Effects: Frost v. sends

Similar Questions

• effects of IMessage can be received but not sent

  On my old iPhone 6 and I had a problem where I could send effects iMessage, but not receive them. I solved this by disabling the reduced movement and signing in iMessage (some so I had been using my phone for centuries while disconnected (e) which!).

  Today my iPhone more 7 arrived and I now have the opposite problem - I get the effects but I can't send them. When I click and stand on the blue arrow, after a few seconds, the screen goes blurred except for the text that I just wrote. I have no menu showing me various effect options.

  Any ideas what is the cause? I have tried toggling movement reduced on and outside, iMessage on and outside, iMessage signature and put it back, but none of this has made a difference.

  Hi porrig!

  It's always exciting to have a new iPhone. I'm glad to hear you have the iPhone 7 more! iMessages with effects of message sending is a fantastic new feature of iOS 10. You are in the right place for help.

  Your new iPhone Plus 7 has the ability to detect different levels of pressure used. This feature is called Touch 3D. You may notice additional options by pressing firmly on the applications, for example, because of this feature.

  In this case, it seems that you use the right process to send the effect of the message, but the blue arrow may need a firmer touch that you are currently using. Try to use a firmer touch on the blue arrow to see if the message options.

  If this solves the problem for you, but you want to adjust the firmness necessary to display these options, check out this resource:

  Change 3D on your iPhone 6s or 6s iPhone tactile sensitivity more

  The resource applies to your iPhone 7 more, too!

  Take care!

• No sound effects Apple mail

  I'm not getting no apple mail sound effects. Wehen sending nor how receipt of emails.

  "Sound of incoming mail.

  and

  "To play a sound for other mail actions" are checked, of course.

  ideas anyone?

  Hi jakobsfilm,

  I understand that you have checked your preferences of mail for the sound settings but still don't get no shipment or receive sounds.

  Have you also checked the Notification of Mail preferences?

  OS X El Capitan: Notifications preferences

  Play a sound for notifications

  Let the app to play notification sounds.

  Did this happen after upgrading to El Capitan (with custom sounds)?

  If the customized alert sounds are not displayed after upgrade to El Capitan - Apple Support

  And I guess that sounds themselves settings agree.

  OS X El Capitan: adjust the audio output of your computer settings

  Please, if everyone who look good, turn the settings to see if they come back.

  Best regards.

• In and out of After Effects workflow

  I'm just starting to learn how to use after effects CC, with the help of the associated Adobe "Classroom In A Book" to help me get started.  Of course, I can't wait to start using AE myself with my own projects, but this raised a question I can't find the answer to.

  First, apologies if I posted in the wrong forum, I target the AE forum because it's where I stuck and therefore the question.  Basically, it's global workflow. Before I ever used After Effects, I would like to organize my video clips and do whatever he had to completely within Premiere Pro. In the end, my Premiere Pro project finished would be exported outside Media Encoder and the work done!

  If I'm working on a clip in Premiere Pro that I feel needs work done to it in After Effects, I stop work in Premiere Pro and work on this video in After Effects, bringing back the clip ended up in Premiere Pro?  Can I complete my project in Premiere Pro and import the video finished in After Effects, resumption of work on the sections of the finished video in need?

  Wise, I'm not sure how to follow the workflow process.  I work always in advance what I want my video (finished) to be, and when I was working with Premiere Pro, it's pretty simple. I know earlier how effectively when After Effects becomes cause.

  Any advice is welcome.

  Steve

  As Mylenium said, you are essentially working on your effects shots the effects of way shots were always worked on. Since the time of Georges Méliès and other pioneers of the film industry, you change the hardware, you need to create your first Cup or a rough cut of your film, then you decide what plans or sequences needing effects, then you send these shots for the Department of the effects for them to work on it. Only the tools have changed. What was initially a couple rewinds, a viewer and a connection block became the NLE. Animators, matte painters and effects special departments have been changed to the composition and movement of graphic products such as AE and Nuke. The workflow, has not changed. Beginners usually gum up the workflow and work not as effectively as they could, but an effective production process is always the same. Script, plan, program, repeat, block, pull, rough cut, add special effects, refine the cut, make the final mix, make the final color of ranking and make the film.

