problem stereo mono audio sync

I am currently the sound synchronization for a short film about the first CC. I have synced all clips in the timeline and it all synchronizations and sounds good. But when I "merge clip" the audio clips in the change tray. The synchronization is still perfect, but the sound goes from stereo to mono and pieces are added. The audio on the set was recorded in two ways.

(1) 1 stereo L + R

(2) 3 mono track

When I merge the clips with the 1 stereo track, it's going to be a track two. And it is no longer L + R. The two tracks are centered. When I sync the mono 3 track he added 6 extra tracks. the top rail being the audio and the two bottom being empty. Then the 4th channel audio a followed by two empty tracks. Then the track 7 audio has followed by two empty tracks. Why I'm having this problem and how to fix it?

Tom if you are here I could use your help. Thank you!

Dan

The question comes multichannel .wav files.

I worked on projects with multiple audio sources where the guy his record each as discreet .wav files. So if you had two light armoured vehicles and a boom for a particular shot, every shot would generate three separate .wav files. It took a little longer to align with the synchronization schedule, but when I performed the merge with them, everything worked fine.

But on my current project, I worked with a different sound taker who would record the multiple sources in one file .wav of unique multi-channel. They were mono everything recorded, but in some ways, it would be the result in 6 different saved mono tracks. First poster these multiple mono tracks in their own separate tracks, already lined up on the timeline.

But when I merge the audio with the image, the clip that results is crazy.

When the audio is synchronized and merged with photo in a clip, it adds exponentially empty tracks. The normally, during a merger, the stereo tracks are divided into two mono tracks separate, one for each channel and mono titles should stay the same. That's what's supposed to happen. But as we see here, goes one extra thing that should not happen.

Instead, with multitrack files, it treats ALL tracks as singular multi-channel tracks and tries to "split" by creating additional empty tracks. But the thing the most bizarre of all is that the number of dupes is equal to the total number if securities. So for a shot with two light armoured vehicles and a boom, there would be three tracks in one clip. But the first treats each of the three tracks as if each of them has three channels and creates three tracks for each of them; one with audio and two virgins, for a total of nine tracks. For photos with the three actors of LAV and with a boom, there are four tracks that are multiplied four times, sent me 16 tracks. I have even some takes where the five original mono tracks are transformed into 25 tracks. Again, only five of them have actually audio in them, and the rest are empty.

It is exponential. Had I received an 8 track file, it could be turned into 64 tracks but 56 of them would be empty!

To make it even more fun, real audio extends vertically on the timeline with the dummy tracks between the two also equal the number of actual securities. So a clip merged 4-track place the real audio on tracks 1, 6, 11, & 16, but the audio clip merged with 5 titles puts the audio on tracks 1, 7, 13, 19 & 25. I can't just make a blanket "change Audio Channel" on everything and remove traces of dead. Everything is relative.

After the clips were borked upward with additional tracks, I went Clip-> change-> Audio channels and off all empty channels, then recorded a preselection based on how many tracks he was. If in my images bin that I have been able to organize by Audio info and he listed the number of tracks, he had. So I could put all my clips Mono track 12 together, highlight all the, then apply my Mono '12' channel filter preset to each of them at a time. Then I dragged them back to the timeline, and they have been set. Technically, these blank tracks probably still exist, but they are no longer visible.

And better yet, it does not any vertical difference between them. So if my audio was really on tracks 1, 6, 11 and 16 he places them on the timeline in titles 1 to 4.

Now that I have the presets I can apply it to all other projects where I meet this. It's always silly and obnoxious, but not as catastrophic as I thought he was.

Tags: Premiere

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