Time remapping of these two A / V in multilayer Timeline?

Similar Questions

• Can't reposition the timeline for the time remapping effect

  I use Premiere Elements on a PC running Windows 8.1. I am trying to apply the time remapping effect to a section of an element. I've marked the beginning and the end of the segment I want to remap with markers of the scene. Set the timeline so that the segment that I intend to remap appears on the screen. When I click on the time remapping effect control (Tools |) Redefinition of the time), the timeline moves to the end of the clip, and I can't reposition to display the part I want to without leaving the screen of time remapping. How to keep or move the timeline on the part I want?

  When you select the option of time remapping in the tool button in the action bar, you should go to an any other workspace, one dedicated to the time remapping effect. You shouldn't see the chronology of regular edition.

  You click to select a clip on the timeline, then you click on tools, then time-remapping. Opens in the workspace of time remapping.

  Is this what is happening? It is not clear from your description.

  You are actually clicking to select one (and only one) clip on the timeline, before selecting the time remap tool, right?

• Why these two loops while cannot work at the same time?

  I place two same while loop in the block diagram, and then use highligt and one-step run function to observe their parallel operation.

  But I discovered that this two loop operate alternately and cannot operate simultaneously.

  Can someone help me understand this?

  My software environment:

  OS: Windows XP SP3

  LabVIEW: student editions 2011

  CPU: intel P8400

  Hi, GerdW

  Thanks for the reply

  I post a video to illustrate my question.

  While I press a strong of the run, I find that these two loops does not begin at the same time.

  While the execution of a loop, the border on the other became dark.

  It seems that during an iteration in loop 1 run, the loop2 keep waiting. and then the loop2 iterate while loop1 keep waiting.

  I do not know why this happens

  Sincerely

• Time-remapping creates white dots a frame before a transition.

  Hello.
  I made an animation with 2 scenes. I created a new composition with my finished animation where I activated the time remapping. In the last frame before the passage of the scene a scene two a lot of white dots appear on the screen. These points do not appear in the publication without the time remapping effect. I'll upload my AE file, so you can have a look.

  http://www.mediafire.com/download/nkdxqk5g9r7daq7/polygon.AEP
  Thanks in advance for the help.

  Ah... the look has the-Hollywood-fade. You can never forget the Immaculate appearance of this wonderful blend mode. Here's your culprit:

  

• Audio time remapping?

  Hello

  Is there a way of time-remmap the audio with Adobe CC? I need to gradually slow down a clip of music and then accelerate this return.

  Does anyone have experience with this?

  Also, I noticed that decreases the speed of a video clip is not the same as the use of the effect of the time-remmap. Is there a formula to find out how to synchronize clips with two effects? Mainly to synchronize audio and video clips.

  Thank you

  These help you?

  Time-remapping. No stupid Questions with Colin Smith | Adobe TV

  Pitch shifting and time remapping in Adobe Audition - YouTube

• Correspondence of time remapping with ramps for video editing of first CC 2015/output

  I would like to ask experts, which will be the best workflow...

  Location:

  I have the project with 50 + video segments where I have to slow down part of the clip to highlight some details (in my case - CIRC. enduro motorcycle - need to slow down the part where is visible some technical riding etc.).

  I use bulit Premiere Pro CC 2015 in the tools of the keyframe to select two points between where I change the speed for example at 50%. First has nice handles around the keyframes where I can create smooth ramp, so the change in speed is graduated.

  Insofar as simple here s

  But the first will not do the same with audio track associated with each clip. In the audio is for his example of the motorcycle.

  I need to have his original when the video is playing at 100% speed and its different from "lower pitch" when is slowed down and once again normal sound when is 100% video speed on the end.

  So I edited each audio segment to the points of the time remap keyframes, manually set the speed of the middle section and - it s horrible. Video slows gently while it is quite annoying audio changes.

  I need to make the same effect as what we were doing with Ribbon old VCRs in television production - smooth audio ramp corresponding to the video and return to full speed.

  As my knowledge about hearing is close to zero - I would like to ask at the front to start learning - I can do up in the hearing? What I have to do it every time from scratch or can I use existing keys from first images? Anyway how above 'automatic '? What workflow you have advice when I need to do it quite often many of these clips?

