Premiere Pro / After effects editable text / contrast color

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• Ive been using Premiere Pro, After Effects and Photoshop for a while now with creative cloud, but since I've updated the 2015 After effects version, it is said that it is a trail version? But when I go on the creative menu cloud and look at apps it j

  Ive been using Premiere Pro, After Effects and Photoshop for a while now with creative cloud, but since I've updated the 2015 After effects version, it is said that it is a trail version? But when I go on the creative menu cloud and look at apps it just said up to date, any ideas on this?

  Hello Cam,

  Please check the help below document:

  Applications creative Cloud back in test mode after an update until 2015 for CC

  Kind regards

  Sheena

• My (not so great) experience with Premiere Pro & after effects CC 2015 after barely a day of use.

  Right off the bat, let me say that I wish that I had not being updated until 2015 CC this morning. I blame the hype and all the exciting videos, showing off the new features to deceive me in...

  After waiting more than an hour to install everything on my Mac at work, I fell quickly on the first question when continuing on a CC 2014 project in Premiere Pro. The project has had some 4K footage with clips made in them, who I pre-rendered for an obvious reason: smooth playback. Who had worked perfectly fine in CC 2014. But in 2015, CC, it didn't yet... at all. Reposting clips did not cause to run any tool path smoothing, nor did lower the playback quality, even at 1/16 of the resolution (while in 2014 CC that would be more than enough to cause a perfect playback).

  For the same project I also need to do some work in some After Effects comps. So I opened my project and immediately, I noticed that my keyboard pressings were not record 9 of 10 times. I don't think I have to explain why this is especially annoying (and why I went to pounding my keyboard with my fists...).

  As if this was not frustrating enough, mounting Panel started to act up and remained permanently in the foreground, whenever I started a RAM Preview (I use a Setup dual monitor and my editing panel occupies essentially the right monitor). There is no way to make any application to the foreground while RAM previewing, so I ended up having to drag my editing about Panel out of the screen.

  Also, is there a way to stop the new RAM made preview? I don't know it is because of the issue of keyboard or that there simply cannot stop, since the SPACEBAR and '0' on the numeric keypad does not a billion times another thing that frustrate me even more.

  To top it off, I had to also motion-track one, and you have probably guessed Cela has also worked like a charm! * Cough *. Follow-up went well, but as soon as I tried to stop the analysis and you press the stop button, After Effects simply crashed.

  So yes, it was about my day at work. How was yours?

  Allright,-all right, I'll get to the point; Where and how do I go back to CC 2014?

  I'm done trying to force on my eyeballs to the frustration, I'll give CC 2015 another chance when these problems are solved.

  Thank you

  Rick

  Hi Daniel,.

  I've been looking around on the Forum and just found an easier way to do this via the updater of creative cloud itself:

  How to find and install a previous Version of Adobe Apps in CC 2015 | Adobe Customer Care Team

  The good thing is that I can now run the 2014 and 2015 versions without uninstalling one or the other.

  Thanks a lot for the tip and the response if!

  As for the issue of the first reading, I discovered that changing the rendering option in the project settings of the "GPU accelerated" for "software only" caused much less frame drops. This means that I can actually work with the 2015 first CC version! I'll stick however for now to the CC 2014 After effects version.

• Premiere Pro, After Effects and other crash immediately.

  Hello world

  I'm hoping to get some ideas here because I am completely puzzled, I registered on the creative cloud about 4 months ago, I use Photoshop a lot still works very well, however, Premiere Pro and After Effects will immediately block and even not in the program, I'm running a new machine, 16 GB ram, windows 7 Geforce GTX 750...  I've included a few screen grabs to better explain.

  I tried to replace the ImageRenderer, the DLL without result, any help appreciated, how and what do I do?  I tried to uninstall and re install with no luck.

  

  

  Hello

  The module failed ImageRenderer.dll is more likely to end up on computers that do not have SP1 is installed. You have installed SP1 for Windows 7?

  Thank you

  Regalo

• Error when copying R3D footage in Premiere Pro, After Effects, CC 2015?

  Get the following error during the copy of R3D images above first in After Effects composition timeline:

  

  Never had this problem before, as long as the body and AE were both the same version of CC, copy and paste has worked.  After that error, copy the R3D images on offline.  Any ideas?

  What number of exact version of AE are you using? If you use a Mac and your AE version is 13.7.1, you need to update to 13.7.2.

• Premiere Pro, After Effects CS5 and the shared memory pool

  This feature works fine in Win 7 x 64. I think adding more RAM and going up to 12 GB. However, I noticed that CS5 sharing memory pool is limited to 75% of the physical RAM installed. Even if that makes sense, if you have a computer with the minimum requirements of 4 GB (because Windows itself will use a little less 1 GB + /), it makes less sense to 12 GB, where 9 GB is all you can use for the pool of CS5.

