Premiere Pro CC: Of Keyframing Dual-mono (stereo) Audio

Similar Questions

• Only Premiere Pro CS4 No 5.1, as stereo DolbyDigital surround sound!

  Hallo,

  ICH habe ein Projekt eroffnet in Premiere Pro CS4 mit DolbyDigital. Habe meine AVCHD Videomaterial exported mit 5.1 Surround importiert. Die Soundspur wurde auch kreatin ind die 5.1 Soundspur eingefugt. Exported habe ich über den Adobe Dynamik Link mein gesendet Projekt an Encore CS4. Sleeps habe ich ebenfalls ein Projekt eroffnet mit dein Einstellungen und DolbyDigital DVD. Ein Menu standing und exported auf DVD ausgegeben. Leider habe ich auf der DVD nur DolbyDigital stereo! Warum? Was mache ich please?

  Vorab vielen Dank fur eine Antwort.

  Hello

  I opened a project in first pro CS4 with Dolby Digital. If my AVCHD videomaterial with 5.1 Surround imported thereafter. The soundtrack was also inserted correctly in the trace of 5.1. Subsequently I sent on the Adobe Dynamklink my project in Encore CS4. Here, I also opened a project with your settings DVD and Dolby Digital. Spent a menu provided and subsequently on DVD. Unfortunately, I have on the DVD only Dolby Digital Stereo! Why? What do evil?

  Thanks in advance for the answer

  Hallo Torsten,

  JA, ich spreche deutsch aber ich wohne in den trail, in Rotterdam. ICH habe das Glueck gehabt is in der Schweiz zur Schule zu breast und noch deutsch oder sogar baernduetsch zu reden rooms room. Mein Vater und meine Tochter beiden leben in der Schweiz, exactly how different friends. Also, deswegen...

  Die Mitarbeiter Adobe haben deine question naar nicht ganz understand. Es ist richtig, dass of the 5.1 Audio still ausgeben kannst ohne plugin von, aber sie haben sich nicht die question gestellt offers sharp Audio in 5.1 Format herkommen soll. Sie haben einfach angenommen, dass schon ein 5.1 Soundtrack zur Verfuegung ACE. Dazu die zur plugin add over-codes Ausgabe von PR nach FR.

  Die die unkontrollierte Knackser ACE, oefters kommen vor. Meistens ist das zu fuehren auf Geschwindigkeit drive ungenuegend back. Of the you can taste die zu entfernen, PR ab zu schließen, media Cache PR Rubis zu starten und dann wird alles Rubis indexiert, und consistent PEK files werden Rubis available. VIELLEICHT hilft das.

  Hallo harm,

  The deutsch sprichst. Damit ich jetzt nicht gerechnet had. Actually bin ich auch davon ausgegangen, dass mein schriftliches Englisch ist misserabel!

  Danke managed as your Antwort und das offer Dir eine zu dürfen, wenn ich noch eine question haben should send PN. ICH habe vor Wochen eine Hochzeit gefilmt some mit meiner Sonykamera und bin fast verrückt geworden, dass ich das mit 5.1 nicht hinbekommen habe. ICH habe meine drei aufgebraucht und werde mir die Freischaltung of SurCode holen nun Tests.

  Eine question had ich noch, die mich momentan valet. ICH habe in the last weeks different photographs getatigt. Wenn ich mein withdraw in Premiere Pro importiere, habe ich im immer wieder unkontrollierte Knackser sound. Wenn ich mir is das Originalmaterial, z. b. mit dem VLC-Player anschaue, sind keine Knackser available. Hello from the eine Antwort oder idea is. DAS Soundmaterial liegt wieder in 5.1 vor.

  ICH habe auch already mit Adobe u. a. wegen diesem problem Kontakt thrilled, until von sleeps erhalte ich keine Antwort form. Wanted mir auch weiss machen, dass ich die mit dem still mein video in 5.1 ausgeben kann und kein plugin email.

  P.S.: The Lebst actually in Deutschland?

