Mluts

Similar Questions

• MLUT question

  Another question nwebie...

  During the filming for television, regardless of the camera gamma curve control... (except for STD5 709...) You can set the MLUT... for the VF and monitor for Rec 709... as that's what he'll be back to finish by... That's all the interest of the MLUT is not...

  Assuming that it's just... When and why would the other MLUTS... hypergamma, s... S journal etc. be useful...? Get the feeling Im missing something here...

  Thank you

  
  

• F55 low light bands and noise

  Need help.

  We have some problems when shooting in low light.

  http://antosch.dyndns.TV/owncloud/index.php/s/mKOEqbsXQrwFVSn

  You can see bands and noise in the viewfinder and screen on board as well as on the pictures.

  Also more brightness also enhance the effect.

  The parameters are:

  AE Slog3 movie

  MPEG 25 1920 x 1080 p

  Exhibition index 3200

  MLUT LC709 Type A for the viewfinder and SDI

  
  

• Import 3D Lut

  Hello

  I would like to import a LUT at will in the F55 to apply this LUT on my viewfinder, I created in 3D.

  Where should I save it this lut (on the sd card) so that I can access the on-camera 3D Lut?

  THX

  Olivier

  Private / Sony / Pro / camera / PMWF55_F5

  Save 3D LUT, make sure camera is in Sgamut 3 / Slog3 or Sgamut3.Cine / SLog3

  Can load via the file menu and then access it from the MLUT key then highlight User3D LUT and scroll until the registered LUT is in 1-4 position.

• Viewfinder LUT vs exposure tools (Zebra / waveform)

  Hi guys,.

  Discussions on our new found access to MLUTs and the AE CINE was great, thanks for all the info fascinating so far. So forgive me if this has already been covered, but I have two questions:

  (A).. .for MLUTs in the viewfinder to be of any practical, why use the waveform monitor and the Zebra reacts to the MLUT when applied, as opposed to the same as if the MLUT has not been applied to all? IE - as an image in the viewfinder as slog2 sgamut my Zebra / wave give me information of the exhibition which is very useful (next to my light meter) but when I apply, say, the REC709 MLUT of the VF, news of Zebra and waveform to adapt to the new image - so REC 709 points out, blow and my zebras tell me now that the parts of the image is blown... But I'm still recording to SxS cards like sLog2 sLog2 - so, in reality, this info is not get blown at all.

  So what I mean: the REC709 MLUT is ideal to boost the brightness etc. in the viewfinder and makes the image easier on the eye than the image dark sLog2, but I always feel like my tools of exposure to expose properly for the image being recorded to the card (in this case sLog2). I hope that all makes sense... Accept others, or am I missing something here?

  and the second point is:

  (B).. .throughout all the upgrades for the camera by setting the number 2 zebras at 109% don't turn on for me in the VF, despite an image being obviously blown. No more than 108%, or 107%. However the zebras behave corectly to 106% and will show the 'Zebra lines' when the image is burned.

  Is there a reason why 109% zebras does not illuminate, or am I missing something here too?

  Thanks for all your comments guys - happy shooting.

  Tom

  www.tomdavid.com.au

  
  

• Personal firmware roadmap priorities

  It is good to have the roadmap set out firmware and to hear that Sony is committed to respond to comments, but this roadmap seems to be primarily about the features of eminent brochure not available at launch.

  I thought that I list the characteristics less glamours that are expected at a certain time or apparently less complex, but I regard as vital to the functioning of the camera as a tool on a daily basis. I don't want to say it's a weird wish list, plus an order of priority for the features. Here, they are what they are at the moment, the most important first:

  (1) improved exposure tools (waveform for me please).

  (2) AU/TC button more simply decorative.

  (3) MLUT to SDI out shooting S - log to XAVC internal (not gross). Very difficult to convince customers through a monitor that flat, dull scenes will rub upward friendly, honest. This would be number one, except that I think the biggest part of my job to be Hypergamma to XDCam to XAVC is required.

  (4) fix for fan fan (don't have not yet actually the camera, but messages of the forum about it pertained to me).

  (5) HFR for XAVC and Raw. XDCam would be fab too, like everyone else with Final Cut or first can use it, but I understand that technically he is not going to happen. But if you don't ask...

  (6) user Gamma

  (7) record HDCam SR

  Bonus feature:

  (8) simultaneous XAVC / XDCam record to separate cards. I know that this has now been abandoned, but the announcement left scope to revisit, so this is certainly not essential as soon as other features have been implemented THAT XAVC is not ubiquitous it would be well worth another go!

  What are the thoughts of the others?

  Watch read them with a way to add saturation.

  Need yesterday.