Export of needing help!

Hi guys.

I encountered a problem with a video, I try to export a file to .mp4 with H.264 format. I noticed that when my title sequence the white background is no longer white, it is rather gray! However, first, it is completely white. Does anyone have a solution? If you want more details on what that either made me know.

Thank you

Kevin was just asking to tell to do a title in a new project and testing which... often the type of thing we need to do to solve the problems, as sometimes, something in the files of a project is "wobbly". The best way to check for this, it is to do a quick test with a new project file.

Neil

Tags: Premiere

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    $mem = $_. Group | where {$_.} MetricId - eq "mem.usage.average"} | Measure-object-property value - average - Maximum - Minimum

    $vmstat. MemMax = [int] $mem. Maximum ##dfsdf

    $vmstat. MemAvg = [int] $mem. Average

    $vmstat. MemMin = [int] $mem. Minimum

    $vmstat. MemAlloc = $_. Group [0]. Entity.MemoryMB

    $allvms += $vmstat

    }

    $allvms |

    Export-Csv "c:\ < folder > \ <>.csv file Destination"-noTypeInformation

    It connects to our server vcenter server and offers two days of data.  Today and yesterday, all with a timestamp of 0:00.  See below for an example of a virtual machine.

    VmNameDayMemAllocMemMaxMemAvgMemMin
    < name VM1 >07/05/2016 0:004096181818
    < name VM1 >06/05/2016 0:0040963612

    8

    The MemMax, the MemAvg and the MemMin are for this day?  Just the max of this period of sampling time 0:00?

    What I'm looking for, it is to find that the use of the maximum memory of virtual machines are for the whole day.  So I hope that I can remove memory of VMs that do not use it.  I was listed on the change $start = (Get-Date). The value of AddDays(-1) to $start = (Get-Date). AddDays(-30) and see what things alike.  I want to be sure however that the value for MemMax is the highest value for a period of 24 hours.  That is to say for the 07/05/2016 the given virtual machine never used a maximum of 18% of his memory attributed the 06/05/2016 the maximum amount of memory used was 36%, and so on that I extend on the date range.

    Kind regards

    Michael

    It then becomes a rather simple Get-Stat script.

    $vms = get - Vm | where {$_.} PowerState - eq "Receptor"}

    $start = (get-Date). AddDays(-1)

    $metrics = "mem.usage.average".

    Get-Stat - entity $vms - start $start - Stat $metrics |

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    Tri-objet-VM property |

    Export-Csv "c:\------.csv '-noTypeInformation

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    Hello

    I use Vshpere 5.1 and I need help to use PowerCLI out of information to audit some VM backups.

    My ultimate goal is to be able to verify which machines are being backed up.  Our backup tool uses instant VMware to run incremental backups so if we can follow what made instant due VM / deleted then we can better verify backups.

    I decided my inexperience with PowerCLI that it would be preferable for me to try a few small orders to see if I could get some decent results.

    The line of code I'm starting with is Get - VM * | Get-VIEvent - MaxSamples 20 | Where-Object {$_.} FullFormattedMessage - eq "task: Remove Instant"} ".

    Most of the time this script works however the output is interesting for me.

    Info: VMware.Vim.TaskInfo

    Key: 5360442

    ChainId: 5360442

    Createduserid: 2014/06/20 22:32:31

    Username: JJarvis

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    VM: VMware.Vim.VmEventArgument

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    FullFormattedMessage: Task: Remove Instant

    ChangeTag:

    DynamicType:

    DynamicProperty:

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    If I can find it to output the actual name of the Virtual Machine, so I can start to play with the formatting and obtained Export CSV files.  Any help you can offer would be much appreciated.

    Thank you

    I suspect a calculated property might be the way to go.

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    Guys,

    I need help with 2 scripts.

    Text 1.

    I need a power shell script that will get all the virtual machine in a specific cluster.  Virtual machine names as well as the number of processors, output allocated RAM and size of CSV file.

    Text 2.

    I need a script that will get all data warehouses in a specific cluster and store name data as well as the amounf of free space for a CSV output.

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    Greetings, @peter79 -.

    For the first part:

    Get-Cluster myClusterName | Get-VM | Select-Object Name, MemoryMB, NumCpu | Export-Csv -NoTypeInformation c:\temp\myVMInfo.csv
    

    And for the second, how about:

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    The first would be quite a bit faster by using Get - view instead of Get - VM.  It would be like:

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    Enjoy.

