shade of color through blocks of solid color

Similar Questions

• Why can't create shades of color from scratch (not derived from photo)?

  Hey Adobe-ers,

  I am a long-time Adobe product user, and I used the tools of color from Kuler. It is disconcerting that the mobile versions of this tool (CC color then its subsequent integration with catch CC) do not seem to give you the means to create shades of color from scratch - instead requiring an input image and picking color points.

  It seems obvious that finding inspiring colour combinations of your external environment (and take a picture of them) and derived from the color combination of your imagination, is completely different creative workflow that can the two place to the creation of assets of color. Only the former mode (probably more complex) is supported seems quite bizarre!

  I appreciate really new workflows that adobe have aroused, especially on the use of cloud storage to make simple goods to share between machines - but I'd love to have a place to create shades from scratch (in the way of the CC of color web - app) without the workaround of blocking pipeline creative to have to take a picture at random and then change the colors derived from distraction to possibly meet what I had imagined.

  PS Apologies in advance integrated;  There is a way to do and there is just something missing me, this has been answered, or if this is not the right place for feature requests etc.

  Hello Stephen,

  Thanks for that. No, you do not miss anything. This feature is only in the web version of the application. From time to time, we receive requests, to incorporate it into the app now in the mobile version, you need to capture a theme. Then change it.

  I'll leave a note for the team with your comments.

  And, just to alleviate any concerns... the right place for your comments is everywhere where it is easier for you to leave. Finally, we see (and try to respond to) everything.

  Thanks again.

  Sue.

• How to convert a color in a new shade of color?

  Hello!

  I have a few shades, and I want to know the RGB values, so I can use them in Word. I can't understand how to convert a shade of tint a new shade of color that doesn't use relative values. I tried dragging the swatch in the Swatches palette, and it creates a new shade of reason, not a new shade of color. I tried clicking on the new icon shade, and it simply reproduces the shade.

  Thank you!

  

• Creation of shades of colors in Illustrator

  I want to create the halftone color with Adobe Illustrator cc 2015 for a look of comic strip. Why the black and white gradient turns into a halftone color which is the color? Shouldn't be black and white? In addition, what tool is better to use shades of color, Adobe Illustrator or Adobe Photoshop?

  Thank you

  

  because in RGB color mode represents fire. all colors are red, green and blue. in CMYK mode, it represents the inks. This black can consist of a single black ink or a combination of the other inks. in your case, it seems as if it was only in black.

• I'm looking for shades of color like Winsor Newton color chart to use Photoshop CC

  I'm looking for shades of color like Winsor Newton color chart to use Photoshop CC. Does anyone know where to get these color charts to use with photoshop CC?  . And is it safe to download. Thank you

  DeviantArt is fairly reliable Winsor Newton swatches of rnbluvva on DeviantArt

• How to change the default "/" shortcut (select none in the shade of color) to something different? Where can I find this in keyboard shortcuts?

  How to change the default "/" shortcut (select 'none' in the shade of color) to something different? Where can I find this in keyboard shortcuts?

  Any ideas?

  In the Tools menu:

  "Apply no color."

• How to import the shade of color in Indesign

  Hi guys.  I am relatively new to this. How to import the shades of color, that I rescued in Kuler in InDesign please?

  Peter,

  If you have the latest version of InDesign, you can access your themes for Windows > Extensions > Adobe color themes

• OfficeJet pro more than 8600: different shades of color on each line of text

  I have 3 printers Officejet 8600 and I have the same problem, regardless of printing from a Windows 8, Windows 7 or a laptop. Whenever I try to print in a font (say green) colored grand (say 48) (say arial) the odd lines have a different shade of green to them even.  This applies to Word and Indesign.  I also did a whiteboard with 14 one lines, a red fill and the first 2-3 red lines were a different shade of red for the others!  I contacted HP technical services and they went through various troubleshooting switching off etc but nothing works. They want to send me a new printhead, but this may not be the same problem with all three printers.  Everyone knows this? Any ideas? Thanks in advance.

  He got is resolved by changing the quality of the paper for "the best". Thank you very much.

• Pantone color won't InDesign CC new shade of color...

  My company's primary color is Pantone 541 C.  Before CC InDesign, I could choose new color chart..., PANTONE Solid Coated, type in 541 and he would come right up.  Since switching to InDesign CC, when I type in 541, he takes by default 5415 and won't go to 541 no matter what I do.  I have to scroll down (waste of time!) until I found and click Add.  It is in the list, but does not come to the top when you type 541.  WHY?  That this has something to do with the Pantone + against the old Pantone colors?  Can I create a shade by default to include this color because I use it 99% of the things I design.