  Grüße Torsten

  Uebrigens, offers the actually soo? Star dies zu:

  Von der Weser bis zur Elbe,.
  Von dem Harz bis year das Meer
  Are Niedersachsens Söhne,
  Eine feste Burg und Wehr
  Fest wie unsre Eichen
  Alle Zeit wir stand halten,
  Wenn storms showers
  Deutsche Vaterland Ubers.
  Die sind wir Niedersachsen,
  Sturmfest und erdverwachsen,
  Heil Herzog Widukinds Stamm!
  Die sind wir Niedersachsen,
  Sturmfest und erdverwachsen,
  Heil Herzog Widukinds Stamm!
  

• Change the unique two-track mono stereo audio track

  Adobe CS6 had this right, and here I am stuck with CC incapable of understanding this simple problem.

  I import the video MXF files containing two audio channels, my interview is on channel 1 (on the left) and ambient on C2. I am simply unable to understand how to remove the second piece that I don't need (simple in CS6! Just hold down the alt key and click on the track, del close and done!), here's its just a track. When I pan the audio to the left using the mixing console, I find myself with a lack of audio on the right channel.

  Basically, I want this back to how CS6 if she had, I read a lot of tutorials and watched videos, but nothing seems to help. It is so frustrating and I want to just tear my hair out.

  Any help would be great, thanks

  Mike

  I like option 3.

  http://www.larryjordan.biz/Premiere-Pro-CS6-isolate-audio-channels/

• Audio stutters every time that Premiere Pro is in the foreground

  System:

  Mac Pro

  OSX El Capitan

  Processor 3.5 GHz 6-Core Intel Xeon E5

  64GB memory

  Graphics AMD over-pants D500 3072 MB

  First Pro CC2015 v9.2

  Question: If I have Premiere Pro and After Effects opens at the same time, whenever the PP is brought to the foreground, my audio stutters - not only in reading, in PP, but any application that might be audio playback (YouTube video, iTunes, etc.). I don't know which version this started on, but he did until I upgraded to El Capitan, and it's also on my older Mac Pro 2.66 Tower. It is almost immediate. I can work on a project in After Effects by listening to iTunes. All right. As soon as I switch on do first at the forefront, iTunes will begin to stutter. Or, even if I do not have open iTunes, just reading a sequence in first - the sound stutters. As soon as I switch to After Effects, the audio is smooth again.

  Thoughts?

  Hi Samcomer,

  Any Audio capture external peripheral connected?

  Please, try the following steps:

  Create a global device and change the Audio preferences in Premiere Pro.

  How to combine multiple audio interfaces by creating a Global device - Apple Support

  Setting up your system for Premiere Pro

  Thank you

  Ilyes Singh

• How can I vary the length of individual slides in Premiere Pro, which must be mapped to audio

  How can I change the duration of individual slides in Premiere Pro, which must be mapped to the audio that is telling the written content of the slide. That's read a children's book I've created. I would be grateful for some hwlp as I'm new to Premiere Pro. I work an Imac.

  Either use the edit or ripple editing tool roll and drag the end or the beginning of a clip/still.

  Can start here for the basics.

  Learn Premiere Pro, get help and support. Adobe Premiere Pro CC

• How to activate a track record in Premiere Pro CS4?

  I'm on a macbook. I have a SM57 microphone connected via an XLR to USB cable. I tested this microphone by garage band, and it works and records very well.

  In Premiere Pro preferences, I chose C-media USB Audio Device.

  In the configuration of Audio MIDI mac, I chose C-media USB Audio Device as the default entry.

  In Premiere Pro, I clicked on Audio 1 to point out that is the way I want to record.

  Yet when I click the microphone image in the Audio Mixer Panel to activate the track for recording, it does nothing, no drop-down list, there is no indication that I clicked on it (other than himself highlighting in yellow for a brief moment).

  Then I click on the record button, it starts flashing, waiting for me to click on play.

  Then I click on play and a message appears ' Record you cannont without activating at least a track for recording.

  Where I'm going wrong?

  Any help is very appreciated.

  I'm not aware of the first being able to record anything via the USB port.  Only FireWire for video and audio input mic.

• Premiere Pro CC 2015: How change stereo clips to mono double?

