Preserve CMYK numbers Question...

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• 8710 incoming numbering questions

  I have a 8710 which is registered for vcs (x7.1) with a sip trunk to CUCM (8.6) where my rooms of CTS are registered.

  The call of the 8710 to the CTS rooms work fine, but compose a conference room on the 8710 since endpoint CTS does not work.

  Packet sniffer SIP of shows of endpoint TS a "internal server error".

  The 8710 reports from connection and then immediately disconnected endpoint.

  I've got the numbers used FRO DN summer a football match

  It seems to me to get random errors of venture capital; That is to say, there is no leg of appeal request termination, etc..

  Anyone has any idea what this could be?

  Hi David,

  You touch the CSCty07061 bug that is resolved in CUCM 9.0 and promotions of genius on the 8.6.2 train.

  To work around the problem, you can create a false record and the resolution can work.

  -Paul

  Sent by Cisco Support technique iPad App

• Numbering questions

  I am trying to start my numbering at page 3.  So I want to page three to read 1.  Is this possible?  I created my numbering in my master pages and have implemented the first two pages without numbering box.  So I don't have all the numbers on these pages, but the three page still reads 3.

  Right click on page 3 in the pages Panel and choose options for numbering and section, then start a new section and start numbering at 1. ID complain until you change the numbering of the sections.

• RGB or CMYK vector questions

  I'm not an experienced user of Illustrator so please speak in basic terms.

  I downloaded several vectors from shutterstock.com. I need to change to RGB to CMYK. Below shows what happens when I pass the color profile. How can I keep this from happening? 1 image is RGB. 2 image is CMYK.

  I use Illustrator 5.1 on a PC.

  

  

  Blend modes appear different in different color spaces, because they are not affected by the color management, but the biggest change is in gradients. If the work uses one or more gradients just redo them in the space of CMYK color and you should be fine. For the best possible match in order to use the color management you must first select all and rasterize the image to output ppi resolution. Then when converting to CMYK only out-of-range colors as appropriate, will change your appearance.

• Page numbering question

  Hello forumers.

  Im having trouble get my numbering as the id of the pages.

  Here, in this simple example, I have 5 pages.and im trying to get the page 2 to be where the numbering begins.

  so that means page 2 say 1. so im going to the > numbering and section options.

  I click on the start page number and type in 2. and then click ok.

  but nothing happens.

  But what im trying to achieve ot's, since im a little document.and 5paper I of the 5 pages.

  the cover which is page 1 should not have a page number.

  

  Right click on the first real Page - go options numbering and Section - together Style to something like Roman numerals - say ok

  Right-click on the Page 2 and go to the numbering and Section Options - set to start on page 1.

  Just to note: is very unusual - normally the odd numbered pages are on the right side. So you'll see pages jump so that 1 is now on the right page.

  If you want 1 on the left side, go to Pages panel and uncheck the box in the menu on the left of the Panel - allow the Pages of the Document to Shuffle, and then manually drag Page 1 to the left of the line.

• CMYK export questions - need help Urgent

  Hello

  
  

  I'm relatively new to printing processes and did my first book ready for printing. I tried to export my indesign files as CMYK, however the black txt that I placed on a JPEG photograph (used to fill the entire page as covers the front and back) seems very gray and not as vibrant.

  
  

  I realize that this is what happens when you export RGB-> CMYK, but the black txt has lost almost all of its power, while white txt offers no problem what so ever.

  
  

  This is why the cover loses almost all effects. the text in all the pages (because it is a publication intended for short stories / poetry) also loses impact and dynamism, so the photographs appear to be well.
  

  
  

  What happened in the past where I used a transparent .gif or .png and pasted into the document.

  
  

  Please help with this, I know I probably got a wrong setting somewhere I export to Document CMYK - us Web Coated (SWOP) 2.0.

  
  

  Here, very confused! can provide screenshots/more information if necessary for the help I'm losing my mind on this one.

  
  

  Thank you very much to all those who are ready to help!

  
  

  Owen

  It's Black display and export, fusion of transparencies space preferences (this is for printing, set it to CMYK) and your Swatch used for blacks. I have my set of values by default and don't ever deviate and know not how no goof it upward. Look at my screenshot, the samples and the results.

  

• Slide numbering - questions about Captivate 3

  I am putting together a new CBT I want to enter my PowerPoint slides.

