Through dynamic color management

Hey guys.

I know I don't know too much about the management of colors now, but reading a how-to article related to this Board who suggested that all the comps should be set to a linearized workflow 32 bits (or 16) with the workspace sRGB 2.1.

So far, I found the colors to be more accurate than the default setting of AE and I love it. My problem is now a dynamic link with Premiere Pro.

I'm working on a sequence sent to me for a VFX'ing. Using dynamic links facilitates the work between the 2 programs, but when I work with colors above management parameters, the resulting image in AE looks fine, but the image in first update is darker several notches.

Is it possible for effective work through dynamic color management link between the 2 projects?

Thank you very much.

In fact, I advised you DO NOT linearize your workspace until you fully understand the linear workflow. Which, among other things, means that you should not workspace linearize in all EI projects. On the contrary, you have to understand when to linearize the and when not. This blogpost Stu Maschwitz, the link where I presented, contains many other links, including this one in the discussion on linear time to go.

Your current issue focuses on the issue that neither PrPro or SOUL is manageable (aware color) application. It can be corrected in several ways:

1 as Rick said, just disable linearize working space (it can ruin your correction of the current color as well).

2. apply the Gamma Correction effect on your comp dynamically linked in the chronology of PrPro (which is not quite correct work around this problem, in fact).

3. to not rebuild links dynamic before dialing which is in your linked dynamically comp now in another. In your linked comp dynamically updated go to the view menu and disable the use display color management. Apply on your layer demo and sRGB color profile converter, leaving entered a mode 'space project' by default output profile.

Tags: After Effects

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