I took this clips folder and tried to sync it with the audio files using PluralEyes.

  It does not, because a lot of my clips were short (less than 5 seconds) and this inhibits the algorithm of PluralEyes to be able to find exact matches.

  Back to the drawing board!

  So I then synced all of the original video files (i.e. cut / edition) with the external audio using PluralEyes and it has exported to the output file standard .xml.

  I imported it directly in PremierPro and he gave me a long unique sequence that was all spaced appropriately along the timeline.

  Then the Epiphany... based on my knowledge of the use of assemblers of cinema to work!  The secret is to isolate and remove what you don't want, rather than trying to isolate and record what you want!  So, I went along the timeline creation of entry/exit points to cover the areas of junk.  And used the Extract tool to remove the unwanted stuff.  This resulted in a timeline of the individual clips with audio link internal and external to the video.  Because I didn't define the markes IO such as a few additional images were available at the beginning and end of each clip search, can I know enter each and refine the garnish on an image by image basis.

  Wow I did it!  I don't know that there are other, perhaps better ways to do this (it seems that Prempro always offers several ways to get to something!)... .but this workflow works for me and I will continue to use it until I could better!

  I hope it's a value for at least one other person there!

  Andrew

• Cannot save under... web page, complete in the Aurora of Firefox Developer Edition update from June 2015 in version 40.0a2.

  The choice between save a web page, web page complete vs., HTML in Firefox Developer Edition x 64 version 40.0a2 seems to have disappeared. Your only choice seems to be to save a web page, HTML, or "All Files". I was able to do it before, but it seems to have stopped working for me as of June 5, 2015, possibly after an update.

  Use these to save your commands. Then refresh.

  These can not get your data back, but will help in the future.

  These modules can be a great help for the backup and restoration of Firefox

  FEBE (Firefox environment Backup Extension) {web link}
  FEBE you can quickly and easily backup your
  Extensions Firefox, history, passwords and more.
  Indeed, it is more than just backup - it will actually rebuild
  your saved individually into installable as files.
  It will also make backup of the files you choose.

  OPIE {web link}
  Import/export extension preferences

• I use the latest version of iMovie, and I can't understand how to edit audio, like I used to in my old beloved iMovie? Help.

  I'm editing a video and have to go a song in the project.  While I understood how to fade at the end, I can't find a way to fade in the beginning of the song.  Thanks in advance.

  When you select your audio clip in the timeline, you'll see a slider handle at each end of the clamp.  Place your cursor on the handles and drag them toward the center of the clip to fade in and out.