  For simple effects, you can use dynamic links to simplify the move your effects of AE work and back to Premiere Pro, but I recommend any drawn effect that requires more than a half hour to complete to be returned and replaced the images in AE by your rendering. Be sure to include enough handles on your effects shots so you can refine the editing for final assembly.

• The parameters of transparency lost but effects still there?

  A very strange thing happened in my InDesign CS3 file. I stuck a vector object of solid color in Illustrator directly in InDesign, so that I could change the color, etc. I applied a setting of transparency in InDesign (screen, 25%) and placed the vector in a framework of trimming. Somehow, these settings have disappeared, and yet the effect is still there. (When I check the transparency settings it says Normal, 100%). The printer could not be the vector to print at all, or a PDF/X-1 or native file. I'm at a total loss on it and my printer is not happy. I can recreate the effect and re - send a file, but no idea how or why this happened?

  Thank you very much.

  Hello Lauren,

  Got your file this morning and I looked.

  You said in your message and your email, the blending mode was gone, but this isn't really the case. The mose mixture was applied to the graphic component group that was then stuck in the frame above the color bar. To see the blending mode, you need to get this re-selected group. Probably the best way to do this is to select the frame, and then right-click and choose selection > content.

  When you do this, you will see the blending mode and the transparency setting. Unlike the description you provided, the mixture mose is lighten, no screen, and which seems to be the problem, although I have no idea why (I don't really know much about blending modes how are implemented), but I suspect, he must try to lighten a color with black. Change the blending mode to screen, that you thought it was, seems to work.

  Peter

• Repeatedly questioned for password for mail.

  I changed my email password with my provider. I used the same password for the outgoing and incoming on Apple Mail mail (and 'saved', etc.) - in other words, I followed all the requirements and instructions. However, I still can't receive mail (pop3.live.com) and get the repeated request box to confirm the password (when there is no effect); I can send emails. What to do next?

  Hi Popacatapetl,

  Based on what you described, it seems that you are repeatedly called a password of e-mail and every time that you put into it, it doesn't appear to demand. I'd be happy to help with some recommendations on this issue.

  Before you start, I would recommend that you export the mailbox associated with this account. This will allow you to keep a backup of your mailbox of the pop account.

  Export the mailboxes

  1. Select one or more mailboxes, then select BALL > export a mailbox.

  2. Select a folder or create a new folder, then click on choose.

     Mail export mailboxes as .mbox packages. If you have previously exported a mailbox, Mail does not replace the existing .mbox file; It creates a new file of .mbox, such as the 3.mbox of my mailbox.

  Once you have finished to export this data, I would recommend temporarily remove the account by following the steps listed here:

  Delete an account

  When you delete a mail e-mail account, messages from the account are deleted and are no longer available on your Mac. The copies of the messages remain on the mail server account and are still available (from webmail, for example).

  Important: If you are not sure if you want to keep the messages are still on the mail server, move or copy them to a mailbox stored on your Mac (the mailbox appears in the section on my Mac in the mail sidebar) before deleting the account in Mail.

  1. Choose Mail > Preferences, and click accounts.

  2. Select an account, then click on the button Delete .

  Once the account has been deleted, select E-mail > add an account, select an account type, and then enter your account information. Once you have added the account, a test to see if the problem has been resolved. You can also follow these steps to import the box mailbox that you exported previously:

  Import boxes mailbox

  1. Choose file > import boxes mailbox.

  2. Select the e-mail application that you want to import the messages.

     If you import a box in the exported mail letters, or a folder (e.g. [email protected]) in the folder ~/Library/Mail/V2 on another Mac, choose Apple Mail.

  3. Follow the instructions that appear.

     • Make sure that the app you are importing from is active, as some of the options require it.

     • If you import messages from a Windows or UNIX computer, select 'Files to mbox format', then look for the folder that contains the files.

     • If the email application that you do spend is not listed, click Cancel. See the documentation for the other application know how to export messages in mbox format (can most e-mail applications). Then import the mbox files.

• Reorganize imported messages, if you wish.

  The messages are in a new mailbox, called Import in the Mail sidebar. You can drag folders and messages from the Inbox of import to new or existing mailboxes, then remove the box to import mailbox.

Address postal (El Capitan): import or export the mailboxes

Address postal (El Capitan): Configure Mail with your email accounts

Kind regards.