  If I have a video clip that has been imported in stereo, and I want it to be dual mono, in 2014 of PP, it was easy. Go to edit the audio channels, choose the number of tracks, channels in mono format. When I would then drag the clip to the timeline, it would be 2 mono audio tracks. I can't understand how to do this in 2015 of CC. The interface of Audio channels is different - seems to be missing the parameter 'Number of tracks' and instead is the number of audio clips, that does not mean the same thing. When I set the number of audio clips 2 and slide on the timeline, it is always mono. Help!

  When you edit, use the Mono preset:

  

  Also, make sure that your source patch and the targeting of the track are correct:

  

  MtD

• How to get the double mono audio when sending prelude Roughcut to Premiere Pro?

  Can someone please tell me how to send a first Assembly of first mono audio with dual prelude?

  I have pictures with dual mono audio.

  I did my first editing of subitems in prelude.

  I right click and choose send to Premiere Pro.

  In Premiere Pro, I get my complete clips and the sequence.

  The sequence is stereo, but I need it to be dual mono.

  
  

  I can right click and change the individual clips in Premiere Pro in mono, but they do not affect the sequence.

  I got mono preferences Premiere Pro to import audio data regardless of the source. This does not seem to do anything.

  I can't find anything as a prelude to double mono audio export.

  Help, please!

  HI -.

  The only way I found to do what you ask for is:

  1. prepare your Rough Cut in the prelude and send it to the first

  2. once in the first, I copied my audio track 1 audio (stereo) and copied in 2 Audio and Audio 3 (in duplicate)

  • Note: I had to create two additional audio tracks to the sequence in PR. I upgraded them.

  3. right click on the Audio 2 clip and select "Audio channels...". "in the context menu

  4 uncheck the RIGHT way - so all you have is the LEFT channel enabled for this audio track

  5. pass Audio 3 and repeat steps 3 + 4 above, but this time clear the RIGHT channel in the dialog box "Audio channels...". ».

  6. cut the Audio track 1

  I realize that it is a manual process. We hope to provide a better solution, go ahead - be able to modify dynamically the Audio settings of sequence for example would have toured here - but of course that option does not exist currently.

  Kind regards

  Michael

• Send transcoded clip in Premiere Pro with audio Mono

  Hello

  I noticed that others have asked this question around August 2013 but haven't seen the progress made on this issue, which is that we prefer to edit in Premiere pro with mono audio tracks, but we are unable to transcoded material to come with audio mono prelude.

  We need to have total control over our audio tracks and for us in an environment News/FRA, which also means the production of early recovery.  So we want to choose the part of the clip XDCAM what we want as a prelude, send it to Premiere Pro and laid the grabbing of the interview (for example) on track 1 of the timeline with only talent audio mike (which has been recorded on the channel of the camera 1) and must not pan it or worry about making big thing to her.  Then, we cut the rest of the overlay with sound effects that are recorded on the channel 2 go directly to the track 2 on the timeline.  When transmit us to Headquarters that we send them two discrete audio channels: talent/VO on channel 1 and channel 2 effects.

  We have only one problem when transcoding is involved.  With the audio preferences in PrPro 'Mono', everything is fine, it's just that when prelude to transcode a video makes the audio a hassle for us, because it can only come to PrPro as a stereo audio track.

  Adobe, he's never going to be the ability to just a prelude preference to send audio with Mono clips, as there are in Premiere Pro?

  
  Or someone has figured this out, and miss me him just something?

  In Adobe Media Encoder, set up a new preset that has the video and audio parameters, you want to have your images transcoded for source:

  

  Then name and save this preset. The next time that you start the prelude, the preset will be an option to choose to use for transcoding of your hardware.

  MtD

• Sync during compression HD FLV and F4V in Premiere Pro CS4

  Hello.  I am trying to create messages of public interest for You Tube initially created with a small device that produces Quicktime HD files.  For YouTube they do not have to be perfect, but that's what I'm working with.  My computer has only 4 GB of ram so I can't watch the video to test synchronization because it gives just a slide show when editing.  He never does anything, but a slide show with HD video.

  When I watch the original unedited Quicktime file synchronization was distant.  When I visited the original file in FLV and F4V formats, just to test the synchronization it is PERFECT.  Then I edited the first video from this session and FLV used and the timing was PERFECT.  So I do the second video synchronization, tested on the original film and its PERFECT.

