"these past clips" pp because it is in FCP 7?

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• Re: how to limit these past years

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• Sansa clip plus and itunes - how to transfer files

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  Basically, I use itunes on Windows XP.  I just boughts liked a Sansa clip.

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  Then I went back to itunes and copied the files over.   This time, when I went to paste the files in Sansa Clip Plus in Windows Explorer, I found the option to paste is grayed out.

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• Can I use the patcher to indicate source where I want my GLUE CLIPS to go?

  I know that FOLLOW the TARGETING is the common way that first decides which track to place your pasted clip(s.) the clip appears on the LOWEST targeted track.

  It would be perfectly fine, if targeting track was ONLY used to paste... However, track targeting is used for all sorts of other things as well, like match frame, mark the clip and especially for me, the RIPPLE TRIM - which I use all the time in the edition of images... so well that I almost always ALL of my targeted tracks. (I use shortcuts ripple trim edit next/previous to the read head a LOT, and tracks need to be targeted so that it works.)

  The problem is that if I ever want to STICK anything, it ends up in the LOWER rail and replace images that I always here. To avoid this, I have to manually UN-target of some of the tracks on the bottom, press CTRL + V, and then re - target the so that I can continue normally edition

  I know not alt - drag clips to copy. I use it frequently, but it does not have to move some clips from other projects or sequences.

  Here's my question:

  There is an OPTION somewhere that I can switch, which uses the PATCH SOURCE to indicate the path where I want my pasted clips outward, rather than target tracking? Currently, source patch is used ONLY to indicate the way to insert or overwrite - that would be perfect for sticking in, IMO.

  If not, is there an option to cause the HIGHEST targeted track to be the indicator where a pasted clip should go? That would work too.

  I searched for an answer to this one, and I found a few other threads of people having the same problem. In these discussions, people seem to really understand what the problem is. I hope I've explained it well enough so that you can understand! If this isn't the case, you can see their explanations of the same thing, in these discussions:

  Re: Feature request: turn off tabs target set destination for copy paste

  EN: Option to match the very HIGH media enabled video track

  I ask the question again, because I'm not sure everyone understood the question of those other moments when it was requested! Also, maybe this feature has been added recently and there is no information about it.

  Someone knows something about this? Huh?

  Only the targeting is used for pasting.  Patching applies only to images loaded into the Source monitor, not in the Clipboard.

  However, you can set keyboard shortcuts for targeting.  Thus, a shortcut to erase, to target the specific track you need, paste, then a final shortened for all photos in Flickr to retarget.

  Is not ideal but maybe less clicking on in any case.

• FCC sees clips of camera clips

  I'm trying to share my project, but all the destination options are grayed out except creating new ones.  If I create a new then that is grayed out too.  I know it's maybe because there are 2 clips in the order FCP recognizes as "excerpts from camera", but they are imported from the reader, just as others were.  In addition, every time I close and reopen the library these two clips appear as missing and I need to re import them.  How can I change this?

  all the clips were imported from AVCHD files, but to create optimized media and create a proxy support.

  Help!  Thank you

  You always have access to that particular item.

  Use the re-import feature:

  

  Sometimes, this will not work.

  If so, delete the offline / s and re - import the clip/s.

  Al

• You need to stack Clip speed and change of a progressive wave on several clips in the same order.

  Hello! I hope you can help me, because I'm having a dickens of a time with this.

  I import a video file into Premiere Pro, throw in a sequence and start cutting it upward.

  In an 18 minute video, there are about 5 to 10 long 30 seconds speed clips of video I need to run to about 300%.

  This is, in my view, quite simple. Choose these clips and change the speed of a clip from 100% to 300%. Which works very well.

  However, in addition to that, I would like to add a filter to wave (noise) on these video clips to give the impression that these clips are being fast forwarded.

  So, I add a string of wave to each clip, changing Sine to noise, so on. For each filter, actually.

  Here's the curly part. The first clips of two or three, all play at 300 speed and appropriately twinkling like a band being fast passed very well, but after that the clips play speed 300, but the flicker filter is just stuck on a still image.

  The clip is played very much, but the progressive wave is static.

  I can't really think of a way around this. If I apply the wave to not accelerated clip, he plays very well. The only thing I can think is that I need to sort these speed 300 clips so they play just like that without the effect on her, but I prefer not having to go to another sequence, export, re - import and cut them.

  My apologies for the long-winded explanation! I hope that someone out there understands what I mean.

  Is what I am asking simply not possible?

  In any case, thanks for your help!

  Try to use an adjustment layer and copy the FX, (could also add a FX of strobe light to add a little Ribbon jump if you wish).

  Cover the clips that have need of the effect of the AL and adjust accordingly.  If you keep the AL on a dedicated track, you can disable it if necessary to prevent headaches and free up memory.

• Talked about the day differently audio clips

  Hi there, please help - :))

  I have several clips of creations audio .wav for learning project, that I'm building for online customer. However the clips are sounded differently (maybe because they were recorded each in another room). How can I make the most of the features unifying these audio clips?

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  I'm afraid you can't. It's a problem for the voice-over since they were invented.

  The problem is the human ear is very sensitive to the way sound people and can detect the smallest differences very easily. So if change you even the slightest thing on the way in which it is registered, it will be its different. And here is the differences that you just can't hide, I'm afraid - some people may even make the difference between someone in an identical configuration before and after lunch - what you eat and drink can alter your voice enough for some people to tell.

  The result of this is that if you want a voice-over for the same sound completely, however, you must save all at the same time and make sure that the person making it sipped anything else water at room temperature while making!

  The way that many people move discontinuities is to use a second voice, interspersed with the first, so that they alternate pieces of it. If there are major differences in the record, then even if it does not work.