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    I need help on the color in general information.

    http://www.YouTube.com/watch?v=vLEGtzyZ0Fs

    I made this video in AfterEffects and exported in color 16-bit png sequence.

    I then imported in first pro and added audio and some titles at the end.

    Now, I want to do is have a perfect version that I could watch on my pc.

    I used Mp4 h 264 to compress the video and it is on youtube.

    I think that this compressor support only 8-bit color because there are bands in the sky.

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    Before there is a picture on top...

    ImageA.png

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    I know it's subtle, but I want to know why this is happening.

    ImageB.png

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    Should I get a new computer...

    Thanks for the reply!

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    I need help understanding the shared hyperlink option when creating hyperlinks in InDesign CS5 (Mac) and how to change a hyperlink target shared.

    I want to build a document that contains links to files on the server from the client. The final use is to make a PDF file in which the customer can click on a hyperlink and the opening (for example) a Word document or another PDF file on their server. When I started the project, I thought I would create shared links because a single server document will be returned by several links dispersed throughout the InDesign document, that I was building.

    In the hyperlink palette dropdown I chose the new hyperlink, then Link To: file in the drop-down list, and I clicked on the hyperlink and then sharing option on OK to close the window. I export the InDesign file to PDF print, and hyperlinks work.

    Now, I need to change the paths, because the customer moved their files to a new location. When I re - open the hyperlink in the hyperlink palette by clicking twice on it, change the hyperlink window opens but it shows my link as:

    Link to: Destination shared (rather than File)

    And the area of destination below shows:

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    Name [the path of the file I put in]

    However, this link is not editable. I do not understand why InDesign is doing on its own.

    Edit-Hyperlink-dialog.jpg

    I realize now that it was not necessary to check the shared option when I built the hyperlink. Is there a way (a script? another method?) that I can remove the nature shared hyperlinks so that when I go to change them, they show that links to files (link to: file, no link to: shared Destination) with a live box Destination path where I can change the link?

    (If someone tries to help him with a script, note that my document also contains the other hyperlinks to websites and emails that I don't want to bother).

    Thank you for your consideration.

    Well. I feel kind of bait and switch, but...

    I want to get links to the point where double clicking on the name of the (number) hyperlink in the hyperlink palette opens a dialog box change the hyperlink where the destination's link to: file and the path to the file appears in the box path as an editable string. Just the way I had them in the first place.

    It is good that you are comfortable the IDML of edition.

    If you compare the links made in two ways in the IDML, the only distinction between the Shared and non-shared seems to be the hidden attribute of the tag.

    Would have been impossible to change this in Javascript (although you could, I suppose, create a new HyperlinkURLDestination with all the same properties and then chang each hyperlink points to it).

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  • Need help! Re: Sequence Presets understanding &amp; settings + using multiple sequences!

    Hi, I'm newer to Premiere Pro (using the new version of Pro obtained in March 2010 on a PC) and watched all the tutorials (lots of video) and read a LOT about the subject! And I have answered several questions about mine. But there is one main thing (that I'll probably have to divide it into 2 or more questions) that I just got a complete knowledge & really your expert need help on!

    Thank you very, VERY MUCH! Really...

    I have designed/product audio (music) for a while now and when you start a new session just, you select your sample rate & are locked in for the most part therefore... Pretty simple... Now with Pro, when you start your new session, you choose your Preset sequence. Now for this first project, a video clip (3 minutes), the audio is done (as I said) and for the clip, we use images from several sources including: maybe 55% compared with a mini-camera DV, 40% of the .vob files right & the remaining 5% of some mpeg files + a few YouTube videos (we only have it our preserved images of front on YouTube) + some JPEGs (still images). And we plan to export the final video on YouTube and the internet. And we want also ready to be broadcast on both television (MTV, some media, shows, etc.). And Yes, we will also use it on cell phones (even if it is the least important right now). So 3 main exports (which I believe are all made at the end through media encoder).

