Question of the frame-by-frame Animation

Similar Questions

• The size of the edge Web content ID inner frame Animation

  I feel like a complete newbie here, but I have questions about two things that I knew very little: Animations of edge and HTML.

  I've created an Animation of edge with a specific, smaller than the iPad dimensions step size.

  I have registered and used the HTML path to add content to a superposition of Folio.

  Animation on Board has been inserted in the chassis, but there was a huge space on the right and at the bottom of the stage space when you preview on the iPad.

  I opened the HTML file to try to change the size, but I could not find anything with dimensions.

  The scene of edge should be not the size of the HTML frame?

  Finally, I turned the scale of content to the size option, and it doesn't seem to change anything in the view. What should I look for.

  Please excuse ignorance I expect.

  The Animation of the edge is 595 x 256.

  I wanted that it sat well in the middle of the largest page DPS.

  The problem was that there is a white area outside the area of animation. And if I don't position the frame in the right position, the superposition of web show that white area. (I know that this does not have too much sense.)

  However, I discover the background Transparent setting in the Web content settings.

  That solved my problem.

• Why the Pan & Zoom Tool cannot start with the frame using photos

  I used the animation panning and zoom in Microsoft Movie Maker - and want the same ease of use in any other program (I find that he does a great job of a soundtrack placement and text/image) see options from the menu below...   I purchased Premiere Elements after watching a short video of the pan & zoom tool - but now I'm trying to use it it falls way short.

  Y at - there a way for me to select the whole photo as the starting frame – in the screenshot below that frame 1 will extend to the entire photo, so I'm going with a cropped image.  I want the full Frame of the photo and then be able to zoom and pan in the direction of faces - while I can still do it with the cropped image I lost part of my picture and the context it provides.

  The Microsoft Movie Maker - very easy options |              Limitation of the first of 13 elements start with the complete picture frame

  

  Found a good explanation of this question in the forum first elements

  Pan and zoom tool

• Change the Frame Rate, frequency rate not when shooting RAW

  I think not all the controls to change the frame rate independent of the frequency rate that, I guess it's like 'project frame rate '.

  How I crank out 240 fps 2 K RAW or say 60 fps (time base 23.98) during the filming of SXS?

  Follow-up to question... is there a manual for this camera accessible to the public anywhere?

  Thank you very much

  BK

  You can overcrank (once again, "S & Q" for "Slow and fast") to XAVC 1080 p at 60 fps at the moment, with firmware v1.10.

  That's all. Any other framerate 60 fps have access by setting a frequency 59,94 system and slow down the images in the post.

• The frames never get fragmented

  Hello

  a few questions about the jumbo frames.

  (1) if the switch is NOT configured to support jumbo frame is always deleted or are there conditions under which framework gets fragmented.

  (2) if they are always deleted then what type of images get fragmented?

  (3) if the support of extended frames is configured on the switch, but output to a 1841 router port is 100 MB, I understand that the frames are removed.  Is there a way to solve this problem. If the link to the router is upgraded to gigabit framework will pass through the port of output to the router? will be the fragment of the router and get it from?

  Thank you

  Hi Charly,

  fragmentation happen to L3 L2 (unless we treat FR or ATM or other technologies). Of course it does not apply to ethernet.

  Another important concept is that the MTU MUST be configured with the same value to each L3 link between 2 routers.

  ROUTER1 1500 - 1500 ROUTER2 9000 - 9000 9000-9000 1500 router4 router3 - 1500 router5

  fragmentation will occur with router4 router5 assuming that router4 receives a frame with size router3 9000 and fragmenting at least 6 small 1500 images to send to router5 (this school year as since our package ip probably comes from ROUTER1 its size will not exceed 1500).

  If you have a mismatch between the 2 ends of a link MTU you drops in the sense more-to-small

  ROUTER1 9000 - 1500 ROUTER2

  ROUTER2 will drop all frames more than 1500 (a little more) from ROUTER1

  This scenario is clearly a configuration error!

  If you enable the support over a link, you need to be sure that the other side of it, there are an l3 device that also takes in charge jumbo frames

  L2 switches a drop frames larger than the mtu of port... but if this happens to you clearly configured something wrong.

