render out.

Similar Questions

• New Lumetri filters are gorgeous, but they will render out in the encoder. What gives?

  I worked on several clips and used some of these new pre-defined filters of Lumetri. I really like the looks, but they never make it out in the encoder. My deliverable resembles unprocessed images. Any thoughts?

  This problem is fixed in update 2015 (9.0.1) Adobe Media Encoder CC:

  http://Adobe.LY/DVA_updates

• Make colors become too bright and washed out after

  Hi, so I am new to AE and Motion Graphics, and am currently a youtube video using simple animated graphics. My approach is this:

  Save time and do not have to be constantly made on my animation film, after that every 10 seconds, I visited a mov quicktime and just re - import in my composition. However, after doing this about four times, I wanted to combine my four visits a video quicktime quicktime. So I thought I would import the four in a new composition and render out, but when I did, all the colors has become way too bright and washed out. Do not know what is happening. I use Quicktime with a MPEG - 4 Video Codec and also have millions of colors selected, but I'm not sure if that means anything. Once again, Im new to this, it's all jibberish just for me, but any help with the relevant card to get my colors to make normal would be great! Also if anyone has any experience with graphic animations in rendered simple movement, any advice would be great!

  Yes. You only use compression when the very last and final step. Do not use AE either for this last and final step. Use Adobe Media Encoder. You can either send your AE comp to Adobe Media Encoder, or you can restore your intermediate codec to EI (to take advantage of multiprocessing in 2014 CC) and then put this final file into Adobe Media Encoder to make your deliverables. There are advantages and disadvantages to both methods.

• Make the button "greyed" out / unclickable

  Ranking currently footage Prores422 HQ in SG CC 15 which will just be made out in the same format so I can still change at the FCC. In the last two weeks, I found the button "made" on the software greyed out or unclickable, regardless of changes in the format, sizing, etc. for rendering. He was able to render well before been there before and I did not any changes to my preferences or program during this period. Uninstalled and reinstalled 3 times, and the problem persists.

  Just do a simple ranking for Uni, films of 15 minutes work max, 25 fps, all were made well in advance during the rough edit, but now to the fine / final cut of the program failed.

  Final cuts have been classified as a new project, stage detected, and then graded accordingly.

  Looks like stored in specific folders and never move.

  No matter what information you need let me know! Thank you

  There was a thread here not long ago on render-out grey problems. If SpeedGrade has any problem with any information you have entered, it will not export... but does not TELL you what he dislikes. If you need start to change what we both and see which parameter you entered is the 'wrong' to Sg.

  Here is my answer to the last question on this...

  ----

  The problem is probably it does not find your codec instructions set up correctly OR not that the codec you chose it is quite 'there '. Right now, my machine is the thought that things DNxHD is not usable... even if it is all "loaded" and appears on the options within the Sg. But as soon as I chose a different codec that he thinks is ready, 'Render' text becomes white and makes it now. Working in the codec options a little more, all my DNxHD codecs now work that they just took some fiddling.

  Neil

  ----

  Neil

• Movement is useless if you need Audio

  I really don't understand how this app has been broken regarding audio for so long.

  I have a few questions that appeared with Motion 3, if I remember correctly these two questions are always in movement 5 and these issues were transferred in any other Mac too.

  Question 1: Motion 1 and 2 have been able to play my animated graphic and audio at the same time without any problems. I use audio in my motion graphics, of course. You have your sound FX, transition sounds, foley sounds and music. You have audio in video clips that you use, such as talking heads, etc. I did a project where I had a comics guy talk and I used an audio behavior to animate his mouth with the audio waveform. Good things.

  Movement 5 cannot play audio without clipping sounds. I have a Mac Pro 8 Core with bi 2013 - GPU 700, 32 GB of RAM and a TB Thunderbolt 2 RAID 10 disk that reads 930 Mbps. It modifies the RED images in real time so I think that it can read from small sounds.

  I have a simple project in this moment I have a few transition like whoosh and swish sounds, using sounds own Apple CAF on my system came with Final Cut Pro X. When I press the play button, the sounds are clipping or don't play at all. He cuts the first second or two before starting playback of the sound. If the sound is only in a second time, you don't even hear it.

  What boggles my mind is that Motion 5 same audio clips so I did a RAM Preview. He will play the audio.

  Question 2: after making a film ProRes of my Motion project, certain sounds are distorted. I've seen this issue with the movement for years. The audio sounds very good movement. I put the volume of it-4 db. I have not put on Jack up to + 6. Render out, looks like it's all deformed as it passes through a rock guitar amp.