  Thank you much for the help.

  P. S. tried to find out, after a while with the help chat online too...

  Most of the discussions and tutorials is very old - there may be some new features in CC 2015 in order to do compare with 2011 toolset or almost. And in many video tutorials only covered - they talk about audio at all. But for audio track that I use, is the audio very good.

  Here is an example of a part of the timeline. I needed this project to do quickly, I decided to stretch the entire audio segments to match the new length of the video. It s not correct but it sounds better then it divides in three parts with a slow speed in the middle. Just to match audio speed changes in the Panel of video editing

  

  Not sure about the exchange of workflow with first for this type of effect.

  However the hearing can make the effect of change of speed/not very well using effects/time and Pitch/Pitch Bender. This uses a waveform envelope on with keyframes to vary the height must therefore ideal for your needs. In order to see where on the waveform, you need to place keyframes without doubt the best way is to place markers on audio in first at beginning and end of each ramp. These should be done through when you export audio in Audition where you should be able to match Pitch Bend keyframes to markers.

• Stabilizer of Warp and time remapping with 4 k clip in a sequence of 1080 p

  Hello

  I work with 4 k videos in a sequence of 1080 p. This way I can zoom the clips and get more details in some parts of my video.

  For some of my clips, I need to use the gradual stabilizing effect combined with time-remapping. To use stabilizer chain on my project, I need to create another sequence to adapt to my 4 k resolution, apply the chain stabilizer and then add this new sequence to my 1080 p sequence. Chain stabilizer works very well until the time remapping effect is applied. This new seens effect just neutralize the stabilizing effect of deformation.

  Is it possible to use these two effects combined with 4 k clips?

  Thank you!

  Try the k 4 nesting sequence before you add the time changes.

• What is the best way to stabilize the Warp has clip AND time remapping it?

  I can't do these two operations successfully.

  Any ideas?

  First time remapping.

  Nest.

  Teleport on the nested sequence.

• Time remapping key frames cause other keyframes become independent to where they are on the timeline

  This is the BUG report, in that I just sent. If anyone has anything to add.

  ******BUG******
  Concise problem statement:
  When I add the time remap keyframes to a clip, other keyframes become unrelated to the part of the timeline, on what they are.

  Steps to reproduce the bug:
  1. add TIME REMAP keyframes in a MONTAGE WITH of OTHER keyframes (AS the POSITIONING of KEY frames)
  2.
  3.

  Results: I HAVE CHANGE THE COORDINATES OF UP/DOWN AND THE CLIP DOES NOT MOVE YET, SO I RUB ALONG THE CLAMP AND IT MOVES UPWARDS OR DOWNWARDS TO A COMPLETELY DIFFERENT OF THE CLIP PART. AS SOON AS I HAVE TIME REMAPPING IT SCREWS TO THE TOP OF THE FEATURE OF THE EFFECT CONTROLS PANEL.

  Expected results: READ MORE TOP! TIME REMAPPING HAS BEEN BROKEN SINCE CS4 AS AS FAR AS I KNOW AND NOTHING HAS BEEN DONE ABOUT IT...  SO FRUSTRATING!

  I have always worked around him or avoided using the selective time remapping effect but I've had enough of him... It's like the ability to change the color of the fonts on this forum, non-functional (the last time I tried to use it), but I prefer being able to be editing as colorful letters time remapping, I paid for the time remapping in CS4 and CS5 effect.

  Peter

  > Yes I have feature request/Bug report page my favorites now, but I have little confidence in their sincere care or intent. Having recently learned that my upgrade to Production Premium CS5 made me eligible for a 'free advantage', I tried to make the request. I followed the links, there were two, and they both took me to the same page, a page that had NO top at all links (This Page here). I opened a 'customer care case' and they told me to go down that same path and choose my 'delivery '.

  Bug reports and feature requests go directly to the engineering basis for Premiere Pro team. People who treat and read these reports are right next to the Director of engineering, product manager and so on. I am the person who treats these reports for After Effects, and I work closely with the people who do it for Premiere Pro. These reports and applications are very important for us.