  Is this the way it works, or is it possible that I can be 'greedy' and go the number of 75% for larger amounts of physical RAM? It helps to have as physical RAM as much as possible for AE previews high resolution, etc..

  It is by design.

• Help! Premiere and After Effects on 32-bit systems

  because we are unable to run Adobe Premiere and After Effects on 32-bit systems, can I get versions of cs5 with this license as it is compatible with 32-bit computers

  Hello

  We want to tell you that CS 5 is now end of life, isn't Adobe sell/support it more.

  Only way you can get a support is on the forums which is only around installation, activation, 'how to' questions.

  Please check the terms of System. Adobe Premiere Pro, you may need to upgrade your hardware to meet the requirements and use.

  Thank you

  Atul Saini

• Best way to Dynamic Link Premiere and After Effects... problems.

  Ok

  I seem to be getting really reading juddery jaggy when I dynamic bind a sequence in After Effects. Conviviality between premiere and After Effects is quite well. I can jump between the two progs. without any lag or slow down. It's just when I do the necessary color corrections, or VFX stuff, I'll be back in first and the After Effects composition games replaced slow return... very jerky. I get the yellow bar above, who Im with the understanding that he must come back and play in real time. That she doesn't. It is not until I make work area that I can watch the sequence in real time.

  IM at a loss. not sure if this is a setting or what.

  System Specs:

  
  Win 7 64 bit

  mobo Asus P6TE SE i7-920

  6gigs of ram

  1 250 GB OS drive (7200 RPM)

  2 640 gb Vid storage drives (7200)

  1 work of 250 GB disk (7200)

  Graphics card is a - BFG GeForce GTX260

  -----

  I work with files

  DV

  23.976 fps

  captured in Premiere CS4

  After Effects settings match those of the first sequence.

  -

  I not run anything else in the background, as virus scans and my process have been twisted in vipers twisted Win7 instructions.

  -

  I have an upcoming massive HDV project for a feature length movie, and just trying to solve my problems before that date. Even if I'll encounter you more I'd like to solve those underway.

  I'll upgrade to 12 GB of Ram before cutting HDV, I just upgraded system recently is a new installation as well...

  Needless to say that its a DV film and it should work better I suppose.

  My first reference is under A.Bes, told me he ran under what it should be with the current configuration. I still have to try once again after modificaitons to process and services, etc..

  Thank you

  A.BES

  If I understand correctly, you have an AE comp in a sequence of Pr.  In AE, you added the CC and the VFX.  When you return to Pr play the AE comp, you don't get the reading of RT.

  It's normal.  The CC and VFX for EI must be made by AE before coming to PR.  If AE will not be rendered in RT, then Pr will not play the model related to RT

  In PR, the yellow bar does not pass to red because the Pr has no way of knowing what, if anything, was done in AE.  All the Pr never see are images made of EI.  PR, if the size and pace of the computer frame corresponds to the sequence image size and frame rate, then RT reading is theoretically possible.

  -Jeff

• The Nvidia GTX 970 works with the gpu acceleration in first pro / after effects.

  The Nvidia GTX 970 works with the gpu acceleration in first pro / after effects.

  I want to know as I suppose it would be, but it is not in the configuration required for the cuda acceleration.

  Yes, he does. I have the 980 and it works very well also.

• In After Effects, my text is huge, even at 0.1px

  I'm trying to add 3d tracking query text.  Here's what I did:

  1. Film imported from 4K in Premiere Pro CC 2015
  2. Added to a sequence of 1080 p
  3. Click right on the sequence and selected "Replace with After Effects Composition"
  4. After effects CC 2015, clicked on 'Track Camera.
  5. After analysis, has chosen three points and selected ' Add Camera & text ".

  The text, which she said was so huge that it has blocked all of the compositions.  I lowered the size of the text to 0.1px, and here is the result:
  

  The first time I tried this, the text has a reasonable size.  I guess that, inadvertently, I changed a few settings that causes this problem, but I can't understand what it could be.

  
  Why is my text so huge, even to 0.1px?

  Thank you.

  I tried several times before posting, and each time, I got the huge text.  I found the ladder and changed, then did the all over again, and that day, the text was of a reasonable size.

  So maybe I changed the scale inadvertently, as he remembered it for all segments of future text added via the 3D camera tracker.

  Thank you.

• In the meantime media in Premiere Pro after the use of Speedgrade

  I recently finished color grading a sequence that I imported from Premiere pro using directlink. Everything went well in Speedgrade - I asked a LUT Cinestyle all my clips and made a few corrections using primary and secondary layers.