  So I thought it was okay to continue.  Everything was perfect after that first made the raw images. The first video worked, right? Synchronization of the raw images of the second video has been fixed, right?

  Now that I spent all the time to edit the 2nd video, sync is TERRIBLE.  I have no idea why.  F4V was worse than FLV, but none are ideal for 2 video.  So I guess I have two questions:

  (1) what format should I use to upload to YouTube which does not give me a unusable timing problem

  (2) is there something I can do to see continuous synchronization in Premiere Pro CS4 without updating my equipment?  I use Vista 64 bit, 4 GB of ram, dual-core intel.  What I have to do a significant hardware upgrade just to get HD video do not make a slideshow during first execution?

  Thank you!

  AVI file to the private mssg link... 1 gigabyte, takes about 30 min to DL - look and tell me if synchronization is better or worse you know... or the same thing... without you looking at this file and checking against your own there would be no way of KNOWING what (compared to what you met).

  IF THE AVI IS BETTER... What are the steps

  project settings and description of the measures shown below...

  CineForm (neoscene) can handle that sort of thing of conversion, but I do not have this program... most of this will be explicit from the images...

  

  

  

  Here's the info from mediainfo avi export

  

  below is the description of steps

  -------------

  easyShare measures taken

  his program (I used soundforge) allows re - sample 16 kHz sound for wav file (wav pcm) to 48 kHz and 32 bit floating point.

  record in stereo or mono (stereo may turn into 2 mono channels when they are imported in preview)

  Import original mov file to the new project, untie her, remove its import wav and put on wav chronology... link to the video.  I increased the volume on an audio file with conversion just for my own satisfaction... you can do what you want the audio file also (re: filters etc)

  The file size will be HUGE... as you're now away from the advanced mpeg 4 HIGHLY compressed format of your original footage...

  However, it is OK to HAVE BYTES COUNT FILE AT THIS POINT HUGE...

  You can then IMPORT the AVI file that you exported in first for your mounting--(je commencerais nouveau projet pour cela) with very little "loss" of original quality - most of the humans would be able to tell any difference between the quality of the original and this AVI file... (I can't).

  After you change the avi file or files to export as flash or anything else you want...

  ---------------------

• Multi-cam sequence only ONE AUDIO CHANNEL LEFT, Adobe Premiere Pro CC TIMES.

  Hi all

  I was wondering if someone could help me out here. I have several hours of short clips (1-3 min) of an event of 3 days I am organizing and preparation for editing.  I wasn't on the shooting, but the cameras record the external microphone (main audio) on one channel and the internal microphone (audio reference) on another channel; but it varies on what channel they recored reference main vs.  For the clips where someone talking directly to the camera and I know that I will not need the audio reference, I went and made "audio editing" and mixed the "stereo" until "mono" and then selected the channel with the "audio main' to be source channel.   It works now great when the person talks it comes in evenly on the left and right speakers instead of being unbalanced.

  However, when I then try to take 2 of these clips which were mixed at the bottom of 'mono' and create a new multi-cam sequence, new sequence plays constantly audio only from the left lane.  I tried many configurations where do the multi-cam of sequence (automatic, mono, stereo, Adaptive). Nothing works - he ONLY plays the left side.  I also tried to change the audio channels after I do the new sequence and put "Channel 1" in both channels left and right.  Nothing, he still plays on the left side.

  Any idea on how to get my mono source channel to play regularly in the left and right channels instead of only in the left?  Also, if I try to Pan right in the effects window, it's just quieter, not balanced.

  Thanks for the help!

  Found a solution here multicamera Source Audio sequence of 1 speaker instead of two? HELP Please!

  CTRL + N or command + N for a new sequence, select your preset (in my case DVProHD > 1080i) and make sure the audio channels are all mono. Then copy and paste all your clips into the new empty sequence.

  When I upgraded from Premiere Pro CC 2014 and 2015, all my sequences blocking started playing mono audio through the left speaker only. I'd just create a new multi camera sequence or if I opened one I had created in 2014.

• Premiere Pro (CC) has encountered an error. (Mac)

  Heck, it's bad.  I have flashbacks to Pr CS6.0.0.  I get this error, which leads to an accident:

  Premiere Pro has encountered an error.