• What is the best way to collaborate on a project in logic at the same time?

  My brother and I collaborate on music, even though we live in different States.  We try to understand the best way to work on a project at the same time... not to live (although that would be awesome) rather by the project back repeatedly for multitracking.  Is there an effective way to send only the new audio files and a logical update file back instead of the entire project (which happens to be several gigs in size)?  It seems that there must be other people working together like this.  This seems particularly important when you mix when we are not adding a lot of new files, but making subtle adjustments to the mixture and arrangement.  All the tips are greatly appreciated.  Thank you!

  https://www.Gobbler.com/collaborationversioning/

• Newport ESP300 GPIB communication stops after query

  Hello

  I'm trying to control a Newport ESP300 via GPIB controller with labview and I encountered a problem that I saw in the forums.  I can tell the controller to move to different positions, to wait, to change speeds, etc., without error.  However, when I ask the device, it stops all communications with Labview.

  Example of

  1 MB //axis 1 on

  1pa2 //move axis 1 absolute in position 2

  wait for stop 1WS

  1AP?     absolute position of query

  2 response //ESP300

  1pa3 //NOTHING ARRIVES

  1MF NOTHING HAPPENS

  GPIB READ.vi a mode = 2 (to end the LF character) to terminate the operation of reading as specified by newport, but the communication stops everytime I interrogate the device.

  I tried to do what this last newport mentions, without effect.  FTP://download.Newport.com/MotionControl/archive/motion%20Controllers/ESP300/software/ESP300%20GPIB%...

  I should mention that I couldn't disable autopolling (the box is grayed out).  Although I don't think that's the problem.  I also tried to replace the GPIB READ.vi with code on VISAS, but this has no effect.

  Sending of the same series of commands through NOR-MAX does not show this strange behavior.  I tried to ask about it in Newport, but they were not able to help.  Anyone has any advice on how to reliably read/write by GPIB with the ESP300 controller?

  Thank you.

  I found the problem.  It turns out that when you use the GPIB READ.vi, I had put the number of bytes to a value that was too small.  Thus, reading finished early, leaving the rest of the message in the buffer.  I don't know exactly why it resulted in a 'freeze' of communications, but he did.  Increase the number of bytes to 255 has solved the problem.

• E-mail of transition from the current president to the new president

  Two questions: first, what is the most effective way to send many emails in the box email of the current president to the new president? Secondly, in addition to adding an auto response message to send e-mail messages to the new President, what is the best way to ask that all future emails will be sent to the new president?

  Hey Steve, just as an FYI
  Outlook has that ability (configuration just a rule of automatic transfer)... but... Using Exchange if there are better ways to do it on the server. You can configure for automatic transfer to a different e-mail address (either by leaving a copy in the box the letters original or not) and easiest for the new exec see the old emails is to give the new rights exec on the box to the letters and simply add the additional data file to the new account execs.

  See you soon,.
  Cameron

• LaserJet P1102w: Laserjet P1102w too slow with MAC OS x and Android

  Hello

  I use the P1102w via WI - Fi for a few months.

  I find it very effective use of Windows.

  BUT it's amazing slowly by any other OS.

  And I use 99% MAC OSX (El capitan).

  Perhaps because there is not a specific driver for MAC? Only the OS Win has a specific program/driver which works very well

  With my MAC OSX (no specific diver HP for MAC OSX on the HP site, instruction to use the MAC drivers) when I send a spool the P1102w printing, it can take 10/05/30 minutes to print a few pages (4).

  Even from between the 1st and the second page printing, it can take some minutes!

  I tried the size and format of different files.

  But even with the small file (less then 1 MB), it's the same result.

  OS Android, it's the same effect. You send the print job, and we must wait and hope that it will work.

  HOPE, because often the print job does not complete successfully.

  BUT the same file of Windows (since a slower PC, my MAC laptop has a better material and performance) has no problem printing and it is sent to the printer in a few seconds.

  Thanks for any suggestion to make MAC & Android printing faster (at least at a speed of accetable, because more than 10 min then for a small print job is not acceptable).

  Hello @Ric_,.

• Updated mass emails to be 'valid '.