  Say that you assign to a port of a switch L2 9000 L2, as the mtu is calculated to l3 of the actual image size is calculated by the unit of L3 (host or router) that sends the frame, so most likely will be 1500. There is so no risk to give up anything on the switch.

  hope that clarifies

  Riccardo

• can someone help me please, I need to learn to draw the frame by frame like in this video.

  Please enter the details as much as you can so I can learn to do this for a client, I thank you famous Dex - I get paid (shot of @_ColeBennett_)-YouTube

  If you want to say things like this:
  

  and this

  

  and this
  

  So, let me start at the top. Most of the stuff you see is drawn on a framework at a time using the painting tools. Some like the second shot can be done using a mask (hand-drawn), then the Scribble added. The lower part would be an expansion or animation of the mask. There is no automatic way to do this with images as images in the source video.

  To learn how to use the paint tools in the paint type AE in the search help field in the upper right of the AE and learn about the resources of the community.

  One last thing. Each shot with the effect of the painting should be a separate composition. You'll go nuts trying to put together a minute two video with hundreds of shots in a single model. No professional could work like this. If it were my project, I would take just the frames I wanted to paint in a shot and make sure COMP IOW, for the second example, it lasts about 20 executives is how long my comp would be, so I would have cut off the rest of the shooting. There is no need of roto or paint on all frames that you won't use.

• How to animate the image inside the frame

  Hello

  I wonder if there is a way to animate only an image inside a frame, rather than animate the entire image. I have attached a picture to give you an idea of what I want to do. As you can see, I have an image in a frame that is bound by the size of the page. You will notice that the image itself is much larger. I want the image itself to turn slowly, but the weft to stand still. Possible? I'm on Indesign CC 2015.

  Ok. What works is somehow:

  Have a duplicate of your image size as you wish where the limits of the graph are the limits of the graphic image.

  1. define the animation you want.

  2. put the frame on the rectangle that currently hold your image.

  2. then cut/paste as part of animation in this framework.

  Test the movie in the preview of EPUB interactivity Panel.

  No need of an additional mask on an extra layer then.

  Uwe

• How can I increase the frames of number for all images (screen time).

  I have a slideshow in adobe elements 13 with 650 photos first.  After addinig "in/out fad" photos are not on screen long enough.  How can I increase the frames of number for all images (screen time).  There are currently over 90, and I turn to 150 executives.

  ludhianvi

  What version of Premiere Elements you are using and on what computer operating system is running?

  From your description of a term still image, you seem to be looking at the setting still Image default duration in Edit Menu/preferences/general.

  This parameter is used so that all the still images imported AFTER the game is done will be important in this project with whatever the setting. The unit for the adjustment is images. The default is 150 images (the equivalent of 5 seconds in a 30 frames per second). What you are telling us that the setting is currently 90 images (3 seconds) and you want to return to 150 senior (5 seconds). Once again, callback, which is for all images imported into the project ONCE defined.

  To avoid resetting it and re - import still images, you can adjust the length of image yet at the level of the timeline. This that you do, it will not change the Edit Menu/Settings/general still Image default duration = 90 images project which emerged these preferences settings.

  At the level of the timeline, select all images whose duration is from 3 to 5 seconds. Right-click anywhere in the selection, select Time Stretch.

  Duration of the Time Stretch 00 change dialog box. 00; 03; 00 00; 00; 05; 00 (hours, minutes, seconds; images).

  According to the position of the circumstances or a parent of the always involved, select it all is possible

  a. edit Menu/select all

  or

  b. using the mouse to draw a rectangle autour clips concerned to select

  or

  c. press and hold the SHIFT key on the main keyboard to the computer and clicking on each of the items.

  Please review and consider. If any questions or need any clarification, do not hesitate to ask.

  Thank you.

  RTA

• video integrated into the frame on wal

  Need advice on what plugin After Effect to use that will allow the video be embedded in a picture frame on a wall where the frame and video would get more or less depending on if you walk toward or away from the object.

