Framework of correspondence in the source monitor to the selected image in the timeline?

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  Thank you I did this yesterday, nothing happened. But after that a full-closed and a new day he seems to work today.

• Whenever I have cut an audio clip in my sequence, the source monitor freezes creating two of the same framework.

  Whenever I have cut an audio clip in my sequence, the source monitor freezes creating two of the same framework.  I then have to wait anywhere from five to ten minutes only for Panel source monitor back to normal to continue editing, with playback.  Itself doesn't freeze, I am able to go into my settings and change again within the sequence.  It's only the source monitor.  Anyone know this problem and is there a solution?  Thank you!  My apologies if this has already been discussed in another post.

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• Transmit mercury only shows the program, not the source monitor monitor

  Hello people,

  For some time now, I have this problem where only the signal from the program monitor is sent to my external monitor. The source monitor working within first on my computer monitors, but will not playback on my external monitor. It is in each project unique im working on and I find it very difficult to identify the problem. It won't work when I drag a clip from a location to the source monitor or make a match frame of the timeline. I would add also that sometimes, but not everytime, when the program monitor transmits very well and I do a double click on a clip in the tray or drag it to the source monitor, my external monitor goes black. This also happens when you do a correspondence framework. And to add another weird thing, the audio is being transmitted by the source monitor. First pro audio is routed through my external monitor. I can just hear end during playback of clips in the source monitor. It's just the video that will not be displayed on my screen.

  
  

  My hardware is just simple Quicktime mov with ProRes in them in 1920 x 1080 so nothing special.

  I have the latest version of first and my driver for the monitor of Blackmagic Mini is also updated.

  I'm open to suggestions!

  Thank you!

  I think I solved my problem.  After a lot of troubleshooting, we ransacked the Premiere Pro preferences (hold down shift + option while launching the first) and the source has been restored.  Or my preferences were corrupt, or else my system has been set up in the reading panels and Audio hardware preferences.

  Unfortunately, after a few days the reading of the source monitor went out again.  I trashed my preferences again and reading has been restored.  I'm still trying to understand why this has happened.

  To answer your questions.  I am using a monitor.  He has worked with AJA Kona, but we recently went to Blackmagic so that we can use to Resolve.  I do not know if yes or no the Blackmagic was initially working right, but I don't think it was.  I got stuck on a large project, it was a few months before I could make a test or troubleshooting.

  I hope this helps!

• Timecode jamming in the Source monitor

  I know how to clear a time code in the first frame of an element in the source monitor and in the project Panel: in the project Panel, right click - Edit-> timecode - > insert time code of choice.  But I want to do is go to a point 'IN' in the synchronization of the Source monitor and jam a time code in the 'IN' place.  Whenever I have insert an hour in the monitor Source Panel, that time becomes the time to the first frame of the clip, not the 'IN' time point.  Now, I noticed that in the project Panel (right-click, edit etc...) there's a setting that says 'Current image', but it can not be selected!  So is it possible to blur a moment in a point "IN"?  BTW, I found a way to do this using math and computation of the time between the beginning of the clip and the entry point, but it is labor intensive and prone to errors in subtraction.

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• Where the source monitor Panel? (MacOS)

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  Hi beekeeper.

  The Source monitor is in your workspace, but it is currently behind the program (which is weird) monitor. Check out the tab on the left that says "Source: Darkest Hour SS.dpx"-it's the Source monitor. I don't know why the reset of your default workspace is not to give the two-seater monitor display, but if you drag the tab to the program monitor on the right side of the chassis as it is now, you'll see a purple trapeze appear. If you deposit there, it will be moved to a new framework and should show the collection of other committees in a frame on the left. Again, don't know why reset does not work, but you can trash the workspace files by going in your Documents directory in the Finder and hole in your Premiere Pro profile folder and delete the files "Layouts" and "ArchivedLayouts". The next launch, the default workspaces will be restored.