  Try typing 541

  adding the space will take you to the shade you need.

• How to script Illustrator to get a library of shades PANTONE color chart

  I've searched high and low, but can't find the answer to this question.  Quite simply, I need a script to convert all spot colors PANTONE an Illustrator file in the PANTONE BRIDGE book CMYK equivalents.

  To do this, however, it seems necessary for the script to search through the various books PANTONE swatch library color to find the one I'm looking for.  I have a string that I need, but I don't see how ExtendScript can perform a search in the libraries of different shades (or even just the a library - 'Coated + PANTONE Color Bridge (UN)'.  I can't just to watch the nuances that are in the main "Swatches" palette using Document.swatches.  Any ideas?

  I'm afraid that code gives me an "MRAP" error in the ESTK.  But, I actually found a way around the problem by using your original suggestion to have a separate file with all color swatches Pantone, added to this, then the script can enter this shade, grasp its getInternalColor, turn it into a CMYKColor, then assign the extracted values of getInternalColor of four properties of the colors of the new shade.

  Yes, it is a bit of a roundabout method and takes a lot of code, but it does the job quickly, and that's what I need.  Here is the code I have (the "workDoc" has already been assigned to the currently open document.):

  // To finish up, we delete the other two layers beyond the first and then save the file for use as digital printing file.
  // First, delete the two layers.
  workDoc.layers[2].locked = false;
  workDoc.layers[2].remove();
  workDoc.layers[1].locked = true;
  //          workDoc.layers[1].remove();
  
  // Before grouping and mirroring all of the artwork, it's time to convert all spot colors to process
  // using the PANTONE Bridge book as a reference.
  
  // First, let's open up the reference document that has all of the PANTONE Bridge book colors as swatches.
  var bridgeDoc = app.open(File("~/Documents/PantoneBridge.ai"));
  
  // Since attempting to colorize textFrame objects seems to crash Illustrator, we're best off just converting them all to paths anyway.
  var texts = workDoc.textFrames;
  for (var t = 0; t < texts.length; t++)
  {
            texts[t].createOutline();
  }
  
  var items = workDoc.pathItems;
  for (var i = 0; i < items.length; i++)
  {
            var myPath = items[i];
            if (myPath.fillColor .typename == "SpotColor")
            {
                      try {var procSwatch = workDoc.swatches.getByName(myPath.fillColor.spot.name + "P");}
                                catch (e) {var procSwatch = addProcSwatch(myPath.fillColor.spot.name + "P", bridgeDoc.swatches);}
                      changePaths(myPath.fillColor.spot.name, procSwatch.color);
            }
  
            if (myPath.fillColor.typename == "GradientColor")
            {
                      for (var g = 0; g < myPath.fillColor.gradient.gradientStops.length; g++)
                      {
                                var gStop = myPath.fillColor.gradient.gradientStops[g].color;
                                if (gStop.typename == "SpotColor")
                                {
                                          try {var procSwatch = workDoc.swatches.getByName(gStop.spot.name + "P");}
                                                    catch (e) {var procSwatch = addProcSwatch(gStop.spot.name + "P", bridgeDoc.swatches);}
                                          changePaths(gStop.spot.name, procSwatch.color);
                                }
                      }
            }
  
            if (myPath.strokeColor .typename == "SpotColor")
            {
                      try {var procSwatch = workDoc.swatches.getByName(myPath.strokeColor.spot.name + "P");}
                                catch (e) {var procSwatch = addProcSwatch(myPath.strokeColor.spot.name + "P", bridgeDoc.swatches);}
                      changePaths(myPath.strokeColor.spot.name, procSwatch.color);
            }
  
            if (myPath.strokeColor.typename == "GradientColor")
            {
                      for (var g = 0; g < myPath.strokeColor.gradient.gradientStops.length; g++)
                      {
                                var gStop = myPath.strokeColor.gradient.gradientStops[g].color;
                                if (gStop.typename == "SpotColor")
                                {
                                          try {var procSwatch = workDoc.swatches.getByName(gStop.spot.name + "P");}
                                                    catch (e) {var procSwatch = addProcSwatch(gStop.spot.name + "P", bridgeDoc.swatches);}
                                          changePaths(gStop.spot.name, procSwatch.color);
                                }
                      }
            }
  }
  
