Premiere Pro CC lack presets | Packer/Volume CC licenses

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• Adobe Premiere Pro CC2015 lack of Codecs... Fine CC2014... What should do?

  Hi all

  I installed the first Pro CC2015, but kept the first Pro CC2014,

  THE QUESTION

  When I open and convert my 2014 2015, all my images project is unplayable. It behaves as if no codecs are registered. Images is C100 footage.

  Here's my schedule in CC2014, all work fine and smooth:

  

  Here is my calendar in 2015, no images are:

  

  Here's the error message received trying to recreate a link to the "missing" sequence CC2015 knows exactly where he is, but can not read:

  

  Keep in mind that everything works fine in CC2014. There is no question here to do with import, proper use of AVCHD file structure blah blah... the problem is with Premiere Pro CC2015 codecs does not.

  I already talked to others who see the same thing with Canon C300 MXF images when you open CC2014 files in CC2015. That's why two very different codecs with the same problem.

  HAS NO TENT TO CORRECT

  
  

  All combinations of signs out and sign in again and restart. None have worked. Codecs remains unreadable.

  THOUGHTS ON PROBLEM?

  Reminds me of the old modes where some codecs did not work due to the licensing of demonstration. Looks like CC2015 can not access the codecs for one reason or another. I don't know how to fix it.

  Any other ideas?

  CURRENT SOLUTION

  Use CC2014... :/

  Hi Julian,.

  Please try the solution in the link below

  Re: First Pro CC 2015 does not recognize Sony's MTS files

  Vinay

• Premiere Pro does not open due to the license error in App Manager

  Stuck in a loop trying to open PP.  I am a CC members since the beginning, never had this problem.  The country on the normal use of my Mac and the same connection I did for at least a year.  This is what happens...

  I talked through problem with the 24/7 chat that me question could go up and take 2 or 3 DAYS to be contacted for assistance.

  I tried...

  A disconnection CC app then try above.  No solution.

  Relocation of the AAM and try more. No solution.

  PPCC then re - download and try during uninstall. No solution.

  HELP PLEASE!

  Please refer to renew your subscription error

• Where are the Premier Pro custom export presets stored?

  Where are the Premier Pro custom export presets stored?   These are the files created when you create / edit a parameter of export and save under a new name.

  They used to be at C:\Users\Mark\AppData\Roaming\Adobe\Premiere Pro\6.0\Presets but I don't see them here.

  I want to save these presets I customized and be able to import them on another computer.

  Mac OS: /Users//Library/Preferences/Adobe/Common/AME/5.0

  http://helpx.Adobe.com/Media-Encoder/using/custom-encoding-presets.

  But since you have 5.5 it might not be 5.0 but the rest of the locations should always apply.

• Lack of presets custom Premiere Pro cc 2015

  After update first Pro CC 2015 with the last update, my custom export settings I created when exporting from Premiere Pro using the export window that opens are missing. What is a Premiere Pro question or the question of the SOUL. Parameters are created in the export window that opens on the front. I understand there is a window to check what update that allows the selected settings, which I believe is checked by default. Would like an answer for future updates please. This is on a Mac, if that makes a difference.

  Thank you

  I found the file with the old presets so I just copied to the new folder and the presets are back.

• How can I download presets required for Premiere Pro CC 2014

  We are trying to bring back the predefined default settings, followed the instructions via assistance troubleshooting on the Support of Adobe Web site, using the combination of SHIFT + ALT (Option), but does not have the predefined default settings return.

  If anyone can help, it will be appreciated muchly.

  Thank you

  Paul

  Hi Paul,.

  You can download Premiere Pro Presets or content functional from the link below:

  Library, title, missing model projects templates: Premiere Pro, After Effects, yet

  Kind regards

  Navdeep Pandey

• Is it possible to use Lightroom presets in Premiere Pro?

  I have looked around, but can't find an answer (in an admittedly stupid question): I built a ton of presets in Lightroom and I was wondering if there was a way to export to be used for the classification of video in Premiere Pro.

  How to convert a Lightroom preset to LUT 3D using video - YouTube

  This is the case!

• Only Premiere pro trial CC no title presets?

  Is this a limitation to try the first pro instead of buy? I followed the steps here

  Library, title, missing model projects templates: Premiere Pro, After Effects, yet

  But still no title Designer Presets. Can someone help me?

  Hi Joshuatjandra,

  The title templates are common for CS6 and first Pro CC.