  [/siree64/releases/2013.02/PremierePro/

  Messanine/Make/Mac /... /... /SRC/utilities.cpp-780]

  PR CC works pretty well on the former CS6 and new projects launched in CC.

  For the record, I am a professional Premiere Pro power user; not a novice.

  This recurring problem that happens when I just click on audio or video some clips in a timeline.  I exported this project via XML and Pr CC FCP7.  All the clips of synchronization are dual; video from a Canon transcoded to ProRes; are audio files. WAV of a Zoom recorder.

  {Sidebar: I have an ongoing project in CC, I started CS6 with video H264: Canon's and audio Zoom.}  {I'm not having the same problems.}

  I've exported this problem the CC Pr XML project, opened in Pr CS6, and I do not get the accident by clicking the clips.

  It is a new show with CEP and apparently imported via XML projects.

  I did all the usual maintanence: Trashed prefs, previews and media Cache.  A ran Disk Warrior.  Problem persists.

  Workaround is, once I found a clip that causes the crash, use inside and outside around the clamp to lift, and then manually replace.  Go slowly.  A LOT of crashing.  Every few minutes.  Once the media is replaced, the crash stops.  So, this excludes the corrupt media.  Besides, I ran corrupt Clip Finder of the digital rebellion, and all the media on this project is transmitted in uncorrupted form.  I save approximately every minute now, to not lose too much work.

  Glimmer of hope: Pr CC launches about ten times faster than Pr CS6, so getting back to work after an accident is faster.

  If anyone has an idea on how to stop this, please chime.

  Thanks for the example file.  With her, I was able to reproduce the crash and we are working on a fix.  The failure occurs during the translation of the audio levels keyframe.

  As a not very nice work around: If you delete keyframes audio level who will succeed the import.

  -Jess

• Make stereo audio tracks to mono tracks

  When you use a lapel wireless microphone to record audio tracks, they appear in Adobe Premiere Pro CS3 as mono, in the way of L. How can I convert this to stereo?

  Adobe Help files indicate that I should go through Clip-> Audio Options-> Source, but this option is grayed out for me when I go in the Clip menu.

  Help search for

  fill left

  or

  Fill right

  to copy a mono on the left or right to the other lane to stereo

• Only Premiere Pro CS4 NO Audio to Render

  Windows Ultimate

  CS4 Premiere Pro

  My image is 1920 x 1080

  My Audio is MP3s (3) and wave (2)

  I sent to SOUL for encoding verious different formats, but NO Audio in my final output

  I tried to see and monitor the audio tracks using the video editor programs, but the audio track is just a solid line (no wave)

  While back, I have installed the Audio of Roxio drive, would that be the problem? I went to the control panel and see if I can uninstall it, but can't see an option to uninstall.

  Or is it possible that I could choose the audio drivers or replace default themback!

  Yes, my system is up to date

  Any help will be greatly appreciated!

  You can mix certainly files source Mono, stereo and even 6 channels. The choice of a master in the project, or sequence, will determine what Clips are mixed down for.

  Now, IIRC, you have Source of MP3 files. Those who can be problems and unless there is a tiny SFX file, I always convert those into PCM/WAV 48 kHz 16-bit at the hearing, but the big, little, free Audacity it will also.

  Good luck

  Hunt

• How can I convert stereo audio to mono? Cannot find what should be easy to answer.

  Well, that's another problem of CS5 that should be easy to find a solution, but one in which I can not find the answer. I tried the forum of Soundbooth, buit got no response.

  I have a dialog box that has been recorded and is due to an error, in stereo, with the left lane containing the dialog box and the empty road. Therefore, it is not mono. It's stereo, with all the sounds on the left.

  What I want is to make this mono, of course, but do not see how in Premiere Pro and Soundbooth.

  I have CS5 Prod Prem thank you much for the help.

  fix my fault of hit of the previous post:
  You probably applied an effect to "fill right" to the track.

  How is it that the right path is always empty? I apply the effect, but the display does not informqation for track.

  You have a stereo audio track, which channel right has no information.
  You need to make sure that you do not "Fill right", this channel is empty.

  Use 'fill the left"to hear the left channel of your audio stereo.