  var rasters = workDoc.rasterItems;
  var bitmapFound = false;
  var checkForTint = false;
  for (var i = 0; i < rasters.length; i++)
  {
            var myRaster = rasters[i];
            if (myRaster.channels == 1 && myRaster.colorizedGrayscale) {if (myRaster.colorizedGrayscale) {bitmapFound = true;}}
            else if (myRaster.channels < 4 && myRaster.colorizedGrayscale)
            {
                      if (/^PANTONE/.test(myRaster.colorants[0]))
                      {
                                try {var rastSwatch = workDoc.swatches.getByName(myRaster.colorants[0] + "P");}
                                          catch (e) {var rastSwatch = addProcSwatch(myRaster.colorants[0] + "P", bridgeDoc.swatches);}
                                changeRasters(myRaster.colorants[0], rastSwatch.color);
                      }
            }
  }
  
  if (bitmapFound) {alert("Found at least one colorized raster image in the Digital file.  Please manually change their colorants to CMYK.\nPlease see Chris McGee for more information.");}
  if (checkForTint) {alert("At least one raster image in the art has been converted to CMYK.  However, if its former spot color was tinted less than 100%, then you will need to manually change the colorant in the Digital file to match.\nPlease see Chris McGee for more information.");}
  
  // We should be done now with the PANTONE Bridge reference document, so close that.
  bridgeDoc.close(SaveOptions.DONOTSAVECHANGES);
  app.redraw();
  
  function addProcSwatch(swatchToGet, docSwatches)
  {
            var bridgeSwatch = docSwatches.getByName(swatchToGet);
            var newSwatch = workDoc.swatches.add();
            var spotName = bridgeSwatch.color.spot.name;
            var spotValue = bridgeSwatch.color.spot.getInternalColor();
            newSwatch.color = CMYKColor;
            newSwatch.name = spotName;
            newSwatch.color.cyan = spotValue[0];
            newSwatch.color.magenta = spotValue[1];
            newSwatch.color.yellow = spotValue[2];
            newSwatch.color.black = spotValue[3];
            return newSwatch;
  }
  
  function changePaths (colorName, newColor)
  {
            var allItems = workDoc.pathItems;
            for (var j = 0; j < allItems.length; j++)
            {
                      var thisPath = allItems[j];
                      if (thisPath.fillColor.typename == "SpotColor" && thisPath.fillColor.spot.name == colorName)
                      {
                                var thisTint = thisPath.fillColor.tint / 100;
  
                                thisPath.fillColor = newColor;
                                thisPath.fillColor.cyan *= thisTint;
                                thisPath.fillColor.magenta *= thisTint;
                                thisPath.fillColor.yellow *= thisTint;
                                thisPath.fillColor.black *= thisTint;
                      }
  
                      if (thisPath.fillColor.typename == "GradientColor")
                      {
                                for (var g = 0; g < thisPath.fillColor.gradient.gradientStops.length; g++)
                                {
                                          var gStop = thisPath.fillColor.gradient.gradientStops[g];
                                          if (gStop.color.typename == "SpotColor" && gStop.color.spot.name == colorName)
                                          {
                                                    var thisTint = gStop.color.tint / 100;
                                                    gStop.color = newColor;
  
                                                    gStop.color.cyan *= thisTint;
                                                    gStop.color.magenta *= thisTint;
                                                    gStop.color.yellow *= thisTint;
                                                    gStop.color.black *= thisTint;
                                          }
                                }
                      }
  
                      if (thisPath.strokeColor.typename == "SpotColor" && thisPath.strokeColor.spot.name == colorName)
                      {
                                var thisTint = thisPath.strokeColor.tint / 100;
  
                                thisPath.strokeColor = newColor;
                                thisPath.strokeColor.cyan *= thisTint;
                                thisPath.strokeColor.magenta *= thisTint;
                                thisPath.strokeColor.yellow *= thisTint;
                                thisPath.strokeColor.black *= thisTint;
                      }
  
                      if (thisPath.strokeColor.typename == "GradientColor")
                      {
                                for (var g = 0; g < thisPath.strokeColor.gradient.gradientStops.length; g++)
                                {
                                          var gStop = thisPath.strokeColor.gradient.gradientStops[g];
                                          if (gStop.color.typename == "SpotColor" && gStop.color.spot.name == colorName)
                                          {
                                                    var thisTint = gStop.color.tint / 100;
                                                    gStop.color = newColor;
  
                                                    gStop.color.cyan *= thisTint;
                                                    gStop.color.magenta *= thisTint;
                                                    gStop.color.yellow *= thisTint;
                                                    gStop.color.black *= thisTint;
                                          }
                                }
                      }
            }
  }
  
  function changeRasters (colorName, newColor)
  {
            var allRasters = workDoc.rasterItems;
            for (var j = 0; j < allRasters.length; j++)
            {
                      var thisRaster = allRasters[j];
                      if (thisRaster.channels > 1 && thisRaster.channels < 4 && thisRaster.colorizedGrayscale)
                      {
                                if (/^PANTONE/.test(thisRaster.colorants[0]) && thisRaster.colorants[0] == colorName)
                                {
                                          thisRaster.colorize(newColor);
                                          checkForTint = true;
                                }
                      }
            }
  }
  // That concludes all of the color-changing steps.
  