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• behavior of scroll/zoom mouse in the Source monitor

  Hi guys, long time lurker but first time poster. I was wondering if someone could help me with something. Basically, I love mouse scroll/zoom of the features Adobe in the timeline panel, but I hate it in the Source monitor.

  In the timeline you can mouse scrolling the entire timeline to the left, right, up, down. You can use ALT upwards or downwards to zoom, etc. Meanwhile, in the Source monitor, scroll left, right, up, down, alt, etc... He advances to the read head. Which seems redundant when you already JKL.

  It is not so much a problem when you look at images in the Source, but if you are looking to audio (a song or trying to locate a specific point in the dialogue to say), it's really nice to be able to use the mouse to zoom in and out, and scroll around the audio waveform as you would with film in the timeline panel.

  Does anyone know of a framework that could allow this? The only solution I found is hover my mouse the small bar "resizer" (for lack of a better word) which is just above the button in the Source monitor Panel. If the mouse is positioned in this small drop little real estate, you can use the wheel to zoom and scroll the Source monitor Panel... But it would be nice if you could just do that by default. No chance we prefer settingI am not aware of?

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• Cannot paste, insert a clip to the timeline Source monitor in CC2015.3

  Someone at - it a solution or a fix for this problem? I am currently using, to make a paste insert and am getting an error.

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  It also States that the source is longer than the destination, regardless of trim (I & O) points I made in the source monitor. The source element is only 3 seconds with my points of toppings, so it makes no sense.

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  Check that you don't have to points together on the timeline, if the playhead is not parked at the point of in.

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• Playhead snaps to the Point in the Source monitor

  I work with the new version of first CC and when I play or scrub the clips in the Source monitor he always snaps to the Point. It is hard rub the clip to see if I need to extend the entry point when he keeps back alignment. It seems unnecessary to always erase the In/Out points each time. I've never had this problem before...

  Thanks in advance for any advice.

  Hi buckyi,

  Seems like you "Loop" enabled in the settings of the Source monitor.

  

  Turn it off and see if that helps.

  Best,

  Regalo

• Could not get the Source monitor and program to display together

  Hi, I use Premiere Pro constantly for about 6 or 7 years and have never had problems with the monitors Source and program appearing side by side in my workspace.  I've recently updated to CC and, in addition to having one monitor 'fixed' and a sudden 'floating' (I've unable to paste the two up, but would have a run on my second monitor) it was working OK. The last two days, I can't set both monitors. I double click on a clip in the project, and it is not displayed anywhere.

  My preference is to set the workspace to imitate CS5.5, but this option is sorting is no longer the problem.  I'm trying to go back to the previous workspace and it tells me that there is not.  I tried control boxes and uncheck the menu window. Any help would be appreciated.

  

  Source monitor can normally be added to any 'panel' by clicking on the Panel, then in the menu dropdown you show, by clicking on the Source monitor... then navigate to it by selecting the tab is in the Panel that was highlighted when you clicked.

  You can change the panels by "entering" a title as source or scopes or whatnot too and drag in or to another palette, with the possibility of having always appear (for example, if you then release in the area left highlighted a Panel, you drag in) to the left of other things in the control panel... or if you say leave in the Middle then it displays when you select the tab at the top of the Panel. Others cover it when you click on the tabs. I think that the help pages following (they aren't long) could you get:

  Use and customize workspaces in Premiere Pro

  Working with panels in Premiere Pro

  Using the Source program monitor in Premiere Pro

  Things have changed a lot since 5.5...

  Neil

• using the iMac 5 K and BM IO - source monitor changing 25 p 50 p causing black between the source and the program 4 s

  Reading in the source organization IMac 5 K using Blackmagic IO outputs 25 p 50 p monitor

  The effect is black as monitor re sync when I switch between 25 p 4 seconds the program monitor and hardware 25 p in the source monitor. Occurs on iMac 5K not MacBookPro.