  I have attached a sample of film QuickTime of this distortion sound (the sound of discharge is distorted).

  https://Vimeo.com/148625570

  I really like Motion 5 but I'll have to go to After Effects, if I can't fix this audio problem. For this project, I work now, which must today, I'll have to keep this Final Cut Pro X and do the audio he. It's crazy, and it denies also all behaviors audio wonderful I could use.

  Number 3: When I use the behavior Audio Fade In / Fade Out, he Faints, but in the end, volume breaks out back for a fraction of a second before he became silent. So it's a bland, bland, quiet, split second volume full, silent. I'll have to manually key frame it to fade.

  Anyone else having these issues, or is it just me? Someone at - he found a solution for this?

  Thank you!

  Hi Scott,.

  I had problems with M5 until recently. Audio would stutter and delay making any sort of audio animation an impossibility. But now, which has stopped, and I don't know why. I've not being updated at El Cap again. I think he played with 5.2.1 and continued with 5.2.2 but as I said now has resolved itself.

  What about other audio issues, audio and deformation fades. I dropped many years ago doing any kind of audio work in motion. I don't think it is built for this kind of thing. Usually I create a rough bed, use it as a guide, and then import the exported file the motion in fcpx or logic and finish than the audio.

  Thank you

  Adam

• First does not export a certain layer?

  So I use Premiere Pro CC 2015.  I led a coup in CC animate and render out as png layers of different sequences so that I can recomposite them first with different effects.  For some reason when I then try to return to first export still fails.  Through a bunch of experience seems isolating where the problem but I don't know how to solve this problem.  There is a layer that if I delete it so together exports very well, but if I put back it, even when the removal of all its effects, it will not be exported.  I tried possibilities this layer to animate several times where one of the images in the sequence is damaged but still no luck.

  Unfortunately this photo really need a layer to look right or at this point, I'd be tempted to give up just one element.

  Does anyone have any suggestions as to what could be wrong with this layer that is causing the export to fail?  Because I'm quickly running out of ideas.

  First thing to try is at this point... does Animate use made a cache as PrPro? As in PrPro if you still experience a problem in an image, usually dumping the cache and cache media Gets the 'bad' SEO stuff that frame the and things are working properly.

  Now... also... If that plays properly in PrPro, maybe try to empty the cache PrPro cache/media for the project.

  ... Perhaps is there a problem of bad to this frame in the original... maybe you have to re-create this bit or get that frame 199 out otherwise.

  Neil

• Output error QuickTime h264

  I get this error when I try to make out with a .mov h264:

  

  I use the version 7.3.1.70 with the latest After Effects updated.

  I read that render out with Adobe Media Encoder queue could solve this problem, but the option is grayed out.

  Advice is appreciated!

  QuickTime H.264 is is no longer being developed or supported by Apple and it's an ugly container. You should not use it. There are many known bugs especially with some multicore processors.

  The best choice is to make a h.264 MP4 using Adobe media encoder.

• Keep the right ratio of picture in After Effects to send to Photoshop

  Hello

  I need to send to a printing company one of my pictures to print a 37 9/16 "x 32" 3/8 of my image and make a poster.  I got my picture in After effects: render out, like a 1920 x 1080 PNG file - thrown into Photoshop and resized to be 37 9/16 "x 32" 3/8.  When I do that the photo is the long stretch of road, so I guess I'm not keeping the right ratio of back in After Effects.  This is my first time I try to print something this size.  How can I tell After Effects to keep the correct ratio of sort when I size upward in Photoshop to be 37 9/16 "x 32" 3/8 it's quite tense?

  Thank you

  You are using the wrong tool.  It is a work for Photoshop, not AE.

  The poster is darn near the place, but you did the broad picture in AE.  Why is this?

  You said nothing about the CIO during which the poster will be printed.  Let's say it's something lame, like 150 DPI.  Dimension longer the poster would be more than 5500 points or pixels.  Then why you limit yourself to 1920 pixels everywhere... and in AE, to start?

  I think that I sit down and have a nice conversation with the printer what it expects of you deliver for best quality.  I think it would be a revelation for you.

• New PPr upgrade and memory problems now

  I upgraded my version of PPr CC 2015 20 days ago and I went back to make a project that I had previously worked on and made more than 3 weeks. Now, it will not be made and the computer is just running out of memory and encoding is abandoned. I am on Windows 7 with a 2 years old i7 processor and have been able to use the first Pro CC 2015 without problem until the upgrade to the latest version that came out about 20 days ago. Are there bugs that are being developed here? Thanks for any info. I had the project made out by removing all effects to make sure it was a memory problem and quite sure the file render out with effects off the coast. However, I could make with effects on before this update.

