PAL HD to SD anamorphic for UK broadcast

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• Hi, I really need help... I can't find any broadcasting EBU-100/75, test your 1 KhZ, etc... I m going to do 15 masters short for Swedish broadcasting channel at night. -haha! and I can't find anything inside the first... I m I'm blind! Help, please! Vanle

  Hi, I really need help... I can't find any broadcasting EBU-100/75, test your 1 KhZ, etc... I m going to do 15 masters short for Swedish broadcasting channel at night. -haha! and I can't find anything inside the first... I m I'm blind! Help, please! Paris looks Jokum

  Bay3Bob - you are great! Thanxxx :-)

• E-mail for direct broadcasting blackBerry Smartphones

  I can't spread my BB email as I can leave the office. I have all my contacts on my BB with their different categories but only able to send individuals. What I am doing wrong?

  Yes, the categories are different groups.

  You must create groups on the BB, best I remember.

  You can create categories in Entourage and sync for BB, but not groups.

• Experts in Windows: aid needed to save for Web broadcast!

  It is a plea for expert Windows residents help Stacy (Redncuda2) with its important except for cause of Web before it damaged his computer (with my involuntary complicity):

  http://forums.Adobe.com/thread/1249291?TSTART=0

  My bad!

  I don't think you has done or said something wrong, although deleting specific files can be a bit beyond many users on both platforms.  No we are all computer geeks.

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• Re: specification for parameters of the project and the final delivery of the animations for broadcast HD

  Hi all

  I just finished reading the book of techniques of studio by mark christiansen and I have I have some doubts, maybe, someone working on similar projects can help out me, I hope!

  I live in a PAL country and I especially design and animate the graphics in AE with layers of shape, the illustrator files and psd files. I can work in a proyect for broadcast HD tv and some questions and insecurities had crawled in. I would describe who will be I guess than the workflow:

  1 - setting up the project in AE:

  

  of course, the working color space should be consistent between applications. Linearize is important, but I Don t well grasp the concept.

  (2) my master composition:

  

  Here, the choice of the frame rate should be 25/50 according to the... ? is just a choice if you work with live images of the hd cameras? apply to animations, graphics?

  And last question, which would be the preferred delivery format and the encoding of the file? I know that there is a wide choice, but if you have a set that s works for you and your customers then i´ll be useful.

  Also. If you have an article, you can recommend where there is an explanation very clear be appreciatted, it seems (to me) the deeper you digg I get more confused.

  Thanks in advance!

  You should check with the diffuser. Either they publicly publish their requirements or that they are in a contract. There is not one size fits all here. The best option for the broadcast work is to make a copy almost without loss or loss of your job as a DI (digital intermediate) and then compress the project specifications accurate diffuser using Adobe Media Encoder or another application specifically designed for video compression for delivery. The only time you ever look like an amateur is when you do not ask the specifications. I regularly get the same images different distributors in 6 different formats.

• Export parameters for H.264 "order of fields & TV standart & profile"?

  So, in first CC, when you export in H.264 format. There are these options in the video tab.

  Order of fields & TV standart & profile

  I have 2 questions

  Change in your video? and is it important in this day and age?

  (I know that he 'leave' mouse cursor on it, yellow box explaining but his technique ciberish for me)

  

  If works with 1080i, field order is important and must be set to HIGH.

  For 1080 p or 720 p, then of course it must be on PROGRESSIVE.

  You are right that 'NTSC or PAL' shouldn't really apply when it comes to HD formats, for the simple reason that NTSC and PAL refer specifically to the standard definition broadcast standards. However, the conditions have turned used to differentiate the NTSC and PAL framerate, 29.97 and 25 respectively, which still applies to HD formats.

  Regarding the profile parameter, which depends on the mode of delivery, if YouTube or Blu - ray or mobile or other device. I know of no rule general application in this area. I just use the presets suited my needs and let the profile be, since Adobe engineers should know the best setting for a given preset.

  Thank you

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  Safe Harbor computers

• PAL/SCART option disappeared on the Qosmio G10

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  Everything worked OK, but after a while THAT PAL/SCART disappear from the list of TV formats list. PAL/SCART out is missing in the settings if using ESC, F1 during the startup.

  HELP PLEASE!

  Hi palanez

  If I am you understand you right wrote about the BIOS settings. I can't imagine that some BIOS setting can disappear without any reason. You did some changes such as updating the BIOS?

