Less quality after first Pro CS5 export

Hello

I made a few nice pieces on my snowboard vacation. I want to make a film of it. I tried in Final Cut, but when someone recommended me Premiere Pro I was finally convinced to Premiere Pro. Movies come in 720 p 60 FPS. Someone told me in a sequence that I had to choose HDV720P 30 FPS. Because when I do a 50% slomotion, there's 30 FPS. So, I started a sequence in HDV720 30 FPS. I did the first few minutes and tried to export it. I chose the H.264 option in high quality HDTV720P 29.97 as an export without modification. When I look at the file exported in the same program (VLC) and compare the same shot of the actual film exported there is really less quality. I was wondering why is there less quality and what the best choice get the same quality as the real movie?

Hope you can help out me.

Best regards

1: I tend to simply adjust the flow to 6-10 and find out who is good enough for me.

2: I tend to use VBR 2 pass myself.

3: I tend to use quality made maximum.  I guess that time additional export used worth the quality.  Faster the times are your best computer.

I hope that your Snowboard videos come out well.

I remember when I was loading, I've only had a Sony 8 mm Viewcam.  Much more then your Contour HD.

We always found it hard to get out because we had a lot of fun.  With the outline, you can put it on and forget it.

The Contour and the HD Hero look nice.  I love the waterproof to the water of the hero.

I have not shipped in about 6 years, but need to get back on the slopes.

I hope this helps.  If you don't like the rate, you can always wear.

GLenn

Here's a quote from John Rofrano that I use for the adjustment of flow:

.................................................................

VBR has the potential to bring the best quality for the same number of bits. CBR will give the best quality speed transmission max.

To understand why this is, you must first understand what they both mean because the absolute qualitydepends on bitrate:

Variable bit rate means that you can vary the number of bits used to represent a framework so that the average total amount of bits-per-image runs. It does this by stealing bits of executives with less information to be encoded (who do not need them) and giving them to managers who have more information to encode (and do not have them).

Constant Bit Rate means that each image uses the same amount of bits regardless of whether or not she needs them.

If you encode a video to 6 Mbps CBR and VBR 6 Mbit the VBR can have better quality. This is because it varies the speed of transmission may be giving some executives as much as 8 or 9Mbit while other only 3 or 4 Mbit but in the end, it will be an average of 6 Mbit. CBR, however, will never give any setting more than 6 Mbit. If there are executives who need more than 6 Mbps encoding, CBR will look worse than VBR.

That said... If you do the DVD and the DVD specifications says that 9Mbit is the highest flow that you can use, then a 9Mbit CBR is the best quality, you can get because each image will all use the 9Mbit. So if your project fits on the medium flow rate max then CBR will give you the best quality. If it will be not VBR 2 pass should give better results with the same flow rate.

BTW, VBR 2-Pass is a 2 comprehensive analyses of media manufacturing process, once to calculate the necessary bits for each image, then set a budget to see where better spending the bits, then a second pass to actually make the encoding. It takes a bit of the guesswork of budgeting bits that could make VBR 1 pick worse than CBR if bits are not distributed efficiently.

~ jr

www.johnrofrano.com
www.VASST.com

Tags: Premiere

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