  For Windows: Navigate to C:\Program Files\Adobe\Adobe Premiere Pro CS6\Presets

  Copy the 3 files i.e Styles, models and textures, and then navigate to the

  C:\Program Files\Adobe\Adobe Premiere Pro CC\Presets and paste the 3 files.

  For Mac: Open finder window, navigate to the Applications folder. Double-clicking on Premiere Pro CS6 and open presets folder

  copy the 3 files date back to application double-click first Pro CC and paste the 3 files in the Presets folder.

  Please post on the Adobe Forums.

• Language Pack for Premiere Pro CS2 or CS3

  Hey everyone,

  I m looking for a language pack for Premiere Pro CS2 or CS3.

  Could not find anything in the net.

  Thanks for help.

  Best Regrads

  Announcement

  You don't find anything, because there is no such thing. If you want another language, you need to reinstall the programs in this language, if your serial number allows.

  Mylenium

• Is it Adobe Premiere Pro CC full pack includes yet?

  Hello... I downloaded a trial version of Adobe first Pro CC and considering getting the full package of applications. I do not have previous versions of Premiere Pro my main concern is with Adobe Encore. If I buy the complete package Adobe CC including first will I still and dynamic first Pro CC is related to yet?

  Thanks in advance because this will influence my purchase.

  Kind regards

  Stuart

  Stuart please see http://forums.adobe.com/message/5423164#5423164#5423164 where this subject has been discussed.

• Premiere Pro CS3 - Preset & Questions for media files

  Volunteered to create a high school highlight video using Premiere Pro CS3 on Mac football games.  The video will appear in a banquet hall with a NEC projector mounted on the ceiling.  The owner of the room has no info on the projector, so I do not know its resolution native or any other specifications.  The screen is full-size.

  I was given a potpourri of media:

  (1) DVD game of the team from the press box.  MPEG Streamclip shows the VOBs have these properties: 720 × 480, 4:3, 29.97 FPS, Mbit/s 9,30, upper field first - 128 AC3 2/0, 48 kHz, 256 Kbps.  Good or bad, I converted the files to import dv VOBs in PP with these properties: DV/DVCPRO - NTSC, 720 × 480, 4:3, 29.97 FPS, Mbit/s 28,77 - stereo 48 kHz, 28,77 Mbps DV.

  (2) field-level video taken with a Canon HV30 (HD, widescreen).  The files I received are: Apple Intermediate Codec, 960 × 540, 29.97 FPS, 30,09 Mbps - 16 bit Big Endian stereo, 48 kHz, 1.54 Mbps.  I could ask to have these repeated files in the form of SD files.

  (3) many line pictures (TIFF) taken with a Canon 30 d-side.

  After the installation of the project, I was counting on the final export of the video/audio as a mov file to be played from my hard drive top round instead of a DVD.  Not sure about the export settings for optimal quality.

  But first, what predefined PP should I use for this project, or should I use the custom settings?  If so, what would they be?

  I converted the VOBs in the correct format?

  Should I resume the HV30 images or convert it to another format?

  I have photos in Lightroom and can export to TIFF, JPEG, PSD or DNG and can resize down if necessary.  Any suggestions?

  Finally, I thought of the conversion of the background music of mp3s to aif files at 48 kHz, 16-bit to be consistent across different audio files.  Any suggestions with the audio?

  Any ideas or suggestions on these issues would be most appreciated.  If the answers to these questions depend on the type of projector, I have perhaps to wing it... or buy my own projector.  Ouch.

  Sorry for the length of this post.

  I recommend that you configure a 720 x 480 4:3 project.  At the very least, have

  recapture them #2 as widescreen SD video files (I will refrain

  to comment on the usefulness of the AIC to half-HD) the

  recovered files widescreen SD eventually letterboxes in your 4:3

  timeline.  Your other choice would be to implement a 720 x 480 16:9 project,

  but who would eventually pillarboxed 4:3 image.  Your choice.

  I think you did a great job converting the VOBs.

  Resize images in Photoshop.  Get closer to 720 x 480 like you

  can adjustment upward to take account of any panning and zoom that

  You can do.  But do not increase the size more than you

  Duty.  You definitely want to avoid working with the huge frame size

  PR images.

  16-bit stereo audio for the 48 k should work just fine.

  You should find out the native resolution of the projector and if

  or not, it has an internal scaler.

  -Jeff

• Premiere Pro export takes forever! Even with CUDA enabled! Help, please!