  I am creating a video using after effects and Adobe pro first.  I am trying to create the effect of walking in a hallway and have video clips of a person's life a frames on the walls on each side of the hallway.  By walking to each image, the framework would grow and the video clip inside would get rained so.   To do this, I thought that I had to take the video walk in a scenic corridor of the camera from one side to the other.  I would then use after effects to create a picture frame and insert it in the video.  I want this image to increase or decrease in size depending on whether I'm walking to or from it.  I want to also video insertion also increase or decrease in size at the same time as the picture frame.  My question is, can I do all this using Adobe After Effects?  If so, how?  If not, is there any advantage plugin 3rd for After Effects that will allow me to create this effect.

  You have the tool you need: After Effects.  But there is no way of describe you step by step what to do in a simple after forum.

  Is there any plugins that will perform this task for you.  Learn demand - you can't just jump in and start creating.  You will fail.  People have tried to do, and they finally did what almost every AE user needs to do.

  They start from square one:
  Getting started with After Effects (CS4, CS5, CS5.5, CS6, & CC)

• Fill the frame proportionally (does not work!)

  Question:

  Reported in my custom upstream for some images control. (the images are cropped in Indesign): "scaling proportional of the No.

  Attempted solution:

  Go to the section of the image.

  Click on the two "proportional" button in the toolbar. (1 fill the frame proportionally) 2 Fill the content proportionally)

  !!! Unexpected... The picture continues to be in the list of errors upstream!

  Data sheet:

  CS6

  Windows 7 64 bit

  (I'm at a loss to find a solution to this problem. "Should I treat it like a bug and go!)

  He learned some...

  Inflight suggests how to fix, in the section "information". Now it is fixed:

  -Select the placed object and specify the same values for the percentages of scale X and Y in the Panel.

  Phew! The world is again in peace. It seems strange to mark my own question with my own answer. But then, it's done!

• How to start a third less wipe in from the edge of the fram?

  Hello.   I hit up a strip of 35mm film cartridge and film to use as one-third less.  I would like the film seem to come out of the tank, which will be placed just inside the edge of the image, but my problem is that I don't know a good way to prevent the film showing on the left of the tank at the entrance.   I know I could copy the clip below the tank and place it between tank and film and garbage matte on everything other than the little I would need to hide the film entering the frame to the left of the tank, but is there a more elegant solution to control the film's apparent entry point?

  BTW, I asked the same question on DVInfo about eight hours ago, but no response as I type this.

  Try a linear wipe

• Preserve the State of the radio between the frames button

  Is there a way to CS3 to preserve the radio button state (selected or not) from the frame to the frame?

  I have a multi application where users select Yes or no (radio buttons) to an array of questions; they complete these questions they click a button before moving on to the next section (set of questions). But I'm wanting to add a back button that allows them to go back and change their answers... How can I preserve the State of radio buttons clicked on the previous images, so that when they return to a previous image (or frameworks) these radio buttons, they chose are still selected?

  If the design is chronology based on you need to configure a form any memory (for example, a table) to keep the selection data so that when you enter a framework will you use what is stored to configure things.

• Strange green line appears on the bottom of the frame of sequences (NOT the ONLINE PREVIEW RAM)

  Hello!

  I've recently upgraded to AE CS5, after long use of CS3.  I came across a problem that I hope there, someone can help me with.  For one of my elements of film a green line (one pixel high) appears at the bottom of the frame.  The green line appears in the layer panel, so I'm not there with plug-ins display - only it's purest form.  When I open the file in QT on my Mac, the green line at the bottom of the image is not there.  This has not met with the CS3 version, and I'm lost for a solution.  I did some googling and found some users AVID talks about a similar problem and was related to the fields.  So I went to 'Interpret the film' and then removed the fields with 'Lower' first and the green line goes.  The problem with this work is about the film looks so poor.  This is a digital image file, and I wouldn't remove fields because there were not at first.

  I have attached a few screenshots of the images in QT and AE CS5 for you all to see the question.

  Has anyone encountered this problem?  Is this a known problem CS5?  Is it related to OS x 10.6.5?

  Any help, advice or advice is greatly appreciated!

  Thank you!