    • But to choose the right Preset sequence at the beginning, I am confused, unfortunately.   I

    Believe you choose the one that best fits to of your assets sizes & frame rate [in this case, which is a camera film regular DV; & mediainfo said the .vob file = 720 x 480 (4:3) to 29.970 fps MPEG video (NTSC), one of the shots (of our) YouTube = 480 x 270 (16:9) at 29.970 fps STROKE, a MPEG = 352 x 288 (4:3) at 25.000 fps and 2 examples of jpeg = 300 x 400 (size = 57 KB)] and another = 720 x 450 (size = 100 KB)]. So if I am wrong in my assumption on the choice of a pre-defined sequence just on the best corresponds to the your assets rates & sizes, I would choose (I think): DV-NTSC Standard 48 kHz (the 48 just to 41 over our audio sampling frequency). 

    And if all goes well, it is excellent for our export needs YouTube at the end of the process the video & tv as well!

    .. . Is this correct?

    Can I choose the predefined sequence that best matches most of the sizes/frame rate of your assets?

    * And ESPECIALLY... is CE Preset of the sequence is the BEST for this current music video (based on the sources of our assets & where it will be considered when it is finished - mainly of YouTube, & also some TV [for media and broadcasting] - probably on a DVD, I guess)?

    Or I'm wrong, & it (your Preset Sequence) depends on your final product & the output?

    My friend (who admits that he is no expert in some way) explained that I would probably go with HDV 1080 p 30 as this will give a much better value for my release. But after he saw the results in Pro with this setting for my property, he agrees with MY above conclusion instead. 

    When you use the DV - NTSC Standard 48 kHz preset, I saw the asset in the Source monitor Panel (& then dragged the clips to the timeline) & seen in the finale of "Project Monitor" (I think it is called). And they looked decent in this final screen (where I'll crop & use some shared screens sometimes). 

    And when I used his suggestion of 1080 p HDV 30, assets looked ok in the Source monitor Panel (I think), but very little in the final project monitor. 

    • And led me to another big question - when you use the jpeg format which is 1280 x 960 e.g. (largest

    as the previous ones) in the Standard DV NTSC 48 kHz preset, happening in the Source monitor. But when you drag it down to the timeline and view it in the program monitor, the head was cut off, etc. and of course, when you use instead the HDV 1080 p 30 preset, as larger jpeg even adapt very well in the in the program monitor. Now, I understand that this is because the size of the frame (dimensions) close match those of the HDV preset. I get it. What none of us got was however WHY in the DV - NTSC Standard 48 kHz preset, he looks very well in the Source monitor Panel (but not in the program monitor)? (The two were simply put to 'Fit'). We thought he not would not have looked at well & fit fine and complete source of follow-up at first - but that's the difference between this largest jpeg display when it is displayed in two different monitors that really confused us!

    • And the final main confusion on this topic lies in something, that a technician in Adobe, tell us, informing that

    We can create multiple sequences. Now, I saw How to do this in the project Panel, but it's really the full understanding of the workings that we don't get. The tech said: "each sequence MUST have the good frame rates, sizes of images." Ok, you understand - understood. And he said: we can be: convert the size of the image (of this large jpeg example, say reducing) to match the predefined video frame size. But in this way, we would lose the quality (jpeg - assets). And he says: - or - you CAN use multiple sequences for different sources & when everything is completed (the whole video), I just export it them all as a single project! And I have that a sequence may be getting the DV preset (with the heights of these assets corresponding closely to this preset) and another sequence (in the same project) can be the HDV preset (with the heights of remaining assets corresponds closely to the preset instead). , But he couldn't explain was: how you can view your entire music video (3 minutes) in its entirety in Pro. It seems that when you choose a 2nd sequence, it obviously creates on the timeline, and assets that you put in the 1st (DV) timeline is completely separate from the 2nd (HDV) timeline. And you get no display either at the same time (because they are distinct sequences). 

    So... is this true?

    Are we supposed to use multiple sequences within our project to clip one of the assets with a higher (or other) image size/rate?

    And you export sequences as a final clip?

    And if so, HOW the world watch you your video chats (in the monitor of the project with all of your changes - as you change) when you use more than one sequence?

    Sorry, it seems quite stretched out, but I want to answer your questions you can in turn have for me & be clear so I can finally receive clarity on this topic!