  Something weird happened to contacts in my lead nurturing program.  I had to pause the program to make updates, and now, all members of the program have a status of ' excluded e-mail: Bounceback. "  Now, in most cases, I would just BELIEVE Eloqua that these are all the bouncebacks, but completely randomly happened me to send an email to several people on this list... and he knew very well.  No bounceback, no errors.

  So my question is: is anyone know how mass-release to update the status of email from members in a program to "set as valid address?

  Thanks in advance for any light you can throw on this mystery!

  Hi Melanie,

  This could be accomplished by adding contacts to a contact group, select the 'Show Advanced Options', click Reset bounceback status for all members of the group.

  Please be aware that if you do a large group of contacts that are legitimately bouncebacks, this can have a negative effect on your sender score, however; If you are sure that these are valid, should not be a problem.

  -Erik Hertzman

• shape layer is not in first composition pro

  I am new to this, but I can't understand what I'm doing wrong.  After you create a sequence of credit with animation, images, texts and a shape layer in After Effects cc, I send the publication to first Pro CC, open it, but the shape layer and text are missing - everything is there, in the right order and size, etc..  What Miss me?   Thank you very much.

  Make sure that the composition Panel is set to Active camera. This is the only view that renders. Make sure that you have set any of your layers as guide layers. To make sure that your comp until properly you can go to the menu composition and select Composition > save image under > file and make a unique image. Check and if it shows everything then Premiere Pro should show all. Are there things missing and you have the camera turns on selected display, then select the layers that give you problems and press U twice to reveal all the modified properties. Start to turn things off or redefinition of values up to what you discover what is causing the problem.

  If you still can not understand it select all the layers in your project, press the U key twice, take a screenshot and drag it in the field of response to this forum so we can take a look.

• AEGP_EffectCallGeneric

  Hello world!

  I've got 2 effects, one that generates one mesh, the other is a rendering engine. To send my net, I use:

  ERR (suites. EffectSuite2()-> AEGP_EffectCallGeneric (pluginID, effectH, & fake_timeT, (void *) meshT));

  The rendering engine collects this mesh, store it in the sequence, and use it to return.

  Everything works, but I noticed what looks like a memory problem:

  Whenever the effect of mesh sends the data, the memory used by the AE increases and does not return to a lower level.

  I don't know that the rendering engine is not responsible (this also happens when it is turned off or délettrée).

  Side effect of mesh, I tried not to calculate what anyone and simply send an empty mesh (I mean 2 triangles filled with zeros), and it still happens...

  Everyone has noticed this problem before? Is there something that I am missing with AEGP_EffectCallGeneric?

  See you soon,.

  François

  Phew... glad you found the error...

  your second question is not really a matter of "copy", but rather a

  property/planning issue. (of all kinds)

  Let's ignore the face you pass it the first world as a pointer and that

  you want to keep somewhere else.

  is what you're really saying, "I have this world that I want to store.

  somewhere. How can I copy it in the place of storage? »

  IMHO, it's the wrong way to look at this, and here's why:

  1. the PF_EffectWorld structure does not contain the pixel data.

  PF_EffectWorld-> data is only a pointer the the current buffer.

  is that you do the following:

  PF_EffectWorld a;

  B PF_EffectWorld;

  a = b;

  you will have two structures of the separate world, both pointing to the same bit of

  memory where the pixels are stored.

  2. the pixel are given not create nor destroyed when the PF_EffectWorld is

  created or destroyed.

  It is simply a wrapper, referring to an AEGP_WorldH. the AEGP_WorldH is a

  handle to an opaque data structure that AE allocates owner.

  you ask EI for the assignment of this buffer using:

  Suites. WorldSuite3()-> AEGP_New();

  You can to create an equivalent of PF_EffectWorld using:

  Suites. WorldSuite3()-> AEGP_FillOutPFEffectWorld();

  It does not create a copy of the pixel buffer. It will just create a

  PF_EffectWorld pointing to the same pixel buffer.

  removal of the PF_EffectWorld release of the pixel buffer. only the

  use of the suites. WorldSuite3()-> AEGP_Dispose() will free up the buffer.

  in this case, even if you keep the PF_EffectWorld, he will then point to

  invalid data.

  so now, it's a question of who runs this world you want to save. as long

  as the inner AEGP_WorldH has not been eliminated, you can copy the

  PF_EffectWorld a simple way, I showed in section 1.

  who owns a particular universe? It's pretty simple to tell.

  extractions of plugin effect during rendering layer (for example, the entry)

  call the buffer, the output buffer and layer params) belong to the EA and will be

  released during the call to render returns if you want to or not.

  another time (what I think) where you will have a filled world, it is

  your plug-in that manages and it is at you disposal when

  you are finished.