• Help to find the driver for Satellite 1800 412

  Friendly day time dear administrators of a forum and participants, help find the driver for toshiba broadcast s1800-412, in advance thank you.

  If there is a possibility to send on an email [email protected]

  Hello

  He's a guy of the user forum to ;)
  If you want to accept that a notice of a simply common Toshiba laptop user then got to this site:
  http://EU.computers.Toshiba-Europe.com/cgi-bin/ToshibaCSG/download_drivers_bios.jsp?service=EU#

  Choose the Archive Satellite Archive Satellite 18 *-Satellite 1800 412

  Enjoy ;)

• Feature Request: 1-2: option report l / h for function of "marker".

  Hello Peter et al.,.

  I would like to request a report l option / additional: for the function of "marker" in the cameras: 2 / 1 (or 'Univisium' as I think marked Storaro).

  He sees public use in the House of cards at the moment, and I turns a lot of work at present mainly (for TV broadcast and web) that goes from 2:1 for a more cinematic look who uses 16:9 screens classic a little more effectively than ratios correct widescreen/cinemascope.

  I know there are a ton of extensions already available, but 2:1 seems to be quickly gaining popularity, and it would be great to be able to compose a little more precisely using function "marker" of the camera and the actual report.

  See you soon,.

  Mark

  Menu > VF > marker

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  Those where you need. Then select: User box > WE

  See you soon!

• How to get rid of the black bars on the sides of the encoding to DVD PAL 16:9?

  

  You cannot fix the black bars in the elements (you can Premiere Pro)

  It has everything to do with the format of the pixels. It used to be 1.422 for PAL dv widescreen. (it's not just PAL, but goes the same for the NTSC; BY different)

  Adobe changed that 1.4587 somewhere around 2009.

  This is why the black bars when converting HD 1920 x 1080 on card SD 720 x 576. (HD is a perfect 16:9 screen wide SD is not)

  In Premiere Pro, there is a harvest to export function to correct this "question" that the element does not. (there is no point to larger scale in the timeline panel, must cut back on output)

  I wouldn't worry too much on this subject, on most of the TV, you will see bars on PC.

  FEATURE request

  For DV widescreen square pixels Adobe use 1050 x 576 for PAL and 872 x 486 for NTSC.

• Best monitor for graphics

  Would love to hear what everyone uses for graphic design with printing/editing in mind. I am new looking for monitors.

  Unfortunately, it is a very subjective topic. It also gets stale quickly too, as the new monitors are always happen. You can search the Internet for information on computer screens video editors want to use especially. Here are some examples for beginning 2013:

  • Best graphics monitor for Photo and video editing 2012-2013
  • Monitors buying guide
  • Best instructors - CNET

  Many publishers as the HP Dreamcolor, here is an article that describes how to set up.

  Many video editors pro uses a second 'critical color' broadcast monitor for classification and putting in place the best broadcast signal. Why?

  • A computer screen won't show interlacing.
  • A computer screen cannot be properly calibrated for the broadcast.
  • A computer monitor may not show an accurate representation of the framerate (for example to change a sequence of 24 p while controlling 29.97).
  • Without a monitor, you can not accurately gauge quality (for the scaling, etc.).

  If that's what you're looking for, check out these sites:

  • Flanders scientific
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• Should I have fms and how easy is live for users?

  Hello world

  I'm just studying the requirements for a new project and I wanted to ask you a few questions about FMS if you would be kind enough. The site I am building at will (among others) stream video that has been downloaded (mainly by the admin of the site), but also potentially by users and I need a solution for this. Also (ideally) the site will be live broadcasts every now and then that users can watch. As a result, my questions are:

  -Probably, we'll need to add an encoding software on the site to convert different formats of file in FLV FMS can play them (because it does not include the conversion features)?

  -We would use a relatively powerful dedicated server, it suggests generally that you install FMS on a completely different server or it can run on your primary server (as long as you are not in the service of the ridiculous amounts of video at the same time).

  -Do I have that right to say that if we use FMS so it won't work on the iphone or the ipad the lack of flash support? Is this also true if we use video h.264 rather than FLV files? I understand that even with h264s that it won't work not because the player is flash and therefore it can not read the drive, despite bein able to read the video format. Is there a way around this?

  -FMS can be used to allow users to record directly to the output of their webcam in the correct format for a future (not live) broadcast (like the functionality of my Webcam on youtube) or should it be done through flash media encoder and then saved?