    I know it's much, but if you could address all of the above questions (more background or discussion - is but a handful of issues in there), you have my gratitude... we were afraid to start the part of the video of this project is NOT know what sequence preset start with (as "we don't want to be locked into the wrong choice & waste weeks of editing), let alone a good understanding of the 'why' or the ramifications!

    Thank you so very, very well... You have no idea how...

    Rendering is done on a basis as needed. If we do a complex animation with keyframes, or if they have odd source files, they could do. For keyframe animations, I could make this section of the timeline of a dozen or more times. Otherwise, maybe not.

    Rendering is the production of AV files, just for reading. They take a lot of space and will take a while. It's one of the reasons that a Publisher must familiarize themselves with the WAB (work area bar), so that they do things like rendering for all what they might need. Tip: remember to put this back to the full timeline.

    Good luck

    Hunt

  • Several uses for the final product, need help with Render &amp; output parameters

    Aloha, this is my 1st time in this forum... posted this question in Premier Pro and has been mentioned here.

    I created an effect straight project. I want to make four 4 very specific uses.  Unfortunately, I don't know anything about these formats to be given options in AE - CS4.  One of the many 'rendering settings' and 'output module' settings 'make model '.  This seems the best option for me given my future use: 1) for the DVD; (2) for electronic mail; (3) for YouTube. (4) my web site.  I read and reread the rendering and export options in the manual of use-AE CS4 without success in understanding what each option should be used for.  I need help in the translation of pixelpicker-talk.

    Can someone help me about these accurate "rendering settings" and "output module" parameters listed in AE in the option "make and model"?

    Thanks a lot... come visit the watrer is warm and clear as always.

    KonaDon

    I understand - I think the article using After Effects is a very complete resource, explaining the various features and their purposes. But the real world is full of special cases that are very difficult to address in a manual. In addition, it is a moving target. Different best options today probably the best choice, next year.

    Let's see if we can help here:

    1-. DVD: on the technical side, it is always MPEG-2. A very specific taste of MPEG-2. But while After Effects will let you export a file of this type (choosing the MPEG - 2 DVD is predefined in the output Module), it is also true that most of the applications (such as Adobe Encore DVD) DVD authoring are very friendly in terms of letting you wear one (ideally, uncompressed) Quicktime or AVI (which in no way is compatible DVD) and do the encoding in MPEG-2 for you. So it is up to you: you can encode EI using the preset DVD MPEG-2, or you can use an application of coding specialized (such as Adobe Media Encoder in stand-alone mode) or simply let the DVD authoring application do the encoding for you. This should be very simple and in this case, you can simply render a Quicktime or AVI file without loss (there is a model of output Module called "Lossless" who will take care of everything. You can use the default value, the 'best' model to make settings in most cases).

    2-. E-mail: on the one hand, you need something that is really light and as good quality as possible. In the other, you want something universal compatibility, which can be read in all or almost all computers. H264 (advanced version of MPEG-4) format is really good in terms of efficiency, but its ' adoption is perhaps not as widespread yet. Flash Video (FLV) is really good in this regard. In this case, you could choose Adobe Flash Video (FLV) as the format in the output Module and then choose preset FLV 'Flash 8 web small' for this purpose.

    3 YouTube: it's not that simple. The ideal format for YouTube is not quite exist, they insist on the re-encoding each file that you download, even if your file is technically identical in every way to their versions. So what you want here is something that looks good and it isn't huge to download. This all spells 'H264', in my opinion. The details depend on the question of if your Composition is HD or SD, 4:3 or 16:9, etc. Strange as it may seem, the big "iPod" preset for the format H264 is a good starting point. You can customize it to increase the speed of transmission a little (maybe 2 or 2.5 Mbps, against 1.5 Mbps).

    4 website: even once, you need something that most people already have in their computers. Flash Video is an excellent choice, since about 98 percent of users have the Flash plugin. But in this case, you can have more great heights and flow rates, so you can use the "Flash 8 big' defined by default as a starting point. Once the Flash 10 plugin (which now supports the H264 in addition FLV) spreads in the future, you could standardize on H264 in a delivery format, with different settings for each type of destination.

    I hope this helps.

  • my iphone need help doesent work!

    my iphone need help doesent work! 5 minutes ago my iphone 4S felt on the ground and now it doesent start but I can still hear the sound of loading until I can do?

    PS: Sorry for my bad English, I'm from the Germany

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