  After that, I have opened the sequence first and all the clips that have been classified as being waiting for media. If I turn off the Lumetri effect, media Meanwhile disappears and the images (classified) reappears and plays without problem. I cannot export something due "unknown compilation error.

  I use the latest versions of both programs and you encounter the same problem on Mac and PC.

  I've never had a problem with Speedgrade before like this. Someone else has a similar problem?

  I just solved this problem myself after a lot of headaches and a missed deadline. By my experiences, all used by SG lut must be copied in the folder of LUTs for first for a direct link to the first to work properly. On Windows, it's Program Files-> Adobe-> Adobe first Pro CC 2014-> Lumetri-> LUTs

  -Mark

• IMPROVE the BRUTE &. DNG WORKFLOW IN PREMIERE and AFTER EFFECTS

  I am editor-in-Chief, and I work with raw. DNG files more over the past two years.

  Image with the RAW settings controls are amazing off course.

  But not the controls that Adobe provides to editing the .dng files. I find this workflow to be stoneaged, extremely devious and far from effective.

  THESE ARE THE METHODS of EDITING I USE (September 2016, adobe cc 2015.3):

  (1) for editing the .dng files I must interpret my shots with the RAW importer in After Effects. Then export every time with these settings in the format Prores out of After Effects. That will become the images then in first. The render time is huge, place to three days of rendering time for some projects of greater that I worked.

  (2) a very intensively and your working time is as follows:

  • Import each shot like .dng in first (one-by-one, at the same time is not possible (adobe feature request).)

  • In order to be able to change with it, you can edit the RAW temperature, tint, and exposure settings (adobe feature request: integrate all the raw settings as you did with Lumetri).

  • Then there are several ways to do it, I do it like this: I put all the photos in a calendar on the same layer.

  • I have duplicate all the shots to the upper layer.

  • I select all the photos duplicated and then right click: ' replace with after composition effects.

  • You go to sequels and then ask the parameters for each individual shot raw. You set the parameters of all your shots. You will only be able to see the first image of the sequence, so if you are working with a Committee of action, you will only be able to see the first image. (adobe feature request: make it scrollable of sequences of images, so within the RAW screen importer I wish I could scroll through other images of this sequence)

  > > You can open another frame of the sequence of images just from the finder and then open with photoshop, the RAW importer screen will invite, adjust the settings and then export these settings. Then - later - you can load these settings in After Effects by right-clicking the sequence in the project window and choose "replace footage > > file" and then it will prompt you again with the RAW importer window). Pfff, so sneaky and ineffective all together. (adobe feature request)

  • When the settings for all plans are finished, you will find all the plans in a composition. BUT these layers will appear UNFORTUNATELY have been interpreted as images (image .dng) instead of sequences of images (photos/film .dng). (adobe feature request)

  • Up to now, you go the project window and you select the first shot, do a right-click: "replace sequences > > leader." Select the first file .dng and enter. The RAW importer appears again, thank God he reminded of the settings that you have applied to this .dng, os, you don't have to do it all over again.

  • You repeat this operation for all your shots.

  • Then in your timeline first you should have two layers with the same shots, the linked AE comp will be with the interpretations of right and the bottom layer with the original .dng files. You can enable or disable the layer on and outside, by providing a much faster workflow for editing. Type to have created a proxy system.

  -But then a European problem can occur: If all the shots in the AE comp seem to be shorter then in your timeline in first you do this:

  • In After Effects, go first .dng sequence in your project window. Right click, choose "film > > main.

  • You can select the frame rate, set it to 25 if you are working with 25 images per image (to check in settings to create sequence) captures. (adobe feature request: use the same rate for this interpretation as first has done, or ask, and remember this choice)

  • THEN, SEVERAL HOURS LATER, depends on how much you have pictures, you can begin to find a way to edit first. You can nest the sequence in which the original dng sequences and the composition of linked EI are superimposed. If you do not have to edit with two videos and several audio blocks above the other.

  For editing with the org .dng files, you can adjust the base temperature BRUTE, hue settings and exposure in first, so you can see what you're doing. For most RAW images are very dark without the RAW settings, so who can help when your first change in flow when the AE comp is off.

  • When you want to change the raw settings, you can go to sequels, open the project and then choose: "replace footage > > leader." Then importing RAW window again and you can make the change. It is now automatically charged also in first due comp system that you built.

  For a film RED and ALEXA it's organized all much better...

  So now I ask Adobe:

  WHY is WHY WHY like that?

  Two years ago, it remains unchanged.

  I am a very big ADOBE fan and faithful, programs and innovations are impressive. Lumetri is impressive. I hoped he would also modify the RAW data, but unfortunately it doesn't.

  This lack of a good system of RAW editing really pushes me away Adobe right now. This isn't a professional workflow.

  If several editors have the same types of problems, please reply to this post with your opinion.