  I hope this helps someone else who is faced with this (admittedly unusual) situation.

• Choose shades of color in Photoshop

  Hello

  I use Illustrator most of the time and LIKE the color Guide that gives you shades of the selected color, is there something like this is Photoshop that I need the lighter and darker shades or various colors and don't want to keep going back to Illustrator for what I am working in Photoshop for this project?

  

  Thank you, any help is greatly appreciated.

  Even easier, actually just save everything in your library... Sorry I don't know how I forgot my beloved libraries!

• Swap in a set of shades of color?

  I'm working on a magazine that has a color scheme of three-swatch - three colors are used in various of paragraph and character styles. Each quarterly issue uses a different set of three colors to go with each season. I would do this as foolproof as possible - with features I already know, I can think of two methods:

  • Use three shades: primary, secondary, Accent, and change the CMYK values of them each time (them up in our style guide and by typing the values 12 ink).
  • Create twelve samples: primary spring, etc. and reallocate the seasonal nuances in different styles that have the color (a challenge to remember where they all are).

  None of those is ideal - both require to remember or maintain a list of something, either a new CMYK values set or a collection of styles that need reallocation. And because of this, two methods may errors.

  I assumed that InDesign was pretty fancy to have a smarter way to do, like the nuances of other shades or reallocation of a color group, or something. When I saw the tutorial on color groups, it seemed that their business card example was similar to my situation, but ultimately they didn't not to apply a group of samples for the cards in some sort of new - apparently the color groups are just a way to reduce the height of the list of the nuances. Is there a clever way to do what I think?

  When you delete a shade that is in use, you get a prompt to choose a replacement shade. So, if your model has named spring, primary, primary summer swatches, etc.; and the primary sample was used, you would be able to remove primary and replace it with the main spring. Global change, the instances of primary education in the doc.

• MOVING FROM A SHADE OF COLOR FROM ONE DOCUMENT TO ANOTHER

  Is it possible to copy a shade that I developed a document existing to a new Muse?

  For now, place a quantity of objects, assign the colors you want, paste the objects into a new document, and then delete them again. You will now find the colors in the swatch list.

  There is no order import/export for swatch in the moment. The Muse team cannot do everything at once. Unfortunately.

• Shade of color shows ONLY shades of gray on the gradient layer...?

  My color chart seems to be defaulting to only shades of gray on a gradient layer, and I can just find a way to let him replace the color I chose.  After that I created a new layer of gradient fill, when I have the layer selected in the layer list on the right side of the screen, color samples show ONLY gray.  If I click on the sample, it brings up the color selector, but no matter what color I select, the swatch shows shades of gray.  If I select the background layer, it goes back to show my color.

  There's probably a simple explanation to this problem, but I was searching Google for literally hours without finding an answer.  I found some similar questions have the response "go to Image, Mode, and make sure that RGB is selected."  Mine is already set to RGB, so it's not the question.

  How can I change the colors in a gradient fill layer, and why my color chart displays grayscale only when I selected gradient fill layer, even if by clicking on the color chart reveals the color picker?

  To change/edit the gradient colors, double click on the thumbnail of the gradient in the layers panel fill

  Then in the gradient fill box, click just to the right of the gradient word to change the colors

  In the gradient editor, click one of the stages of the color at the bottom of the gradient bar and click color to change the color of this judgment

  There is much more to the gradient to the room Editor to explain on the forum, so you can view the following for more information

  Photoshop elements help | Gradients

  Using Photoshop | Gradients

  The reason for which continues to show your color in levels of gray, is the layer mask is still active with adjustment layers in photoshop elements and layer masks are grayscale

  Photoshop elements help | Layer masks

  

• Sat Pro 4270: Small lines and shades of colors on the screen

  Model: Satellite pro 4270
  Problem: Fading of colors making vertikal lines (sometimes horizontal. Espacially Fotos are not well seen. Text is no problem and the laptop is still usable. The lines are a little wobbly: get shorter and longer.
  I tried a lot of things: it seams to have nothing to do with the o/s, cause I used Win 2000, XP, and Linux.
  When I use an external display I have no problem.
  I have the actual BIOS on the Toshiba WEB Site.
  Pressing on the screen does not change.

  Someone at - it an idea? (And sorry for my English!)

  For me, it looks like you have a problem with your graphics card.