In Lightroom 5, I see "Soft Proofing", "Show Grid" or "Auto" on the bath g mode to develop.

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• [LR 5] Soft Proofing - Gamut Warning monitor vary with the profile of the printer?

  Hello

  There is something that I do not understand when you use the function of gentle fermentation in LR.

  The monitor Gamut Warning feature (top left icon of the histogram when Proofing is enabled) is supposed to show us what colors in the image can be reproduced on the screen. Right? If I understand correctly, the warning is calculated by comparing the current image (virtualized by LR in the Melissa RGB color space) to the display range (read active calibration profile).

  Then why LR different show "out of gamut" areas for display when I change the profile of the printer selected when using soft proofing? It's not logical for me.

  I missed something?

  Thanks in advance.

  Indeed, they are vague on this issue. My thinking on the subject comes to converse with people from Adobe here and elsewhere, as I'm sure that I'vce has discussed this issue on the forum before. As far as I know the caution monitor is supposed to be calculated after the conversion to the profile of the printer so that you get an idea if the soft resistant color is displayed accurately. This must be the correct behavior as waterproofing can really take a color either in or out of the monitor range. I'm not 100% sure on it though, but definitely, he explains how he behaves.

  Also, if you calibrate your screen and write a display icc v4 profile, the situation changes once again as today the display profile can actually contain a perceptual rendering intent, making it even less accurate and the assumption of simple linear conversions one-to-one between color spaces is not valid. Some calibration software packages do however, but there are a few exceptions.

  If you want to know if your image is outside the display profile, you can indeed deceive the test to allow you to select a display as the printer proofing profile profile. In principle, you can select a standard workspace such as prophotoRGB it and get results that make sense. But you certainly don't want to have a random printer profile chosen for the reasons cited above. I guess they could add some tricks to detect that you have selected the profile of the current view and not one profile of another to randomly display and then collapse the interface, but it's a case of edge I doubt Adobe would give priority to this. It works very well so simply, you realize that you have selected your profile screen like the printer proof profile.

• 5 d Mark IV: Show grid?

  Setting the display of the grid at one of the three available modes causes not the grid is displayed in the viewfinder, but only in Live View mode. What Miss me? Thank you!

  Configuration menu, tab 2: VF grid display: Show

• Soft Proofing and adjustment brush / Spot removal problems

  Hello

  Since the last update (at least I think) to 6.5 that I have a problem when soft proofing is turned on. In particular, the adjustment brush and the brush of spotting does not work smoothly. The first problem is that when you try to make smaller or larger brush (keyboard and Tablet) the brush shows the size have immediately brush outside the window or click on the image to see the size of the brush (brush of detachment and adjustment) and the cash withdrawal is very slow and if I want to spend the part I want to remove to make it better appearance it does not update immediately when moving. Also when using either the computer fans brush starts to kick in and work hard. Tried two GPUs and extinguish the same result. but as I turn soon soft proofing off the coast of the brushes as planned work and also the fans to stay out of

  so if someone has problems with these two brushes you might want to look into the option to see if Proofing is enabled

  I have not noticed this. However, I usually do all my withdrawal in cash without proofing turned on. Normally, the only thing I do when the soft proofing is set things like saturation, lights and shadows. Things that affect the overall appearance of printing based on the book that I use. What are the specifications of your computer? OS, RAM, etc.

• My Lightroom does not. It is showing the message - failed to open the Lightroom catalog called Catalog Lightroom because it is too new to be used by this version of Lightroom. You want to select a different catalog?

  My Lightroom does not. It is showing the message - failed to open the Lightroom catalog called Catalog Lightroom because it is too new to be used by this version of Lightroom. You want to select a different catalog?

  It is a catalog that you created on your computer, or coming from another computer?

  If it is one that has been created on your computer, you can search your computer to see if you have two different versions of Lightroom installed. If so, then you want to open the new version of Lightroom by double-clicking its icon, and then you should be able to open the catalog.

• Where Soft Proofing adjustable and specific documents?

  Hello

  I don't seem to find where the parameters can be changed / adjusted.

  Thank you

  Raphael

  With Soft Proofing on (1) click on the drop down profile menu (2). If you don't see the desired profile choose 'other' and all the profiles that you have available will be listed (3).

  

• Convert to profile & Soft Proofing.

  Hello

  My apologies if this has been requested and replied. Some responses on proofing looked on the forums has helped, but not hit the nail on the head.

  I am grateful for the ideas, instructions, pointers.

