Prime Minister on screen GUI - always REC 709 color management?

As I just changed the other day, I changed the monitor ICC profile on my Mac with the first editor open and I noticed that the video displayed in the program window has not changed with the change of ICC profile color.  It took me by surprise.

It seems that the Prime Minister handles the output of the color of the video you are editing on your monitor GUI to assume she's still REC 709.  Am I right in saying this?

If so, it is also an internal conversion on the fly to the release of the video to watch on sRGB?  I know that there is a difference between REC 709 and sRGB gamma.

Any guidance would be appreciated.  I want to just make sure you understand exactly how the video is interpreted in the program and windows from the source in the Prime Minister.

Ah! OK, I see what you mean. Let me see if I can break it down. Here's a quick overview of the interpretation of RGB vs. YUV.

What is Pro P YUV (YCbCr) and RGB color spaces?

as you have proved, the rendering engine of cuda is separated from the user interface. You can control it a little bit with Nvidia Control Panel reading

the software that controls your video driver.

That's why you need to calibrate your monitor sRGb or Rec.709 0-255 gamma 2.2. First will act as a passthrough.

You are not actually control first, just what your eyes see. Make sense?

As AE with color management, works the same way... passthrough. It's the same concept as turnining on the colors of the AE management

then using view - simulate Rec.709. It will look exactly the same! (in this scenario, simply let power off in AE that he's slowing down!)

also:

issuance of mercury is always too paralyzed to Rec. 709. You need to calibrate your external monitor to that as a passthrough

Details of video preview with mercury pass in the 2014 update after effects CC | Creative blog Cloud by Adobe

as I said, if you want to preview with P3 or Rec. 2020, you need a custom for Lumetri to "burn" in the correct color LUT.

Tags: Premiere

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