  This happens with:

  Images 25 p in F5 Sony MXF DALYS and

  25 p DALY mxf op1a export agency

  Reading in the Source monitor is reported as 50 p BM Office video and monitor.

  A sequence created by dragging clips to create (so matching 25 p DALYS) reports it as 25PsF in BM (and so in 50i by monitor)

  Change the interpretation of the attached to the interlaced 30 frame can result in 60i and then adjusting to 25 fps may result in 50i, but this appears inconsistent.

  It's on an IMac 5 K use pilot 10.6.4 with El Capitan to CC2015.2 and day to day.

  This problem occurs both Ultrastudio 4 K and MiniMonitor (the reduced MiniMonitor the 50 p to 720/25 p

  The problem ONLY is NO PRODUCT with the same project/media/drivers/software/e/s on a MacBookPro.

  I don't know if it means a bug in the driver of the ORGANIZATION or the World Bank.

  Thanks for any help or the confirmation or not of this problem on a similar facility

  OK - after that the support of a lot of help from the world BANK has been fixed by trashing preferences (I used preference - Digital Rebellion Manager))

• I received an email saying "in the framework of doing business globally, Adobe monitor Exchange rates to our price adjustments upwards or downwards according to the needs. You may know that exchange rates fluctuated significantly during the last f

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  I want to know is how you can increase payments to 100% and claiming exchange rates as reason. What between AUD and USD exchange rate has changed to 100%?

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  Hi Adam,.

  It seems that most of that would be due at the end of the first year of the promotional prices (initiation) for education customers.

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• Shift + command + SPACEBAR launches the screenshot instead of reading the Source monitor

  I try to use a hotkey (Shift + Ctrl + SPACEBAR) to review a clip in the source monitor, but it does appear a screen ScanSnap.  How to fix this?

  Published by Kevin Monahan

  I changed your title to be more searchable

  CTRL/Cmd-Alt-K made a list of short films of keyboard, also found in the menu edit near the bottom. The short you list is listed in my list as playing to start... at least in the standard list for PC.

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• Different sizes of resolution between the Source monitor and program monitor

  Hi guys!

  Newbie here-sorry in advance. The size of resolution replaces my source monitor monitor of the program to the point where its very large in the program monitor and the image stays that way when exporting... What I am doing wrong?

  If all the clips are from the same camera, you make a new sequence that is correct, then put all your clips in it and change. You are simply based on this first clip sequence settings to lay the foundations for your project.

  If you have snippets of a few different types, such as 1080 p and 720 p, then you must decide on a workflow that suits your needs. If the final result must be distributed to 1080 p, you high-end 720 p content, but end result must be 720 p, better off to reduce the content in 1080 p. It depends on different factors.

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• Audio waveform disappears from the Source monitor after opening another audio clip

  I use Premiere Pro CC 2015 on an iMac (late 2014) of new 27-inch Retina 5 k with 8 GB of RAM.

  I've got 5 takes of the same voice that I'm editing into a simple video "How-to" recorded at the screen. I'm pass between the clamps and picking at the take, that I prefer and move it into the timeline.

  Problem is, once I open an audio file and then pass away from him to another audio file in the monitor Source Panel, the waveforms on this clip will not appear when I open it in the Source monitor. See waveforms is a unique case, unless I restart Premiere Pro. I can still hear everything and I still see the playhead moving across a green screen, but the waveforms are gone. It works fine the first time I open the clip.

  I waited about 10-15 minutes to see if it's just to take a second to reload the waveforms, but none of the clips appear in their new waveforms unless I restart the first. I tried to open a video and then come back to an audio clip. I have actually managed to do come back simply by moving the source monitor Panel in its own window separate from the table of mixing, effects, etc. but it happened again the next time I went to another audio clip and no amount of monitor source is fluttering it don't come back.

  Is there something that I am missing? I can still change course by listening to each piece of the voice-over begins, but without seeing it, it's a real pain.

  I think that this has been fixed with the latest update. No more problems!