  I. According to the instructions of the printer that prints my work, I have converted my image profiles to Dot Gain 20%. I want to assure you that I see on my screen will have a) be a tight that she (woman, the print job) will see on his screen. and (b) give me an idea of how the print job and the printer (Espson stylist Pro 4800) will interpret. It is logical to me that I should change my format of test for Dot Gain 20%, no?  Have I not this wrong?

  II. I also need to do a series of JPEG files which will be visible on a variety of screens, each with a different brand and calibration. These JPEG files should be as convincing a match to print as possible, with compensation, of course, carried out for the paper, ink, etc. The game should be close. Is there a standard for ever which will allow me to see what is likely to appear on a given screen. An order, I know. I was wondering if I should just inform viewers to display JPEG images with their monitors, assign a certain color profile - or if I should send them a monitor profile as well as JPEG files.

  Thank once again for ideas.

  Best-

  Hardware: iMac 27 "; Native Gamma 2.2. CS6.

  A little guide:

  You will need a valid of monitor profile (MP) and a printer profile (PP) for

  Epson 4800 for a printing (ink, paper, well-defined resolution process

  and much more).

  If your impression people do not have a profile, and then not to print from there.

  A PP contains everything about the Dot Gain.

  Let the images in sRGB (sRGB workspace)

  Edit by PhS until it looks nice

  In the event, choose your PP

  Rendering Intent Relative Colorimetry, Black Point Compensation

  Observe the changes of the image, Soft Proof on / off

  Failure to comply with the warning range, using a color of alarm

  If the changes are strong or / and if the Gamut Warning zones are large

  (not only highlights or some leaves on the trees), then change your image.

  This can be explained by simple means.

  If the image looks nice and save with sRGB embedded profile

  and leave it to print, using exactly the defined printer process previously.

  Test is done by software, here Photoshop, for simulated hardware.

  which is entirely defined by the PP.

  sRGB is a de facto standard for the Web.

  If your images are in a colorful way, then it could be recommended

  working entirely in AdobeRGB (1998) = ARGB.

  Image in aRGB, work space ARGB.

  You can do this after the clarification of this issue with the impression people. Of course

  the aRGB profile must be incorporated, but even in this case, there is a good chance

  the people of print is not familiar with profiles and assumes sRGB as

  Profile of the source.

  Putting, you would need two versions - one for printing, one for the Web.

  Cordially - Gernot Hoffmann

• With the help of 5s with ios 9.2.1. Call ringtone but screen does not show the answer since mode. Could not receive call and not able to see the contact call. This may be due to whatsapp.

  With the help of 5s with ios 9.2.1. Call ringtone but screen does not show the answer since mode. Could not receive call and not able to see the contact call. This may be due to whatsapp bug. Please specify.

  bjmrao wrote:

  With the help of 5s with ios 9.2.1. Call ringtone but screen does not show the answer since mode. Could not receive call and not able to see the contact call. This may be due to whatsapp bug. Please specify.

  Please ask Whatapps since you use their app.

• Is it possible to see what information shows on the LCD remote?

  Hello

  I was wondering if there is a way to see what information shows remote on the LCD screen.

  We have servers on an external data store and wanted to check a few errors on a server.

  Is it possible to do?

  Nothing that shows the actual error LCD text but the LCD is just a relay of messages stored in the recorded material that can be seen in OMSA.

• Bluescreen when the soft proofing

  I just started to have the blue screen with an X, developing mode, while the soft proofing and seeking the warnings of the range. Proofing also no longer works (image remains the same). Recently made "Digital Camera RAW Compatibility Update" and recently upgraded to El Capitan, and this issue seems to be passed eventually. Since having the problem, I've just updated to the latest version of LR, nothing helps. With the help of iMac (mid-2010) with a lot of memory... everything worked fine last week. Here is the system of information displayed on the performance tab in the preferences of LR:

  

  Any advice would be appreciated. Thank you.

  Sorry for my delay... Thank you for your response. I always have, I could not proofing to work even though he seems to have the right icc profile listed. In fact, the profiles were more where they should be in the ColorSync folder. Reinstalled them, and everything is good to go. GPU is activated and not blue X.