  However, I plan to do several of the slides is available only when you press a 'button' on a particular slide.

  (for example.  Slide 5 there will be 2 buttons, it will lead to slide 28 then return, it will lead to slide 29 then return)

  I'm looking for is the removal of any slide numbering when I publish this project.

  I don't want the Viewer to see that they went from slide 5 to 28 and then back to 5.

  I understand that most people want their slides were soon, but for this project, I'm heading in the other direction.

  As the title suggests, I am using Captivate 3, which unfortunately that power will not pay for the update to Captivate 4.

  Hello

  If you do not use a playback control, there is never any indication that the user is on different slides. Even if you use a playback control, the only time I am aware that the indication of the number of slide is present is when you place the cursor or drag the progress indicator.

  See slide numbers in another area? If so, can you post a screen shot here? If you do, please insert inline using the camera icon. Do not tie. Attachments must be approved before that everyone can see them.

  See you soon... Rick

  Useful and practical links Captivate wish form/Bug report form Certified Adobe Captivate training SorcerStone blog Captivate eBooks

• Redemption numbers questions

  I renewed my subscription through SCAD and when I tried to put the number of redemption, it said it was already in use. I had just renewed, so why this phenomenon happens?

  Contact adobe during the time pst support by clicking here and, when available, click on "still need help," http://helpx.adobe.com/x-productkb/global/service-ccm.html

• Change the color spaces of dialogue impression

  I have a CS4 INDD on Mac OS 10.5.8 which was created for us Web Coated paper. All images have us Web coated incorporated in them. We print it in leaves on a sheet not lying so I will try to test CMYK print and then choose the printer profile us leaves not lying in the color management tab. I check the option preserve CMYK numbers, knowing I don't want black text to convert an accumulation of process. In short, the images are not being converted. They always have a 300% total ink in black areas. If I convert them into PS total ink reduced to 260 which is what I'm after, as well as the compensation of gain a tad more dowry.

  If I uncheck the option preserve CMYK numbers convert images but the fact the text. I've rechecked to ensure that images have the profile Web Coated incorporated, which is supposed to trigger the conversion when INDD sees that it is different from my profile of the printer (to no bed sheets).

  If I export PDF directly from INDD they convert but the fact the text.

  If I print postscript with leave unchanged colors selected in the tab out, then set Distiller to perform the conversion, it does not work unless I uncheck the option preserve CMYK numbers. Gives me black constructed type in the process

  I tried all the options I can think and can't get the images to be converted and the type to pass through unchanged.

  I could go through and convert images in PS, but I'm really looking for a way to do when printing as this scenario comes all the time.

  Any suggestions?

  Thank you

  Clark

  Color press

  It is probably a case of use of the wrong option for how to treat files when you place them. It is important that the policy be set to PRESERVE embedded profiles, or ID guess the current workspace.

  There was a similar thread about a week ago.

• Why the relative values of RGB and CMYK will not change when switching between Photoshop and InDesign?

  I'm trying to put together a Guide to color for my company's brand guidelines.

  Initially, I worked for InDesign and copied all H, RGB and CMYK values that I had when I went in an eye my original color palette.

  However when I put the same values of RGB in Photoshop I gives me a (somewhat) a different set of CMYK numbers than I had initially documented in InDesign.

  Why is this?

  JamieCurtis5 wrote:

  It makes me feel a bit nervous leaving aside CMYK all together...

  CMYK is essential for a company's brand guide. The printer ask again, it's a simple and direct question. If they cannot answer this fundamental question, that speaks well of their professional standards. It is a common practice and highly standard procedure. I do it all the time (and get answers directly in the world).

  That said, if this guide in general and not necessarily related to this particular printer, it might be preferable, specify a profile which is commonly used as a general practitioner in your area. It depends on where you are. Here in Europe, it would be either Coated FOGRA39, ISO Coated v2 300% (eci).

  In the United States, I guess us Web Coated (SWOP) v2 would be on a list, not because it's necessarily just for the purpose, but simply done to be the default Photoshop. Printers must get loads of the present. Same here in Europe, where this profile is never used any where, a lot of people use it just because it is the default value of the PS and it never gets turned into something more appropriate.

• Numbers rounded to a certain extent the price

  3.6.1 numbers question: I need help with a formula of round our price to xx.95 results. Where each product is an avec.95 price. I tried roundup and ceiling and cannot understand it. Thank you very much!