  I am a sequence in first pro CC which is 1 minute and 40 seconds. the details of the sequence are:

  • Video files Blackmagic Pocket film camera ProRes HQ
  • lugins used for color grading on separate clips (as a comparison between the ranks of different color of the same clip) - convert movie, Magic Bullet Looks and three different LUTs
  • I added a box to the letters 1:2.35 on top of all the clips
  • In each clip to identify what plugin or LUT is used for each shot, I have added a little text

  Here are the specs of my computer:

  • Windows 7 Ultimate 64-bit (service pack 1)
    
  • Dual core AMD APU A4-6320 with graphics Radeon HD (overclocked to 4 GHz)
  • NVIDIA GeForce GTX 750 Ti 2 GB (overclocked)
  • 8 GB GDDR5 RAM 1600 MHz (such as two 4 GB sticks)

  Premiere Pro export settings:

  • H.264
  • 1920 x 1080 (1.0 progressive and square pixels)
  • 23.976 fps
  • Profile: high
  • Level: 5.1
  • Go to verified maximum depth (prores HQ bmpcc gets 10-bit)
  • Pass VBR 2
  • Bit rate = 30 target
  • flow rate Max = 40
  • Use disabled previesws because I have not been made in the workspace to verify it would not make much difference)
  • Made maximum use quality - I tried this checked and unchecked with the same time of export for both (I have read the forums where this should be disabled if you have the MPE CUDA enabled in Premiere Pro, because it is heavy CPU, but then some forums say always leave on any - which is really confusing)
  • I'm exporting to a hard drive with 7200 RPM

  Those 1 minutes 40 seconds sequence takes about 40 minutes to export which is too long. \I really need help understanding what the problem is and why export takes so long. Thanks in advance

  SAFEHARBOR11 wrote:

  What I've read above on these forums is that AMD chips lack any set statement that like the first, and that hurts performance.

  I read that too, and when I looked at the instructions mentioned, they were available in the new amd fx chips. the main problem for instructions is amd doesn't have a boost intels 32bits single thread. Intel has been very wise to make a unique help for former thread programs of 32 bits. the real advantage for users is that works of boost for the sloppy, 64 bit programs as bad coding in the adobe software. what it boils down to is intel offer superior performance, but at a higher cost to match. I recommend intel and amd if budget requires.

• Premiere Pro CS6 - Multicam is BROKEN! vs FCPX, FCP7 (Final Cut Pro), Avid, Sony Vegas

  If you plan to spend in FCP7, FCPX, Avid or another edition of Premiere Pro CS6 program, there are SEVERAL good reasons to do so, HOWEVER, if you deal with the edition of several cameras (multicam) so you think twice, until this problem is resolved.

  How to edit in Adobe Premiere Pro CS6 multicam? What is the best program editing for mulitcam or multiple camera editing? - The answer, as long as the question below is fixed, isn't Adobe Premiere Pro! From CS6 (version 6.0.2), this lack of 'design' or the 'weirdness' described below, multicam editing is very difficult and inefficient in Premiere Pro. These first two issues above are what I searched Google in hopes of a solution to a problem plaguing Adobe Premiere Pro for years, literally. Unfortunately, in the new Premiere CS6, with so many other great innovations, the question remains still makes it very difficult to do an editing multicam compared to Final Cut Pro 7, Avid, Sony Vegas, FCPX, etc.. They all handle editing multicamera in different ways but, having recently passed away from FCP7, and has worked on several modifications mulitcam, Premiere Pro CS6 (and CS5 and CS5.5) has serious problems with the multicam function that is broken right now (version 6.0.2) in first CS6 and fact editing multicam VERY frustrating experience and a lot less effective compared to the other NLE. If it's a drawing, then its imperfect as Yes, you can work around it and difficulty about what you did, but why so you have to keep wasting time precious 'fixing' in such things? All is not supposed.

  
  

  The question:

  Hit the button of the SPACEBAR or pause or stop during a multicam editing actually stop the edit, made a cut in your timeline (chronology) and then will be another camera (angle or shot), if you want only it or not!