  Perhaps, it helps a little pushing Adobe to change this.

  And if someone has a big piece of something I'm missing, please please enlighten me. I won't be arrogant kind.

  I can't find the right answer to this workflow of the stone age, and I guess that most people will know it.

  WHY is WHY WHY like that?

  I'm not convinced that it is.

  The only part of your post, I found valid is where clips must be imported one at a time.  It's true, and Adobe certainly should to address the issue.  But both, Blackmagic and other responsible camera must also decide, releasing updates of firmware that create the MXF files to hold the CinemaDNG RAW images, audio, time code metadata and in a single file.    No records, no covering.  A clip, a single file.

  This is technically possible and it is the best option in all areas.  For each Adobe feature request, so we need to request a Blackmagic as well. Two actually, because changing the way in which the cameras record is good the best option.

  Other than this one problem, I don't see where everything you do is necessary.  Lumetri now accesses the RAW data in images CinemaDNG, is not only an effect on top as fast color corrector.

  Using the new feature of Proxy editing is done MUCH easier.

  I see no need for the AE in the pipeline.

• Issues of Premiere and After Effects - download trial has expired

  I bought Adobe Creative Cloud, but whenever I try to download Premiere Pro or After Effects it tells me that my trial has expired and I have not bought the software. It allows me to download but told that I don't have when I try to open it. I feel that I lost all that money and I can't find any help.

  Troubleshooting FAQ: What should I do if I have a subscription, but my application acts as if I had a trial?

• Buy the new laptop for Premiere and After Effects

  Hey! I am looking for a new laptop in the order of € 1200, maybe a little more. I'm editing 1080 p (sometimes at 60 fps), but in AE I want to change the templates and create an animation cool intros. Nothing super advanced yet but I want it to be smooth, because on my laptop today, it's super slow (read at 3-12 fps in AE). I also want to Premiere Pro to be faster, especially when I add effects like stabilization deform and it takes too long to make. Sometimes I use hearing, prelude, Photoshop, Illustrator, but especially the first and AE. I want to do a few 4K changes in the future, but that might be too much for my budget. Or not? The reason why I want a laptop is because I want the opportunity to travel and work.

  Mobile current: 250 3 HP

  i5-4210U,

  -6 GB OF RAM,

  -Samsung SSD 850 EVO 250GB

  -GeForce 820 m

  -LCD 1366 x 768 + external 24 "full HD screen

  Laptop, I could buy 1: Dell Inspiron 7559 (€1170)

  + i7-6700HQ

  + 16 GB of RAM, SDRAM DDR3L, PC3-12800 (1600 MHz), two slots taken (8 GB + 8 GB)

  + GeForce GTX 960 m 4 GB GDDR5

  + 128 GB SSD (type m2, according to the photos) + 1 TB drive HARD 5400 RPM

  Touchscreen, display 4 K

  + 3 x USB 3.0

  + Windows 10 home

  -J' need to buy the disk 7200 RPM 2.5 "

  Link (German)

  Laptop, I could buy 2: Clevo P655SE (1200)

  + i7-4870HQ

  16 GB DDR3L 1600 MHZ

  + GeForce GTX 970 m / 3GB GDDR5

  + 1 TB 7200 RPM, 2 empty slots of m2

  + Full HD screen

  + 3 x USB 3.0

  -J' need to buy Windows (or use my old Windows 7)

  -J' need to buy 128 GB SSD m2

  - I'm not sure if ebay is trustworthy

  Link (In English)

  My equipment:

  -display 24 "1920 x 1080 50/60 hz

  -SSD 250 GB 2.5 "form my old laptop

  -Cooling pad for laptop

  Question:

  What are your thoughts on these two systems in combination with my current equipment with respect to the use of programs (creation and AE)? I'm waiting for your answers.

  Best,

  Gorazd

  There is a forum specifically for this...

  https://forums.Adobe.com/community/premiere/hardware_forum

  Neil

• How to return disk space that Premiere Pro uses when editing?

  I use Premiere Pro on a Mac to edit video. Whenever I have a project, I noticed that a lot of hard disk space is missing. I deleted all of my video files and almost all my project files. I have released as much as 100 GB of space and after the editing of a large project, more than half of the TI had disappeared. I went in Finder on Mac to see if I could find were the room isn't, but I'm not able to see all the really big files that could be made of the space. Does anyone have any suggestions? I'm at 7.6 GB on a 500 GB hard drive. Can not know where will all the space.

  First of all, most of the people working in these programs use more than a sub-Go of disk.

  Second... I don't think you have check your files from the cache, the database & such? Look in the drive of the project files tab / Scratch...

  Describes circles are the "bits" on your computer, parts of arrows are the location. You have to put in a place you can easily find & em empty from time to time.

  

  Neil