  -Am I right in thinking that to stream live video, you must use Flash Media Encoder and then connect you to the FMS? Is it easy to install media encoder to point to a FMS specfiic (IE is it possible to use it as a solution for the upper limbs to spread or is the installation of the complicated FME)? Is it all to build website so someone can disseminate via their browser and webcam and then have transcode via FMS?

  Thank you very much for your help/info in advance, we appreciate it really heavily,

  Dave

  -I've read php ffmpeg conversion that was an option I was looking at, although presumaby this i would need a separate server because the encoding is pretty processor intensive? Are there other options (even if you have to buy a separate software that is running on the server, this wouldn't be a problem)

  Yes. See our Rhozet carbon coder and Sorenson Squish.

  -Am I right to say that you can use an encoder based flash embedded on your site to encode the videos but only using h.263, which is the worst quality (I know it's what you say below but I just wanted to clarify). Assuming that we were happy to allow encoding in a file of quality slightly lower then is - it possible through FMS or that require other software?

  A flash application can encode only from the camera (for live broadcasting). So, if you want to publish from a webcam for FMS, Flash will do the job. If you want to re - encode an existing video file, flash won't do.

• New issue of motherboard for a new generation of system.

  Hi all

  First turn off the tell me thank you wrongly for his help in me is about to speak of these with the manufacturer of computer re my next major update, without this aid would not be able to take defects/add suggestions for his / my ideal machine. Once again I am your debt. And to the many others who also rang with the help and suggestions for the ideal configuration for editing with CS5 l say thank you to you. My questions now are to do with the motherboard that has been suggested l get and it's the EVGA Classified SR - 2 http://www.pccasegear.com/index.php?main_page=product_info & cPath = 138_711_775 & products_id = 1 4964 that my initial request was for an ASUS P6X58D Premium LGA 1366. What are your thoughts on this please.

  And he put in the mixture a Gainsward 1536 MB GTX 480 l request a card NVIDIA GTX 480 Fermi, can you tell me if there is a marked difference in the two please.

  Thanks for your help.

  Simon Allan

  Simon,

  FERMI FERMI or not? The precise and unambiguous answer is FERMI.

  Remains to be seen if you should go for a Quadro 4000/5000 or 6000 on a share or a GTX 470/480. IMO the Quadro range is expensive, wise basis, but he compensates by the amount of memory. Add to that the complicating factor that you are talking about a two-way with Xeon 56xx CPU configuration (NO i7 - 980) and it is quite possible that the video memory is very important to consider. However, the 4000 with only 256 cores and 2 GB of memory pales compared with a 470 for a third of the price. The 5000 with 352 cores and 2.5 GB seems better, but with an MSRP of about $2,250, it is about 4 times more expensive than the 480, which has many more hearts, but only 1.5 GB. Has the same number of hearts as the nuclei exactly 448 470, 6000, but a 6 GB of memory and an MSRP of $5,000 pay you about $4,500 just to memory.

  Why is the memory so important? Processor Dual configurations are severely hampered by inter communication CPU/RAM and latency introduced by who. This means that if we can reduce the number of transactions between CPU-RAM-GPU-video memory-GPU-RAM-processor and all the time lag involved, the results will be improved dramatically.

  Personally I'd go for a 470/480 to spend savings on a raid controller and drive better Setup. There is nothing to improve in this area with 48 G of memory.

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• I want to follow a web stream, but he dropped out. How can I automatically refresh web site?

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  Gift her

  See also:

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• Cannot play mp4 external drive, but still flow to 35.0 stuff

  35.0 running on windows 7 pro.

  I want to be able to play mp4 external drive and continue to spread. I could do this before updating 35.0 when I put media.windows - media - foundation.enabled to false. Now, it seems that I need to adjust the two who and media.play - stand alone to false, and then mp4 will open in media player classic (as I would like to). But the tumblr.com streaming will not work. He's right there.

  Here's the test:
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  2. http://crossfirezine.tumblr.com/post/108731776691/henry-fox-has-a-dope-new-edit-up-for
  must broadcast, not just stand there. (it broadcasts if the two configs above are true)

  Configuring the application for mp4 to Media Player Classic seems to have no effect on the first event unless I do the topic: config changes, what jumps do test 2.

  This has worked before the update 35.0, whereby time firefox crashed and I lost ALL my settings configuration. Not sure why this has happened. Now, I can't get it working again.

  Thank you

  EC

  Please let "media.windows - media - foundation.enabled" on true and ' media.play - stand alone "on fake...