  People who treat the benefits of registration, on overall web pages, customer service, and so on... Well, they are in an entirely different group. You cannot draw conclusions on how we treat (good or bad) how bug reports are these other things.

  This is not to say that we are in the first team Pro can help get these other things fixed. I have, on the one hand, make it a point to emphasize issues like these to the appropriate people. I'll pick up the phone and call people to report problems as you mentioned here as soon as I hit submit on this response.

• What is the difference (if any) between iPhoto and iPhoto library? I managed to delete my pictures in freeing up space, but have a backup available. Do I have to download these two files in the pictures folder is one duplicate of the other?

  What is the difference (if any) between iPhoto and iPhoto library? I managed to delete my pictures in freeing up space, but have a backup available. I need to restore these two files in the folder images or one is one duplicate of the other?

  I use a MacBook Air 2013 model with a backup on a WD MyBook Duo disc for storage wireless as the Apple Time Machine.

  The Photos and the iPhoto library are totally separated - neither one is connected to the other somehow--you want to restore the library you need

  LN

• Can someone tell me what are these two programs and what they're doing, Microsoft Visual C++ Redistributable, and AMD USB Audio Driver filter?

  Can someone tell me what are these two programs and what they do?

  1 Microsoft Visual C ++ 2005 Redistributable 2. AMD USB Driver Audio Filter (Advanced MICRO Devices Inc.

  .

  Hello

  Here's the explanation for details, requested clarification on the following programs.
   
  1 Microsoft Visual C++ 2005 Redistributable
   
  Most common programs are written in a program called C and C++, which is widely used by developers and they are a source of standard libraries what software use to support and to perform their designated functions.
  
  When software is installed in the computer, he needs help / support of software of Visual C++, in order to avoid a software to download the copy of its source or support a coding Windows has integrated the software and download and storage space a s it updated to make it available to the software and to avoid unnecessary.
  It is strongly recommended that you keep your C++ updating so that no Microsoft software or third party to download an individual component each time.
   
  http://www.Microsoft.com/downloads/details.aspx?displaylang=%20%20%20EN&FamilyID=766a6af7-ec73-40ff-B072-9112bab119c2#AdditionalInfo
   
  2. filter driver Audio USB AMD (Advanced MICRO Devices Inc.
   
  It is possible that you are using a product from AMD (card mother or specific device) and this particular software can be a pilot allowing filters update USB ensure operation smooth and full and for a device and its properties.
   
  Please let us know if you are facing problems with the software above, to receive the appropriate troubleshooting steps.

• I currently have a creative cloud with an e-mail account, however I have a behance with an e-mail account that I have had for many years (even Adobe and Behance made before part of the same group). Can I combine these two accounts into one?

  I currently have a creative cloud with an e-mail account, however I have a behance with an e-mail account that I have had for many years (even Adobe and Behance made before part of the same group). Can I combine these two accounts into one? I want to use the account that I pay cloud Creative if I can use the new portfolio feature.

  Thank you.

  This is an open forum, not Adobe support... below to connect with Adobe personnel to help

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• I have two e-mail accounts, each has two licenses, how can I have these two licenses only by email?

  I have two e-mail accounts, each has two licenses, how can I have these two licenses only by email?

  Since this is an open forum, not Adobe support... you must contact Adobe personnel to help

  Chat/phone: Mon - Fri 05:00-19:00 (US Pacific Time)<=== note="" days="" and="">

  Don't forget to stay signed with your Adobe ID before accessing the link below

  Creative cloud support (all creative cloud customer service problems)

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• Visualization of music. Time remapping problem!

  Hey everybody. I played with visualization of music after effects a little and now I'm in a bit of a pickle. Many channels of music publishing have visualizations with particles and or animations that change speed based on the music. I have a copy of Trapcode soundkeys so I can turn the music in keyframes and achieve such animations, but here's my problem.

  If I time remap a composition playing time * 1 + Enter keys sound after the typing animation kick goes to the rear where it would have been without the kick. Is there a way to make a demo you time remapping only go forward? Y at - it a way of expression that checks the value of the last image and I'm way off?