  Thanks for you response Brian.

  Can you remove the effects of light and then give it a shot? Effects of light seem to be common with those who have reported this problem.

  Thank you

  Regalo

• Liquid in newsletters

  I created a newsletter template that has a box indicating the coming events of my client.  The event list view uses a liquid markup for the date, so that I can have my dates look, the way people expect them to the United States, instead of the standard display, you get with the regular date tag.

  I must have sent myself 50 previews I've tweaked and adjusted to this campaign, and in each preview dates render out perfectly.  So the client went ahead and sent to the campaign and I get their newsletter this morning and dates appear with the code instead of the date of rendering: {{date | date: "dddd, MMMM %d"}}

  I am amazed that it restores the date properly in the mails from the preview, but not in the last campaign.  Is - it is certainly how things work, or did I miss something?

  Liquid does not yet work in emailing campaigns. See: BC. Next and e-mail campaigns

• make square pixels?

  When I went off after effects CC 2014, I ask

  Pixels square 640 x 480 apple 422 (current settings)

  I get

  The NTSC - CCIR pixel aspect

  But I want TO

  pixel aspect square

  When I go out of FCP7 using compressor, I can get all pixels WITH SQUARE above.

  I import a clip of compressor made in FCP7 sequence with the settings as above, and there is no rendering in FCP necessary and the Properties shows - the appearance of the square pixel

  I import an AE (with effects added to this SAME clip) render out with the CURRENT settings in the SAME sequence and make IS necessary and Properties shows NTSC CCIR

  Any way to make the square pixels? I understand by default in AE is square, so...

  What I am doing wrong?

  Right.  Figured it out finally last night. worked exactly as you said. Great with a space all that black but works perfectly in sequence of the PCF to 100%. Refills fit correctly.

• Problems of smoke layers

  Hello

  I have a panoramic photo of a field I want to fill with layers of smoke, fog, to give the effect of depth. I managed to create the thin smoke using CC Particle World effect and I used a 3D camera tracker to follow the movements of panoramas, and I can create the desired effect, sort of. The problem is that I want to reproduce the effect of smoke, so I can create layers, and I'm struggling to do. Here is a breakdown of the problems and keep with me that I am still so new to After Effects.

  (1) if I create separate compositions of the video, get them all into a master composition and add the effects for each of them, it seems to work, but I must add a time remapping for each of them to slow smoke, but it seems that time remapping does not apply to the effect unless the effect is in the composition of individual itself.

  (2) if I create a smoke effect in simple compositions (for example smoke1, Smoke2 etc.), then the time remapping effect seems just 'disable' the effect of smoke for some reason any. I can't understand why, but the smoke disappears when I create a remapping of the time.

  (3) I can't seem to simply duplicate a smoke for 1 composition effect and say 7 or 8 variations of the CC particle world, so I can their dot on the shooting on different depths of the axis z (to create the depth of field I want)

  (4) do I need a 3D for each composition tracker, or can they run on the same?

  It's all a bit confusing at the moment, I don't know if I'm supposed to refer to individual compositions in a master, or what. Is it a simple case of creating a new model, add a solid, if adds the effect of that strong smoke, then load the model into a master model. It doesn't seem to do what I want if I try that.

  Thank you in advance, I'm sorry if this is overall not very clear.

  SM01

  It is not a 3D scene, so you can stop trying to do it this way.

  You can only use one copy of the world of particles at the same time in a model. A new disables the other. How it is with some effects.

  Looking for do not over your shoulder, I can only tell you how I approached the project.

  1. the new model, call the field. Apply your stabilization or time remapping for the scene. Make this film and re-import.

  2. new comp, call FogMaker. Make this model about twice as wide as your movie. Apply your smoke effect. Render out, import it.

  3. new design, call this field with fog. Equip your basic move and place a copy of the fog above it. Rename the layer to narrow fog. This step up and do move faster because it is closest to the camera.

  4. Add another copy of fog, rename it in the middle of fog. Scale that it back a little bit, move more slowly. You can create a mask for the bottom edge give the illusion of being behind the foreground elements in your movie.

  5. Add another copy of fog, call it fog present Sclae rear track and did move quite slowly.

  The towers by creating the illusion of depth come in how you hide, scale, move and the layers of time. You must also find a way to combine the layers without the whiteness becomes dominant. Atmospheric effects should be subtle and help to set the scene. They should to draw attention to themselves. Most beginners tend to create fog and smoke is much too dense and moving too fast.