  

  

  There is nothing to fix, and it's not a bug. For MPEG of any sort, all dimensions must be multiples of 2. It is inherent to the work of compression. You can not have a high 219 px film and not have it be cropped or enlarged pixel, with all the negative sides. I assume that the file is in fact already 220px high, the only difference being that CS3 can interpret correctly flag Quicktime display area, considering that this happens not in CS5. Which could be considered to be a "bug", but because Apple does not provide a 64-bit Quicktime and Adobe had to reverse engineer things, who do you blame? Yet once, it is not really something wrong here. In fact, the same file read on another computer or in a setting different software player can expose the same question, even when working in CS3. So the only real 'fix' is to properly encode the file 218px or 220px high. And the fields do not belong in desktop images. Apart from EI the irregular line will also be visible no matter how AE only displays a field both internally. You will need to handle this correctly, even though you may not want to.

  Mylenium

• How can I change the frame surrounding a title created with the Rectangle tool?

  Pre 7, I was create titles (for example: title > new title > default always, etc.) for a long time and using many ways to manipulate the text (type, color, size, animation, etc.). Today, I tried to use the Rectangle or Ellipse tool tool (or the line tool) and they created a nice 'framework' (like a picture frame: artistically designed and colored) and I can change the background color in the frame and the place of any text (also background image, etc.) inside. However, I couldn't find any way to change the 'framework' or the general style of the title objects. Is it possible to do, or it's the only design that can be created with these tools? I would be very happy any help (impossible to find in this site u2u). Thanks, Laci.

  LACI,

  Yes, you can apply Styles to several Rectangles (or other shapes), to simulate an "image." The Styles should appear as the text in the Styles Panel. As you work with shapes, but look a the Styles applied to the text, it is not perfectly intuitive as to what look like these Styles with shapes.

  Personally, I find that make things like "frames" in Photoshop and then import the PSD in the meadow are much, much easier. In this case, I would place the PSD on 1 video track (except if I wanted it appear superimposed on my video (like a PiP), can make the text in a title of PrE and place it above the PSD.

  Here is an example:

  

  It is a simple "picture frame" created in PS. I used a fixed image, instead of the text in this case. These could be "grained," "granite", etc.

  Much more control and tons of effects and filters that can be applied.

  Good luck

  Hunt

  PS - It's PrPro, so the GUI will be quite different, but things work the same way.

• The construction of the frame publications

  Not quite sure this is the right forum to ask this question, but none of the others seem relevant, so I decided to give it a shot.

  We have used Frame unstructured for many years and have a large deposit of content. I'm looking for a feature to be able to automatically mount the new existing publications content. A little more sophistication that the built in function Builder book that I need to pull content from different places and would like to do this automatically based on a typewritten list titles.

  I know it sounds terribly that I need to use some sort of a CMS but I wonder if there is a feature in the framework or a simple plugin that exists which would allow to these. According to my modest knowledge of the subject, CMS' are should be based on XML and migration of thousands of files in the chassis no structured XML format can be painful. (If I'm rubbish, someone please correct me)

  If the only solution is a complete CMS solution so I wonder which ones do you find works best with the frame.

  Would appreciate any input on the above.

  KK

  Krisztián,

  put apart goes in the direction of CMS, I've seen solutions designed by internal clients. Basically they create a database (MS Access) with their own front end where they manage all of their small FrameMaker files (locations of files only, not the files themselves) and their publications, well adapted to their product structure of course. When a new publication is required, they kind - of construction itself with that the front-end database that ultimately creates a file of similar to 'work'

  [Book]

  title of the book = My Great New Stuff

  Book-version = 2010-01-25

  chapters = 7

  [chap1]

  modules = 3

  Module1 = repository\files\chap1head. FM

  Module2 = repository\prodA\sect1. FM

  Module3 = repository\prodA\sect2. FM

  [chap2]

  ...

  I helped them to create a script for the plugin FrameScript which takes this file and generates a book based on the data, updates of some global variables and records in PDF. They use this system for years, because the originally planned CMS somehow never got installed... OK, they have someone who felt comfortable to MS Access programming, so there is no external costs (including all companies seem to like) apart from one day of training script.

  HTH,

  -Michael