  Bill,

  Here is a simple solution that has a hole (in my opinion):

  

  column A contains the current prices and B contains the values "corrected".  From line 8, you can see that the prices are reduced by this method.  What is your intention?  You can share what you want the rule to the prices of the inputs between x.95 and x.99?

  the formula is:

  = INT (A1) + 0.95

  B1 = INT (A1) + 0.95

  This is the shortcut dethrone select cell B1 and type (tor copy and paste here) the formula:

  = INT (A1) + 0.95

  now select cell B1, copy

  Select cells B1 at the end of column B, paste

• Convert RGB to CMYK and RGB image

  Hey.

  I wonder if anyone has any experience with conversion of RGB to CMYK and RGB image?

  I had a TIF in RGB, then convert to CMYK, but I thought it would be best to keep in RGB, so I converted. I read that he meant to cause losses in the data, but I don't see anything in the image, it's always very huge and 2 RGB files has the same size as well. Is there a way to compare the resolution of 2 images somehow, or how I can see what I've lost through 2 conversions?

  
  

  Thanks for help

  You wrote:

  "I read that he meant to cause losses in the data, but I don't see anything on the image.

  Data loss, you refer relates to the compromise made when appearing in RGB colors fall outside the range of available colors printing inks. In such a case, substitutions are made in the conversion of RGB to CMYK based on your choice of the Conversion Option > intent found in Edit > color settings. The good news is that if you don't see a color change when you switch from RGB to CMYK and vice versa, this means that none of the colors in RGB mode are outside of the range of CMYK ink. I suggest that intention more appropriate for the mode switches such as the one you mentioned Relative Colorimetry is the choice more practical.

  When RGB, clicking Cmd + there will show a color change if the colors are outside the range of ink. Another signal is an exclamation point beside the CMYK numbers in the info panel. To see which areas of the image are affected by the limitation of printing ink, choose View > Gamut Warning.

• Question about extensions.

  It's the defination of tablesapce I had for my tablespace DBMS_METADATA usng
  
  CREATE TABLESPACE DATAFILE 'ABC_DEFAULT '.
  ' / aspdev/db62ora1/oradata/ICDEV/ABC_default.dbf' 209715200 SIZE
  AUTOEXTEND ON NEXT 131072 MAXSIZE 32767M
  ONLINE REGISTRATION PERMANENT BLOCKSIZE 8192
  EXTENT MANAGEMENT LOCAL SEGMENT SPACE MANAGEMENT AUTO AUTOALLOCATE
  
  (1) how many degrees will be created when creating a tablespace.
  (2) how many degrees will be created at the first table created.
  (3) when the file gets spread extensions how many will be created.
  
  I'll try to find the space used in the tablespace and although I am inserting data in many table always use the storage space does not increase. and also the total number of bytes in the user_extents does not increase.

  user445775 wrote:
  It's the defination of tablesapce I had for my tablespace DBMS_METADATA usng

  CREATE TABLESPACE DATAFILE 'ABC_DEFAULT '.
  ' / aspdev/db62ora1/oradata/ICDEV/ABC_default.dbf' 209715200 SIZE
  AUTOEXTEND ON NEXT 131072 MAXSIZE 32767M
  ONLINE REGISTRATION PERMANENT BLOCKSIZE 8192
  EXTENT MANAGEMENT LOCAL SEGMENT SPACE MANAGEMENT AUTO AUTOALLOCATE

  (1) how many degrees will be created when creating a tablespace.
  (2) how many degrees will be created at the first table created.
  (3) when the file gets spread extensions how many will be created.

  I'll try to find the space used in the tablespace and although I am inserting data in many table always use the storage space does not increase. and also the total number of bytes in the user_extents does not increase.

  Anurag answered your 3 numbered questions. As for the implicit question in your closing statement...

  When you create a table, a point is allocated out of free space of TS. This measure is dedicated/reserved for this table. Let's say the measure was of 1 MB. Until you insert more than 1 MB of data (well, about - not enter into fresh block overhead, etc.) it is not necessary to allocate an extra point. Until you reach the point to assign an additional measure, the use of tablespace will not increase. The only use of the tablespace cares is extended. If a measure is full, half-full or empty, the simple fact is it is attributed is what takes the place of storage.