• Premiere Pro: Don't plays no chronology, not made the full sequence, stalled on an image

  2013 iMac / / 10.9.3 / / Premiere Pro 2014 (last updated) CC

  I was edit a project for a few days, and he started just send me questions about my last run through it, before exporting.

  I've dealt with a lot of problems with PP before, but I honestly don't know even what is happening right here. I can't identify the problem. It seems to be a number of things. I started with the update of PP and CUDA. Nothing. So I continued.

  (1) I had problems of rendering, so I thought that I would like to remove the preview files and start from scratch. When rendering the entire project, it get to about 60%, then stop and hang there. After five minutes of watching him, I leave PP. Even if it would look as if she left, he would always run in the activity monitor and the little light below in the dock would be, so I have to force quit.

  (2) it's weird because the place where she stops rendering is the sport where, if I scroll the timeline, the program window will freeze on a picture. So no matter how I move the playback cursor, it will appear not all executives. Neither the sequence will play at all after that. So, I leave again.

  (3) I went back to another project and all rendered what he - fine and dandy.

  Why it gives me such a problem? If someone needs something else for me to properly diagnose this, please just tell! Thanks for the help.

  Sorry ' end offset in time. Our new company has begun its first major project and as the geek tech for the photo-la part of it, been a little busy.

  So there is clearly a problem with the project receiving file corrupted, but... when it hits the images he choked on before, she choked again. There is some sort of glitch here that has to with PrPro interacting with these files. I was wondering if a header file somewhere has a figure that may confuse PrPro or something? I remember a few questions of a similar nature people possibly involved sending a little unpleasant images to an Adobe employee, which sting through the scenes and found something that was not exactly what he might better have been in a header or something. Altered, PrPro & footage loved each other once again, everyone else happy. But it's the kind of ish that we need experience... and I have none.

  He had moments also where people have divided a project... right on the edge of the problem. Three pieces in its projects, the separate project files. First part of 'good' and render out as a separate project. Next project, the images "murky" who worked in itself, as again his own project and returned on. Then the part final & as serene, even once. I heard about these two taking those in QuicktimePro (if appropriate codec) and unite in one continuous piece, I also heard people who took PrPro three projects that had been made to separately (if I remember one was probably about six parts, a long guy & complex) and brought these rendered parts back to make a final project with everything in it. Actually, there are a number of those who have shared their most important projects into large pieces, which is done separately, then combined in a final project of PrPro for final polishing at their normal work habit.

  Best wishes...

• After the issue of the effects of rendering

  Hi, I'm having a problem with After effects CS6, I know that the latest version of the effects of the Afer's CC but I don't like CC and I've never had a problem like this before, I don't know the fact that I don't have CC doesn't make much difference, I do a montage of Call of Duty all clips in .wmv, 59,94 frames per second and 1280 x 720 pixels. I did to halfway through editing without any problems until it's come. When I RAM Preview before the come of problem along it would make on the entire video with music and effects. Then I added the following to change clip and once I had finished with this clip, the full video was 48 seconds (still not finished with this) and when I did a preview ram to see the first 3 clips together, the ram preview only render out at the end of the second clip in 22 seconds and kept on playing only 22 seconds start over. I looked at all that basically, I tried to restart my computer, I also edit > purge > all memory and much more, nothing works. I'm running on a system Windows 7 64 bit with 8 GB of ram, my processor is an Intel Core i5-3330 @ 3 .00GHz. Please try and help me with this, thanks.

  RAM previews using your system's memory and you have only so much of it before run out you. More images, the memory usage more. More high resolution (preview), memory use more. And so on... It looks like you simply preview resolution reduced when it seemed to work and now switched to highest. Cannot defeat the calculation of the computer... Spend your res 50% or even 25% to increase the duration of the preview...

  Mylenium

• Mobile line on a globe.

  If I do a travel video, I usually shows the way with a line of vector path on a map (made in AE).  However, I recently saw a chart of the movement where the Red tracing line is placed on a globe, which seems much more realistic.

  According to the guy who did it, he said with effect in iMovie.  I was wondering if Mac people could tell me if this type of motion graphic could be done with iMovie and then render out as a .mov file so I could put it on a timeline Prem Pro CS5?

  Thanks in advance.

  John Rich

  You can use the effect write for the race on a card or just a line from the module of titration.

  Nest of sequence and use the spherize effect and a matte to make worldwide.

  Finishing with a bevel Alpha and a background. I use a cache of color with a ramp.