• Tengo una duda hace unos dias compre lightroom y photoshop pero me sigue showing Québec tengo if quiero comprar una prueba version license y me messed the volvi sesion entrar y me newspaper eso sigue. That I have that hacer para detected mi

  Tengo una duda hace unos dias compre lightroom y photoshop pero me sigue showing Québec tengo if quiero comprar una prueba version license y me messed the volvi sesion entrar y me newspaper eso sigue. That I have that hacer para detected mi producto comprado? En el correo aside solo viene el pedido pero nunca number me llegó el number of license of mi producto

  log out and then back to your client application to cc using the same adobe id used to pay, sign, sign | Creative desktop application Cloud

• Hello everyone. I recently installed a Samsung SSD (hard solid state drive) in my destop PC. For some reason any Lightroom do not see? So I can't ingest pictures of her, or copy photos from a card itself. It is not listed as a player option. See LR

  Hello everyone. I recently installed a Samsung SSD (hard solid state drive) in my destop PC. For some reason any Lightroom do not see? So I can't ingest pictures of her, or copy photos from a card itself. It is not listed as a player option. LR sees any other drive. My computer he sees very well, so I was able to create a catalog it. IM using windows 8.1. Any ideas? I would also add that this drive has become corrupted and was repaired by Samsung. Maybe they did do a very good job......

  Did receive the disk with the letter of A: or B: drive? See below, which deals with the question:

  Re: lr 4 does not display the new hard drives > 2 TB

• Once Soft Proofing in LR4 most of my loaded printer profiles is not visible

  I am running LR4 and CS6 on a HP desktop with 4Gig Ram, Win 7 Home, profiling using DataColor monitor

  In CS6, all my printer ICC profiles loaded appear when you configure the proofing...

  

  In the LR4, most of the profiles appear not...

  The problem is that I print on an Epson 7600 CMYK printer with UltraChrome ink and especially on the Web so I need proof for this environment.

  

  The problem is that I print on an Epson 7600 CMYK printer with UltraChrome ink and especially on the Web so I need proof for this environment.

  Pictures of the two different pull-down are attached.

  Currently Lightroom does not support CMYK output events.

• Soft proofing and color profile

  Dear all,

  problems shall comply with archival ink jet print places I tried. I am now looking at "soft proofing" which I think is not without her pearls. The problems I've experienced before where the images were no converted the profile is that sometimes they would print at great expense properly and sometimes they would not, again at great cost. If the image is converted to the correct profile, in this case Hahnemule, will the embedded profile that the image will print consistently and 2 different days?

  Images must be in Adobe RGB (1998) or sRGB, in both cases with

  embedded profiles, but only one type for each poster.

  The printer must apply 'Use integrated source profile' mode and a

  Destination profile which is valid for the paper and the printing process itself.

  Hahnemühle says almost nothing.

  A few parameters: weight in g/m², resolution in dpi, dithering mode

  (pixelation), CMYK or CMYK + LightC, + LightM, or other combinations with

  several grays, or to Orange and green. Given the fact that inkjet

  In addition, often use a profile of linearization, there is a good chance of

  Errors of the operator.

  This should be fixed in advance. Then the appropriate profile can be used

  for ever.

  IMHO, a wedge of FOGRA control is used for the printing of the evidence,

  which means "simulate the appearance of offset printing with inkjet.

  At least I use the corner of control in this situation. It requires a

  spectrophotometer, incidentally.

  In all cases of doubt I would print a typical image with well known appearance

  in the same process.

  For example, p.4 / p.5 here:

  http://www.FHO-Emden.de/~Hoffmann/a3gencolorhigh.PDF

  Cordially - Gernot Hoffmann

  Regarding the last post #3: If the print operators are not familiar with

  color profiles, then the situation is desperate.

  Post edited by: Gernot Hoffmann

• Lightroom can not 'see' Network drive

  OK, for the last two years of using lightroom, I had my RAW files stored on a xserve RAID which is networked with my editing station.   Nothing about this configuration has changed and has worked very well until Monday (it was for sure a Monday)

  Monday, after I installed the plugin x-rite color checker passport, I decided to restart my machine because it became slow have only worked on several large files in Photoshop.  Lightroom wanted to make his weekly backup of the catalog, so I left it.   Fast forward to a few hours later, lightroom has been locked up for sure.  So I had to force quit, and then restart.

  When restarting lightroom gave me?  on most of the files on my network drive, a single folder showed normal.  I checked the disk and permissions all's well here.   I tried one of my many backups of catalogue with the same results.     I didn't have time to monkey, so I erased prefs and App folder lightroom support and proceeded to re - install lightroom.    After that I got the same result.  At this point I also noticed in the screen import that he saw only a single folder on the disk...    At that time, I did a catalog completely new, based on this years only images (24 k or so compared to 43 k in my other catalog) and left that go from one day to the next.  all imported correctly and the preview images created, however this new catalogue has the same problem!

  Help, please!

  Note, I just tried lightroom on another machine and he sees the thin files.

  Have you tried to navigate to the network folder using the interface of the Explorer/finder on that you get when you click "Select source" and choose "Other Source" from there? If you can find the file in question, try to import an image from there.

  Gossweiler beat

  Switzerland