my path of the shape is too large?
I use a very long form in an animation. It's a simple idea: use a trim road to gradually display a line, all in one panoramic along it, zoom in very closely so that never see us a small part of the path.
something like that (although I did not implement the camera yet):
the path itself is extremely broad, probably in the neighborhood of 32 k long. I know it's absurd, it's what comes of the photoshop and I intend to adjust its size once I got the correct form. I thought since it was a vector, the size of the canvas was not important in the first step. This seems to be wrong.
What is happening is very strange: beyond a certain threshold, I can't change the anchor points that make up the line. in the screenshot below, all the points to the left of the green line I can communicate with normally. to the right of the line, however, they are frozen or locked somehow. I can't move around, I cannot adjust the handles. I thought that maybe the points themselves were somehow got corrupted, so I thought I would try to remove the most troublesome and add new points. I can successfully remove points, but if I add new ones, they immediately respond the path because there are and cannot be changed. so I can remove complexity of the path, but I can not add it. Huzzah! the tide finally turned in my war against the detail!
Some symptoms more:
(1) as the type, you can see in the first screenshot, it is difficult to frame the entire object in the drawing area. It's as if the canvas has invisible borders I can't scroll in front. I can zoom out far enough to see the entire path, which means he knows what it is * something * beyond these limits, but I can't use the hand tool to explore these areas.
(2) if I try to move the "latest" mobile point beyond the threshold, it snaps back to a very strange place shaped covering. the behavior is hard to describe, but that's what the result looks like:
(3) reduce the path to a reasonable size, using the layer transform or free transform on all points at a time, does not seem to solve the problem.
(4) if I take all my points and use the free transform simply * move * their stop left a little bit, THEN I can move these points freely.
all this seems to me a kind of problem of precision, or maybe someone hard an arbitrary canvas size limit. Frankly, I suspect that this last, because the questions of accuracy would manifest no doubt differently (as anchors to a grid of 10 or 100 pixels, rather than shooting way somewhere else). I'm really at a loss here and risk losing the value of a day's work if I can't understand it. Anyone have any ideas?
This is a very useful tip! dethrone the next time
(only because I had finished about 90% of the shape and wanted to just bang out that last 10% without coming up with a new strategy)
in any case, I think I figured this out. I am more convinced now that it was a problem of accuracy after all. not only the form wasn't very big, but it turns out that - perhaps because the original path came from photoshop and was copied in this session - the anchor points were all located far from the origin of the shape layer itself. so for me to even move the shape in the view of the composition, he had X translate values between 10,000 and 30 000 pixels. the required number to display not only the transformation, but shifts anchor OF this transformation, I believe, is what pushed me over the edge and beyond the limits of accuracy.
My solution was to select all the anchor points and drag them closer to the origin of the form (which is #4, since the original observation was be the left screen). This allowed me to use less extreme values of the corresponding translation. between that and reducing the size of the composition that I used for this work from scratch, I can describe the same form using an order of magnitude smaller numbers. I am now well within the limits of accuracy and can move freely once more points.
It is not that my form was too big, exactly. Is that it was too far from the origin, so the numbers required to describe it were too important. This does not mean that the form * don't * become too big, of course, thats why the Myleniumsuggestion is a very good I will try next time.
Cheers.
Tags: After Effects
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