  So let's say that you create a tablespace nine of 500 MB. You have (approximately) 100 MB of free space. (even once, we will ignore air minor and questions). Now, you create 10 tables, each with an initial measure of 10 MB. Each of the scopes has 10 MB of space and you have consumed 10 ch X 10 MB of storage space. You have not yet inserted all the data, but you have consumed 100 MB of space for your table. leaving you with 400 MB of free space. Now, let's say insert you 9 MB of data in each of the ten tables. Blocks that have received these lines were in the already allocated extents, so no additional scope should be allocated. So use of tablespace has not changed.

• How to recover a document that has been replaced by another

  I typed up a test last week & had another type until today. I wanted to use the same layout I did for the other so I open previous & edited the info according to the numbered question. By chance I hit save him. NOT save as & the new assignment has replaced the last of them. I desperately need one of last week that it is due tomorrow & I won't have the time to type all upward again. In addition, I threw the draft documents (time of bonde) and have nothing to do now as all other material already submitted PLEEEEEEEAAAAASSEEEEE help me. Its a few pass or fail & if I fail, it will say the last 6 years of study have been for nothing. My teacher is a cold hearted troll who doesn't accept excuses.  Please help me =)

  Hello

  ·         What operating system is installed on your computer?

  Response with above information to better help you.

  I suggest you try the option of previous versions and check if you are able to find the file, follow the steps described in the following link:

  http://Windows.Microsoft.com/en-us/Windows7/previous-versions-of-files-frequently-asked-questions

  If you created the document using Microsoft Word and referring to the Microsoft Word document, I suggest you to send your query to the Microsoft Works community. Please visit the link below to find a community that will support what ask you:

  http://answers.Microsoft.com/en-us/Office

• PIXMA Pro-100, very dark print

  Hi all

  I just bought my Pro-100 and installed yesterday evening. I upgraded to an HP that was strictly CMYK (only 4 ink). I installed according to the instructions, but my impressions seem to come out substantially darker than they should be. Lime green print darker green. The bright blue print a darker blue. The bright red print a very dark red. Roses are dark pink print. The tones are much, much darker than they should be.

  I print Adobe programs (Illustrator, Photoshop, and Pro - CS6 all). Am I missing a setting somewhere? On my previous printer, I would choose "primary preserve CMYK" and it printed perfectly. Now, I can't seem to get my impressions a normal colour. I'm not attempt "to match my monitor", just trying to get the colors closer to their true colors. I have CMYK primaries preserve not controlled and checked that the printer determine colors, but none of these options seem to be able to help.

  I called Canon support, but they were unable to help me. He had put me my settings all default return and test printing. When this does not work, he said "good printers vary by brand so theres really nothing we can do about it." I can't imagine that this big of a printer prints it off on the colours.

  Any help is greatly appreciated!

  "... There's nothing we can do about it." »

  Well, of course it is not true.  I have three of these printers in this line.  The 9000, 9500 II amd Pro-100.

  They are all printed differently, but after a bit of tinkering with settings, they all did very well.  They are great printers.

  First of all you do not leave the printer defined anything.  Cut each little out of control there.  You can do it with the Canon My Printer the printer settings tab.  Do you know how?  I think, Yes, for the moment, but if you don't come back to me.

  Secondly, you must have PS manage all settings and corresponding color.  You know how to do this?

  And finally, it is essential that you get some settings on your monitor which corresponds somewhat to the prints.  Your printer can do exactly what you say to do, and not sure that it is.  Because your monitor is turned off.  If you don't do this step, you can forget the other steps.  However, there are only a few things that must be addressed.  You don't need for any fancy additional modules to do this.

  But you must get very narrow gray-scale.  You must get very close brightness and you must close contrast.

  Once you do these things, you can make adjustments to your impressions by looking at just your screen.  Because you know that the monitor and printer are on the same level.  Another point, you cannot get a printer to print all colors exactly as you saw.  It is not possible because all the colors and adjustment in effect all the others.  My goal is to get the right tones.  That's what people notice.

  For example, I know that my most recent Pro - 100 tends to print darker than what I see on the screen.  So I automatically know to set it's prints a stop brighter in PS.  It also prints with a warn a little tone.  Most of the time, with in particular, protraits cela if OK, but sometimes it is not.  In this case I set the 'temp' slightly cooler setting in PS.

  Make sure that you have the correct ICC profile and that you use brand ink Canon and paper until you get well with the printer.  Very, very important!