  For example Monstercat make their background of particles. Is the speed of the particle generator ramp or there at - it a way to get similar effects of time remapping, so it could be used on more varied and interesting effects. Any help and responses are greatly appreciated!

  Video example:

  [E] - Stephen works - Porkchop Express [version Monstercat] - YouTube

  Thank you very much!

  Tapio-

  Managed to get what I wanted with this practical guide to Dan Ebberts: Expression of speed and frequency

  I don't even think of using the integrals and others. Now, I can input to output of soundkeys in a sheath of control that integrates it and cumulatively becomes bigger and bigger that the sound happens so. Then I can make the time remapping effect following.

  I'll have to play with all these new possibilities!

• time remapping only keyframes.

  I know it's possible to control selection of kinship between the comp. so that the blades in a model cursors or wha Ewer in one other comp. but is it possible to time remapping those keyframes.

  
  

  lets say I have a lets comp. call comp (1) it has a solid blue, a solid red and a comp (2) containing a layer of setting with 2 sliders.

  
  

  in comp (2) I animate the slider that the slider, it starts at 0 we a second goes up to 100 more. slider 2 starts at 0, then up to a 100 while cursor one falls down... or something like that...

  
  

  I am now able to choose the cursor to whip one and two for the opacity of the red and solid blue in comp (1).

  
  

  Now when I play comp (1) solid red goes from 0 to 100 and then the blue charge to do the same thing.

  
  

  Here's the question:

  
  

  I hope that when I have the time remapped Comp (2) comp (1) solids would fade and go down faster or slower depending on how I have time remapped comp (2) I comp (1).

  but it backs do not work as I expected. keyframes don't move at all, but are kept synchronized whit timecode regardless of my time-remapping.

  is there a way that I can time remap keyframes...

  hope that makes sense.

  If you change a cam multi session in AE you do not use the software as it was designed. Your model will be a mess, check timing on cuts is extremely painful and difficult, changes will be almost impossible and it will take ten times longer than the cutting project in Premiere Pro. AE is not a Publisher. AE was specifically designed to create Visual effects or motion graphics shots or in some cases, a few sequences that you change in a move in a NLE such as Premiere Pro. 90% of my comps AE are less than 7 seconds, because 90% of my cuts in all the movies I make are less than 7 seconds. If you set up your multi cam project in Premiere Pro Cup Multi Cam can be almost as fast as direct switching. You just need to learn how do.

  If you need to perform processing of your shots in AE and then cut it into Premiere Pro, choose the photos you want to fix first. If they are short, and then use dynamic link to process the shots in AE. If every time a need for treatment or plans are long, depending on the settings that you want to do, a better option is to make a digital intermediate (DI) by using a lossless format (or better yet a 10bits or better DI) and do your treatment in AE, and then change the final output in Premiere Pro. Since it is a music production, you'll also want to do your final mix in Audition to take full advantage of the tools available to improve playback of your music.

  If you really want to use a cursor to cut between the two cameras, then that is easily done by linking the opacity for the two layers for a cursor that you animate from 0 to 100. You simply place 100 - in front of the expression of the second camera. If you have two cameras, you could add a checkbox and an if statement then you should change the box to change between 1 and 3 or camera camera 2 and 3. It would quickly become a complex montage and time consuming, and it's never going to be as fast or as efficient as the editing in Premiere Pro using the multi camera configuration.

  If you really want to try it should look like this for 2 cameras:

  Place your cursor on the opacity layer and name it the cursor something meaningful like 'change Camera.

  Camera layer opacity 1.

  thisComp.layer("Controller").effect ("change Camera")("Slider")

  The opacity of the layer camera 2.

  100 - thisComp.layer("Controller").effect ("change Camera")("Slider")
  It will look like this:
  
  Who's going to do in AE and give you an overlap perfect between the cameras, but I wouldn't try to make that kind of a tool for editing in AE in the first place.
  EDIT: I forgot to mention that if you do not want a dip in brightness when melted between the cameras, you must set the blending mode to add Alpha. You do not have the problem in Premiere Pro.