  This issue was known by Adobe for more than two years, but they push aside, call a quirk of design and ultimately avoid such question stated in this thread of attachment: http://forums.Adobe.com/thread/738084?start=0 & tstart = 0

  Make cuts and put the angles on you when you simply to pause or stop playback is a huge problem of having your editing program. If this were happening in the normal timeline, so I'm guessing it would have been fixed, but it has not been fixed and it causes the editor to have to go back and remove unintended cuts and back shots where they should be. The PAUSE button should only SUSPEND or STOP playback, as it does in other programs. But in the first he stops, make a cut in your timeline and then switches to the first angle or shot you started with if you want or not. There is no way to prevent this at the moment on CS6. The other thread that talks about the question refers to the fact that the "question doesn't have the numbers" to make it a priority to be fixed and there are other "larger issues" that need to be corrected first, which makes me wonder if Adobe really listen to the comments of the user. I mean, 2 years, people complain about that and not of miracle. Their response was 'add to wish list' or ' this isn't a bug, it's a quirk, then do an requested feature"or"its designed that way." Designed like that? Who would really want it like that? No other NLE does this and for good reason. If the pause button pause just reading and that's it, do you think there would be a thread for a period of 2 years on how to hit pause "should also make an incision in the timeline and move from the shots? I doubt it. Its a defaultdesign. I feel strange asking the feature 'Please take the pause break button' or 'Please make the stop button to stop playback. Looks like its brokenness, to me.

  If the robot multicam is a major objective for the team Adobe Premiere, go ahead, which I think it is, then please start by making even the basic works work as one would expect to BREAK = PAUSE. STOP = STOP. Phew! It was difficult. Fact. Fixed. Travel! Currently, this design is counterproductive, not intuitive, helps no one and only lost valuable time while the Publisher must quickly "solve" the problem.
  

  Well, I thought I'd do two things here:

  (1) start a thread with as many keywords as possible so that this "numbers" question in this forum and in Google searches. I hope that soon when you google 'First multicam Pro' this will be the first topic on the first page. My hope is that I can put a nice 'RESOLVED' or 'FIXED' label on this thread, one day next (and I'll for sure!). If this is the case, it is a testament to the theory of wheel ran combined with a small web analytics.

  (2) do this a new thread, rather than continue in the old thread because it is time to ask a new question: how long will it take for Adobe a problem when its design is essentially broken causing users to have to do a 'fix' every time? At the moment it happens two years! This isn't a feature request... his service broken in the first. A drawing... necessary. I can't listen to Adobe and they care about certain things, but how fast they act? This is my real question.

  I wonder if this thread has more "we have more important things to fix" or "is not that big of a problem" or "this isn't a problem at all, it's an oddity" or "you can just go back and correct the problem, whenever you have to stop because it takes only a few seconds' or 'its not broken its designed to be counter-productive and frustrating for users.  Time will tell. Well, if you do mulitcam changes as much as I do then these "seconds" are added. It is designed this way, and then Adobe, I ask you this question: If you hit pause on your TV remote button, and he stopped at the TV live, but also turned the volume all the way down and changed the channels... always so would you call that a quirk? It would be wise to design a remote control like that? I would say the key on your remote control does not work well and should be fixed. Yes, you could address it quickly by pressing the button "last" or "reminder" and then hit the volume up button, but shouldn't the key BREAK of your remote did exactly cela and only that: BREAK?

  Please respond... to apparently numbers.
  

  Have you tried what a user suggested earlier in the thread? Although it takes a little getting used to, it works for me perfectly.

  "Before to stop playback, press the 0 (zero) on the keyboard and then you can stop the game (with the SPACEBAR) without cutting in the timeline."

• Cannot run Premiere Pro CS4

  I also had problems with the Adobe programs. Adobe has contributed with PS, Dreamweaver & Flash, but can't Premiere Pro to work (or reader). Error message: Adobe Premiere Pro was unable to communicate with the process "ImporterProcessServer." Restarting your computer can solve this problem.  Restart does not resolve. I have a brand new (November) computer with Windows 7. Have had problems. Help, please! I've deleted and reinstalled several times. Tried to run in compatible XP Service Pack 3, but will not work.

  It is a question for Adobe.

  See http://kb2.adobe.com/cps/508/cpsid_50853.html and note that you may need to enable the GPU acceleration.

• Premiere Pro - number during video export with effects of gloss applied

  Hello.

  I created a video in Premiere Pro, in which I added some effects highlighted using the video effect of brightness. In the preview, everything looks fine, but when I export (like H.264 / / 'corresponds to the source - broadband' preset) the resulting video flashes like a strobe light in all the places where I used the effect of brightness. Does anyone know what could be the cause? I'm not an expert in Premiere Pro (as it might already be obvious), but the same video has already been correctly exported before, using the preset even, so I don't know what could be the problem now. I would be very happy if someone could help it.

  Thank you!

  There are ways to hide and even key them with all the effects of color images, you could try to do this with the Lumetri group and the color workspace. I moved the effects Panel on the right with the Lumetri effect controls panel in the color workspace... Notice, if you go into control panel Lumetri here, you have direct access to the masking.

  Neil