  AE, which has the world's then you can bet she'll get drawn form

  under your feet at any time given. in this case, you have no choice but to copy

  the pixel buffer. You probably want to use PF_COPY().

  BUT!

  to copy, you must first allocate a world to copy in. (this will solve

  This issue of 'fixed size' you thought you had). Suppose that you want to copy

  the entry stamp.

  you'd probably do something like:

  1. create a new AEGP_WorldH WorldSuite3()-> AEGP_New(). divide into

  the width/height of the inputP.

  2. wrap in a PF_EffectWorld to help

  WorldSuite3()-> AEGP_FillOutPFEffectWorld().

  3. copy the pixel form a buffer of data to another using PF_COPY(). you

  fits the image if you like to use this call...

  Now you can to send these data to some other plug-ins using the call effect

  Generic. Just send in the AEGP_WorldH. (and possibly also the)

  PF_EffectWorld)

  in the sequence data the other plugin, you must have an AEGP_WorldH

  variable to which you assign just the value of those sent since the

  call of plug-ins, as follows:

  seqDataWorldH = otherPluginWorldH;

  You can now use the AEGP_FillOutPFEffectWorld again to fill a local!

  PF_EffectWorld structure, or you can upgrade the already filled with structure

  the vocation of the plug-in.

  seqDataEffectWorld = otherPluginEffectWorld;

  When you are finished with the pixels, just call WorldSuite3()-> AEGP_Dispose().

  It doesn't matter what copy AEGP_WorldH you have one. they all reference to

  the same handle in AE.

  Make sure that you have only this one once...

  and what of all the wrapped PF_EffectWorlds? nothing. Just leave their

  go out of reach and out of mind.

  TADA!

  Friday, May 22, 2015 at 12:31, francois leroy [email protected]>

• A clip I made the time-remapping on the shortening.

  Okay, so, I'm still very much a first baby and this is the first time I tried to play with time-remapping. First of all, I'm on a PC using first Pro CC 2014.2.

  Basically what I've done is created a cube rotating '3d '. I want to do with it is to rotate quickly, then slow down so that it is possible to read what is written on it. I got successful and ramp at the speed of the way I had hoped.

  However! The clip is really long (I wanted to make sure that I gave myself enough time to play with because I wanted to speed up a bit), then I tried to shorten the clip... but when I do that, anything after the ramp becomes black. The first second or two before the ramp is always visible and spinning, hit the ramp and blackens. I tried just to drag the ends of the clamp as using the razor tool. The razor tool allows me to snap, but when I delete the excess part it always disappears.

  Here is a screenshot just after using the razor tool.

  

  And it disappears when I delete the excess part.

  

  I have a feeling that he might have something to do with the first who need to be able to 'see' what's coming or something, and by removing the excess it is unclear what more can be done. But I wanted to ask and see if there was a way to shorten, if not I'll just throw something above the rest of the clip so that you can not see it always go to go back and continue on my way.

  I just had a quick glance and I don't see what is happening. The easiest option is to export the master as an intermediate file without loss and change. When you make the time remapping effect, I always send to AFX and use the efx superior Timewarp, it has its own quirks but it does a better job.

• Trapcode mir does not

  

  Trapcode mir does not

  What is the problem?

  Sorry, but your screenshot is completely useless. At a minimum, we need the AE and the OS version. The best way to get help is going to give us details.

  Select the layer in the timeline that gives you problems, press the U key twice to reveal all properties modified, select the layer of film in the project Panel to reveal its properties, we show the effect controls panel, send us a screenshot of that. Apply the effect to a solid layer should give you this:

  

  If you applied to MIR to a solid and you get nothing then you have the pressed caps lock, are looking for a custom in the Comp window, view the layer panel or view film, or maybe the CTI is beyond the end of the layer. If everything is correct and you see still nothing then reboot, reset your preferences, then try a new comp, then contact technical support from red giant.